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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 215 118 it is the complementary color RGB 237 40 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 215 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 215 118 shade: RGB 23 215 113, RGB 40 233 132, RGB 57 251 151, RGB 74 255 170 and RGB 91 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 215 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 215 118 shade: RGB 18 215 118, RGB 1 197 99, RGB 0 179 80, RGB 0 161 61 and RGB 0 143 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 215 118 shade: RGB 17 217 118, RGB 17 217 65, RGB 23 217 17, RGB 77 217 17 and RGB 131 217 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 215 118 shade: RGB 17 217 118, RGB 17 217 172, RGB 17 207 217, RGB 17 153 217 and RGB 17 100 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 215 118 shade matches the following richer shades: RGB 17 217 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 215 118 shade: RGB 17 217 118, RGB 36 198 118, RGB 55 179 118, RGB 74 160 117 and RGB 93 141 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 215 118 shade: RGB 24 217 17, RGB 17 217 64, RGB 17 217 117, RGB 17 217 170 and RGB 17 210 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 215 118 shade: RGB 11 140 77, RGB 14 178 97, RGB 17 217 118, RGB 38 237 139 and RGB 76 240 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 215 118 shade: RGB 18 215 118, RGB 17 77 217 and RGB 217 37 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 215 118 shade: RGB 18 215 118, RGB 117 17 217 and RGB 217 117 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 215 118 shade: RGB 18 215 118, RGB 17 77 217, RGB 217 17 117 and RGB 217 157 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 215 118 shade: RGB 18 215 118, RGB 17 17 217, RGB 217 17 117 and RGB 217 217 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

Complementary color

CMYK 0 / 83 / 42 / 7

HEX #ED2889

RGB 237 40 137

HSL 330.46, 0.85%, 0.54%

LAB 53.31, 76.58, -4.05

 

CMYK 89 / 0 / 47 / 16

HEX #17D771

RGB 23 215 113

HSL 148.13, 0.81%, 0.47%

LAB 76.05, -65.55, 38.22

 

CMYK 83 / 0 / 43 / 9

HEX #28E984

RGB 40 233 132

HSL 148.6, 0.81%, 0.54%

LAB 82.05, -67.08, 36.52

 

CMYK 77 / 0 / 40 / 2

HEX #39FB97

RGB 57 251 151

HSL 149.07, 0.96%, 0.6%

LAB 88.02, -68.2, 34.92

 

CMYK 71 / 0 / 33 / 0

HEX #4AFFAA

RGB 74 255 170

HSL 151.82, 1%, 0.65%

LAB 89.8, -63.94, 27.85

 

CMYK 64 / 0 / 26 / 0

HEX #5BFFBD

RGB 91 255 189

HSL 155.85, 1%, 0.68%

LAB 90.51, -57.49, 19.23

 

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

CMYK 99 / 0 / 50 / 23

HEX #01C563

RGB 1 197 99

HSL 150, 0.99%, 0.39%

LAB 70.06, -62.9, 37.58

 

CMYK 100 / 0 / 55 / 30

HEX #00B350

RGB 0 179 80

HSL 146.82, 1%, 0.35%

LAB 64.01, -60.07, 39.48

 

CMYK 100 / 0 / 62 / 37

HEX #00A13D

RGB 0 161 61

HSL 142.73, 1%, 0.32%

LAB 57.87, -56.98, 41.28

 

CMYK 100 / 0 / 71 / 44

HEX #008F2A

RGB 0 143 42

HSL 137.62, 1%, 0.28%

LAB 51.62, -53.56, 42.77

 

CMYK 92 / 0 / 46 / 15

HEX #11D976

RGB 17 217 118

HSL 150.3, 0.85%, 0.46%

LAB 76.71, -65.68, 36.57

 

CMYK 92 / 0 / 70 / 15

HEX #11D941

RGB 17 217 65

HSL 134.4, 0.85%, 0.46%

LAB 76.15, -72.62, 59.62

 

CMYK 89 / 0 / 92 / 15

HEX #17D911

RGB 23 217 17

HSL 118.2, 0.85%, 0.46%

LAB 75.98, -74.95, 72.04

 

CMYK 65 / 0 / 92 / 15

HEX #4DD911

RGB 77 217 17

HSL 102, 0.85%, 0.46%

LAB 76.83, -67.52, 73.1

 

CMYK 40 / 0 / 92 / 15

HEX #83D911

RGB 131 217 17

HSL 85.8, 0.85%, 0.46%

LAB 78.75, -52.51, 75.46

 

CMYK 92 / 0 / 46 / 15

HEX #11D976

RGB 17 217 118

HSL 150.3, 0.85%, 0.46%

LAB 76.71, -65.68, 36.57

 

CMYK 92 / 0 / 21 / 15

HEX #11D9AC

RGB 17 217 172

HSL 166.5, 0.85%, 0.46%

LAB 77.71, -54.33, 9.89

 

CMYK 92 / 5 / 0 / 15

HEX #11CFD9

RGB 17 207 217

HSL 183, 0.85%, 0.46%

LAB 75.92, -37.58, -16.89

 

CMYK 92 / 29 / 0 / 15

HEX #1199D9

RGB 17 153 217

HSL 199.2, 0.85%, 0.46%

LAB 59.81, -10.09, -41.71

 

CMYK 92 / 54 / 0 / 15

HEX #1164D9

RGB 17 100 217

HSL 215.1, 0.85%, 0.46%

LAB 44.58, 22.31, -66.07

 

