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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 151 24 it is the complementary color RGB 66 104 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 151 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 151 24 shade: RGB 194 151 19, RGB 211 169 38, RGB 228 187 57, RGB 245 205 76 and RGB 255 223 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 151 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 172 133 5, RGB 155 115 0, RGB 138 97 0 and RGB 121 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 189 107 24, RGB 189 62 24 and RGB 189 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 183 189 24, RGB 138 189 24, RGB 94 189 24 and RGB 49 189 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 151 24 shade matches the following richer shades: RGB 189 151 24 and RGB 206 160 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 172 142 41, RGB 154 132 59, RGB 137 123 76 and RGB 120 114 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 151 24 shade: RGB 189 63 24, RGB 189 107 24, RGB 189 151 24, RGB 184 189 24 and RGB 140 189 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 151 24 shade: RGB 116 93 15, RGB 153 122 19, RGB 189 151 24, RGB 225 180 29 and RGB 230 192 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 30 189 24 and RGB 85 24 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 24 189 151 and RGB 151 24 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 30 189 24, RGB 24 63 189 and RGB 184 24 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 151 24 shade: RGB 189 151 24, RGB 24 189 68, RGB 24 63 189 and RGB 189 24 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

Complementary color

CMYK 71 / 55 / 0 / 9

HEX #4268E7

RGB 66 104 231

HSL 226.18, 0.77%, 0.58%

LAB 48.04, 29.17, -68.31

 

CMYK 0 / 22 / 90 / 24

HEX #C29713

RGB 194 151 19

HSL 45.26, 0.82%, 0.42%

LAB 64.68, 5.18, 65.86

 

CMYK 0 / 20 / 82 / 17

HEX #D3A926

RGB 211 169 38

HSL 45.43, 0.69%, 0.49%

LAB 71.12, 3.5, 67.04

 

CMYK 0 / 18 / 75 / 11

HEX #E4BB39

RGB 228 187 57

HSL 45.61, 0.76%, 0.56%

LAB 77.48, 2.06, 67.15

 

CMYK 0 / 16 / 69 / 4

HEX #F5CD4C

RGB 245 205 76

HSL 45.8, 0.89%, 0.63%

LAB 83.76, 0.82, 66.65

 

CMYK 0 / 13 / 63 / 0

HEX #FFDF5F

RGB 255 223 95

HSL 48, 1%, 0.69%

LAB 89.33, -3.13, 64.95

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 0 / 23 / 97 / 33

HEX #AC8505

RGB 172 133 5

HSL 45.99, 0.94%, 0.35%

LAB 57.61, 4.88, 61.93

 

CMYK 0 / 26 / 100 / 39

HEX #9B7300

RGB 155 115 0

HSL 44.52, 1%, 0.3%

LAB 50.96, 7.04, 57.29

 

CMYK 0 / 30 / 100 / 46

HEX #8A6100

RGB 138 97 0

HSL 42.17, 1%, 0.27%

LAB 44.16, 9.4, 51.72

 

CMYK 0 / 35 / 100 / 53

HEX #794F00

RGB 121 79 0

HSL 39.17, 1%, 0.24%

LAB 37.22, 11.89, 46.03

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 0 / 43 / 87 / 26

HEX #BD6B18

RGB 189 107 24

HSL 30.18, 0.77%, 0.42%

LAB 53.38, 27.2, 55.42

 

CMYK 0 / 67 / 87 / 26

HEX #BD3E18

RGB 189 62 24

HSL 13.82, 0.77%, 0.42%

LAB 44.7, 49.36, 48.39

 

CMYK 0 / 87 / 87 / 26

HEX #BD1818

RGB 189 24 24

HSL 0, 0.77%, 0.42%

LAB 40.47, 61.13, 44.96

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 3 / 0 / 87 / 26

HEX #B7BD18

RGB 183 189 24

HSL 62.18, 0.77%, 0.42%

LAB 73.89, -19.45, 71.74

 

CMYK 27 / 0 / 87 / 26

HEX #8ABD18

RGB 138 189 24

HSL 78.55, 0.77%, 0.42%

LAB 70.78, -38.04, 67.91

 

CMYK 50 / 0 / 87 / 26

HEX #5EBD18

RGB 94 189 24

HSL 94.55, 0.77%, 0.42%

LAB 68.64, -53.33, 65.23

 

