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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 133 194 it is the complementary color RGB 66 122 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 133 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 133 194 shade: RGB 194 133 189, RGB 211 151 208, RGB 228 169 227, RGB 245 187 246 and RGB 255 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 133 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 133 194 shade: RGB 189 133 194, RGB 172 115 175, RGB 155 97 156, RGB 138 79 137 and RGB 121 61 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 133 194 shade: RGB 188 132 193, RGB 193 132 182, RGB 193 132 165, RGB 193 132 149 and RGB 193 132 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 133 194 shade: RGB 188 132 193, RGB 172 132 193, RGB 155 132 193, RGB 139 132 193 and RGB 132 132 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 133 194 shade matches the following richer shades: RGB 188 132 193, RGB 200 118 208, RGB 213 103 223, RGB 225 88 238 and RGB 238 73 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 133 194 shade: RGB 188 132 193, RGB 176 147 178, RGB 163 162 163, RGB 151 177 148 and RGB 138 192 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 133 194 shade: RGB 156 132 193, RGB 172 132 193, RGB 188 132 193, RGB 193 132 182 and RGB 193 132 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 133 194 shade: RGB 155 81 162, RGB 173 105 179, RGB 188 132 193, RGB 203 160 207 and RGB 218 187 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 133 194 shade: RGB 189 133 194, RGB 193 139 132 and RGB 132 193 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 133 194 shade: RGB 189 133 194, RGB 193 188 132 and RGB 132 193 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 133 194 shade: RGB 189 133 194, RGB 193 139 132, RGB 137 193 132 and RGB 132 186 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 133 194 shade: RGB 189 133 194, RGB 193 158 132, RGB 137 193 132 and RGB 132 168 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

Complementary color

CMYK 46 / 0 / 50 / 52

HEX #427A3D

RGB 66 122 61

HSL 115.08, 0.33%, 0.36%

LAB 46.2, -31.66, 27.65

 

CMYK 0 / 31 / 3 / 24

HEX #C285BD

RGB 194 133 189

HSL 304.92, 0.33%, 0.64%

LAB 63.28, 32.43, -19.86

 

CMYK 0 / 28 / 1 / 17

HEX #D397D0

RGB 211 151 208

HSL 303, 0.41%, 0.71%

LAB 69.85, 31.74, -20.3

 

CMYK 0 / 26 / 0 / 11

HEX #E4A9E3

RGB 228 169 227

HSL 301.02, 0.52%, 0.78%

LAB 76.32, 31.08, -20.72

 

CMYK 0 / 24 / 0 / 4

HEX #F5BBF6

RGB 245 187 246

HSL 298.98, 0.77%, 0.85%

LAB 82.7, 30.47, -21.12

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

CMYK 2 / 34 / 0 / 31

HEX #AC73AF

RGB 172 115 175

HSL 297, 0.27%, 0.57%

LAB 56.21, 32.46, -22.89

 

CMYK 1 / 38 / 0 / 39

HEX #9B619C

RGB 155 97 156

HSL 298.98, 0.23%, 0.5%

LAB 49.4, 33.24, -22.48

 

CMYK 0 / 43 / 1 / 46

HEX #8A4F89

RGB 138 79 137

HSL 301.02, 0.27%, 0.43%

LAB 42.46, 34.03, -22

 

CMYK 0 / 50 / 2 / 53

HEX #793D76

RGB 121 61 118

HSL 303, 0.33%, 0.36%

LAB 35.42, 34.81, -21.4

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 0 / 32 / 6 / 24

HEX #C184B6

RGB 193 132 182

HSL 310.82, 0.33%, 0.64%

LAB 62.69, 31.37, -16.8

 

CMYK 0 / 32 / 15 / 24

HEX #C184A5

RGB 193 132 165

HSL 327.54, 0.33%, 0.64%

LAB 62.13, 28.42, -7.98

 

CMYK 0 / 32 / 23 / 24

HEX #C18495

RGB 193 132 149

HSL 343.28, 0.33%, 0.64%

LAB 61.66, 25.9, 0.45

 

CMYK 0 / 32 / 31 / 24

HEX #C18485

RGB 193 132 133

HSL 359.02, 0.33%, 0.64%

LAB 61.25, 23.62, 8.99

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 11 / 32 / 0 / 24

HEX #AC84C1

RGB 172 132 193

HSL 279.34, 0.33%, 0.64%

LAB 60.89, 26.58, -25.97

 

CMYK 20 / 32 / 0 / 24

HEX #9B84C1

RGB 155 132 193

HSL 262.62, 0.33%, 0.64%

LAB 59.27, 21.19, -28.6

 

CMYK 28 / 32 / 0 / 24

HEX #8B84C1

RGB 139 132 193

HSL 246.89, 0.33%, 0.64%

LAB 57.89, 16.28, -30.86

 

CMYK 32 / 32 / 0 / 24

HEX #8484C1

RGB 132 132 193

HSL 240, 0.33%, 0.64%

LAB 57.33, 14.21, -31.77

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 4 / 43 / 0 / 18

HEX #C876D0

RGB 200 118 208

HSL 294.67, 0.49%, 0.64%

LAB 61.47, 45.94, -33.28

 

CMYK 4 / 54 / 0 / 13

HEX #D567DF

RGB 213 103 223

HSL 295, 0.65%, 0.64%

LAB 60.94, 59.83, -42.43

 

