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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 125 20 it is the complementary color RGB 237 130 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 125 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 125 20 shade: RGB 23 125 15, RGB 40 143 34, RGB 57 161 53, RGB 74 179 72 and RGB 91 197 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 125 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 125 20 shade: RGB 18 125 20, RGB 1 107 1, RGB 0 89 0, RGB 0 71 0 and RGB 0 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 125 20 shade: RGB 17 124 19, RGB 44 124 17, RGB 73 124 17, RGB 102 124 17 and RGB 124 118 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 125 20 shade: RGB 17 124 19, RGB 17 124 48, RGB 17 124 77, RGB 17 124 106 and RGB 17 114 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 125 20 shade matches the following richer shades: RGB 17 124 19 and RGB 6 136 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 125 20 shade: RGB 17 124 19, RGB 29 113 30, RGB 40 101 42, RGB 52 90 53 and RGB 64 78 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 125 20 shade: RGB 73 124 17, RGB 44 124 17, RGB 17 124 19, RGB 17 124 48 and RGB 17 124 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 125 20 shade: RGB 7 52 8, RGB 12 88 14, RGB 17 124 19, RGB 23 161 25 and RGB 28 197 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 125 20 shade: RGB 18 125 20, RGB 17 101 124 and RGB 124 17 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 125 20 shade: RGB 18 125 20, RGB 19 17 124 and RGB 124 19 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 125 20 shade: RGB 18 125 20, RGB 17 101 124, RGB 124 17 123 and RGB 124 41 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 125 20 shade: RGB 18 125 20, RGB 17 69 124, RGB 124 17 123 and RGB 124 73 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

Complementary color

CMYK 0 / 45 / 1 / 7

HEX #ED82EB

RGB 237 130 235

HSL 301.12, 0.75%, 0.72%

LAB 69.45, 55.56, -35.57

 

CMYK 82 / 0 / 88 / 51

HEX #177D0F

RGB 23 125 15

HSL 115.64, 0.79%, 0.27%

LAB 45.47, -47.95, 46.16

 

CMYK 72 / 0 / 76 / 44

HEX #288F22

RGB 40 143 34

HSL 116.7, 0.62%, 0.35%

LAB 52.08, -49.87, 46.55

 

CMYK 65 / 0 / 67 / 37

HEX #39A135

RGB 57 161 53

HSL 117.78, 0.5%, 0.42%

LAB 58.62, -50.98, 45.9

 

CMYK 59 / 0 / 60 / 30

HEX #4AB348

RGB 74 179 72

HSL 118.88, 0.43%, 0.49%

LAB 65.09, -51.58, 44.83

 

CMYK 54 / 0 / 54 / 23

HEX #5BC55B

RGB 91 197 91

HSL 120, 0.48%, 0.56%

LAB 71.5, -51.86, 43.58

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 99 / 0 / 99 / 58

HEX #016B01

RGB 1 107 1

HSL 120, 0.98%, 0.21%

LAB 38.77, -45.34, 43.65

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 65 / 0 / 86 / 51

HEX #2C7C11

RGB 44 124 17

HSL 104.86, 0.76%, 0.28%

LAB 45.62, -43.36, 45.95

 

CMYK 41 / 0 / 86 / 51

HEX #497C11

RGB 73 124 17

HSL 88.6, 0.76%, 0.28%

LAB 46.81, -34.23, 47.45

 

CMYK 18 / 0 / 86 / 51

HEX #667C11

RGB 102 124 17

HSL 72.34, 0.76%, 0.28%

LAB 48.61, -22.29, 49.73

 

CMYK 0 / 5 / 86 / 51

HEX #7C7611

RGB 124 118 17

HSL 56.64, 0.76%, 0.28%

LAB 48.61, -8.96, 50.46

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 86 / 0 / 61 / 51

HEX #117C30

RGB 17 124 48

HSL 137.38, 0.76%, 0.28%

LAB 45.29, -45.3, 33

 

CMYK 86 / 0 / 38 / 51

HEX #117C4D

RGB 17 124 77

HSL 153.64, 0.76%, 0.28%

LAB 45.73, -40.07, 17.83

 

CMYK 86 / 0 / 15 / 51

HEX #117C6A

RGB 17 124 106

HSL 169.91, 0.76%, 0.28%

LAB 46.41, -32.66, 1.82

 

CMYK 86 / 8 / 0 / 51

HEX #11727C

RGB 17 114 124

HSL 185.61, 0.76%, 0.28%

LAB 43.67, -22.04, -13

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 96 / 0 / 94 / 47

HEX #068808

RGB 6 136 8

HSL 120.92, 0.92%, 0.28%

LAB 49.09, -53.3, 50.7

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 74 / 0 / 73 / 56

HEX #1D711E

RGB 29 113 30

HSL 120.71, 0.59%, 0.28%

LAB 41.48, -41.76, 37.21

 

