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Color name
RGB 18 221 100

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 221 100 it is the complementary color RGB 237 34 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 221 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 221 100 shade: RGB 23 221 95, RGB 40 239 114, RGB 57 255 133, RGB 74 255 152 and RGB 91 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 221 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 221 100 shade: RGB 18 221 100, RGB 1 203 81, RGB 0 185 62, RGB 0 167 43 and RGB 0 149 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 221 100 shade: RGB 17 221 100, RGB 17 221 45, RGB 45 221 17, RGB 100 221 17 and RGB 155 221 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 221 100 shade: RGB 17 221 100, RGB 17 221 155, RGB 17 221 210, RGB 17 178 221 and RGB 17 123 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 221 100 shade matches the following richer shades: RGB 17 221 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 221 100 shade: RGB 17 221 100, RGB 37 202 104, RGB 56 182 107, RGB 76 163 111 and RGB 95 144 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 221 100 shade: RGB 45 221 17, RGB 17 221 45, RGB 17 221 99, RGB 17 221 153 and RGB 17 221 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 221 100 shade: RGB 11 145 65, RGB 14 183 83, RGB 17 221 100, RGB 43 237 121 and RGB 81 240 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 221 100 shade: RGB 18 221 100, RGB 17 99 221 and RGB 221 17 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 221 100 shade: RGB 18 221 100, RGB 99 17 221 and RGB 221 99 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 221 100 shade: RGB 18 221 100, RGB 17 99 221, RGB 221 17 140 and RGB 221 140 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 221 100 shade: RGB 18 221 100, RGB 17 38 221, RGB 221 17 140 and RGB 221 201 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

Complementary color

CMYK 0 / 86 / 35 / 7

HEX #ED229B

RGB 237 34 155

HSL 324.24, 0.85%, 0.53%

LAB 53.51, 79.45, -14.47

 

CMYK 90 / 0 / 57 / 13

HEX #17DD5F

RGB 23 221 95

HSL 141.82, 0.81%, 0.48%

LAB 77.71, -70.14, 48.81

 

CMYK 83 / 0 / 52 / 6

HEX #28EF72

RGB 40 239 114

HSL 142.31, 0.86%, 0.55%

LAB 83.65, -71.91, 47.22

 

CMYK 78 / 0 / 48 / 0

HEX #39FF85

RGB 57 255 133

HSL 143.03, 1%, 0.61%

LAB 88.96, -72.55, 44.89

 

CMYK 71 / 0 / 40 / 0

HEX #4AFF98

RGB 74 255 152

HSL 145.86, 1%, 0.65%

LAB 89.51, -67.24, 36.44

 

CMYK 64 / 0 / 33 / 0

HEX #5BFFAB

RGB 91 255 171

HSL 149.27, 1%, 0.68%

LAB 90.18, -61.08, 27.91

 

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

CMYK 100 / 0 / 60 / 20

HEX #01CB51

RGB 1 203 81

HSL 143.76, 0.99%, 0.4%

LAB 71.77, -67.39, 48.17

 

CMYK 100 / 0 / 66 / 27

HEX #00B93E

RGB 0 185 62

HSL 140.11, 1%, 0.36%

LAB 65.78, -64.23, 49.7

 

CMYK 100 / 0 / 74 / 35

HEX #00A72B

RGB 0 167 43

HSL 135.45, 1%, 0.33%

LAB 59.72, -60.72, 50.8

 

CMYK 100 / 0 / 84 / 42

HEX #009518

RGB 0 149 24

HSL 129.66, 1%, 0.29%

LAB 53.56, -56.81, 51.03

 

CMYK 92 / 0 / 55 / 13

HEX #11DD64

RGB 17 221 100

HSL 144.41, 0.86%, 0.47%

LAB 77.73, -69.78, 46.52

 

CMYK 92 / 0 / 80 / 13

HEX #11DD2D

RGB 17 221 45

HSL 128.24, 0.86%, 0.47%

LAB 77.29, -75.23, 67.35

 

CMYK 80 / 0 / 92 / 13

HEX #2DDD11

RGB 45 221 17

HSL 111.76, 0.86%, 0.47%

LAB 77.47, -74.03, 73.38

 

CMYK 55 / 0 / 92 / 13

HEX #64DD11

RGB 100 221 17

HSL 95.59, 0.86%, 0.47%

LAB 78.73, -63.36, 74.94

 

CMYK 30 / 0 / 92 / 13

HEX #9BDD11

RGB 155 221 17

HSL 79.41, 0.86%, 0.47%

LAB 81.14, -45.65, 77.9

 

CMYK 92 / 0 / 55 / 13

HEX #11DD64

RGB 17 221 100

HSL 144.41, 0.86%, 0.47%

LAB 77.73, -69.78, 46.52

 

CMYK 92 / 0 / 30 / 13

HEX #11DD9B

RGB 17 221 155

HSL 160.59, 0.86%, 0.47%

LAB 78.58, -59.81, 20.08

 

CMYK 92 / 0 / 5 / 13

HEX #11DDD2

RGB 17 221 210

HSL 176.76, 0.86%, 0.47%

LAB 79.89, -45.88, -7.2

 

CMYK 92 / 19 / 0 / 13

HEX #11B2DD

RGB 17 178 221

HSL 192.65, 0.86%, 0.47%

LAB 67.41, -22.15, -32.06

 

