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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 150 71 it is the complementary color RGB 66 105 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 150 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 150 71 shade: RGB 194 150 66, RGB 211 168 85, RGB 228 186 104, RGB 245 204 123 and RGB 255 222 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 150 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 150 71 shade: RGB 189 150 71, RGB 172 132 52, RGB 155 114 33, RGB 138 96 14 and RGB 121 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 150 71 shade: RGB 188 149 71, RGB 188 118 71, RGB 188 86 71 and RGB 188 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 150 71 shade: RGB 188 149 71, RGB 188 181 71, RGB 164 188 71, RGB 132 188 71 and RGB 100 188 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 150 71 shade matches the following richer shades: RGB 188 149 71, RGB 208 156 51, RGB 229 163 30 and RGB 249 170 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 150 71 shade: RGB 188 149 71, RGB 168 143 91, RGB 148 136 111, RGB 128 129 131 and RGB 107 122 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 150 71 shade: RGB 188 86 71, RGB 188 118 71, RGB 188 149 71, RGB 188 180 71 and RGB 165 188 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 150 71 shade: RGB 130 102 47, RGB 160 126 57, RGB 188 149 71, RGB 199 167 101 and RGB 210 184 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 150 71 shade: RGB 189 150 71, RGB 86 188 71 and RGB 102 71 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 150 71 shade: RGB 189 150 71, RGB 71 188 149 and RGB 149 71 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 150 71 shade: RGB 189 150 71, RGB 86 188 71, RGB 71 110 188 and RGB 173 71 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 150 71 shade: RGB 189 150 71, RGB 71 188 90, RGB 71 110 188 and RGB 188 71 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

Complementary color

CMYK 64 / 43 / 0 / 28

HEX #4269B8

RGB 66 105 184

HSL 220.17, 0.47%, 0.49%

LAB 45.25, 11.78, -45.92

 

CMYK 0 / 23 / 66 / 24

HEX #C29642

RGB 194 150 66

HSL 39.38, 0.51%, 0.51%

LAB 64.7, 7.55, 49.35

 

CMYK 0 / 20 / 60 / 17

HEX #D3A855

RGB 211 168 85

HSL 39.52, 0.59%, 0.58%

LAB 71.22, 6.41, 48.11

 

CMYK 0 / 18 / 54 / 11

HEX #E4BA68

RGB 228 186 104

HSL 39.68, 0.7%, 0.65%

LAB 77.64, 5.43, 46.81

 

CMYK 0 / 17 / 50 / 4

HEX #F5CC7B

RGB 245 204 123

HSL 39.84, 0.86%, 0.72%

LAB 83.98, 4.59, 45.52

 

CMYK 0 / 13 / 44 / 0

HEX #FFDE8E

RGB 255 222 142

HSL 42.48, 1%, 0.78%

LAB 89.61, 1.11, 43.34

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 0 / 23 / 70 / 33

HEX #AC8434

RGB 172 132 52

HSL 40, 0.54%, 0.44%

LAB 57.58, 6.94, 47.47

 

CMYK 0 / 26 / 79 / 39

HEX #9B7221

RGB 155 114 33

HSL 39.84, 0.65%, 0.37%

LAB 50.82, 8.43, 48.26

 

CMYK 0 / 30 / 90 / 46

HEX #8A600E

RGB 138 96 14

HSL 39.68, 0.82%, 0.3%

LAB 43.95, 10.26, 48.05

 

CMYK 0 / 36 / 100 / 53

HEX #794E00

RGB 121 78 0

HSL 38.68, 1%, 0.24%

LAB 36.96, 12.49, 45.86

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 37 / 62 / 26

HEX #BC7647

RGB 188 118 71

HSL 24.1, 0.47%, 0.51%

LAB 56.19, 22.92, 36.96

 

CMYK 0 / 54 / 62 / 26

HEX #BC5647

RGB 188 86 71

HSL 7.69, 0.47%, 0.51%

LAB 49.25, 39.96, 28.5

 

CMYK 0 / 62 / 62 / 26

HEX #BC4747

RGB 188 71 71

HSL 0, 0.47%, 0.51%

LAB 46.52, 47.13, 25.04

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 4 / 62 / 26

HEX #BCB547

RGB 188 181 71

HSL 56.41, 0.47%, 0.51%

LAB 72.36, -11.22, 55.22

 

CMYK 13 / 0 / 62 / 26

HEX #A4BC47

RGB 164 188 71

HSL 72.31, 0.47%, 0.51%

LAB 72.44, -24.77, 54.76

 

CMYK 30 / 0 / 62 / 26

HEX #84BC47

RGB 132 188 71

HSL 88.72, 0.47%, 0.51%

LAB 70.4, -37.24, 51.95

 

CMYK 47 / 0 / 62 / 26

HEX #64BC47

RGB 100 188 71

HSL 105.13, 0.47%, 0.51%

LAB 68.85, -48.04, 49.79

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 25 / 75 / 18

HEX #D09C33

RGB 208 156 51

HSL 40.13, 0.63%, 0.51%

LAB 67.6, 9.62, 59.24

 

