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Color name
RGB 190 18 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 18 93 it is the complementary color RGB 65 237 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 18 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 18 93 shade: RGB 195 18 88, RGB 212 36 107, RGB 229 54 126, RGB 246 72 145 and RGB 255 90 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 18 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 18 93 shade: RGB 190 18 93, RGB 173 0 74, RGB 156 0 55, RGB 139 0 36 and RGB 122 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 18 93 shade: RGB 191 17 93, RGB 191 17 46 and RGB 191 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 18 93 shade: RGB 191 17 93, RGB 191 17 140, RGB 191 17 187, RGB 148 17 191 and RGB 102 17 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 18 93 shade matches the following richer shades: RGB 191 17 93 and RGB 208 0 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 18 93 shade: RGB 191 17 93, RGB 174 34 95, RGB 157 51 97, RGB 140 68 99 and RGB 123 85 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 18 93 shade: RGB 191 17 188, RGB 191 17 142, RGB 191 17 95, RGB 191 17 49 and RGB 191 32 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 18 93 shade: RGB 115 10 56, RGB 153 14 75, RGB 191 17 93, RGB 229 21 111 and RGB 236 55 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 18 93 shade: RGB 190 18 93, RGB 191 147 17 and RGB 17 165 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 18 93 shade: RGB 190 18 93, RGB 95 191 17 and RGB 17 95 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 18 93 shade: RGB 190 18 93, RGB 191 147 17, RGB 17 191 113 and RGB 17 61 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 18 93 shade: RGB 190 18 93, RGB 182 191 17, RGB 17 191 113 and RGB 26 17 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

Complementary color

CMYK 73 / 0 / 32 / 7

HEX #41EDA2

RGB 65 237 162

HSL 153.84, 0.83%, 0.59%

LAB 84.12, -60.06, 24.16

 

CMYK 0 / 91 / 55 / 24

HEX #C31258

RGB 195 18 88

HSL 336.27, 0.83%, 0.42%

LAB 42.37, 66.55, 9.21

 

CMYK 0 / 83 / 50 / 17

HEX #D4246B

RGB 212 36 107

HSL 335.8, 0.71%, 0.49%

LAB 47.39, 68.83, 4.97

 

CMYK 0 / 76 / 45 / 10

HEX #E5367E

RGB 229 54 126

HSL 335.31, 0.77%, 0.55%

LAB 52.73, 70.13, 1.53

 

CMYK 0 / 71 / 41 / 4

HEX #F64891

RGB 246 72 145

HSL 334.83, 0.91%, 0.62%

LAB 58.29, 70.71, -1.27

 

CMYK 0 / 65 / 36 / 0

HEX #FF5AA4

RGB 255 90 164

HSL 333.09, 1%, 0.68%

LAB 62.72, 68.57, -5.62

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 0 / 100 / 57 / 32

HEX #AD004A

RGB 173 0 74

HSL 334.34, 1%, 0.34%

LAB 36.7, 62.44, 9.56

 

CMYK 0 / 100 / 65 / 39

HEX #9C0037

RGB 156 0 55

HSL 338.85, 1%, 0.31%

LAB 32.58, 57.17, 15.79

 

CMYK 0 / 100 / 74 / 45

HEX #8B0024

RGB 139 0 36

HSL 344.46, 1%, 0.27%

LAB 28.42, 51.93, 22.32

 

CMYK 0 / 100 / 86 / 52

HEX #7A0011

RGB 122 0 17

HSL 351.64, 1%, 0.24%

LAB 24.25, 46.78, 28.82

 

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 0 / 91 / 76 / 25

HEX #BF112E

RGB 191 17 46

HSL 350, 0.84%, 0.41%

LAB 40.69, 63.46, 33.15

 

CMYK 0 / 91 / 91 / 25

HEX #BF1111

RGB 191 17 17

HSL 0, 0.84%, 0.41%

LAB 40.44, 62.73, 48.27

 

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 0 / 91 / 27 / 25

HEX #BF118C

RGB 191 17 140

HSL 317.59, 0.84%, 0.41%

LAB 43.32, 70.64, -21.81

 

CMYK 0 / 91 / 2 / 25

HEX #BF11BB

RGB 191 17 187

HSL 301.38, 0.84%, 0.41%

LAB 45.72, 76.85, -46.12

 

CMYK 23 / 91 / 0 / 25

HEX #9411BF

RGB 148 17 191

HSL 285.17, 0.84%, 0.41%

LAB 38.65, 70.57, -60.23

 

CMYK 47 / 91 / 0 / 25

HEX #6611BF

RGB 102 17 191

HSL 269.31, 0.84%, 0.41%

LAB 31.78, 64.77, -71.76

 

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 0 / 100 / 56 / 18

HEX #D0005B

RGB 208 0 91

HSL 333.75, 1%, 0.41%

LAB 44.47, 71.66, 10.66

 

