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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 220 165 it is the complementary color RGB 237 35 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 220 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 220 165 shade: RGB 23 220 160, RGB 40 238 179, RGB 57 255 198, RGB 74 255 217 and RGB 91 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 220 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 220 165 shade: RGB 18 220 165, RGB 1 202 146, RGB 0 184 127, RGB 0 166 108 and RGB 0 148 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 220 165 shade: RGB 17 221 166, RGB 17 221 111, RGB 17 221 56, RGB 34 221 17 and RGB 89 221 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 220 165 shade: RGB 17 221 166, RGB 17 221 221, RGB 17 167 221, RGB 17 112 221 and RGB 17 57 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 220 165 shade matches the following richer shades: RGB 17 221 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 220 165 shade: RGB 17 221 166, RGB 37 202 157, RGB 56 182 148, RGB 76 163 139 and RGB 95 144 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 220 165 shade: RGB 17 221 55, RGB 17 221 109, RGB 17 221 163, RGB 17 221 218 and RGB 17 170 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 220 165 shade: RGB 11 145 109, RGB 14 183 137, RGB 17 221 166, RGB 43 237 184 and RGB 81 240 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 220 165 shade: RGB 18 220 165, RGB 17 34 221 and RGB 221 82 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 220 165 shade: RGB 18 220 165, RGB 163 17 221 and RGB 221 163 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 220 165 shade: RGB 18 220 165, RGB 17 34 221, RGB 221 17 75 and RGB 221 204 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 220 165 shade: RGB 18 220 165, RGB 62 17 221, RGB 221 17 75 and RGB 177 221 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

Complementary color

CMYK 0 / 85 / 62 / 7

HEX #ED235A

RGB 237 35 90

HSL 343.66, 0.85%, 0.53%

LAB 51.77, 74.17, 22.17

 

CMYK 90 / 0 / 27 / 14

HEX #17DCA0

RGB 23 220 160

HSL 161.73, 0.81%, 0.48%

LAB 78.41, -58.04, 17.23

 

CMYK 83 / 0 / 25 / 7

HEX #28EEB3

RGB 40 238 179

HSL 162.12, 0.85%, 0.55%

LAB 84.41, -59.4, 15.71

 

CMYK 78 / 0 / 22 / 0

HEX #39FFC6

RGB 57 255 198

HSL 162.73, 1%, 0.61%

LAB 90.08, -60.05, 13.91

 

CMYK 71 / 0 / 15 / 0

HEX #4AFFD9

RGB 74 255 217

HSL 167.4, 1%, 0.65%

LAB 90.77, -53.64, 5.13

 

CMYK 64 / 0 / 7 / 0

HEX #5BFFEC

RGB 91 255 236

HSL 173.05, 1%, 0.68%

LAB 91.6, -46.57, -3.47

 

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

CMYK 100 / 0 / 28 / 21

HEX #01CA92

RGB 1 202 146

HSL 163.28, 0.99%, 0.4%

LAB 72.44, -55.32, 16.32

 

CMYK 100 / 0 / 31 / 28

HEX #00B87F

RGB 0 184 127

HSL 161.41, 1%, 0.36%

LAB 66.38, -52.94, 18.13

 

CMYK 100 / 0 / 35 / 35

HEX #00A66C

RGB 0 166 108

HSL 159.04, 1%, 0.33%

LAB 60.21, -50.45, 20.03

 

CMYK 100 / 0 / 40 / 42

HEX #009459

RGB 0 148 89

HSL 156.08, 1%, 0.29%

LAB 53.92, -47.85, 22.01

 

CMYK 92 / 0 / 25 / 13

HEX #11DDA6

RGB 17 221 166

HSL 163.82, 0.86%, 0.47%

LAB 78.8, -57.31, 14.61

 

CMYK 92 / 0 / 50 / 13

HEX #11DD6F

RGB 17 221 111

HSL 147.65, 0.86%, 0.47%

LAB 77.86, -68.14, 41.46

 

CMYK 92 / 0 / 75 / 13

HEX #11DD38

RGB 17 221 56

HSL 131.47, 0.86%, 0.47%

LAB 77.35, -74.5, 64.04

 

CMYK 85 / 0 / 92 / 13

HEX #22DD11

RGB 34 221 17

HSL 115, 0.86%, 0.47%

LAB 77.34, -75.19, 73.22

 

CMYK 60 / 0 / 92 / 13

HEX #59DD11

RGB 89 221 17

HSL 98.82, 0.86%, 0.47%

LAB 78.39, -66.13, 74.52

 

CMYK 92 / 0 / 25 / 13

HEX #11DDA6

RGB 17 221 166

HSL 163.82, 0.86%, 0.47%

LAB 78.8, -57.31, 14.61

 

CMYK 92 / 0 / 0 / 13

HEX #11DDDD

RGB 17 221 221

HSL 180, 0.86%, 0.47%

LAB 80.21, -42.71, -12.58

 

CMYK 92 / 24 / 0 / 13

HEX #11A7DD

RGB 17 167 221

HSL 195.88, 0.86%, 0.47%

LAB 64.14, -16.35, -37.14

 

CMYK 92 / 49 / 0 / 13

HEX #1170DD

RGB 17 112 221

HSL 212.06, 0.86%, 0.47%

LAB 48.17, 16.15, -62.53

 

CMYK 92 / 74 / 0 / 13

HEX #1139DD

RGB 17 57 221

HSL 228.24, 0.86%, 0.47%

LAB 34.53, 50.86, -84.85

 