CMYK 60 / 0 / 58 / 60

HEX #28652A

RGB 40 101 42

HSL 121.97, 0.43%, 0.28%

LAB 37.71, -33.01, 27.28

 

CMYK 42 / 0 / 41 / 65

HEX #345A35

RGB 52 90 53

HSL 121.58, 0.27%, 0.28%

LAB 34.6, -22.22, 17.24

 

CMYK 18 / 0 / 18 / 69

HEX #404E40

RGB 64 78 64

HSL 120, 0.1%, 0.28%

LAB 31.6, -8.72, 6.47

 

CMYK 41 / 0 / 86 / 51

HEX #497C11

RGB 73 124 17

HSL 88.6, 0.76%, 0.28%

LAB 46.81, -34.23, 47.45

 

CMYK 65 / 0 / 86 / 51

HEX #2C7C11

RGB 44 124 17

HSL 104.86, 0.76%, 0.28%

LAB 45.62, -43.36, 45.95

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 86 / 0 / 61 / 51

HEX #117C30

RGB 17 124 48

HSL 137.38, 0.76%, 0.28%

LAB 45.29, -45.3, 33

 

CMYK 86 / 0 / 39 / 51

HEX #117C4C

RGB 17 124 76

HSL 153.08, 0.76%, 0.28%

LAB 45.71, -40.29, 18.37

 

CMYK 87 / 0 / 85 / 80

HEX #073408

RGB 7 52 8

HSL 121.33, 0.76%, 0.12%

LAB 18, -25.19, 21.82

 

CMYK 86 / 0 / 84 / 65

HEX #0C580E

RGB 12 88 14

HSL 121.58, 0.76%, 0.2%

LAB 32.01, -37.17, 33.91

 

CMYK 86 / 0 / 85 / 51

HEX #117C13

RGB 17 124 19

HSL 121.12, 0.76%, 0.28%

LAB 45.06, -48.18, 44.65

 

CMYK 86 / 0 / 84 / 37

HEX #17A119

RGB 23 161 25

HSL 120.87, 0.75%, 0.36%

LAB 57.79, -58.66, 54.72

 

CMYK 86 / 0 / 84 / 23

HEX #1CC51F

RGB 28 197 31

HSL 121.07, 0.75%, 0.44%

LAB 69.67, -68.47, 64

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 86 / 19 / 0 / 51

HEX #11657C

RGB 17 101 124

HSL 192.9, 0.76%, 0.28%

LAB 39.38, -14.91, -19.55

 

CMYK 0 / 86 / 53 / 51

HEX #7C113A

RGB 124 17 58

HSL 337.01, 0.76%, 0.28%

LAB 26.71, 46.11, 4.61

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 85 / 86 / 0 / 51

HEX #13117C

RGB 19 17 124

HSL 241.12, 0.76%, 0.28%

LAB 15.46, 39.86, -57.99

 

CMYK 0 / 85 / 86 / 51

HEX #7C1311

RGB 124 19 17

HSL 1.12, 0.76%, 0.28%

LAB 26.13, 43.27, 30.77

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 86 / 19 / 0 / 51

HEX #11657C

RGB 17 101 124

HSL 192.9, 0.76%, 0.28%

LAB 39.38, -14.91, -19.55

 

CMYK 0 / 86 / 1 / 51

HEX #7C117B

RGB 124 17 123

HSL 300.56, 0.76%, 0.28%

LAB 29.7, 54.45, -33.51

 

CMYK 0 / 67 / 86 / 51

HEX #7C2911

RGB 124 41 17

HSL 13.46, 0.76%, 0.28%

LAB 29.19, 34.85, 33.57

 

CMYK 86 / 0 / 84 / 51

HEX #127D14

RGB 18 125 20

HSL 121.12, 0.75%, 0.28%

LAB 45.42, -48.32, 44.69

 

CMYK 86 / 44 / 0 / 51

HEX #11457C

RGB 17 69 124

HSL 210.84, 0.76%, 0.28%

LAB 28.98, 5.17, -35.9

 

CMYK 0 / 86 / 1 / 51

HEX #7C117B

RGB 124 17 123

HSL 300.56, 0.76%, 0.28%

LAB 29.7, 54.45, -33.51

 

CMYK 0 / 41 / 86 / 51

HEX #7C4911

RGB 124 73 17

HSL 31.4, 0.76%, 0.28%

LAB 36.16, 17.33, 39.78

 

Description

Color code: RGB 18 125 20 | qconv.com Color code: RGB 18 125 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 125 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 125 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 84 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 84% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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