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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 201 70 it is the complementary color RGB 237 54 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 201 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 201 70 shade: RGB 23 201 65, RGB 40 219 84, RGB 57 237 103, RGB 74 255 122 and RGB 91 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 201 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 201 70 shade: RGB 18 201 70, RGB 1 183 51, RGB 0 165 32, RGB 0 147 13 and RGB 0 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 201 70 shade: RGB 17 201 69, RGB 17 201 20, RGB 64 201 17, RGB 114 201 17 and RGB 163 201 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 201 70 shade: RGB 17 201 69, RGB 17 201 119, RGB 17 201 169, RGB 17 184 201 and RGB 17 134 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 201 70 shade matches the following richer shades: RGB 17 201 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 201 70 shade: RGB 17 201 69, RGB 35 184 77, RGB 53 166 85, RGB 70 148 92 and RGB 88 130 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 201 70 shade: RGB 63 201 17, RGB 17 201 20, RGB 17 201 69, RGB 17 201 118 and RGB 17 201 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 201 70 shade: RGB 10 125 43, RGB 14 163 56, RGB 17 201 69, RGB 25 235 85 and RGB 63 238 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 201 70 shade: RGB 18 201 70, RGB 17 112 201 and RGB 201 17 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 201 70 shade: RGB 18 201 70, RGB 69 17 201 and RGB 201 69 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 201 70 shade: RGB 18 201 70, RGB 17 112 201, RGB 201 17 149 and RGB 201 106 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 201 70 shade: RGB 18 201 70, RGB 17 57 201, RGB 201 17 149 and RGB 201 161 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

Complementary color

CMYK 0 / 77 / 22 / 7

HEX #ED36B9

RGB 237 54 185

HSL 317.05, 0.84%, 0.57%

LAB 56.23, 78.35, -27.87

 

CMYK 89 / 0 / 68 / 21

HEX #17C941

RGB 23 201 65

HSL 134.16, 0.79%, 0.44%

LAB 71.1, -67.55, 54.28

 

CMYK 82 / 0 / 62 / 14

HEX #28DB54

RGB 40 219 84

HSL 134.75, 0.71%, 0.51%

LAB 77.13, -69.51, 53.07

 

CMYK 76 / 0 / 57 / 7

HEX #39ED67

RGB 57 237 103

HSL 135.33, 0.83%, 0.58%

LAB 83.13, -70.92, 51.7

 

CMYK 71 / 0 / 52 / 0

HEX #4AFF7A

RGB 74 255 122

HSL 135.91, 1%, 0.65%

LAB 89.1, -71.9, 50.28

 

CMYK 64 / 0 / 45 / 0

HEX #5BFF8D

RGB 91 255 141

HSL 138.29, 1%, 0.68%

LAB 89.7, -66.27, 42.13

 

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

CMYK 99 / 0 / 72 / 28

HEX #01B733

RGB 1 183 51

HSL 136.48, 0.99%, 0.36%

LAB 65.05, -64.68, 53.3

 

CMYK 100 / 0 / 81 / 35

HEX #00A520

RGB 0 165 32

HSL 131.64, 1%, 0.32%

LAB 58.99, -60.96, 53.79

 

CMYK 100 / 0 / 91 / 42

HEX #00930D

RGB 0 147 13

HSL 125.31, 1%, 0.29%

LAB 52.84, -56.75, 52.98

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 92 / 0 / 90 / 21

HEX #11C914

RGB 17 201 20

HSL 120.98, 0.84%, 0.43%

LAB 70.83, -70.84, 67.23

 

CMYK 68 / 0 / 92 / 21

HEX #40C911

RGB 64 201 17

HSL 104.67, 0.84%, 0.43%

LAB 71.49, -65.07, 68.52

 

CMYK 43 / 0 / 92 / 21

HEX #72C911

RGB 114 201 17

HSL 88.37, 0.84%, 0.43%

LAB 73.15, -51.86, 70.57

 

CMYK 19 / 0 / 92 / 21

HEX #A3C911

RGB 163 201 17

HSL 72.39, 0.84%, 0.43%

LAB 75.82, -33.72, 73.85

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 92 / 0 / 41 / 21

HEX #11C977

RGB 17 201 119

HSL 153.26, 0.84%, 0.43%

LAB 71.71, -60.07, 29.56

 

CMYK 92 / 0 / 16 / 21

HEX #11C9A9

RGB 17 201 169

HSL 169.57, 0.84%, 0.43%

LAB 72.73, -48.67, 4.36

 

CMYK 92 / 8 / 0 / 21

HEX #11B8C9

RGB 17 184 201

HSL 185.54, 0.84%, 0.43%

LAB 68.47, -31.76, -19.45

 

