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Color name
RGB 190 163 165

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 163 165 it is the complementary color RGB 65 92 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 163 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 163 165 shade: RGB 195 163 160, RGB 212 181 179, RGB 229 199 198, RGB 246 217 217 and RGB 255 235 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 163 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 163 165 shade: RGB 190 163 165, RGB 173 145 146, RGB 156 127 127, RGB 139 109 108 and RGB 122 91 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 163 165 shade: RGB 189 162 164 and RGB 189 162 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 163 165 shade: RGB 189 162 164, RGB 189 162 171, RGB 189 162 178, RGB 189 162 186 and RGB 185 162 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 163 165 shade matches the following richer shades: RGB 189 162 164, RGB 202 149 153, RGB 214 136 142, RGB 227 124 131 and RGB 240 111 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 163 165 shade: RGB 189 162 164, RGB 176 175 175, RGB 163 188 186, RGB 151 200 197 and RGB 138 213 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 163 165 shade: RGB 189 162 179, RGB 189 162 171, RGB 189 162 164, RGB 189 167 162 and RGB 189 174 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 163 165 shade: RGB 155 114 117, RGB 172 138 140, RGB 189 162 164, RGB 206 186 188 and RGB 223 210 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 163 165 shade: RGB 190 163 165, RGB 186 189 162 and RGB 162 175 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 163 165 shade: RGB 190 163 165, RGB 164 189 162 and RGB 162 164 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 163 165 shade: RGB 190 163 165, RGB 186 189 162, RGB 162 189 187 and RGB 165 162 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 163 165 shade: RGB 190 163 165, RGB 178 189 162, RGB 162 189 187 and RGB 173 162 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

Complementary color

CMYK 29 / 0 / 2 / 64

HEX #415C5A

RGB 65 92 90

HSL 175.56, 0.17%, 0.31%

LAB 36.96, -10.51, -2.11

 

CMYK 0 / 16 / 18 / 24

HEX #C3A3A0

RGB 195 163 160

HSL 5.14, 0.23%, 0.7%

LAB 69.71, 11.25, 5.94

 

CMYK 0 / 15 / 16 / 17

HEX #D4B5B3

RGB 212 181 179

HSL 3.64, 0.28%, 0.77%

LAB 76.25, 10.8, 5.14

 

CMYK 0 / 13 / 14 / 10

HEX #E5C7C6

RGB 229 199 198

HSL 1.94, 0.37%, 0.84%

LAB 82.69, 10.4, 4.39

 

CMYK 0 / 12 / 12 / 4

HEX #F6D9D9

RGB 246 217 217

HSL 0, 0.62%, 0.91%

LAB 89.03, 10.03, 3.67

 

CMYK 0 / 8 / 7 / 0

HEX #FFEBEC

RGB 255 235 236

HSL 357, 1%, 0.96%

LAB 94.62, 6.94, 1.96

 

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

CMYK 0 / 16 / 16 / 32

HEX #AD9192

RGB 173 145 146

HSL 357.86, 0.15%, 0.62%

LAB 62.68, 10.65, 3.38

 

CMYK 0 / 19 / 19 / 39

HEX #9C7F7F

RGB 156 127 127

HSL 0, 0.13%, 0.55%

LAB 55.87, 11.15, 4.2

 

CMYK 0 / 22 / 22 / 45

HEX #8B6D6C

RGB 139 109 108

HSL 1.94, 0.13%, 0.48%

LAB 48.9, 11.72, 5.1

 

CMYK 0 / 25 / 27 / 52

HEX #7A5B59

RGB 122 91 89

HSL 3.64, 0.16%, 0.41%

LAB 41.75, 12.39, 6.09

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 14 / 10 / 26

HEX #BDA2AB

RGB 189 162 171

HSL 340, 0.17%, 0.69%

LAB 69.18, 11.41, -0.99

 

CMYK 0 / 14 / 6 / 26

HEX #BDA2B2

RGB 189 162 178

HSL 324.44, 0.17%, 0.69%

LAB 69.38, 12.65, -4.59

 

CMYK 0 / 14 / 2 / 26

HEX #BDA2BA

RGB 189 162 186

HSL 306.67, 0.17%, 0.69%

LAB 69.62, 14.12, -8.68

 

CMYK 2 / 14 / 0 / 26

HEX #B9A2BD

RGB 185 162 189

HSL 291.11, 0.17%, 0.69%

LAB 69.35, 13.3, -10.78

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 26 / 24 / 21

HEX #CA9599

RGB 202 149 153

HSL 355.47, 0.33%, 0.69%

LAB 66.79, 20.5, 5.73

 

CMYK 0 / 36 / 34 / 16

HEX #D6888E

RGB 214 136 142

HSL 355.38, 0.49%, 0.69%

LAB 64.85, 30.58, 9.34

 

CMYK 0 / 45 / 42 / 11

HEX #E37C83

RGB 227 124 131

HSL 355.92, 0.65%, 0.69%

LAB 63.66, 40.43, 14.13

 

