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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 90 151 it is the complementary color RGB 66 165 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 90 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 90 151 shade: RGB 194 90 146, RGB 211 108 165, RGB 228 126 184, RGB 245 144 203 and RGB 255 162 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 90 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 172 72 132, RGB 155 54 113, RGB 138 36 94 and RGB 121 18 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 189 90 125, RGB 189 90 98 and RGB 189 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 189 90 178, RGB 174 90 189, RGB 147 90 189 and RGB 121 90 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 90 151 shade matches the following richer shades: RGB 189 90 151, RGB 208 72 156, RGB 226 53 160 and RGB 245 35 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 171 109 147, RGB 152 128 143, RGB 133 146 138 and RGB 115 165 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 90 151 shade: RGB 174 90 189, RGB 189 90 178, RGB 189 90 151, RGB 189 90 125 and RGB 189 90 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 90 151 shade: RGB 141 56 108, RGB 171 68 131, RGB 189 90 151, RGB 201 120 170 and RGB 213 149 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 189 148 90 and RGB 90 189 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 151 189 90 and RGB 90 151 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 189 148 90, RGB 90 189 128 and RGB 90 132 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 90 151 shade: RGB 189 90 151, RGB 189 178 90, RGB 90 189 128 and RGB 90 102 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

Complementary color

CMYK 60 / 0 / 37 / 35

HEX #42A568

RGB 66 165 104

HSL 143.03, 0.43%, 0.45%

LAB 60.84, -43.02, 23.23

 

CMYK 0 / 54 / 25 / 24

HEX #C25A92

RGB 194 90 146

HSL 327.69, 0.46%, 0.56%

LAB 52.79, 48, -10.93

 

CMYK 0 / 49 / 22 / 17

HEX #D36CA5

RGB 211 108 165

HSL 326.8, 0.54%, 0.63%

LAB 59.24, 47.28, -12.07

 

CMYK 0 / 45 / 19 / 11

HEX #E47EB8

RGB 228 126 184

HSL 325.88, 0.65%, 0.69%

LAB 65.65, 46.52, -13.05

 

CMYK 0 / 41 / 17 / 4

HEX #F590CB

RGB 245 144 203

HSL 324.95, 0.83%, 0.76%

LAB 72.01, 45.75, -13.9

 

CMYK 0 / 36 / 13 / 0

HEX #FFA2DE

RGB 255 162 222

HSL 321.29, 1%, 0.82%

LAB 77.5, 42.72, -15.94

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 58 / 23 / 33

HEX #AC4884

RGB 172 72 132

HSL 324, 0.41%, 0.48%

LAB 45.73, 47.71, -13.53

 

CMYK 0 / 65 / 27 / 39

HEX #9B3671

RGB 155 54 113

HSL 324.95, 0.48%, 0.41%

LAB 39.24, 48.05, -11.96

 

CMYK 0 / 74 / 32 / 46

HEX #8A245E

RGB 138 36 94

HSL 325.88, 0.59%, 0.34%

LAB 32.86, 47.88, -9.86

 

CMYK 0 / 85 / 38 / 53

HEX #79124B

RGB 121 18 75

HSL 326.8, 0.74%, 0.27%

LAB 26.75, 46.72, -6.9

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 52 / 34 / 26

HEX #BD5A7D

RGB 189 90 125

HSL 338.79, 0.43%, 0.55%

LAB 51.4, 43.55, -0.61

 

CMYK 0 / 52 / 48 / 26

HEX #BD5A62

RGB 189 90 98

HSL 355.15, 0.43%, 0.55%

LAB 50.7, 40.55, 14.52

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 52 / 6 / 26

HEX #BD5AB2

RGB 189 90 178

HSL 306.67, 0.43%, 0.55%

LAB 53.33, 51.46, -28.91

 

CMYK 8 / 52 / 0 / 26

HEX #AE5ABD

RGB 174 90 189

HSL 290.91, 0.43%, 0.55%

LAB 51.82, 49.22, -37.78

 

CMYK 22 / 52 / 0 / 26

HEX #935ABD

RGB 147 90 189

HSL 274.55, 0.43%, 0.55%

LAB 48.5, 41.81, -43.25

 

CMYK 36 / 52 / 0 / 26

HEX #795ABD

RGB 121 90 189

HSL 258.79, 0.43%, 0.55%

LAB 45.7, 34.99, -47.87

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 65 / 25 / 18

HEX #D0489C

RGB 208 72 156

HSL 322.94, 0.59%, 0.55%

LAB 52.34, 61.53, -17.32

 

