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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 142 59 it is the complementary color RGB 66 113 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 142 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 142 59 shade: RGB 194 142 54, RGB 211 160 73, RGB 228 178 92, RGB 245 196 111 and RGB 255 214 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 142 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 172 124 40, RGB 155 106 21, RGB 138 88 2 and RGB 121 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 189 107 59, RGB 189 72 59 and RGB 189 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 189 177 59, RGB 166 189 59, RGB 131 189 59 and RGB 96 189 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 142 59 shade matches the following richer shades: RGB 189 142 59, RGB 210 148 39 and RGB 230 154 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 169 137 80, RGB 149 131 100, RGB 129 126 120 and RGB 109 120 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 142 59 shade: RGB 189 72 59, RGB 189 107 59, RGB 189 142 59, RGB 189 176 59 and RGB 168 189 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 142 59 shade: RGB 127 95 40, RGB 158 119 50, RGB 189 142 59, RGB 202 161 88 and RGB 212 178 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 81 189 59 and RGB 90 59 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 59 189 142 and RGB 142 59 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 81 189 59, RGB 59 107 189 and RGB 168 59 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 142 59 shade: RGB 189 142 59, RGB 59 189 77, RGB 59 107 189 and RGB 189 59 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

Complementary color

CMYK 66 / 42 / 0 / 23

HEX #4271C4

RGB 66 113 196

HSL 218.31, 0.52%, 0.51%

LAB 48.2, 11.01, -48.14

 

CMYK 0 / 27 / 72 / 24

HEX #C28E36

RGB 194 142 54

HSL 37.71, 0.56%, 0.49%

LAB 62.58, 11.26, 52.51

 

CMYK 0 / 24 / 65 / 17

HEX #D3A049

RGB 211 160 73

HSL 37.83, 0.61%, 0.56%

LAB 69.09, 9.9, 51.41

 

CMYK 0 / 22 / 60 / 11

HEX #E4B25C

RGB 228 178 92

HSL 37.94, 0.72%, 0.63%

LAB 75.52, 8.74, 50.14

 

CMYK 0 / 20 / 55 / 4

HEX #F5C46F

RGB 245 196 111

HSL 38.06, 0.87%, 0.7%

LAB 81.86, 7.74, 48.84

 

CMYK 0 / 16 / 49 / 0

HEX #FFD682

RGB 255 214 130

HSL 40.32, 1%, 0.75%

LAB 87.47, 4.08, 46.59

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 28 / 77 / 33

HEX #AC7C28

RGB 172 124 40

HSL 38.18, 0.62%, 0.42%

LAB 55.42, 10.81, 50.5

 

CMYK 0 / 32 / 86 / 39

HEX #9B6A15

RGB 155 106 21

HSL 38.06, 0.76%, 0.35%

LAB 48.67, 12.59, 50.68

 

CMYK 0 / 36 / 99 / 46

HEX #8A5802

RGB 138 88 2

HSL 37.94, 0.97%, 0.27%

LAB 41.82, 14.7, 49.6

 

CMYK 0 / 42 / 100 / 53

HEX #794600

RGB 121 70 0

HSL 34.71, 1%, 0.24%

LAB 34.89, 17.27, 44.52

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 43 / 69 / 26

HEX #BD6B3B

RGB 189 107 59

HSL 22.15, 0.52%, 0.49%

LAB 53.65, 28.59, 40.39

 

CMYK 0 / 62 / 69 / 26

HEX #BD483B

RGB 189 72 59

HSL 6, 0.52%, 0.49%

LAB 46.67, 46.31, 32.32

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 6 / 69 / 26

HEX #BDB13B

RGB 189 177 59

HSL 54.46, 0.52%, 0.49%

LAB 71.27, -9.44, 59.1

 

CMYK 12 / 0 / 69 / 26

HEX #A6BD3B

RGB 166 189 59

HSL 70.62, 0.52%, 0.49%

LAB 72.77, -25.24, 60.02

 

CMYK 31 / 0 / 69 / 26

HEX #83BD3B

RGB 131 189 59

HSL 86.77, 0.52%, 0.49%

LAB 70.55, -39, 57.04

 

CMYK 49 / 0 / 69 / 26

HEX #60BD3B

RGB 96 189 59

HSL 102.92, 0.52%, 0.49%

LAB 68.89, -50.73, 54.8

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 30 / 81 / 18

HEX #D29427

RGB 210 148 39

HSL 38.25, 0.69%, 0.49%

LAB 65.77, 14.37, 62.02

 

