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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 172 225 it is the complementary color RGB 237 83 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 172 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 172 225 shade: RGB 23 172 220, RGB 40 190 239, RGB 57 208 255, RGB 74 226 255 and RGB 91 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 172 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 172 225 shade: RGB 18 172 225, RGB 1 154 206, RGB 0 136 187, RGB 0 118 168 and RGB 0 100 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 172 225 shade: RGB 18 173 226, RGB 18 117 226, RGB 18 60 226, RGB 31 18 226 and RGB 87 18 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 172 225 shade: RGB 18 173 226, RGB 18 117 226, RGB 18 60 226 and RGB 18 18 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 172 225 shade matches the following richer shades: RGB 18 173 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 172 225 shade: RGB 18 173 226, RGB 38 163 206, RGB 57 153 186, RGB 77 144 167 and RGB 97 134 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 172 225 shade: RGB 18 226 167, RGB 18 226 222, RGB 18 174 226, RGB 18 118 226 and RGB 18 63 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 172 225 shade: RGB 12 114 150, RGB 15 143 188, RGB 18 173 226, RGB 47 189 238 and RGB 86 201 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 172 225 shade: RGB 18 172 225, RGB 111 18 226 and RGB 226 195 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 172 225 shade: RGB 18 172 225, RGB 226 18 174 and RGB 174 226 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 172 225 shade: RGB 18 172 225, RGB 111 18 226, RGB 226 70 18 and RGB 132 226 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 172 225 shade: RGB 18 172 225, RGB 174 18 226, RGB 226 70 18 and RGB 70 226 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

Complementary color

CMYK 0 / 65 / 87 / 7

HEX #ED531E

RGB 237 83 30

HSL 15.36, 0.85%, 0.52%

LAB 56.37, 57.21, 58.85

 

CMYK 90 / 22 / 0 / 14

HEX #17ACDC

RGB 23 172 220

HSL 194.62, 0.81%, 0.48%

LAB 65.64, -19.09, -34.26

 

CMYK 83 / 21 / 0 / 6

HEX #28BEEF

RGB 40 190 239

HSL 194.77, 0.86%, 0.55%

LAB 71.9, -20.95, -34.9

 

CMYK 78 / 18 / 0 / 0

HEX #39D0FF

RGB 57 208 255

HSL 194.24, 1%, 0.61%

LAB 77.99, -23.42, -34.05

 

CMYK 71 / 11 / 0 / 0

HEX #4AE2FF

RGB 74 226 255

HSL 189.61, 1%, 0.65%

LAB 83.48, -30.42, -25.61

 

CMYK 64 / 4 / 0 / 0

HEX #5BF4FF

RGB 91 244 255

HSL 184.02, 1%, 0.68%

LAB 88.99, -36.61, -17.22

 

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

CMYK 100 / 25 / 0 / 19

HEX #019ACE

RGB 1 154 206

HSL 195.22, 0.99%, 0.41%

LAB 59.5, -15.18, -36.06

 

CMYK 100 / 27 / 0 / 27

HEX #0088BB

RGB 0 136 187

HSL 196.36, 1%, 0.37%

LAB 53.16, -12.19, -35.23

 

CMYK 100 / 30 / 0 / 34

HEX #0076A8

RGB 0 118 168

HSL 197.86, 1%, 0.33%

LAB 46.69, -9.04, -34.41

RGB 0 118 168

CMYK 100 / 33 / 0 / 42

HEX #006495

RGB 0 100 149

HSL 199.73, 1%, 0.29%

LAB 40.06, -5.72, -33.62

RGB 0 100 149

CMYK 92 / 23 / 0 / 11

HEX #12ADE2

RGB 18 173 226

HSL 195.29, 0.85%, 0.48%

LAB 66.14, -17.76, -36.78

 

CMYK 92 / 48 / 0 / 11

HEX #1275E2

RGB 18 117 226

HSL 211.44, 0.85%, 0.48%

LAB 49.91, 14.97, -62.54

 

CMYK 92 / 73 / 0 / 11

HEX #123CE2

RGB 18 60 226

HSL 227.88, 0.85%, 0.48%

LAB 35.7, 50.89, -85.78

 

CMYK 86 / 92 / 0 / 11

HEX #1F12E2

RGB 31 18 226

HSL 243.75, 0.85%, 0.48%

LAB 29.95, 69.17, -95.33

 

CMYK 62 / 92 / 0 / 11

HEX #5712E2

RGB 87 18 226

HSL 259.9, 0.85%, 0.48%

LAB 33.88, 71.47, -88.68

 

CMYK 92 / 23 / 0 / 11

HEX #12ADE2

RGB 18 173 226

HSL 195.29, 0.85%, 0.48%

LAB 66.14, -17.76, -36.78

 

CMYK 92 / 48 / 0 / 11

HEX #1275E2

RGB 18 117 226

HSL 211.44, 0.85%, 0.48%

LAB 49.91, 14.97, -62.54

 

CMYK 92 / 73 / 0 / 11

HEX #123CE2

RGB 18 60 226

HSL 227.88, 0.85%, 0.48%

LAB 35.7, 50.89, -85.78

 

CMYK 92 / 92 / 0 / 11

HEX #1212E2

RGB 18 18 226

HSL 240, 0.85%, 0.48%

LAB 29.54, 68.96, -96.02

 

