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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 133 115 it is the complementary color RGB 65 122 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 133 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 133 115 shade: RGB 195 133 110, RGB 212 151 129, RGB 229 169 148, RGB 246 187 167 and RGB 255 205 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 133 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 173 115 96, RGB 156 97 77, RGB 139 79 58 and RGB 122 61 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 133 115 shade: RGB 190 133 115 and RGB 190 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 190 153 115, RGB 190 174 115, RGB 187 190 115 and RGB 166 190 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 133 115 shade matches the following richer shades: RGB 190 133 115, RGB 207 124 98, RGB 223 116 82 and RGB 240 107 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 174 141 131, RGB 157 150 148, RGB 141 159 164 and RGB 124 167 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 133 115 shade: RGB 190 115 137, RGB 190 115 117, RGB 190 132 115, RGB 190 153 115 and RGB 190 173 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 133 115 shade: RGB 153 90 70, RGB 177 108 86, RGB 190 133 115, RGB 203 157 143 and RGB 216 182 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 158 190 115 and RGB 115 127 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 115 190 132 and RGB 132 115 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 158 190 115, RGB 115 173 190 and RGB 147 115 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 133 115 shade: RGB 190 133 115, RGB 135 190 115, RGB 115 173 190 and RGB 170 115 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

Complementary color

CMYK 54 / 13 / 0 / 45

HEX #417A8C

RGB 65 122 140

HSL 194.4, 0.37%, 0.4%

LAB 48.18, -13.38, -15.53

 

CMYK 0 / 32 / 44 / 24

HEX #C3856E

RGB 195 133 110

HSL 16.24, 0.41%, 0.6%

LAB 61.22, 21.06, 22.03

 

CMYK 0 / 29 / 39 / 17

HEX #D49781

RGB 212 151 129

HSL 15.9, 0.49%, 0.67%

LAB 67.81, 20.13, 20.7

 

CMYK 0 / 26 / 35 / 10

HEX #E5A994

RGB 229 169 148

HSL 15.56, 0.61%, 0.74%

LAB 74.3, 19.31, 19.49

 

CMYK 0 / 24 / 32 / 4

HEX #F6BBA7

RGB 246 187 167

HSL 15.19, 0.81%, 0.81%

LAB 80.7, 18.58, 18.37

 

CMYK 0 / 20 / 27 / 0

HEX #FFCDBA

RGB 255 205 186

HSL 16.52, 1%, 0.86%

LAB 86.24, 14.97, 16.15

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 34 / 45 / 32

HEX #AD7360

RGB 173 115 96

HSL 14.81, 0.32%, 0.53%

LAB 54.02, 20.58, 19.85

 

CMYK 0 / 38 / 51 / 39

HEX #9C614D

RGB 156 97 77

HSL 15.19, 0.34%, 0.46%

LAB 47.17, 21.7, 21.41

 

CMYK 0 / 43 / 58 / 45

HEX #8B4F3A

RGB 139 79 58

HSL 15.56, 0.41%, 0.39%

LAB 40.22, 23.01, 23.22

 

CMYK 0 / 50 / 68 / 52

HEX #7A3D27

RGB 122 61 39

HSL 15.9, 0.52%, 0.32%

LAB 33.18, 24.53, 25.34

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 39 / 39 / 25

HEX #BE7373

RGB 190 115 115

HSL 0, 0.37%, 0.6%

LAB 56.53, 29.53, 12.64

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 19 / 39 / 25

HEX #BE9973

RGB 190 153 115

HSL 30.4, 0.37%, 0.6%

LAB 65.72, 8.57, 25.19

 

CMYK 0 / 8 / 39 / 25

HEX #BEAE73

RGB 190 174 115

HSL 47.2, 0.37%, 0.6%

LAB 71.18, -2.78, 32.37

 

CMYK 2 / 0 / 39 / 25

HEX #BBBE73

RGB 187 190 115

HSL 62.4, 0.37%, 0.6%

LAB 75.22, -12.35, 37.49

 

CMYK 13 / 0 / 39 / 25

HEX #A6BE73

RGB 166 190 115

HSL 79.2, 0.37%, 0.6%

LAB 73.66, -20.6, 35.18

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 40 / 53 / 19

HEX #CF7C62

RGB 207 124 98

HSL 14.31, 0.53%, 0.6%

LAB 60.39, 29.59, 27.93

 

CMYK 0 / 48 / 63 / 13

HEX #DF7452

RGB 223 116 82

HSL 14.47, 0.69%, 0.6%

LAB 60.59, 38.84, 37.45

 

CMYK 0 / 55 / 73 / 6

HEX #F06B41

RGB 240 107 65

HSL 14.4, 0.85%, 0.6%

LAB 61.15, 48.73, 47.68

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 19 / 25 / 32

HEX #AE8D83

RGB 174 141 131

HSL 13.95, 0.21%, 0.6%

LAB 61.38, 10.91, 10.04

 

