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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 236 132 it is the complementary color RGB 237 19 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 236 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 236 132 shade: RGB 23 236 127, RGB 40 254 146, RGB 57 255 165, RGB 74 255 184 and RGB 91 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 236 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 236 132 shade: RGB 18 236 132, RGB 1 218 113, RGB 0 200 94, RGB 0 182 75 and RGB 0 164 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 236 132 shade: RGB 17 237 132, RGB 17 237 73, RGB 21 237 17, RGB 80 237 17 and RGB 139 237 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 236 132 shade: RGB 17 237 132, RGB 17 237 191, RGB 17 223 237, RGB 17 164 237 and RGB 17 105 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 236 132 shade matches the following richer shades: RGB 17 237 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 236 132 shade: RGB 17 237 132, RGB 38 216 131, RGB 59 195 130, RGB 79 175 129 and RGB 100 154 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 236 132 shade: RGB 21 237 17, RGB 17 237 72, RGB 17 237 131, RGB 17 237 189 and RGB 17 226 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 236 132 shade: RGB 12 160 89, RGB 14 198 111, RGB 17 237 132, RGB 56 240 152 and RGB 94 242 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 236 132 shade: RGB 18 236 132, RGB 17 79 237 and RGB 237 43 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 236 132 shade: RGB 18 236 132, RGB 131 17 237 and RGB 237 131 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 236 132 shade: RGB 18 236 132, RGB 17 79 237, RGB 237 17 123 and RGB 237 175 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 236 132 shade: RGB 18 236 132, RGB 21 17 237, RGB 237 17 123 and RGB 233 237 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

Complementary color

CMYK 0 / 92 / 48 / 7

HEX #ED137B

RGB 237 19 123

HSL 331.38, 0.86%, 0.5%

LAB 51.72, 78.78, 2.07

 

CMYK 90 / 0 / 46 / 7

HEX #17EC7F

RGB 23 236 127

HSL 149.3, 0.85%, 0.51%

LAB 82.76, -70.11, 39.86

 

CMYK 84 / 0 / 43 / 0

HEX #28FE92

RGB 40 254 146

HSL 149.72, 0.99%, 0.58%

LAB 88.64, -71.71, 38.17

 

CMYK 78 / 0 / 35 / 0

HEX #39FFA5

RGB 57 255 165

HSL 152.73, 1%, 0.61%

LAB 89.44, -67.01, 29.83

 

CMYK 71 / 0 / 28 / 0

HEX #4AFFB8

RGB 74 255 184

HSL 156.46, 1%, 0.65%

LAB 90.06, -61.11, 21.1

 

CMYK 64 / 0 / 20 / 0

HEX #5BFFCB

RGB 91 255 203

HSL 160.98, 1%, 0.68%

LAB 90.81, -54.46, 12.45

 

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

CMYK 100 / 0 / 48 / 15

HEX #01DA71

RGB 1 218 113

HSL 150.97, 0.99%, 0.43%

LAB 76.89, -67.42, 39.24

 

CMYK 100 / 0 / 53 / 22

HEX #00C85E

RGB 0 200 94

HSL 148.2, 1%, 0.39%

LAB 70.95, -64.69, 41.13

 

CMYK 100 / 0 / 59 / 29

HEX #00B64B

RGB 0 182 75

HSL 144.73, 1%, 0.36%

LAB 64.93, -61.73, 42.95

 

CMYK 100 / 0 / 66 / 36

HEX #00A438

RGB 0 164 56

HSL 140.49, 1%, 0.32%

LAB 58.82, -58.52, 44.6

 

CMYK 93 / 0 / 44 / 7

HEX #11ED84

RGB 17 237 132

HSL 151.36, 0.87%, 0.5%

LAB 83.1, -69.87, 37.84

 

CMYK 93 / 0 / 69 / 7

HEX #11ED49

RGB 17 237 73

HSL 135.27, 0.87%, 0.5%

LAB 82.47, -77.63, 63.28

 

CMYK 91 / 0 / 93 / 7

HEX #15ED11

RGB 21 237 17

HSL 118.91, 0.87%, 0.5%

LAB 82.25, -80.47, 77.28

 

CMYK 66 / 0 / 93 / 7

HEX #50ED11

RGB 80 237 17

HSL 102.82, 0.87%, 0.5%

LAB 83.08, -73.2, 78.3

 

CMYK 41 / 0 / 93 / 7

HEX #8BED11

RGB 139 237 17

HSL 86.73, 0.87%, 0.5%

LAB 85.05, -57.65, 80.72

 

CMYK 93 / 0 / 44 / 7

HEX #11ED84

RGB 17 237 132

HSL 151.36, 0.87%, 0.5%

LAB 83.1, -69.87, 37.84

 

CMYK 93 / 0 / 19 / 7

HEX #11EDBF

RGB 17 237 191

HSL 167.45, 0.87%, 0.5%

LAB 84.2, -57.45, 9.13

 

CMYK 93 / 6 / 0 / 7

HEX #11DFED

RGB 17 223 237

HSL 183.82, 0.87%, 0.5%

LAB 81.3, -38.83, -19.46

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 93 / 56 / 0 / 7

HEX #1169ED

RGB 17 105 237

HSL 216, 0.87%, 0.5%

LAB 47.41, 26.86, -72.77

 