CMYK 0 / 54 / 50 / 6

HEX #F06F78

RGB 240 111 120

HSL 355.81, 0.81%, 0.69%

LAB 62.72, 50.42, 19.39

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 1 / 1 / 31

HEX #B0AFAF

RGB 176 175 175

HSL 0, 0.01%, 0.69%

LAB 71.54, 0.36, 0.12

 

CMYK 13 / 0 / 1 / 26

HEX #A3BCBA

RGB 163 188 186

HSL 175.2, 0.16%, 0.69%

LAB 74.38, -8.88, -1.87

 

CMYK 25 / 0 / 1 / 22

HEX #97C8C5

RGB 151 200 197

HSL 176.33, 0.31%, 0.69%

LAB 77.23, -16.56, -3.72

 

CMYK 35 / 0 / 2 / 16

HEX #8AD5D0

RGB 138 213 208

HSL 176, 0.47%, 0.69%

LAB 80.49, -24.29, -4.91

 

CMYK 0 / 14 / 5 / 26

HEX #BDA2B3

RGB 189 162 179

HSL 322.22, 0.17%, 0.69%

LAB 69.41, 12.83, -5.1

 

CMYK 0 / 14 / 10 / 26

HEX #BDA2AB

RGB 189 162 171

HSL 340, 0.17%, 0.69%

LAB 69.18, 11.41, -0.99

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 12 / 14 / 26

HEX #BDA7A2

RGB 189 167 162

HSL 11.11, 0.17%, 0.69%

LAB 70.22, 7.15, 5.5

 

CMYK 0 / 8 / 14 / 26

HEX #BDAEA2

RGB 189 174 162

HSL 26.67, 0.17%, 0.69%

LAB 72.03, 3.35, 8.09

 

CMYK 0 / 26 / 25 / 39

HEX #9B7275

RGB 155 114 117

HSL 355.61, 0.17%, 0.53%

LAB 52.16, 16.63, 4.69

 

CMYK 0 / 20 / 19 / 33

HEX #AC8A8C

RGB 172 138 140

HSL 356.47, 0.17%, 0.61%

LAB 60.64, 13.21, 3.83

 

CMYK 0 / 14 / 13 / 26

HEX #BDA2A4

RGB 189 162 164

HSL 355.56, 0.17%, 0.69%

LAB 69, 10.22, 2.62

 

CMYK 0 / 10 / 9 / 19

HEX #CEBABC

RGB 206 186 188

HSL 354, 0.17%, 0.77%

LAB 77.2, 7.44, 1.57

 

CMYK 0 / 6 / 5 / 13

HEX #DFD2D3

RGB 223 210 211

HSL 355.38, 0.17%, 0.85%

LAB 85.24, 4.66, 1.11

 

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

CMYK 2 / 0 / 14 / 26

HEX #BABDA2

RGB 186 189 162

HSL 66.67, 0.17%, 0.69%

LAB 75.73, -5.76, 13.31

 

CMYK 14 / 7 / 0 / 26

HEX #A2AFBD

RGB 162 175 189

HSL 211.11, 0.17%, 0.69%

LAB 70.88, -1.63, -8.69

 

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

CMYK 13 / 0 / 14 / 26

HEX #A4BDA2

RGB 164 189 162

HSL 115.56, 0.17%, 0.69%

LAB 74.12, -13.68, 10.82

 

CMYK 14 / 13 / 0 / 26

HEX #A2A4BD

RGB 162 164 189

HSL 235.56, 0.17%, 0.69%

LAB 67.95, 4.41, -13.07

 

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

CMYK 2 / 0 / 14 / 26

HEX #BABDA2

RGB 186 189 162

HSL 66.67, 0.17%, 0.69%

LAB 75.73, -5.76, 13.31

 

CMYK 14 / 0 / 1 / 26

HEX #A2BDBB

RGB 162 189 187

HSL 175.56, 0.17%, 0.69%

LAB 74.61, -9.53, -2.08

 

CMYK 13 / 14 / 0 / 26

HEX #A5A2BD

RGB 165 162 189

HSL 246.67, 0.17%, 0.69%

LAB 67.66, 6.51, -13.48

 

CMYK 0 / 14 / 13 / 25

HEX #BEA3A5

RGB 190 163 165

HSL 355.56, 0.17%, 0.69%

LAB 69.37, 10.2, 2.62

 

CMYK 6 / 0 / 14 / 26

HEX #B2BDA2

RGB 178 189 162

HSL 84.44, 0.17%, 0.69%

LAB 75.12, -8.68, 12.37

 

CMYK 14 / 0 / 1 / 26

HEX #A2BDBB

RGB 162 189 187

HSL 175.56, 0.17%, 0.69%

LAB 74.61, -9.53, -2.08

 

CMYK 8 / 14 / 0 / 26

HEX #ADA2BD

RGB 173 162 189

HSL 264.44, 0.17%, 0.69%

LAB 68.31, 9.2, -12.43

 

Description

Color code: RGB 190 163 165 | qconv.com Color code: RGB 190 163 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 163 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 163 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 13 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 13% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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