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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 203 123 it is the complementary color RGB 66 52 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 203 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 203 123 shade: RGB 194 203 118, RGB 211 221 137, RGB 228 239 156, RGB 245 255 175 and RGB 255 255 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 203 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 203 123 shade: RGB 189 203 123, RGB 172 185 104, RGB 155 167 85, RGB 138 149 66 and RGB 121 131 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 203 123 shade: RGB 188 202 123, RGB 202 195 123, RGB 202 173 123, RGB 202 152 123 and RGB 202 131 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 203 123 shade: RGB 188 202 123, RGB 167 202 123, RGB 146 202 123, RGB 124 202 123 and RGB 123 202 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 203 123 shade matches the following richer shades: RGB 188 202 123, RGB 198 217 108, RGB 208 232 94 and RGB 217 247 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 203 123 shade: RGB 188 202 123, RGB 179 187 138, RGB 169 172 153, RGB 159 158 168 and RGB 150 143 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 203 123 shade: RGB 202 173 123, RGB 202 194 123, RGB 189 202 123, RGB 168 202 123 and RGB 147 202 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 203 123 shade: RGB 156 174 69, RGB 173 190 94, RGB 188 202 123, RGB 203 214 153 and RGB 218 226 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 203 123 shade: RGB 189 203 123, RGB 123 202 152 and RGB 184 123 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 203 123 shade: RGB 189 203 123, RGB 123 189 202 and RGB 202 123 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 203 123 shade: RGB 189 203 123, RGB 123 202 152, RGB 136 123 202 and RGB 202 123 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 203 123 shade: RGB 189 203 123, RGB 123 202 176, RGB 136 123 202 and RGB 202 123 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

Complementary color

CMYK 50 / 61 / 0 / 48

HEX #423484

RGB 66 52 132

HSL 250.5, 0.43%, 0.36%

LAB 27.52, 28.2, -43.12

 

CMYK 4 / 0 / 42 / 20

HEX #C2CB76

RGB 194 203 118

HSL 66.35, 0.45%, 0.63%

LAB 79.32, -15.84, 41.26

 

CMYK 5 / 0 / 38 / 13

HEX #D3DD89

RGB 211 221 137

HSL 67.14, 0.55%, 0.7%

LAB 85.69, -16.09, 40.1

 

CMYK 5 / 0 / 35 / 6

HEX #E4EF9C

RGB 228 239 156

HSL 67.95, 0.72%, 0.77%

LAB 91.97, -16.3, 38.98

 

CMYK 4 / 0 / 31 / 0

HEX #F5FFAF

RGB 245 255 175

HSL 67.5, 1%, 0.84%

LAB 97.64, -15.5, 37.21

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

CMYK 7 / 0 / 44 / 27

HEX #ACB968

RGB 172 185 104

HSL 69.63, 0.37%, 0.57%

LAB 72.54, -17.01, 39.47

 

CMYK 7 / 0 / 49 / 35

HEX #9BA755

RGB 155 167 85

HSL 68.78, 0.33%, 0.49%

LAB 65.95, -16.73, 40.66

 

CMYK 7 / 0 / 56 / 42

HEX #8A9542

RGB 138 149 66

HSL 67.95, 0.39%, 0.42%

LAB 59.24, -16.35, 41.8

 

CMYK 8 / 0 / 64 / 49

HEX #79832F

RGB 121 131 47

HSL 67.14, 0.47%, 0.35%

LAB 52.4, -15.83, 42.78

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 0 / 3 / 39 / 21

HEX #CAC37B

RGB 202 195 123

HSL 54.68, 0.43%, 0.64%

LAB 77.88, -8.04, 37.05

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7B

RGB 202 173 123

HSL 37.97, 0.43%, 0.64%

LAB 72.14, 3.54, 29.59

 

CMYK 0 / 25 / 39 / 21

HEX #CA987B

RGB 202 152 123

HSL 22.03, 0.43%, 0.64%

LAB 66.86, 14.91, 22.53

 

CMYK 0 / 35 / 39 / 21

HEX #CA837B

RGB 202 131 123

HSL 6.08, 0.43%, 0.64%

LAB 61.84, 26.4, 15.67

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 17 / 0 / 39 / 21

HEX #A7CA7B

RGB 167 202 123

HSL 86.58, 0.43%, 0.64%

LAB 77.21, -25.12, 35.67

 

CMYK 28 / 0 / 39 / 21

HEX #92CA7B

RGB 146 202 123

HSL 102.53, 0.43%, 0.64%

LAB 75.94, -32.68, 33.76

 

CMYK 39 / 0 / 39 / 21

HEX #7CCA7B

RGB 124 202 123

HSL 119.24, 0.43%, 0.64%

LAB 74.8, -39.92, 32.06

 

CMYK 39 / 0 / 29 / 21

HEX #7BCA8F

RGB 123 202 143

HSL 135.19, 0.43%, 0.64%

LAB 75.1, -36.87, 22.01

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 9 / 0 / 50 / 15

HEX #C6D96C

RGB 198 217 108

HSL 70.46, 0.59%, 0.64%

LAB 83.29, -22.19, 51.03

 

CMYK 10 / 0 / 59 / 9

HEX #D0E85E

RGB 208 232 94

HSL 70.43, 0.75%, 0.64%

LAB 87.94, -26.62, 62.78

 