CMYK 92 / 44 / 0 / 13

HEX #117BDD

RGB 17 123 221

HSL 208.82, 0.86%, 0.47%

LAB 51.27, 9.22, -57.52

 

CMYK 92 / 0 / 55 / 13

HEX #11DD64

RGB 17 221 100

HSL 144.41, 0.86%, 0.47%

LAB 77.73, -69.78, 46.52

 

CMYK 92 / 0 / 55 / 13

HEX #11DD64

RGB 17 221 100

HSL 144.41, 0.86%, 0.47%

LAB 77.73, -69.78, 46.52

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 69 / 0 / 41 / 29

HEX #38B66B

RGB 56 182 107

HSL 144.29, 0.53%, 0.47%

LAB 66.03, -51.23, 28.45

 

CMYK 53 / 0 / 32 / 36

HEX #4CA36F

RGB 76 163 111

HSL 144.14, 0.36%, 0.47%

LAB 60.67, -38.41, 19.24

 

CMYK 34 / 0 / 20 / 44

HEX #5F9073

RGB 95 144 115

HSL 144.49, 0.21%, 0.47%

LAB 55.7, -23.07, 10.24

 

CMYK 80 / 0 / 92 / 13

HEX #2DDD11

RGB 45 221 17

HSL 111.76, 0.86%, 0.47%

LAB 77.47, -74.03, 73.38

 

CMYK 92 / 0 / 80 / 13

HEX #11DD2D

RGB 17 221 45

HSL 128.24, 0.86%, 0.47%

LAB 77.29, -75.23, 67.35

 

CMYK 92 / 0 / 55 / 13

HEX #11DD63

RGB 17 221 99

HSL 144.12, 0.86%, 0.47%

LAB 77.72, -69.92, 46.97

 

CMYK 92 / 0 / 31 / 13

HEX #11DD99

RGB 17 221 153

HSL 160, 0.86%, 0.47%

LAB 78.54, -60.25, 21.07

 

CMYK 92 / 0 / 6 / 13

HEX #11DDD0

RGB 17 221 208

HSL 176.18, 0.86%, 0.47%

LAB 79.83, -46.44, -6.21

 

CMYK 92 / 0 / 55 / 43

HEX #0B9141

RGB 11 145 65

HSL 144.18, 0.86%, 0.31%

LAB 52.62, -50.53, 33.16

 

CMYK 92 / 0 / 55 / 28

HEX #0EB753

RGB 14 183 83

HSL 144.5, 0.86%, 0.39%

LAB 65.42, -60.28, 39.74

 

CMYK 92 / 0 / 55 / 13

HEX #11DD64

RGB 17 221 100

HSL 144.41, 0.86%, 0.47%

LAB 77.73, -69.78, 46.52

 

CMYK 82 / 0 / 49 / 7

HEX #2BED79

RGB 43 237 121

HSL 144.12, 0.84%, 0.55%

LAB 83.16, -69.94, 43.3

 

CMYK 66 / 0 / 40 / 6

HEX #51F091

RGB 81 240 145

HSL 144.15, 0.84%, 0.63%

LAB 85.05, -61.94, 34.09

 

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

CMYK 92 / 55 / 0 / 13

HEX #1163DD

RGB 17 99 221

HSL 215.88, 0.86%, 0.47%

LAB 44.61, 24.52, -68.3

 

CMYK 0 / 92 / 92 / 13

HEX #DD1111

RGB 221 17 17

HSL 0, 0.86%, 0.47%

LAB 46.73, 70.5, 55.43

 

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

CMYK 55 / 92 / 0 / 13

HEX #6311DD

RGB 99 17 221

HSL 264.12, 0.86%, 0.47%

LAB 34.55, 71.35, -84.67

 

CMYK 0 / 55 / 92 / 13

HEX #DD6311

RGB 221 99 17

HSL 24.12, 0.86%, 0.47%

LAB 56.42, 44.09, 61.79

 

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

CMYK 92 / 55 / 0 / 13

HEX #1163DD

RGB 17 99 221

HSL 215.88, 0.86%, 0.47%

LAB 44.61, 24.52, -68.3

 

CMYK 0 / 92 / 37 / 13

HEX #DD118C

RGB 221 17 140

HSL 323.82, 0.86%, 0.47%

LAB 49.09, 76.98, -12.47

 

CMYK 0 / 37 / 92 / 13

HEX #DD8C11

RGB 221 140 17

HSL 36.18, 0.86%, 0.47%

LAB 65.1, 22.94, 67.94

 

CMYK 92 / 0 / 55 / 13

HEX #12DD64

RGB 18 221 100

HSL 144.24, 0.85%, 0.47%

LAB 77.73, -69.73, 46.53

 

CMYK 92 / 83 / 0 / 13

HEX #1126DD

RGB 17 38 221

HSL 233.82, 0.86%, 0.47%

LAB 31.17, 60.57, -90.43

 

CMYK 0 / 92 / 37 / 13

HEX #DD118C

RGB 221 17 140

HSL 323.82, 0.86%, 0.47%

LAB 49.09, 76.98, -12.47

 

CMYK 0 / 9 / 92 / 13

HEX #DDC911

RGB 221 201 17

HSL 54.12, 0.86%, 0.47%

LAB 80.28, -9.23, 79.24

 

Description

Color code: RGB 18 221 100 | qconv.com Color code: RGB 18 221 100 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 221 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 221 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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