CMYK 92 / 23 / 0 / 11

HEX #12ADE2

RGB 18 173 226

HSL 195.29, 0.85%, 0.48%

LAB 66.14, -17.76, -36.78

 

CMYK 92 / 23 / 0 / 11

HEX #12ADE2

RGB 18 173 226

HSL 195.29, 0.85%, 0.48%

LAB 66.14, -17.76, -36.78

 

CMYK 82 / 21 / 0 / 19

HEX #26A3CE

RGB 38 163 206

HSL 195.36, 0.69%, 0.48%

LAB 62.56, -18.11, -31.27

 

CMYK 69 / 18 / 0 / 27

HEX #3999BA

RGB 57 153 186

HSL 195.35, 0.53%, 0.48%

LAB 59.16, -17.23, -25.28

 

CMYK 54 / 14 / 0 / 35

HEX #4D90A7

RGB 77 144 167

HSL 195.33, 0.37%, 0.48%

LAB 56.4, -14.63, -18.65

 

CMYK 34 / 9 / 0 / 42

HEX #618693

RGB 97 134 147

HSL 195.6, 0.2%, 0.48%

LAB 53.71, -9.54, -11.11

 

CMYK 92 / 0 / 26 / 11

HEX #12E2A7

RGB 18 226 167

HSL 162.98, 0.85%, 0.48%

LAB 80.35, -58.93, 16.27

 

CMYK 92 / 0 / 2 / 11

HEX #12E2DE

RGB 18 226 222

HSL 178.85, 0.85%, 0.48%

LAB 81.73, -44.58, -10.85

 

CMYK 92 / 23 / 0 / 11

HEX #12AEE2

RGB 18 174 226

HSL 195, 0.85%, 0.48%

LAB 66.44, -18.29, -36.32

 

CMYK 92 / 48 / 0 / 11

HEX #1276E2

RGB 18 118 226

HSL 211.15, 0.85%, 0.48%

LAB 50.19, 14.34, -62.09

 

CMYK 92 / 72 / 0 / 11

HEX #123FE2

RGB 18 63 226

HSL 227.02, 0.85%, 0.48%

LAB 36.32, 49.15, -84.76

 

CMYK 92 / 24 / 0 / 41

HEX #0C7296

RGB 12 114 150

HSL 195.65, 0.85%, 0.32%

LAB 44.68, -13.02, -26.95

 

CMYK 92 / 24 / 0 / 26

HEX #0F8FBC

RGB 15 143 188

HSL 195.61, 0.85%, 0.4%

LAB 55.46, -15.16, -32.2

 

CMYK 92 / 23 / 0 / 11

HEX #12ADE2

RGB 18 173 226

HSL 195.29, 0.85%, 0.48%

LAB 66.14, -17.76, -36.78

 

CMYK 80 / 21 / 0 / 7

HEX #2FBDEE

RGB 47 189 238

HSL 195.39, 0.85%, 0.56%

LAB 71.67, -20.19, -34.7

 

CMYK 64 / 17 / 0 / 5

HEX #56C9F1

RGB 86 201 241

HSL 195.48, 0.85%, 0.64%

LAB 76.13, -20.56, -29.37

 

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

CMYK 51 / 92 / 0 / 11

HEX #6F12E2

RGB 111 18 226

HSL 266.83, 0.85%, 0.48%

LAB 36.56, 73.29, -84.16

 

CMYK 0 / 14 / 92 / 11

HEX #E2C312

RGB 226 195 18

HSL 51.06, 0.85%, 0.48%

LAB 79.18, -3.99, 78.47

 

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

CMYK 0 / 92 / 23 / 11

HEX #E212AE

RGB 226 18 174

HSL 315, 0.85%, 0.48%

LAB 51.45, 81.52, -29.03

 

CMYK 23 / 0 / 92 / 11

HEX #AEE212

RGB 174 226 18

HSL 75, 0.85%, 0.48%

LAB 83.67, -40.61, 80.26

 

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

CMYK 51 / 92 / 0 / 11

HEX #6F12E2

RGB 111 18 226

HSL 266.83, 0.85%, 0.48%

LAB 36.56, 73.29, -84.16

 

CMYK 0 / 69 / 92 / 11

HEX #E24612

RGB 226 70 18

HSL 15, 0.85%, 0.48%

LAB 52.5, 58.5, 59.26

 

CMYK 42 / 0 / 92 / 11

HEX #84E212

RGB 132 226 18

HSL 87.12, 0.85%, 0.48%

LAB 81.48, -55.68, 77.58

 

CMYK 92 / 24 / 0 / 12

HEX #12ACE1

RGB 18 172 225

HSL 195.36, 0.85%, 0.48%

LAB 65.8, -17.58, -36.76

 

CMYK 23 / 92 / 0 / 11

HEX #AE12E2

RGB 174 18 226

HSL 285, 0.85%, 0.48%

LAB 45.53, 80.44, -69.1

 

CMYK 0 / 69 / 92 / 11

HEX #E24612

RGB 226 70 18

HSL 15, 0.85%, 0.48%

LAB 52.5, 58.5, 59.26

 

CMYK 69 / 0 / 92 / 11

HEX #46E212

RGB 70 226 18

HSL 105, 0.85%, 0.48%

LAB 79.46, -71.69, 75.09

 

Description

Color code: RGB 18 172 225 | qconv.com Color code: RGB 18 172 225 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 172 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 172 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 24 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 24% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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