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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 192 218 it is the complementary color RGB 66 63 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 192 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 192 218 shade: RGB 194 192 213, RGB 211 210 232, RGB 228 228 251 and RGB 245 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 192 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 172 174 199, RGB 155 156 180, RGB 138 138 161 and RGB 121 120 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 194 189 218, RGB 202 189 218, RGB 209 189 218 and RGB 217 189 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 192 218 shade: RGB 189 192 218 and RGB 189 189 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 192 218 shade matches the following richer shades: RGB 189 192 218, RGB 181 186 226, RGB 173 179 234, RGB 164 173 243 and RGB 156 166 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 197 199 210, RGB 206 205 201, RGB 214 212 193 and RGB 222 218 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 192 218 shade: RGB 189 208 218, RGB 189 200 218, RGB 189 193 218, RGB 194 189 218 and RGB 201 189 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 192 218 shade: RGB 136 142 188, RGB 163 167 203, RGB 189 192 218, RGB 216 217 233 and RGB 242 243 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 218 189 215 and RGB 204 218 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 218 189 193 and RGB 193 218 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 218 189 215, RGB 218 214 189 and RGB 189 218 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 192 218 shade: RGB 189 192 218, RGB 218 189 207, RGB 218 214 189 and RGB 189 218 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

Complementary color

CMYK 0 / 5 / 44 / 74

HEX #423F25

RGB 66 63 37

HSL 53.79, 0.28%, 0.2%

LAB 26.29, -3.34, 16.41

 

CMYK 9 / 10 / 0 / 16

HEX #C2C0D5

RGB 194 192 213

HSL 245.71, 0.2%, 0.79%

LAB 78.45, 4.73, -10.24

 

CMYK 9 / 9 / 0 / 9

HEX #D3D2E8

RGB 211 210 232

HSL 242.73, 0.32%, 0.87%

LAB 84.88, 4.51, -10.69

 

CMYK 9 / 9 / 0 / 2

HEX #E4E4FB

RGB 228 228 251

HSL 240, 0.74%, 0.94%

LAB 91.21, 4.3, -11.13

 

CMYK 4 / 4 / 0 / 0

HEX #F5F6FF

RGB 245 246 255

HSL 234, 1%, 0.98%

LAB 97.04, 1.29, -4.43

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 14 / 13 / 0 / 22

HEX #ACAEC7

RGB 172 174 199

HSL 235.56, 0.19%, 0.73%

LAB 71.67, 4.34, -12.93

 

CMYK 14 / 13 / 0 / 29

HEX #9B9CB4

RGB 155 156 180

HSL 237.6, 0.14%, 0.66%

LAB 64.99, 4.58, -12.54

 

CMYK 14 / 14 / 0 / 37

HEX #8A8AA1

RGB 138 138 161

HSL 240, 0.11%, 0.59%

LAB 58.18, 4.83, -12.16

 

CMYK 15 / 15 / 0 / 44

HEX #79788E

RGB 121 120 142

HSL 242.73, 0.09%, 0.51%

LAB 51.21, 5.11, -11.78

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 11 / 13 / 0 / 15

HEX #C2BDDA

RGB 194 189 218

HSL 250.34, 0.28%, 0.8%

LAB 77.83, 7.36, -13.86

 

CMYK 7 / 13 / 0 / 15

HEX #CABDDA

RGB 202 189 218

HSL 266.9, 0.28%, 0.8%

LAB 78.47, 9.99, -12.84

 

CMYK 4 / 13 / 0 / 15

HEX #D1BDDA

RGB 209 189 218

HSL 281.38, 0.28%, 0.8%

LAB 79.05, 12.32, -11.91

 

CMYK 0 / 13 / 0 / 15

HEX #D9BDDA

RGB 217 189 218

HSL 297.93, 0.28%, 0.8%

LAB 79.73, 15.01, -10.82

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 13 / 13 / 0 / 15

HEX #BDBDDA

RGB 189 189 218

HSL 240, 0.28%, 0.8%

LAB 77.45, 5.73, -14.48

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 20 / 18 / 0 / 11

HEX #B5BAE2

RGB 181 186 226

HSL 233.33, 0.44%, 0.8%

LAB 76.33, 6.56, -20.54

 

CMYK 26 / 24 / 0 / 8

HEX #ADB3EA

RGB 173 179 234

HSL 234.1, 0.59%, 0.8%

LAB 74.23, 9.81, -28.14

 

CMYK 33 / 29 / 0 / 5

HEX #A4ADF3

RGB 164 173 243

HSL 233.16, 0.77%, 0.8%

LAB 72.4, 12.77, -35.91

 

CMYK 38 / 34 / 0 / 2

HEX #9CA6FB

RGB 156 166 251

HSL 233.68, 0.92%, 0.8%

LAB 70.39, 16.63, -43.42

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 6 / 5 / 0 / 18

HEX #C5C7D2

RGB 197 199 210

HSL 230.77, 0.13%, 0.8%

LAB 80.39, 1.4, -5.72

 