CMYK 0 / 29 / 87 / 10

HEX #E5A31E

RGB 229 163 30

HSL 40.1, 0.79%, 0.51%

LAB 71.52, 14.32, 70.35

 

CMYK 0 / 32 / 96 / 2

HEX #F9AA0A

RGB 249 170 10

HSL 40.17, 0.95%, 0.51%

LAB 75.4, 18.88, 77.81

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 15 / 46 / 34

HEX #A88F5B

RGB 168 143 91

HSL 40.52, 0.31%, 0.51%

LAB 60.54, 2.23, 31.08

 

CMYK 0 / 8 / 25 / 42

HEX #94886F

RGB 148 136 111

HSL 40.54, 0.15%, 0.51%

LAB 57.13, 0.33, 15.08

 

CMYK 2 / 2 / 0 / 49

HEX #808183

RGB 128 129 131

HSL 220, 0.01%, 0.51%

LAB 53.95, 0.03, -1.22

 

CMYK 30 / 20 / 0 / 40

HEX #6B7A98

RGB 107 122 152

HSL 220, 0.18%, 0.51%

LAB 51.05, 1.75, -17.99

 

CMYK 0 / 54 / 62 / 26

HEX #BC5647

RGB 188 86 71

HSL 7.69, 0.47%, 0.51%

LAB 49.25, 39.96, 28.5

 

CMYK 0 / 37 / 62 / 26

HEX #BC7647

RGB 188 118 71

HSL 24.1, 0.47%, 0.51%

LAB 56.19, 22.92, 36.96

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 4 / 62 / 26

HEX #BCB447

RGB 188 180 71

HSL 55.9, 0.47%, 0.51%

LAB 72.09, -10.71, 54.93

 

CMYK 12 / 0 / 62 / 26

HEX #A5BC47

RGB 165 188 71

HSL 71.79, 0.47%, 0.51%

LAB 72.51, -24.36, 54.86

 

CMYK 0 / 22 / 64 / 49

HEX #82662F

RGB 130 102 47

HSL 39.76, 0.47%, 0.35%

LAB 44.88, 4.58, 34.72

 

CMYK 0 / 21 / 64 / 37

HEX #A07E39

RGB 160 126 57

HSL 40.19, 0.47%, 0.43%

LAB 54.75, 5.23, 41.66

 

CMYK 0 / 21 / 62 / 26

HEX #BC9547

RGB 188 149 71

HSL 40, 0.47%, 0.51%

LAB 63.87, 5.82, 45.87

 

CMYK 0 / 16 / 49 / 22

HEX #C7A765

RGB 199 167 101

HSL 40.41, 0.47%, 0.59%

LAB 69.98, 3.22, 38.31

 

CMYK 0 / 12 / 38 / 18

HEX #D2B883

RGB 210 184 131

HSL 40.25, 0.47%, 0.67%

LAB 75.84, 1.82, 30.36

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 54 / 0 / 62 / 26

HEX #56BC47

RGB 86 188 71

HSL 112.31, 0.47%, 0.51%

LAB 68.31, -52.03, 49.05

 

CMYK 46 / 62 / 0 / 26

HEX #6647BC

RGB 102 71 188

HSL 255.9, 0.47%, 0.51%

LAB 39.52, 41.36, -57.34

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 62 / 0 / 21 / 26

HEX #47BC95

RGB 71 188 149

HSL 160, 0.47%, 0.51%

LAB 69.09, -42.18, 10.13

 

CMYK 21 / 62 / 0 / 26

HEX #9547BC

RGB 149 71 188

HSL 280, 0.47%, 0.51%

LAB 44.98, 51.98, -48.26

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 54 / 0 / 62 / 26

HEX #56BC47

RGB 86 188 71

HSL 112.31, 0.47%, 0.51%

LAB 68.31, -52.03, 49.05

 

CMYK 62 / 41 / 0 / 26

HEX #476EBC

RGB 71 110 188

HSL 220, 0.47%, 0.51%

LAB 47.13, 10.96, -45.22

 

CMYK 8 / 62 / 0 / 26

HEX #AD47BC

RGB 173 71 188

HSL 292.31, 0.47%, 0.51%

LAB 48.29, 57.81, -42.8

 

CMYK 0 / 21 / 62 / 26

HEX #BD9647

RGB 189 150 71

HSL 40.17, 0.47%, 0.51%

LAB 64.23, 5.71, 46.3

 

CMYK 62 / 0 / 52 / 26

HEX #47BC5A

RGB 71 188 90

HSL 129.74, 0.47%, 0.51%

LAB 68.05, -53.33, 39.75

 

CMYK 62 / 41 / 0 / 26

HEX #476EBC

RGB 71 110 188

HSL 220, 0.47%, 0.51%

LAB 47.13, 10.96, -45.22

 

CMYK 0 / 62 / 10 / 26

HEX #BC47A9

RGB 188 71 169

HSL 309.74, 0.47%, 0.51%

LAB 49.57, 58.38, -29.51

 

Description

Color code: RGB 189 150 71 | qconv.com Color code: RGB 189 150 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 150 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 150 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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