CMYK 92 / 0 / 25 / 13

HEX #11DDA6

RGB 17 221 166

HSL 163.82, 0.86%, 0.47%

LAB 78.8, -57.31, 14.61

 

CMYK 92 / 0 / 25 / 13

HEX #11DDA6

RGB 17 221 166

HSL 163.82, 0.86%, 0.47%

LAB 78.8, -57.31, 14.61

 

CMYK 82 / 0 / 22 / 21

HEX #25CA9D

RGB 37 202 157

HSL 163.64, 0.69%, 0.47%

LAB 72.94, -50.78, 11.15

 

CMYK 69 / 0 / 19 / 29

HEX #38B694

RGB 56 182 148

HSL 163.81, 0.53%, 0.47%

LAB 66.85, -42.39, 7.43

 

CMYK 53 / 0 / 15 / 36

HEX #4CA38B

RGB 76 163 139

HSL 163.45, 0.36%, 0.47%

LAB 61.3, -32.19, 4.53

 

CMYK 34 / 0 / 10 / 44

HEX #5F9082

RGB 95 144 130

HSL 162.86, 0.21%, 0.47%

LAB 56.08, -19.77, 2.19

 

CMYK 92 / 0 / 75 / 13

HEX #11DD37

RGB 17 221 55

HSL 131.18, 0.86%, 0.47%

LAB 77.35, -74.57, 64.36

 

CMYK 92 / 0 / 51 / 13

HEX #11DD6D

RGB 17 221 109

HSL 147.06, 0.86%, 0.47%

LAB 77.84, -68.45, 42.39

 

CMYK 92 / 0 / 26 / 13

HEX #11DDA3

RGB 17 221 163

HSL 162.94, 0.86%, 0.47%

LAB 78.74, -58.01, 16.11

 

CMYK 92 / 0 / 1 / 13

HEX #11DDDA

RGB 17 221 218

HSL 179.12, 0.86%, 0.47%

LAB 80.12, -43.58, -11.12

 

CMYK 92 / 23 / 0 / 13

HEX #11AADD

RGB 17 170 221

HSL 195, 0.86%, 0.47%

LAB 65.03, -17.95, -35.75

 

CMYK 92 / 0 / 25 / 43

HEX #0B916D

RGB 11 145 109

HSL 163.88, 0.86%, 0.31%

LAB 53.41, -41.42, 10.08

 

CMYK 92 / 0 / 25 / 28

HEX #0EB789

RGB 14 183 137

HSL 163.67, 0.86%, 0.39%

LAB 66.34, -49.65, 12.65

 

CMYK 92 / 0 / 25 / 13

HEX #11DDA6

RGB 17 221 166

HSL 163.82, 0.86%, 0.47%

LAB 78.8, -57.31, 14.61

 

CMYK 82 / 0 / 22 / 7

HEX #2BEDB8

RGB 43 237 184

HSL 163.61, 0.84%, 0.55%

LAB 84.25, -57.62, 12.89

 

CMYK 66 / 0 / 18 / 6

HEX #51F0C5

RGB 81 240 197

HSL 163.77, 0.84%, 0.63%

LAB 86.06, -51.27, 8.76

 

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

CMYK 92 / 85 / 0 / 13

HEX #1122DD

RGB 17 34 221

HSL 235, 0.86%, 0.47%

LAB 30.6, 62.27, -91.38

 

CMYK 0 / 63 / 92 / 13

HEX #DD5211

RGB 221 82 17

HSL 19.12, 0.86%, 0.47%

LAB 53.44, 51.91, 59.76

 

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

CMYK 26 / 92 / 0 / 13

HEX #A311DD

RGB 163 17 221

HSL 282.94, 0.86%, 0.47%

LAB 43.37, 78.18, -69.84

 

CMYK 0 / 26 / 92 / 13

HEX #DDA311

RGB 221 163 17

HSL 42.94, 0.86%, 0.47%

LAB 70.6, 10.62, 71.98

 

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

CMYK 92 / 85 / 0 / 13

HEX #1122DD

RGB 17 34 221

HSL 235, 0.86%, 0.47%

LAB 30.6, 62.27, -91.38

 

CMYK 0 / 92 / 66 / 13

HEX #DD114B

RGB 221 17 75

HSL 342.94, 0.86%, 0.47%

LAB 47.34, 72.22, 24.92

 

CMYK 0 / 8 / 92 / 13

HEX #DDCC11

RGB 221 204 17

HSL 55, 0.86%, 0.47%

LAB 81.07, -10.75, 79.84

 

CMYK 92 / 0 / 25 / 14

HEX #12DCA5

RGB 18 220 165

HSL 163.66, 0.85%, 0.47%

LAB 78.48, -57.12, 14.69

 

CMYK 72 / 92 / 0 / 13

HEX #3E11DD

RGB 62 17 221

HSL 253.24, 0.86%, 0.47%

LAB 30.99, 69.1, -90.68

 

CMYK 0 / 92 / 66 / 13

HEX #DD114B

RGB 221 17 75

HSL 342.94, 0.86%, 0.47%

LAB 47.34, 72.22, 24.92

 

CMYK 20 / 0 / 92 / 13

HEX #B1DD11

RGB 177 221 17

HSL 72.94, 0.86%, 0.47%

LAB 82.43, -37.23, 79.48

 

Description

Color code: RGB 18 220 165 | qconv.com Color code: RGB 18 220 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 220 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 220 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 25 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 25% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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