CMYK 92 / 33 / 0 / 21

HEX #1186C9

RGB 17 134 201

HSL 201.85, 0.84%, 0.43%

LAB 53.37, -5.13, -42.87

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 81 / 0 / 58 / 28

HEX #23B84D

RGB 35 184 77

HSL 136.91, 0.68%, 0.43%

LAB 65.88, -59.71, 43.2

 

CMYK 68 / 0 / 49 / 35

HEX #35A655

RGB 53 166 85

HSL 136.99, 0.52%, 0.43%

LAB 60.5, -49.46, 32.8

 

CMYK 53 / 0 / 38 / 42

HEX #46945C

RGB 70 148 92

HSL 136.92, 0.36%, 0.43%

LAB 55.33, -36.99, 22.48

 

CMYK 32 / 0 / 23 / 49

HEX #588264

RGB 88 130 100

HSL 137.14, 0.19%, 0.43%

LAB 50.64, -21.27, 11.69

 

CMYK 69 / 0 / 92 / 21

HEX #3FC911

RGB 63 201 17

HSL 105, 0.84%, 0.43%

LAB 71.47, -65.26, 68.49

 

CMYK 92 / 0 / 90 / 21

HEX #11C914

RGB 17 201 20

HSL 120.98, 0.84%, 0.43%

LAB 70.83, -70.84, 67.23

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 92 / 0 / 41 / 21

HEX #11C976

RGB 17 201 118

HSL 152.93, 0.84%, 0.43%

LAB 71.69, -60.25, 30.06

 

CMYK 92 / 0 / 17 / 21

HEX #11C9A7

RGB 17 201 167

HSL 168.91, 0.84%, 0.43%

LAB 72.68, -49.19, 5.37

 

CMYK 92 / 0 / 66 / 51

HEX #0A7D2B

RGB 10 125 43

HSL 137.22, 0.85%, 0.26%

LAB 45.51, -46.95, 35.66

 

CMYK 91 / 0 / 66 / 36

HEX #0EA338

RGB 14 163 56

HSL 136.91, 0.84%, 0.35%

LAB 58.58, -57.44, 44.35

 

CMYK 92 / 0 / 66 / 21

HEX #11C945

RGB 17 201 69

HSL 136.96, 0.84%, 0.43%

LAB 71.09, -67.51, 52.62

 

CMYK 89 / 0 / 64 / 8

HEX #19EB55

RGB 25 235 85

HSL 137.14, 0.84%, 0.51%

LAB 81.99, -75.45, 58.06

 

CMYK 74 / 0 / 53 / 7

HEX #3FEE71

RGB 63 238 113

HSL 137.14, 0.84%, 0.59%

LAB 83.65, -69.1, 47.76

 

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

CMYK 92 / 44 / 0 / 21

HEX #1170C9

RGB 17 112 201

HSL 209.02, 0.84%, 0.43%

LAB 46.88, 8.29, -53.21

 

CMYK 0 / 92 / 81 / 21

HEX #C91127

RGB 201 17 39

HSL 352.83, 0.84%, 0.43%

LAB 42.71, 65.81, 40.01

 

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

CMYK 66 / 92 / 0 / 21

HEX #4511C9

RGB 69 17 201

HSL 256.96, 0.84%, 0.43%

LAB 29.12, 64.45, -82.17

 

CMYK 0 / 66 / 92 / 21

HEX #C94511

RGB 201 69 17

HSL 16.96, 0.84%, 0.43%

LAB 47.9, 50.47, 54.33

 

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

CMYK 92 / 44 / 0 / 21

HEX #1170C9

RGB 17 112 201

HSL 209.02, 0.84%, 0.43%

LAB 46.88, 8.29, -53.21

 

CMYK 0 / 92 / 26 / 21

HEX #C91195

RGB 201 17 149

HSL 316.96, 0.84%, 0.43%

LAB 45.62, 73.75, -23.56

 

CMYK 0 / 47 / 92 / 21

HEX #C96A11

RGB 201 106 17

HSL 29.02, 0.84%, 0.43%

LAB 54.83, 32.62, 59.28

 

CMYK 91 / 0 / 65 / 21

HEX #12C946

RGB 18 201 70

HSL 137.05, 0.84%, 0.43%

LAB 71.11, -67.35, 52.22

 

CMYK 92 / 72 / 0 / 21

HEX #1139C9

RGB 17 57 201

HSL 226.96, 0.84%, 0.43%

LAB 32.4, 43.86, -76.81

 

CMYK 0 / 92 / 26 / 21

HEX #C91195

RGB 201 17 149

HSL 316.96, 0.84%, 0.43%

LAB 45.62, 73.75, -23.56

 

CMYK 0 / 20 / 92 / 21

HEX #C9A111

RGB 201 161 17

HSL 46.96, 0.84%, 0.43%

LAB 67.98, 2.87, 69.08

 

Description

Color code: RGB 18 201 70 | qconv.com Color code: RGB 18 201 70 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 201 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 201 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 65 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 65% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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