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Color name
RGB 190 249 153

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 249 153 it is the complementary color RGB 65 6 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 249 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 249 153 shade: RGB 195 249 148, RGB 212 255 167, RGB 229 255 186, RGB 246 255 205 and RGB 255 255 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 249 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 173 231 134, RGB 156 213 115, RGB 139 195 96 and RGB 122 177 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 216 249 153, RGB 241 249 153, RGB 249 230 153 and RGB 249 204 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 164 249 153, RGB 153 249 168, RGB 153 249 194 and RGB 153 249 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 249 153 shade matches the following richer shades: RGB 190 249 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 192 240 162, RGB 194 231 171, RGB 196 223 179 and RGB 198 214 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 249 153 shade: RGB 242 249 153, RGB 217 249 153, RGB 191 249 153, RGB 166 249 153 and RGB 153 249 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 249 153 shade: RGB 140 244 75, RGB 165 246 114, RGB 190 249 153, RGB 215 251 192 and RGB 240 253 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 153 249 230 and RGB 249 153 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 153 191 249 and RGB 249 153 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 153 249 230, RGB 210 153 249 and RGB 249 153 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 249 153 shade: RGB 190 249 153, RGB 153 239 249, RGB 210 153 249 and RGB 249 163 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

Complementary color

CMYK 36 / 94 / 0 / 60

HEX #410666

RGB 65 6 102

HSL 276.88, 0.89%, 0.21%

LAB 16.57, 42.4, -41.7

 

CMYK 22 / 0 / 41 / 2

HEX #C3F994

RGB 195 249 148

HSL 92.08, 0.89%, 0.78%

LAB 92.35, -34.03, 42.98

 

CMYK 17 / 0 / 35 / 0

HEX #D4FFA7

RGB 212 255 167

HSL 89.32, 1%, 0.83%

LAB 95.29, -28.41, 37.66

 

CMYK 10 / 0 / 27 / 0

HEX #E5FFBA

RGB 229 255 186

HSL 82.61, 1%, 0.86%

LAB 96.71, -19.83, 30.26

 

CMYK 4 / 0 / 20 / 0

HEX #F6FFCD

RGB 246 255 205

HSL 70.8, 1%, 0.9%

LAB 98.24, -11.1, 22.95

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 25 / 0 / 42 / 9

HEX #ADE786

RGB 173 231 134

HSL 95.88, 0.67%, 0.72%

LAB 85.88, -35.23, 41.33

 

CMYK 27 / 0 / 46 / 16

HEX #9CD573

RGB 156 213 115

HSL 94.9, 0.54%, 0.64%

LAB 79.55, -35.31, 42.49

 

CMYK 29 / 0 / 51 / 24

HEX #8BC360

RGB 139 195 96

HSL 93.94, 0.45%, 0.57%

LAB 73.13, -35.36, 43.66

 

CMYK 31 / 0 / 56 / 31

HEX #7AB14D

RGB 122 177 77

HSL 93, 0.39%, 0.5%

LAB 66.61, -35.34, 44.79

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 13 / 0 / 39 / 2

HEX #D8F999

RGB 216 249 153

HSL 80.63, 0.89%, 0.79%

LAB 93.73, -25.91, 42.58

 

CMYK 3 / 0 / 39 / 2

HEX #F1F999

RGB 241 249 153

HSL 65, 0.89%, 0.79%

LAB 95.48, -16.62, 45.16

 

CMYK 0 / 8 / 39 / 2

HEX #F9E699

RGB 249 230 153

HSL 48.13, 0.89%, 0.79%

LAB 91.25, -4.15, 39.86

 

CMYK 0 / 18 / 39 / 2

HEX #F9CC99

RGB 249 204 153

HSL 31.88, 0.89%, 0.79%

LAB 84.8, 9.17, 31.4

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 34 / 0 / 39 / 2

HEX #A4F999

RGB 164 249 153

HSL 113.13, 0.89%, 0.79%

LAB 90.75, -43.65, 38.14

 

CMYK 39 / 0 / 33 / 2

HEX #99F9A8

RGB 153 249 168

HSL 129.38, 0.89%, 0.79%

LAB 90.48, -44.66, 30.2

 

CMYK 39 / 0 / 22 / 2

HEX #99F9C2

RGB 153 249 194

HSL 145.63, 0.89%, 0.79%

LAB 90.97, -40.05, 17.61

 

CMYK 39 / 0 / 12 / 2

HEX #99F9DB

RGB 153 249 219

HSL 161.25, 0.89%, 0.79%

LAB 91.52, -35.02, 5.49

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 20 / 0 / 33 / 6

HEX #C0F0A2

RGB 192 240 162

HSL 96.92, 0.72%, 0.79%

LAB 89.92, -29.03, 32.83

 

