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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 155 70 it is the complementary color RGB 66 100 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 155 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 155 70 shade: RGB 194 155 65, RGB 211 173 84, RGB 228 191 103, RGB 245 209 122 and RGB 255 227 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 155 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 155 70 shade: RGB 189 155 70, RGB 172 137 51, RGB 155 119 32, RGB 138 101 13 and RGB 121 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 155 70 shade: RGB 188 155 71, RGB 188 123 71, RGB 188 91 71 and RGB 188 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 155 70 shade: RGB 188 155 71, RGB 188 186 71, RGB 158 188 71, RGB 127 188 71 and RGB 95 188 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 155 70 shade matches the following richer shades: RGB 188 155 71, RGB 208 163 51, RGB 229 172 30 and RGB 249 181 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 155 70 shade: RGB 188 155 71, RGB 168 146 91, RGB 148 137 111, RGB 128 129 131 and RGB 107 120 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 155 70 shade: RGB 188 90 71, RGB 188 122 71, RGB 188 153 71, RGB 188 184 71 and RGB 161 188 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 155 70 shade: RGB 130 106 47, RGB 160 131 57, RGB 188 155 71, RGB 199 171 101 and RGB 210 188 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 155 70 shade: RGB 189 155 70, RGB 83 188 71 and RGB 106 71 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 155 70 shade: RGB 189 155 70, RGB 71 188 153 and RGB 153 71 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 155 70 shade: RGB 189 155 70, RGB 83 188 71, RGB 71 106 188 and RGB 177 71 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 155 70 shade: RGB 189 155 70, RGB 71 188 94, RGB 71 106 188 and RGB 188 71 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

Complementary color

CMYK 64 / 46 / 0 / 27

HEX #4264B9

RGB 66 100 185

HSL 222.86, 0.47%, 0.49%

LAB 43.91, 15.3, -48.65

 

CMYK 0 / 20 / 66 / 24

HEX #C29B41

RGB 194 155 65

HSL 41.86, 0.51%, 0.51%

LAB 65.98, 4.77, 51.19

 

CMYK 0 / 18 / 60 / 17

HEX #D3AD54

RGB 211 173 84

HSL 42.05, 0.59%, 0.58%

LAB 72.48, 3.67, 50.03

 

CMYK 0 / 16 / 55 / 11

HEX #E4BF67

RGB 228 191 103

HSL 42.24, 0.7%, 0.65%

LAB 78.89, 2.73, 48.79

 

CMYK 0 / 15 / 50 / 4

HEX #F5D17A

RGB 245 209 122

HSL 42.44, 0.86%, 0.72%

LAB 85.21, 1.93, 47.53

 

CMYK 0 / 11 / 45 / 0

HEX #FFE38D

RGB 255 227 141

HSL 45.26, 1%, 0.78%

LAB 90.84, -1.52, 45.39

 

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

CMYK 0 / 20 / 70 / 33

HEX #AC8933

RGB 172 137 51

HSL 42.64, 0.54%, 0.44%

LAB 58.88, 4.1, 49.28

 

CMYK 0 / 23 / 79 / 39

HEX #9B7720

RGB 155 119 32

HSL 42.44, 0.66%, 0.37%

LAB 52.14, 5.55, 49.88

 

CMYK 0 / 27 / 91 / 46

HEX #8A650D

RGB 138 101 13

HSL 42.24, 0.83%, 0.3%

LAB 45.28, 7.32, 49.38

 

CMYK 0 / 31 / 100 / 53

HEX #795300

RGB 121 83 0

HSL 41.16, 1%, 0.24%

LAB 38.29, 9.49, 46.75

 

CMYK 0 / 18 / 62 / 26

HEX #BC9B47

RGB 188 155 71

HSL 43.08, 0.47%, 0.51%

LAB 65.43, 2.55, 47.62

 

CMYK 0 / 35 / 62 / 26

HEX #BC7B47

RGB 188 123 71

HSL 26.67, 0.47%, 0.51%

LAB 57.38, 20.16, 38.37

 

CMYK 0 / 52 / 62 / 26

HEX #BC5B47

RGB 188 91 71

HSL 10.26, 0.47%, 0.51%

LAB 50.25, 37.42, 29.74

 

CMYK 0 / 62 / 62 / 26

HEX #BC4747

RGB 188 71 71

HSL 0, 0.47%, 0.51%

LAB 46.52, 47.13, 25.04

 

CMYK 0 / 18 / 62 / 26

HEX #BC9B47

RGB 188 155 71

HSL 43.08, 0.47%, 0.51%

LAB 65.43, 2.55, 47.62

 

CMYK 0 / 1 / 62 / 26

HEX #BCBA47

RGB 188 186 71

HSL 58.97, 0.47%, 0.51%

LAB 73.72, -13.79, 56.68

 

CMYK 16 / 0 / 62 / 26

HEX #9EBC47

RGB 158 188 71

HSL 75.38, 0.47%, 0.51%

LAB 72.02, -27.2, 54.19

 

CMYK 32 / 0 / 62 / 26

HEX #7FBC47

RGB 127 188 71

HSL 91.28, 0.47%, 0.51%

LAB 70.13, -39.06, 51.57

 

CMYK 49 / 0 / 62 / 26

HEX #5FBC47

RGB 95 188 71

HSL 107.69, 0.47%, 0.51%

LAB 68.65, -49.53, 49.51

 

CMYK 0 / 18 / 62 / 26

HEX #BC9B47

RGB 188 155 71

HSL 43.08, 0.47%, 0.51%

LAB 65.43, 2.55, 47.62

 

CMYK 0 / 22 / 75 / 18

HEX #D0A333

RGB 208 163 51

HSL 42.8, 0.63%, 0.51%

LAB 69.36, 5.86, 60.93

 