CMYK 0 / 33 / 92 / 10

HEX #E69A13

RGB 230 154 19

HSL 38.39, 0.85%, 0.49%

LAB 69.46, 19.34, 71.24

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 19 / 53 / 34

HEX #A98950

RGB 169 137 80

HSL 38.43, 0.36%, 0.49%

LAB 58.89, 4.9, 34.93

 

CMYK 0 / 12 / 33 / 42

HEX #958364

RGB 149 131 100

HSL 37.96, 0.2%, 0.49%

LAB 55.63, 1.99, 19.29

 

CMYK 0 / 2 / 7 / 49

HEX #817E78

RGB 129 126 120

HSL 40, 0.04%, 0.49%

LAB 52.89, -0.02, 3.66

 

CMYK 22 / 14 / 0 / 45

HEX #6D788C

RGB 109 120 140

HSL 218.71, 0.12%, 0.49%

LAB 50.19, 0.53, -12.24

 

CMYK 0 / 62 / 69 / 26

HEX #BD483B

RGB 189 72 59

HSL 6, 0.52%, 0.49%

LAB 46.67, 46.31, 32.32

 

CMYK 0 / 43 / 69 / 26

HEX #BD6B3B

RGB 189 107 59

HSL 22.15, 0.52%, 0.49%

LAB 53.65, 28.59, 40.39

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 7 / 69 / 26

HEX #BDB03B

RGB 189 176 59

HSL 54, 0.52%, 0.49%

LAB 71, -8.92, 58.83

 

CMYK 11 / 0 / 69 / 26

HEX #A8BD3B

RGB 168 189 59

HSL 69.69, 0.52%, 0.49%

LAB 72.92, -24.41, 60.21

 

CMYK 0 / 25 / 69 / 50

HEX #7F5F28

RGB 127 95 40

HSL 37.93, 0.52%, 0.33%

LAB 42.54, 6.8, 35.62

 

CMYK 0 / 25 / 68 / 38

HEX #9E7732

RGB 158 119 50

HSL 38.33, 0.52%, 0.41%

LAB 52.61, 7.84, 42.65

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 0 / 20 / 56 / 21

HEX #CAA158

RGB 202 161 88

HSL 38.42, 0.52%, 0.57%

LAB 68.57, 6.58, 43.29

 

CMYK 0 / 16 / 43 / 17

HEX #D4B278

RGB 212 178 120

HSL 37.83, 0.52%, 0.65%

LAB 74.31, 4.59, 34.18

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 57 / 0 / 69 / 26

HEX #51BD3B

RGB 81 189 59

HSL 109.85, 0.52%, 0.49%

LAB 68.36, -54.86, 54.08

 

CMYK 52 / 69 / 0 / 26

HEX #5A3BBD

RGB 90 59 189

HSL 254.31, 0.52%, 0.49%

LAB 35.94, 46.13, -63.81

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 69 / 0 / 25 / 26

HEX #3BBD8E

RGB 59 189 142

HSL 158.31, 0.52%, 0.49%

LAB 68.95, -46.31, 13.69

 

CMYK 25 / 69 / 0 / 26

HEX #8E3BBD

RGB 142 59 189

HSL 278.31, 0.52%, 0.49%

LAB 42.08, 56.2, -53.55

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 57 / 0 / 69 / 26

HEX #51BD3B

RGB 81 189 59

HSL 109.85, 0.52%, 0.49%

LAB 68.36, -54.86, 54.08

 

CMYK 69 / 43 / 0 / 26

HEX #3B6BBD

RGB 59 107 189

HSL 217.85, 0.52%, 0.49%

LAB 45.8, 11.12, -47.97

 

CMYK 11 / 69 / 0 / 26

HEX #A83BBD

RGB 168 59 189

HSL 290.31, 0.52%, 0.49%

LAB 45.81, 61.86, -47.37

 

CMYK 0 / 25 / 69 / 26

HEX #BD8E3B

RGB 189 142 59

HSL 38.31, 0.52%, 0.49%

LAB 62.07, 9.33, 49.58

 

CMYK 69 / 0 / 59 / 26

HEX #3BBD4D

RGB 59 189 77

HSL 128.31, 0.52%, 0.49%

LAB 67.92, -57.82, 45.69

 

CMYK 69 / 43 / 0 / 26

HEX #3B6BBD

RGB 59 107 189

HSL 217.85, 0.52%, 0.49%

LAB 45.8, 11.12, -47.97

 

CMYK 0 / 69 / 9 / 26

HEX #BD3BAC

RGB 189 59 172

HSL 307.85, 0.52%, 0.49%

LAB 48.17, 63.84, -33.46

 

Description

Color code: RGB 189 142 59 | qconv.com Color code: RGB 189 142 59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 142 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 142 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 69 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 69% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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