CMYK 0 / 77 / 29 / 11

HEX #E235A0

RGB 226 53 160

HSL 322.89, 0.75%, 0.55%

LAB 53.23, 73.1, -18.05

 

CMYK 0 / 86 / 33 / 4

HEX #F523A4

RGB 245 35 164

HSL 323.14, 0.91%, 0.55%

LAB 55.37, 81.93, -16.82

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 36 / 14 / 33

HEX #AB6D93

RGB 171 109 147

HSL 323.23, 0.27%, 0.55%

LAB 53.71, 30.35, -10.45

 

CMYK 0 / 16 / 6 / 40

HEX #98808F

RGB 152 128 143

HSL 322.5, 0.1%, 0.55%

LAB 56.18, 11.87, -4.65

 

CMYK 9 / 0 / 5 / 43

HEX #85928A

RGB 133 146 138

HSL 143.08, 0.06%, 0.55%

LAB 59.32, -6.29, 2.63

 

CMYK 30 / 0 / 19 / 35

HEX #73A586

RGB 115 165 134

HSL 142.8, 0.22%, 0.55%

LAB 63.57, -23.35, 10.81

 

CMYK 8 / 52 / 0 / 26

HEX #AE5ABD

RGB 174 90 189

HSL 290.91, 0.43%, 0.55%

LAB 51.82, 49.22, -37.78

 

CMYK 0 / 52 / 6 / 26

HEX #BD5AB2

RGB 189 90 178

HSL 306.67, 0.43%, 0.55%

LAB 53.33, 51.46, -28.91

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 52 / 34 / 26

HEX #BD5A7D

RGB 189 90 125

HSL 338.79, 0.43%, 0.55%

LAB 51.4, 43.55, -0.61

 

CMYK 0 / 52 / 48 / 26

HEX #BD5A63

RGB 189 90 99

HSL 354.55, 0.43%, 0.55%

LAB 50.72, 40.65, 13.95

 

CMYK 0 / 60 / 23 / 45

HEX #8D386C

RGB 141 56 108

HSL 323.29, 0.43%, 0.39%

LAB 37.07, 42.1, -12.35

 

CMYK 0 / 60 / 23 / 33

HEX #AB4483

RGB 171 68 131

HSL 323.3, 0.43%, 0.47%

LAB 44.84, 49.13, -14.29

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 40 / 15 / 21

HEX #C978AA

RGB 201 120 170

HSL 322.96, 0.43%, 0.63%

LAB 60.56, 38.52, -13.09

 

CMYK 0 / 30 / 12 / 16

HEX #D595BC

RGB 213 149 188

HSL 323.44, 0.43%, 0.71%

LAB 68.95, 29.98, -10.53

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 52 / 0 / 1 / 26

HEX #5ABDBB

RGB 90 189 187

HSL 178.79, 0.43%, 0.55%

LAB 70.98, -29.32, -7.85

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 20 / 0 / 52 / 26

HEX #97BD5A

RGB 151 189 90

HSL 83.03, 0.43%, 0.55%

LAB 72.04, -28.74, 45.41

 

CMYK 52 / 20 / 0 / 26

HEX #5A97BD

RGB 90 151 189

HSL 203.03, 0.43%, 0.55%

LAB 59.87, -8.96, -25.77

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 22 / 52 / 26

HEX #BD945A

RGB 189 148 90

HSL 35.15, 0.43%, 0.55%

LAB 63.95, 8.31, 36.34

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 52 / 30 / 0 / 26

HEX #5A84BD

RGB 90 132 189

HSL 214.55, 0.43%, 0.55%

LAB 54.4, 1.94, -34.27

 

CMYK 0 / 52 / 20 / 26

HEX #BD5A97

RGB 189 90 151

HSL 323.03, 0.43%, 0.55%

LAB 52.25, 47.12, -14.77

 

CMYK 0 / 6 / 52 / 26

HEX #BDB25A

RGB 189 178 90

HSL 53.33, 0.43%, 0.55%

LAB 71.82, -7.8, 45.87

 

CMYK 52 / 0 / 32 / 26

HEX #5ABD80

RGB 90 189 128

HSL 143.03, 0.43%, 0.55%

LAB 69.56, -42.93, 22.21

 

CMYK 52 / 46 / 0 / 26

HEX #5A66BD

RGB 90 102 189

HSL 232.73, 0.43%, 0.55%

LAB 46.11, 20.23, -47.37

 

Description

Color code: RGB 189 90 151 | qconv.com Color code: RGB 189 90 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 90 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 90 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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