CMYK 93 / 0 / 44 / 7

HEX #11ED84

RGB 17 237 132

HSL 151.36, 0.87%, 0.5%

LAB 83.1, -69.87, 37.84

 

CMYK 93 / 0 / 44 / 7

HEX #11ED84

RGB 17 237 132

HSL 151.36, 0.87%, 0.5%

LAB 83.1, -69.87, 37.84

 

CMYK 82 / 0 / 39 / 15

HEX #26D883

RGB 38 216 131

HSL 151.35, 0.7%, 0.5%

LAB 76.78, -61.56, 30.11

 

CMYK 70 / 0 / 33 / 24

HEX #3BC382

RGB 59 195 130

HSL 151.32, 0.54%, 0.5%

LAB 70.57, -51.33, 22.38

 

CMYK 55 / 0 / 26 / 31

HEX #4FAF81

RGB 79 175 129

HSL 151.25, 0.38%, 0.5%

LAB 64.89, -39.28, 15.18

 

CMYK 35 / 0 / 17 / 40

HEX #649A80

RGB 100 154 128

HSL 151.11, 0.21%, 0.5%

LAB 59.32, -23.81, 8.03

 

CMYK 91 / 0 / 93 / 7

HEX #15ED11

RGB 21 237 17

HSL 118.91, 0.87%, 0.5%

LAB 82.25, -80.47, 77.28

 

CMYK 93 / 0 / 70 / 7

HEX #11ED48

RGB 17 237 72

HSL 135, 0.87%, 0.5%

LAB 82.46, -77.72, 63.64

 

CMYK 93 / 0 / 45 / 7

HEX #11ED83

RGB 17 237 131

HSL 151.09, 0.87%, 0.5%

LAB 83.09, -70.04, 38.31

 

CMYK 93 / 0 / 20 / 7

HEX #11EDBD

RGB 17 237 189

HSL 166.91, 0.87%, 0.5%

LAB 84.15, -57.94, 10.11

 

CMYK 93 / 5 / 0 / 7

HEX #11E2ED

RGB 17 226 237

HSL 183, 0.87%, 0.5%

LAB 82.18, -40.2, -18.13

 

CMYK 93 / 0 / 44 / 37

HEX #0CA059

RGB 12 160 89

HSL 151.22, 0.86%, 0.34%

LAB 57.98, -51.56, 27.35

 

CMYK 93 / 0 / 44 / 22

HEX #0EC66F

RGB 14 198 111

HSL 151.63, 0.87%, 0.42%

LAB 70.61, -60.66, 32.25

 

CMYK 93 / 0 / 44 / 7

HEX #11ED84

RGB 17 237 132

HSL 151.36, 0.87%, 0.5%

LAB 83.1, -69.87, 37.84

 

CMYK 77 / 0 / 37 / 6

HEX #38F098

RGB 56 240 152

HSL 151.3, 0.86%, 0.58%

LAB 84.7, -64.25, 30.02

 

CMYK 61 / 0 / 29 / 5

HEX #5EF2AC

RGB 94 242 172

HSL 151.62, 0.85%, 0.66%

LAB 86.44, -55.29, 22.3

 

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

CMYK 93 / 67 / 0 / 7

HEX #114FED

RGB 17 79 237

HSL 223.09, 0.87%, 0.5%

LAB 40.94, 43.37, -83.38

 

CMYK 0 / 82 / 93 / 7

HEX #ED2B11

RGB 237 43 17

HSL 7.09, 0.87%, 0.5%

LAB 51.58, 70.1, 60.01

 

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

CMYK 45 / 93 / 0 / 7

HEX #8311ED

RGB 131 17 237

HSL 271.09, 0.87%, 0.5%

LAB 40.15, 77.68, -84.41

 

CMYK 0 / 45 / 93 / 7

HEX #ED8311

RGB 237 131 17

HSL 31.09, 0.87%, 0.5%

LAB 65.18, 34.34, 68.96

 

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

CMYK 93 / 67 / 0 / 7

HEX #114FED

RGB 17 79 237

HSL 223.09, 0.87%, 0.5%

LAB 40.94, 43.37, -83.38

 

CMYK 0 / 93 / 48 / 7

HEX #ED117B

RGB 237 17 123

HSL 331.09, 0.87%, 0.5%

LAB 51.65, 78.99, 1.96

 

CMYK 0 / 26 / 93 / 7

HEX #EDAF11

RGB 237 175 17

HSL 43.09, 0.87%, 0.5%

LAB 75.27, 11.19, 76.19

 

CMYK 92 / 0 / 44 / 7

HEX #12EC84

RGB 18 236 132

HSL 151.38, 0.86%, 0.5%

LAB 82.8, -69.5, 37.45

 

CMYK 91 / 93 / 0 / 7

HEX #1511ED

RGB 21 17 237

HSL 241.09, 0.87%, 0.5%

LAB 31.05, 72.08, -99.77

 

CMYK 0 / 93 / 48 / 7

HEX #ED117B

RGB 237 17 123

HSL 331.09, 0.87%, 0.5%

LAB 51.65, 78.99, 1.96

 

CMYK 2 / 0 / 93 / 7

HEX #E9ED11

RGB 233 237 17

HSL 61.09, 0.87%, 0.5%

LAB 90.75, -21.9, 87.63

 

Description

Color code: RGB 18 236 132 | qconv.com Color code: RGB 18 236 132 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 236 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 236 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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