CMYK 0 / 4 / 6 / 38

HEX #9D9694

RGB 157 150 148

HSL 13.33, 0.04%, 0.6%

LAB 62.61, 2.2, 1.96

 

CMYK 14 / 3 / 0 / 36

HEX #8D9FA4

RGB 141 159 164

HSL 193.04, 0.11%, 0.6%

LAB 64.27, -5.26, -4.76

 

CMYK 31 / 8 / 0 / 29

HEX #7CA7B5

RGB 124 167 181

HSL 194.74, 0.28%, 0.6%

LAB 65.95, -11.02, -11.88

 

CMYK 0 / 39 / 28 / 25

HEX #BE7389

RGB 190 115 137

HSL 342.4, 0.37%, 0.6%

LAB 57.09, 32.36, 0.65

 

CMYK 0 / 39 / 38 / 25

HEX #BE7375

RGB 190 115 117

HSL 358.4, 0.37%, 0.6%

LAB 56.58, 29.76, 11.55

 

CMYK 0 / 31 / 39 / 25

HEX #BE8473

RGB 190 132 115

HSL 13.6, 0.37%, 0.6%

LAB 60.5, 20.17, 18.14

 

CMYK 0 / 19 / 39 / 25

HEX #BE9973

RGB 190 153 115

HSL 30.4, 0.37%, 0.6%

LAB 65.72, 8.57, 25.19

 

CMYK 0 / 9 / 39 / 25

HEX #BEAD73

RGB 190 173 115

HSL 46.4, 0.37%, 0.6%

LAB 70.92, -2.25, 32.02

 

CMYK 0 / 41 / 54 / 40

HEX #995A46

RGB 153 90 70

HSL 14.46, 0.37%, 0.44%

LAB 44.98, 23.75, 22.59

 

CMYK 0 / 39 / 51 / 31

HEX #B16C56

RGB 177 108 86

HSL 14.51, 0.37%, 0.52%

LAB 52.67, 25.12, 23.91

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 0 / 23 / 30 / 20

HEX #CB9D8F

RGB 203 157 143

HSL 14, 0.37%, 0.68%

LAB 68.6, 15.1, 13.9

 

CMYK 0 / 16 / 21 / 15

HEX #D8B6AB

RGB 216 182 171

HSL 14.67, 0.37%, 0.76%

LAB 76.68, 10.51, 10.14

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 17 / 0 / 39 / 25

HEX #9EBE73

RGB 158 190 115

HSL 85.6, 0.37%, 0.6%

LAB 73.11, -23.65, 34.37

 

CMYK 39 / 33 / 0 / 25

HEX #737FBE

RGB 115 127 190

HSL 230.4, 0.37%, 0.6%

LAB 54.6, 11.53, -34.42

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 39 / 0 / 31 / 25

HEX #73BE84

RGB 115 190 132

HSL 133.6, 0.37%, 0.6%

LAB 70.97, -35.75, 22.15

 

CMYK 31 / 39 / 0 / 25

HEX #8473BE

RGB 132 115 190

HSL 253.6, 0.37%, 0.6%

LAB 52.82, 23.45, -37.1

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 17 / 0 / 39 / 25

HEX #9EBE73

RGB 158 190 115

HSL 85.6, 0.37%, 0.6%

LAB 73.11, -23.65, 34.37

 

CMYK 39 / 9 / 0 / 25

HEX #73ADBE

RGB 115 173 190

HSL 193.6, 0.37%, 0.6%

LAB 67.46, -14.45, -14.66

 

CMYK 23 / 39 / 0 / 25

HEX #9373BE

RGB 147 115 190

HSL 265.6, 0.37%, 0.6%

LAB 54.22, 27.86, -34.81

 

CMYK 0 / 30 / 39 / 25

HEX #BE8573

RGB 190 133 115

HSL 14.4, 0.37%, 0.6%

LAB 60.75, 19.61, 18.47

 

CMYK 29 / 0 / 39 / 25

HEX #87BE73

RGB 135 190 115

HSL 104, 0.37%, 0.6%

LAB 71.7, -32.01, 32.27

 

CMYK 39 / 9 / 0 / 25

HEX #73ADBE

RGB 115 173 190

HSL 193.6, 0.37%, 0.6%

LAB 67.46, -14.45, -14.66

 

CMYK 11 / 39 / 0 / 25

HEX #AA73BE

RGB 170 115 190

HSL 284, 0.37%, 0.6%

LAB 56.61, 34.87, -30.9

 

Description

Color code: RGB 190 133 115 | qconv.com Color code: RGB 190 133 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 133 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 133 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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