CMYK 5 / 63 / 0 / 7

HEX #E158EE

RGB 225 88 238

HSL 294.8, 0.82%, 0.64%

LAB 60.92, 71.99, -50.72

 

CMYK 6 / 71 / 0 / 1

HEX #EE49FC

RGB 238 73 252

HSL 295.31, 0.97%, 0.64%

LAB 61.63, 82.59, -57.25

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 1 / 17 / 0 / 30

HEX #B093B2

RGB 176 147 178

HSL 296.13, 0.17%, 0.64%

LAB 64.41, 16.41, -12.11

 

CMYK 0 / 1 / 0 / 36

HEX #A3A2A3

RGB 163 162 163

HSL 300, 0.01%, 0.64%

LAB 66.73, 0.55, -0.4

 

CMYK 15 / 0 / 16 / 31

HEX #97B194

RGB 151 177 148

HSL 113.79, 0.16%, 0.64%

LAB 69.58, -14.56, 11.89

 

CMYK 28 / 0 / 30 / 25

HEX #8AC086

RGB 138 192 134

HSL 115.86, 0.32%, 0.64%

LAB 72.78, -29, 23.74

 

CMYK 19 / 32 / 0 / 24

HEX #9C84C1

RGB 156 132 193

HSL 263.61, 0.33%, 0.64%

LAB 59.36, 21.5, -28.45

 

CMYK 11 / 32 / 0 / 24

HEX #AC84C1

RGB 172 132 193

HSL 279.34, 0.33%, 0.64%

LAB 60.89, 26.58, -25.97

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 0 / 32 / 6 / 24

HEX #C184B6

RGB 193 132 182

HSL 310.82, 0.33%, 0.64%

LAB 62.69, 31.37, -16.8

 

CMYK 0 / 32 / 14 / 24

HEX #C184A6

RGB 193 132 166

HSL 326.56, 0.33%, 0.64%

LAB 62.16, 28.59, -8.51

 

CMYK 4 / 50 / 0 / 36

HEX #9B51A2

RGB 155 81 162

HSL 294.81, 0.33%, 0.48%

LAB 46.26, 43.13, -30.89

 

CMYK 3 / 41 / 0 / 30

HEX #AD69B3

RGB 173 105 179

HSL 295.14, 0.33%, 0.56%

LAB 54.28, 39.08, -28.17

 

CMYK 3 / 32 / 0 / 24

HEX #BC84C1

RGB 188 132 193

HSL 295.08, 0.33%, 0.64%

LAB 62.54, 31.77, -23.29

 

CMYK 2 / 23 / 0 / 19

HEX #CBA0CF

RGB 203 160 207

HSL 294.89, 0.33%, 0.72%

LAB 71.11, 23.98, -17.92

 

CMYK 1 / 15 / 0 / 13

HEX #DABBDD

RGB 218 187 221

HSL 294.71, 0.33%, 0.8%

LAB 79.42, 16.98, -12.89

 

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

CMYK 0 / 28 / 32 / 24

HEX #C18B84

RGB 193 139 132

HSL 6.89, 0.33%, 0.64%

LAB 62.9, 19.62, 11.9

 

CMYK 32 / 0 / 15 / 24

HEX #84C1A4

RGB 132 193 164

HSL 151.48, 0.33%, 0.64%

LAB 73.37, -25.85, 8.39

 

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

CMYK 0 / 3 / 32 / 24

HEX #C1BC84

RGB 193 188 132

HSL 55.08, 0.33%, 0.64%

LAB 75.43, -6.91, 29.03

 

CMYK 32 / 0 / 3 / 24

HEX #84C1BC

RGB 132 193 188

HSL 175.08, 0.33%, 0.64%

LAB 73.98, -20.6, -3.75

 

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

CMYK 0 / 28 / 32 / 24

HEX #C18B84

RGB 193 139 132

HSL 6.89, 0.33%, 0.64%

LAB 62.9, 19.62, 11.9

 

CMYK 29 / 0 / 32 / 24

HEX #89C184

RGB 137 193 132

HSL 115.08, 0.33%, 0.64%

LAB 72.97, -30.14, 25.06

 

CMYK 32 / 4 / 0 / 24

HEX #84BAC1

RGB 132 186 193

HSL 186.89, 0.33%, 0.64%

LAB 72.14, -15.84, -9.2

 

CMYK 3 / 31 / 0 / 24

HEX #BD85C2

RGB 189 133 194

HSL 295.08, 0.33%, 0.64%

LAB 62.92, 31.73, -23.27

 

CMYK 0 / 18 / 32 / 24

HEX #C19E84

RGB 193 158 132

HSL 25.57, 0.33%, 0.64%

LAB 67.62, 9.15, 18.46

 

CMYK 29 / 0 / 32 / 24

HEX #89C184

RGB 137 193 132

HSL 115.08, 0.33%, 0.64%

LAB 72.97, -30.14, 25.06

 

CMYK 32 / 13 / 0 / 24

HEX #84A8C1

RGB 132 168 193

HSL 204.59, 0.33%, 0.64%

LAB 67.1, -6.25, -16.78

 

Description

Color code: RGB 189 133 194 | qconv.com Color code: RGB 189 133 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 133 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 133 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 31 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 31% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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