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 0 / 80 / 45 / 32

HEX #AE225F

RGB 174 34 95

HSL 333.86, 0.67%, 0.41%

LAB 39.53, 58.51, 0.16

 

CMYK 0 / 68 / 38 / 38

HEX #9D3361

RGB 157 51 97

HSL 333.96, 0.51%, 0.41%

LAB 38.55, 47.94, -2.91

 

CMYK 0 / 51 / 29 / 45

HEX #8C4463

RGB 140 68 99

HSL 334.17, 0.35%, 0.41%

LAB 38.92, 34.3, -3.94

 

CMYK 0 / 31 / 17 / 52

HEX #7B5566

RGB 123 85 102

HSL 333.16, 0.18%, 0.41%

LAB 40.68, 18.57, -3.44

 

CMYK 0 / 91 / 2 / 25

HEX #BF11BC

RGB 191 17 188

HSL 301.03, 0.84%, 0.41%

LAB 45.78, 76.99, -46.61

 

CMYK 0 / 91 / 26 / 25

HEX #BF118E

RGB 191 17 142

HSL 316.9, 0.84%, 0.41%

LAB 43.4, 70.87, -22.89

 

CMYK 0 / 91 / 50 / 25

HEX #BF115F

RGB 191 17 95

HSL 333.1, 0.84%, 0.41%

LAB 41.69, 66.25, 3.72

 

CMYK 0 / 91 / 74 / 25

HEX #BF1131

RGB 191 17 49

HSL 348.97, 0.84%, 0.41%

LAB 40.73, 63.57, 31.38

 

CMYK 0 / 83 / 91 / 25

HEX #BF2011

RGB 191 32 17

HSL 5.17, 0.84%, 0.41%

LAB 41.45, 59.83, 48.97

 

CMYK 0 / 91 / 51 / 55

HEX #730A38

RGB 115 10 56

HSL 333.71, 0.84%, 0.25%

LAB 24.15, 45.06, 2.05

 

CMYK 0 / 91 / 51 / 40

HEX #990E4B

RGB 153 14 75

HSL 333.67, 0.83%, 0.33%

LAB 33.12, 55.82, 3.24

 

CMYK 0 / 91 / 51 / 25

HEX #BF115D

RGB 191 17 93

HSL 333.79, 0.84%, 0.41%

LAB 41.64, 66.1, 4.9

 

CMYK 0 / 91 / 52 / 10

HEX #E5156F

RGB 229 21 111

HSL 334.04, 0.83%, 0.49%

LAB 49.91, 75.83, 6.55

 

CMYK 0 / 77 / 43 / 7

HEX #EC3786

RGB 236 55 134

HSL 333.81, 0.83%, 0.57%

LAB 54.33, 72.36, -0.77

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 0 / 23 / 91 / 25

HEX #BF9311

RGB 191 147 17

HSL 44.83, 0.84%, 0.41%

LAB 63.33, 5.97, 65.08

 

CMYK 91 / 14 / 0 / 25

HEX #11A5BF

RGB 17 165 191

HSL 188.97, 0.84%, 0.41%

LAB 62.33, -25.65, -23.27

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 50 / 0 / 91 / 25

HEX #5FBF11

RGB 95 191 17

HSL 93.1, 0.84%, 0.41%

LAB 69.28, -53.99, 67.05

 

CMYK 91 / 50 / 0 / 25

HEX #115FBF

RGB 17 95 191

HSL 213.1, 0.84%, 0.41%

LAB 41.32, 15.27, -56.39

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 0 / 23 / 91 / 25

HEX #BF9311

RGB 191 147 17

HSL 44.83, 0.84%, 0.41%

LAB 63.33, 5.97, 65.08

 

CMYK 91 / 0 / 41 / 25

HEX #11BF71

RGB 17 191 113

HSL 153.1, 0.84%, 0.41%

LAB 68.44, -57.71, 28.38

 

CMYK 91 / 68 / 0 / 25

HEX #113DBF

RGB 17 61 191

HSL 224.83, 0.84%, 0.41%

LAB 32.3, 37.7, -71.12

 

CMYK 0 / 91 / 51 / 25

HEX #BE125D

RGB 190 18 93

HSL 333.84, 0.83%, 0.41%

LAB 41.49, 65.71, 4.66

 

CMYK 5 / 0 / 91 / 25

HEX #B6BF11

RGB 182 191 17

HSL 63.1, 0.84%, 0.41%

LAB 74.35, -21.01, 73.26

 

CMYK 91 / 0 / 41 / 25

HEX #11BF71

RGB 17 191 113

HSL 153.1, 0.84%, 0.41%

LAB 68.44, -57.71, 28.38

 

CMYK 86 / 91 / 0 / 25

HEX #1A11BF

RGB 26 17 191

HSL 243.1, 0.84%, 0.41%

LAB 24.9, 60, -83.38

 

Description

Color code: RGB 190 18 93 | qconv.com Color code: RGB 190 18 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 18 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 18 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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