CMYK 12 / 0 / 68 / 3

HEX #D9F74F

RGB 217 247 79

HSL 70.71, 0.91%, 0.64%

LAB 92.5, -31.07, 73.66

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 4 / 0 / 26 / 27

HEX #B3BB8A

RGB 179 187 138

HSL 69.8, 0.26%, 0.64%

LAB 74.16, -11, 23.95

 

CMYK 2 / 0 / 11 / 33

HEX #A9AC99

RGB 169 172 153

HSL 69.47, 0.1%, 0.64%

LAB 69.64, -4.5, 9.41

 

CMYK 5 / 6 / 0 / 34

HEX #9F9EA8

RGB 159 158 168

HSL 246, 0.05%, 0.64%

LAB 65.48, 2.32, -5.07

 

CMYK 18 / 22 / 0 / 28

HEX #968FB7

RGB 150 143 183

HSL 250.5, 0.22%, 0.64%

LAB 61.26, 10.95, -19.92

 

CMYK 0 / 14 / 39 / 21

HEX #CAAD7B

RGB 202 173 123

HSL 37.97, 0.43%, 0.64%

LAB 72.14, 3.54, 29.59

 

CMYK 0 / 4 / 39 / 21

HEX #CAC27B

RGB 202 194 123

HSL 53.92, 0.43%, 0.64%

LAB 77.62, -7.52, 36.71

 

CMYK 6 / 0 / 39 / 21

HEX #BDCA7B

RGB 189 202 123

HSL 69.87, 0.43%, 0.64%

LAB 78.75, -16.73, 37.94

 

CMYK 17 / 0 / 39 / 21

HEX #A8CA7B

RGB 168 202 123

HSL 85.82, 0.43%, 0.64%

LAB 77.28, -24.75, 35.76

 

CMYK 27 / 0 / 39 / 21

HEX #93CA7B

RGB 147 202 123

HSL 101.77, 0.43%, 0.64%

LAB 75.99, -32.33, 33.85

 

CMYK 10 / 0 / 60 / 32

HEX #9CAE45

RGB 156 174 69

HSL 70.29, 0.43%, 0.48%

LAB 67.85, -21.29, 50.46

 

CMYK 9 / 0 / 51 / 25

HEX #ADBE5E

RGB 173 190 94

HSL 70.63, 0.42%, 0.56%

LAB 73.88, -20.15, 46.05

 

CMYK 7 / 0 / 39 / 21

HEX #BCCA7B

RGB 188 202 123

HSL 70.63, 0.43%, 0.64%

LAB 78.67, -17.12, 37.83

 

CMYK 5 / 0 / 29 / 16

HEX #CBD699

RGB 203 214 153

HSL 70.82, 0.43%, 0.72%

LAB 83.49, -13.63, 28.96

 

CMYK 4 / 0 / 19 / 11

HEX #DAE2B6

RGB 218 226 182

HSL 70.91, 0.43%, 0.8%

LAB 88.29, -10.03, 20.65

 

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

CMYK 39 / 0 / 25 / 21

HEX #7BCA98

RGB 123 202 152

HSL 142.03, 0.43%, 0.64%

LAB 75.28, -35.2, 17.47

 

CMYK 9 / 39 / 0 / 21

HEX #B87BCA

RGB 184 123 202

HSL 286.33, 0.43%, 0.64%

LAB 60.45, 37.25, -31.64

 

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

CMYK 39 / 6 / 0 / 21

HEX #7BBDCA

RGB 123 189 202

HSL 189.87, 0.43%, 0.64%

LAB 72.81, -17.62, -13.18

 

CMYK 0 / 39 / 6 / 21

HEX #CA7BBD

RGB 202 123 189

HSL 309.87, 0.43%, 0.64%

LAB 61.99, 40.45, -21.73

 

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

CMYK 39 / 0 / 25 / 21

HEX #7BCA98

RGB 123 202 152

HSL 142.03, 0.43%, 0.64%

LAB 75.28, -35.2, 17.47

 

CMYK 33 / 39 / 0 / 21

HEX #887BCA

RGB 136 123 202

HSL 249.87, 0.43%, 0.64%

LAB 55.75, 23.02, -39.32

 

CMYK 0 / 39 / 14 / 21

HEX #CA7BAD

RGB 202 123 173

HSL 322.03, 0.43%, 0.64%

LAB 61.43, 37.75, -13.49

 

CMYK 7 / 0 / 39 / 20

HEX #BDCB7B

RGB 189 203 123

HSL 70.5, 0.43%, 0.64%

LAB 79.02, -17.24, 38.29

 

CMYK 39 / 0 / 13 / 21

HEX #7BCAB0

RGB 123 202 176

HSL 160.25, 0.43%, 0.64%

LAB 75.81, -30.26, 5.36

 

CMYK 33 / 39 / 0 / 21

HEX #887BCA

RGB 136 123 202

HSL 249.87, 0.43%, 0.64%

LAB 55.75, 23.02, -39.32

 

CMYK 0 / 39 / 26 / 21

HEX #CA7B96

RGB 202 123 150

HSL 339.49, 0.43%, 0.64%

LAB 60.71, 34.23, -1.38

 

Description

Color code: RGB 189 203 123 | qconv.com Color code: RGB 189 203 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 203 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 203 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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