CMYK 0 / 25 / 87 / 10

HEX #E5AC1E

RGB 229 172 30

HSL 42.81, 0.79%, 0.51%

LAB 73.71, 9.54, 72.1

 

CMYK 0 / 27 / 96 / 2

HEX #F9B50A

RGB 249 181 10

HSL 42.93, 0.95%, 0.51%

LAB 78, 13.11, 79.63

 

CMYK 0 / 18 / 62 / 26

HEX #BC9B47

RGB 188 155 71

HSL 43.08, 0.47%, 0.51%

LAB 65.43, 2.55, 47.62

 

CMYK 0 / 13 / 46 / 34

HEX #A8925B

RGB 168 146 91

HSL 42.86, 0.31%, 0.51%

LAB 61.34, 0.57, 32.1

 

CMYK 0 / 7 / 25 / 42

HEX #94896F

RGB 148 137 111

HSL 42.16, 0.15%, 0.51%

LAB 57.4, -0.23, 15.46

 

CMYK 2 / 2 / 0 / 49

HEX #808183

RGB 128 129 131

HSL 220, 0.01%, 0.51%

LAB 53.95, 0.03, -1.22

 

CMYK 30 / 21 / 0 / 40

HEX #6B7898

RGB 107 120 152

HSL 222.67, 0.18%, 0.51%

LAB 50.48, 2.93, -18.85

 

CMYK 0 / 52 / 62 / 26

HEX #BC5A47

RGB 188 90 71

HSL 9.74, 0.47%, 0.51%

LAB 50.05, 37.93, 29.49

 

CMYK 0 / 35 / 62 / 26

HEX #BC7A47

RGB 188 122 71

HSL 26.15, 0.47%, 0.51%

LAB 57.14, 20.72, 38.09

 

CMYK 0 / 19 / 62 / 26

HEX #BC9947

RGB 188 153 71

HSL 42.05, 0.47%, 0.51%

LAB 64.91, 3.64, 47.04

 

CMYK 0 / 2 / 62 / 26

HEX #BCB847

RGB 188 184 71

HSL 57.95, 0.47%, 0.51%

LAB 73.17, -12.76, 56.1

 

CMYK 14 / 0 / 62 / 26

HEX #A1BC47

RGB 161 188 71

HSL 73.85, 0.47%, 0.51%

LAB 72.23, -25.99, 54.47

 

CMYK 0 / 18 / 64 / 49

HEX #826A2F

RGB 130 106 47

HSL 42.65, 0.47%, 0.35%

LAB 45.99, 2.25, 35.97

 

CMYK 0 / 18 / 64 / 37

HEX #A08339

RGB 160 131 57

HSL 43.11, 0.47%, 0.43%

LAB 56.09, 2.43, 43.14

 

CMYK 0 / 18 / 62 / 26

HEX #BC9B47

RGB 188 155 71

HSL 43.08, 0.47%, 0.51%

LAB 65.43, 2.55, 47.62

 

CMYK 0 / 14 / 49 / 22

HEX #C7AB65

RGB 199 171 101

HSL 42.86, 0.47%, 0.59%

LAB 71.01, 1.08, 39.6

 

CMYK 0 / 10 / 38 / 18

HEX #D2BC83

RGB 210 188 131

HSL 43.29, 0.47%, 0.67%

LAB 76.86, -0.29, 31.71

 

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

CMYK 56 / 0 / 62 / 26

HEX #53BC47

RGB 83 188 71

HSL 113.85, 0.47%, 0.51%

LAB 68.21, -52.82, 48.9

 

CMYK 44 / 62 / 0 / 26

HEX #6A47BC

RGB 106 71 188

HSL 257.95, 0.47%, 0.51%

LAB 39.92, 42.19, -56.68

 

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

CMYK 62 / 0 / 19 / 26

HEX #47BC99

RGB 71 188 153

HSL 162.05, 0.47%, 0.51%

LAB 69.19, -41.24, 8.08

 

CMYK 19 / 62 / 0 / 26

HEX #9947BC

RGB 153 71 188

HSL 282.05, 0.47%, 0.51%

LAB 45.51, 52.94, -47.38

 

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

CMYK 56 / 0 / 62 / 26

HEX #53BC47

RGB 83 188 71

HSL 113.85, 0.47%, 0.51%

LAB 68.21, -52.82, 48.9

 

CMYK 62 / 44 / 0 / 26

HEX #476ABC

RGB 71 106 188

HSL 222.05, 0.47%, 0.51%

LAB 46.01, 13.47, -47.01

 

CMYK 6 / 62 / 0 / 26

HEX #B147BC

RGB 177 71 188

HSL 294.36, 0.47%, 0.51%

LAB 48.86, 58.8, -41.84

 

CMYK 0 / 18 / 63 / 26

HEX #BD9B46

RGB 189 155 70

HSL 42.86, 0.47%, 0.51%

LAB 65.52, 2.92, 48.22

 

CMYK 62 / 0 / 50 / 26

HEX #47BC5E

RGB 71 188 94

HSL 131.79, 0.47%, 0.51%

LAB 68.1, -52.75, 37.83

 

CMYK 62 / 44 / 0 / 26

HEX #476ABC

RGB 71 106 188

HSL 222.05, 0.47%, 0.51%

LAB 46.01, 13.47, -47.01

 

CMYK 0 / 62 / 12 / 26

HEX #BC47A5

RGB 188 71 165

HSL 311.79, 0.47%, 0.51%

LAB 49.39, 57.75, -27.43

 

Description

Color code: RGB 189 155 70 | qconv.com Color code: RGB 189 155 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 155 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 155 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 63 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 63% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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