CMYK 0 / 0 / 2 / 19

HEX #CECDC9

RGB 206 205 201

HSL 48, 0.05%, 0.8%

LAB 82.38, -0.37, 2.1

 

CMYK 0 / 1 / 10 / 16

HEX #D6D4C1

RGB 214 212 193

HSL 54.29, 0.2%, 0.8%

LAB 84.6, -2.58, 9.64

 

CMYK 0 / 2 / 17 / 13

HEX #DEDAB9

RGB 222 218 185

HSL 53.51, 0.36%, 0.8%

LAB 86.59, -4.06, 16.75

 

CMYK 13 / 5 / 0 / 15

HEX #BDD0DA

RGB 189 208 218

HSL 200.69, 0.28%, 0.8%

LAB 82.37, -4.37, -7.13

 

CMYK 13 / 8 / 0 / 15

HEX #BDC8DA

RGB 189 200 218

HSL 217.24, 0.28%, 0.8%

LAB 80.29, -0.16, -10.23

 

CMYK 13 / 11 / 0 / 15

HEX #BDC1DA

RGB 189 193 218

HSL 231.72, 0.28%, 0.8%

LAB 78.47, 3.58, -12.94

 

CMYK 11 / 13 / 0 / 15

HEX #C2BDDA

RGB 194 189 218

HSL 250.34, 0.28%, 0.8%

LAB 77.83, 7.36, -13.86

 

CMYK 8 / 13 / 0 / 15

HEX #C9BDDA

RGB 201 189 218

HSL 264.83, 0.28%, 0.8%

LAB 78.39, 9.66, -12.97

 

CMYK 28 / 24 / 0 / 26

HEX #888EBC

RGB 136 142 188

HSL 233.08, 0.28%, 0.64%

LAB 60.08, 8.31, -24.66

 

CMYK 20 / 18 / 0 / 20

HEX #A3A7CB

RGB 163 167 203

HSL 234, 0.28%, 0.72%

LAB 69.28, 6.17, -18.8

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 7 / 7 / 0 / 9

HEX #D8D9E9

RGB 216 217 233

HSL 236.47, 0.28%, 0.88%

LAB 87.05, 2.66, -7.95

 

CMYK 2 / 2 / 0 / 3

HEX #F2F3F7

RGB 242 243 247

HSL 228, 0.24%, 0.96%

LAB 95.87, 0.39, -2.05

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 0 / 13 / 1 / 15

HEX #DABDD7

RGB 218 189 215

HSL 306.21, 0.28%, 0.8%

LAB 79.73, 14.79, -9.2

 

CMYK 6 / 0 / 13 / 15

HEX #CCDABD

RGB 204 218 189

HSL 88.97, 0.28%, 0.8%

LAB 85.33, -9.86, 12.68

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 0 / 13 / 11 / 15

HEX #DABDC1

RGB 218 189 193

HSL 351.72, 0.28%, 0.8%

LAB 79.13, 10.96, 1.79

RGB 218 189 193

CMYK 11 / 0 / 13 / 15

HEX #C1DABD

RGB 193 218 189

HSL 111.72, 0.28%, 0.8%

LAB 84.56, -13.68, 11.49

RGB 193 218 189

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 0 / 13 / 1 / 15

HEX #DABDD7

RGB 218 189 215

HSL 306.21, 0.28%, 0.8%

LAB 79.73, 14.79, -9.2

 

CMYK 0 / 2 / 13 / 15

HEX #DAD6BD

RGB 218 214 189

HSL 51.72, 0.28%, 0.8%

LAB 85.34, -2.83, 12.84

 

CMYK 13 / 0 / 12 / 15

HEX #BDDAC0

RGB 189 218 192

HSL 126.21, 0.28%, 0.8%

LAB 84.36, -14.51, 9.58

 

CMYK 13 / 12 / 0 / 15

HEX #BDC0DA

RGB 189 192 218

HSL 233.79, 0.28%, 0.8%

LAB 78.22, 4.12, -13.32

 

CMYK 0 / 13 / 5 / 15

HEX #DABDCF

RGB 218 189 207

HSL 322.76, 0.28%, 0.8%

LAB 79.5, 13.36, -5.22

 

CMYK 0 / 2 / 13 / 15

HEX #DAD6BD

RGB 218 214 189

HSL 51.72, 0.28%, 0.8%

LAB 85.34, -2.83, 12.84

 

CMYK 13 / 0 / 8 / 15

HEX #BDDAC8

RGB 189 218 200

HSL 142.76, 0.28%, 0.8%

LAB 84.55, -13.04, 5.62

 

Description

Color code: RGB 189 192 218 | qconv.com Color code: RGB 189 192 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 192 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 192 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 12 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 12% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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