CMYK 16 / 0 / 26 / 9

HEX #C2E7AB

RGB 194 231 171

HSL 97, 0.56%, 0.79%

LAB 87.76, -22.7, 25.34

 

CMYK 12 / 0 / 20 / 13

HEX #C4DFB3

RGB 196 223 179

HSL 96.82, 0.41%, 0.79%

LAB 85.89, -16.82, 18.63

 

CMYK 7 / 0 / 12 / 16

HEX #C6D6BC

RGB 198 214 188

HSL 96.92, 0.24%, 0.79%

LAB 83.82, -10.09, 11.01

 

CMYK 3 / 0 / 39 / 2

HEX #F2F999

RGB 242 249 153

HSL 64.38, 0.89%, 0.79%

LAB 95.55, -16.24, 45.27

 

CMYK 13 / 0 / 39 / 2

HEX #D9F999

RGB 217 249 153

HSL 80, 0.89%, 0.79%

LAB 93.8, -25.55, 42.68

 

CMYK 23 / 0 / 39 / 2

HEX #BFF999

RGB 191 249 153

HSL 96.25, 0.89%, 0.79%

LAB 92.19, -34.78, 40.28

 

CMYK 33 / 0 / 39 / 2

HEX #A6F999

RGB 166 249 153

HSL 111.88, 0.89%, 0.79%

LAB 90.85, -43.03, 38.29

 

CMYK 39 / 0 / 33 / 2

HEX #99F9A6

RGB 153 249 166

HSL 128.13, 0.89%, 0.79%

LAB 90.45, -44.98, 31.16

 

CMYK 43 / 0 / 69 / 4

HEX #8CF44B

RGB 140 244 75

HSL 96.92, 0.88%, 0.63%

LAB 87.38, -57.54, 68.52

 

CMYK 33 / 0 / 54 / 4

HEX #A5F672

RGB 165 246 114

HSL 96.82, 0.88%, 0.71%

LAB 89.45, -46.88, 55.08

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 14 / 0 / 24 / 2

HEX #D7FBC0

RGB 215 251 192

HSL 96.61, 0.88%, 0.87%

LAB 94.84, -21.9, 24.53

 

CMYK 5 / 0 / 9 / 1

HEX #F0FDE7

RGB 240 253 231

HSL 95.45, 0.85%, 0.95%

LAB 97.85, -8.1, 9.05

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 39 / 0 / 8 / 2

HEX #99F9E6

RGB 153 249 230

HSL 168.13, 0.89%, 0.79%

LAB 91.79, -32.63, 0.17

 

CMYK 0 / 39 / 8 / 2

HEX #F999E6

RGB 249 153 230

HSL 311.88, 0.89%, 0.79%

LAB 75.22, 46.72, -23.82

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 39 / 23 / 0 / 2

HEX #99BFF9

RGB 153 191 249

HSL 216.25, 0.89%, 0.79%

LAB 76.6, 1.41, -32.69

 

CMYK 0 / 39 / 23 / 2

HEX #F999BF

RGB 249 153 191

HSL 336.25, 0.89%, 0.79%

LAB 73.99, 40.71, -4.27

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 39 / 0 / 8 / 2

HEX #99F9E6

RGB 153 249 230

HSL 168.13, 0.89%, 0.79%

LAB 91.79, -32.63, 0.17

 

CMYK 16 / 39 / 0 / 2

HEX #D299F9

RGB 210 153 249

HSL 275.63, 0.89%, 0.79%

LAB 71.77, 38.49, -39.83

 

CMYK 0 / 39 / 31 / 2

HEX #F999AC

RGB 249 153 172

HSL 348.13, 0.89%, 0.79%

LAB 73.48, 38.17, 5.48

 

CMYK 24 / 0 / 39 / 2

HEX #BEF999

RGB 190 249 153

HSL 96.88, 0.89%, 0.79%

LAB 92.13, -35.12, 40.2

 

CMYK 39 / 4 / 0 / 2

HEX #99EFF9

RGB 153 239 249

HSL 186.25, 0.89%, 0.79%

LAB 89.55, -23.45, -13.03

 

CMYK 16 / 39 / 0 / 2

HEX #D299F9

RGB 210 153 249

HSL 275.63, 0.89%, 0.79%

LAB 71.77, 38.49, -39.83

 

CMYK 0 / 35 / 39 / 2

HEX #F9A399

RGB 249 163 153

HSL 6.25, 0.89%, 0.79%

LAB 75.22, 30.69, 18.38

 

Description

Color code: RGB 190 249 153 | qconv.com Color code: RGB 190 249 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 249 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 249 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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