CMYK 92 / 0 / 46 / 15

HEX #11D976

RGB 17 217 118

HSL 150.3, 0.85%, 0.46%

LAB 76.71, -65.68, 36.57

 

CMYK 92 / 0 / 46 / 15

HEX #11D976

RGB 17 217 118

HSL 150.3, 0.85%, 0.46%

LAB 76.71, -65.68, 36.57

 

CMYK 82 / 0 / 40 / 22

HEX #24C676

RGB 36 198 118

HSL 150.37, 0.69%, 0.46%

LAB 70.92, -57.79, 29.07

 

CMYK 69 / 0 / 34 / 30

HEX #37B376

RGB 55 179 118

HSL 150.48, 0.53%, 0.46%

LAB 65.25, -48.1, 21.55

 

CMYK 54 / 0 / 27 / 37

HEX #4AA075

RGB 74 160 117

HSL 150, 0.37%, 0.46%

LAB 59.78, -36.33, 14.68

 

CMYK 34 / 0 / 17 / 45

HEX #5D8D75

RGB 93 141 117

HSL 150, 0.21%, 0.46%

LAB 54.72, -21.75, 7.69

 

CMYK 89 / 0 / 92 / 15

HEX #18D911

RGB 24 217 17

HSL 117.9, 0.85%, 0.46%

LAB 75.98, -74.88, 72.05

 

CMYK 92 / 0 / 71 / 15

HEX #11D940

RGB 17 217 64

HSL 134.1, 0.85%, 0.46%

LAB 76.14, -72.71, 59.99

 

CMYK 92 / 0 / 46 / 15

HEX #11D975

RGB 17 217 117

HSL 150, 0.85%, 0.46%

LAB 76.7, -65.86, 37.04

 

CMYK 92 / 0 / 22 / 15

HEX #11D9AA

RGB 17 217 170

HSL 165.9, 0.85%, 0.46%

LAB 77.67, -54.82, 10.89

 

CMYK 92 / 3 / 0 / 15

HEX #11D2D9

RGB 17 210 217

HSL 182.1, 0.85%, 0.46%

LAB 76.81, -38.96, -15.54

 

CMYK 92 / 0 / 45 / 45

HEX #0B8C4D

RGB 11 140 77

HSL 150.7, 0.85%, 0.3%

LAB 51.11, -46.67, 24.91

 

CMYK 92 / 0 / 46 / 30

HEX #0EB261

RGB 14 178 97

HSL 150.37, 0.85%, 0.38%

LAB 64, -56.31, 30.92

 

CMYK 92 / 0 / 46 / 15

HEX #11D976

RGB 17 217 118

HSL 150.3, 0.85%, 0.46%

LAB 76.71, -65.68, 36.57

 

CMYK 84 / 0 / 41 / 7

HEX #26ED8B

RGB 38 237 139

HSL 150.45, 0.85%, 0.54%

LAB 83.36, -67.38, 34.74

 

CMYK 68 / 0 / 34 / 6

HEX #4CF09F

RGB 76 240 159

HSL 150.37, 0.85%, 0.62%

LAB 85.18, -60.18, 27.17

 

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

CMYK 92 / 65 / 0 / 15

HEX #114DD9

RGB 17 77 217

HSL 222, 0.85%, 0.46%

LAB 38.62, 37.23, -75.82

 

CMYK 0 / 83 / 92 / 15

HEX #D92511

RGB 217 37 17

HSL 6, 0.85%, 0.46%

LAB 47.13, 65.97, 55.27

 

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

CMYK 46 / 92 / 0 / 15

HEX #7511D9

RGB 117 17 217

HSL 270, 0.85%, 0.46%

LAB 36.35, 72.04, -79.31

 

CMYK 0 / 46 / 92 / 15

HEX #D97511

RGB 217 117 17

HSL 30, 0.85%, 0.46%

LAB 59.45, 33.44, 63.64

 

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

CMYK 92 / 65 / 0 / 15

HEX #114DD9

RGB 17 77 217

HSL 222, 0.85%, 0.46%

LAB 38.62, 37.23, -75.82

 

CMYK 0 / 92 / 46 / 15

HEX #D91175

RGB 217 17 117

HSL 330, 0.85%, 0.46%

LAB 47.54, 74.04, -0.84

 

CMYK 0 / 28 / 92 / 15

HEX #D99D11

RGB 217 157 17

HSL 42, 0.85%, 0.46%

LAB 68.68, 12.08, 70.36

 

CMYK 92 / 0 / 45 / 16

HEX #12D776

RGB 18 215 118

HSL 150.46, 0.85%, 0.46%

LAB 76.09, -64.97, 35.77

 

CMYK 92 / 92 / 0 / 15

HEX #1111D9

RGB 17 17 217

HSL 240, 0.85%, 0.46%

LAB 28.19, 66.83, -93.09

 

CMYK 0 / 92 / 46 / 15

HEX #D91175

RGB 217 17 117

HSL 330, 0.85%, 0.46%

LAB 47.54, 74.04, -0.84

 

CMYK 0 / 0 / 92 / 15

HEX #D9D911

RGB 217 217 17

HSL 60, 0.85%, 0.46%

LAB 84.18, -18.91, 82.07

 

Description

Color code: RGB 18 215 118 | qconv.com Color code: RGB 18 215 118 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 215 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 215 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 45 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 45% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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