CMYK 74 / 0 / 87 / 26

HEX #31BD18

RGB 49 189 24

HSL 110.91, 0.77%, 0.42%

LAB 67.36, -63.78, 63.63

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 0 / 22 / 97 / 19

HEX #CEA007

RGB 206 160 7

HSL 46.13, 0.93%, 0.42%

LAB 68.23, 5.5, 70.91

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 0 / 17 / 76 / 33

HEX #AC8E29

RGB 172 142 41

HSL 46.26, 0.62%, 0.42%

LAB 60.14, 0.85, 54.63

 

CMYK 0 / 14 / 62 / 40

HEX #9A843B

RGB 154 132 59

HSL 46.11, 0.45%, 0.42%

LAB 55.77, -0.68, 41.65

 

CMYK 0 / 10 / 45 / 46

HEX #897B4C

RGB 137 123 76

HSL 46.23, 0.29%, 0.42%

LAB 51.84, -1.6, 27.61

 

CMYK 0 / 5 / 23 / 53

HEX #78725D

RGB 120 114 93

HSL 46.67, 0.13%, 0.42%

LAB 48.03, -1.42, 12.49

 

CMYK 0 / 67 / 87 / 26

HEX #BD3F18

RGB 189 63 24

HSL 14.18, 0.77%, 0.42%

LAB 44.86, 48.94, 48.52

 

CMYK 0 / 43 / 87 / 26

HEX #BD6B18

RGB 189 107 24

HSL 30.18, 0.77%, 0.42%

LAB 53.38, 27.2, 55.42

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 3 / 0 / 87 / 26

HEX #B8BD18

RGB 184 189 24

HSL 61.82, 0.77%, 0.42%

LAB 73.97, -19.02, 71.84

 

CMYK 26 / 0 / 87 / 26

HEX #8CBD18

RGB 140 189 24

HSL 77.82, 0.77%, 0.42%

LAB 70.9, -37.26, 68.06

 

CMYK 0 / 20 / 87 / 55

HEX #745D0F

RGB 116 93 15

HSL 46.34, 0.77%, 0.26%

LAB 40.53, 1.47, 43.87

 

CMYK 0 / 20 / 88 / 40

HEX #997A13

RGB 153 122 19

HSL 46.12, 0.78%, 0.34%

LAB 52.66, 2.5, 54.47

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 0 / 20 / 87 / 12

HEX #E1B41D

RGB 225 180 29

HSL 46.22, 0.77%, 0.5%

LAB 75.29, 3.56, 73.41

 

CMYK 0 / 17 / 71 / 10

HEX #E6C042

RGB 230 192 66

HSL 46.1, 0.77%, 0.58%

LAB 78.99, 0.71, 65.33

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 84 / 0 / 87 / 26

HEX #1EBD18

RGB 30 189 24

HSL 117.82, 0.77%, 0.42%

LAB 67.08, -66.27, 63.28

 

CMYK 55 / 87 / 0 / 26

HEX #5518BD

RGB 85 24 189

HSL 262.18, 0.77%, 0.42%

LAB 30.06, 60.79, -73.5

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 20 / 87 / 0 / 26

HEX #9718BD

RGB 151 24 189

HSL 286.18, 0.77%, 0.42%

LAB 39.42, 69.37, -57.79

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 84 / 0 / 87 / 26

HEX #1EBD18

RGB 30 189 24

HSL 117.82, 0.77%, 0.42%

LAB 67.08, -66.27, 63.28

 

CMYK 87 / 67 / 0 / 26

HEX #183FBD

RGB 24 63 189

HSL 225.82, 0.77%, 0.42%

LAB 32.75, 36.01, -69.19

 

CMYK 3 / 87 / 0 / 26

HEX #B818BD

RGB 184 24 189

HSL 298.18, 0.77%, 0.42%

LAB 44.97, 74.9, -48.57

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 87 / 0 / 64 / 26

HEX #18BD44

RGB 24 189 68

HSL 136, 0.77%, 0.42%

LAB 67.28, -63.49, 48.84

 

CMYK 87 / 67 / 0 / 26

HEX #183FBD

RGB 24 63 189

HSL 225.82, 0.77%, 0.42%

LAB 32.75, 36.01, -69.19

 

CMYK 0 / 87 / 23 / 26

HEX #BD1891

RGB 189 24 145

HSL 316, 0.77%, 0.42%

LAB 43.53, 69.73, -24.55

 

Description

Color code: RGB 189 151 24 | qconv.com Color code: RGB 189 151 24 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 151 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 151 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 87 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 87% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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