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Color name
RGB 192 108 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 108 88 it is the complementary color RGB 63 147 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 108 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 108 88 shade: RGB 197 108 83, RGB 214 126 102, RGB 231 144 121, RGB 248 162 140 and RGB 255 180 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 108 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 108 88 shade: RGB 192 108 88, RGB 175 90 69, RGB 158 72 50, RGB 141 54 31 and RGB 124 36 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 108 88 shade: RGB 191 108 88 and RGB 191 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 108 88 shade: RGB 191 108 88, RGB 191 136 88, RGB 191 164 88, RGB 191 191 88 and RGB 163 191 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 108 88 shade matches the following richer shades: RGB 191 108 88, RGB 210 97 70, RGB 229 85 51 and RGB 247 74 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 108 88 shade: RGB 191 108 88, RGB 173 119 107, RGB 154 131 125, RGB 136 142 144 and RGB 117 154 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 108 88 shade: RGB 191 88 124, RGB 191 88 97, RGB 191 107 88, RGB 191 135 88 and RGB 191 162 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 108 88 shade: RGB 143 71 54, RGB 173 86 65, RGB 191 108 88, RGB 203 134 118 and RGB 214 161 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 108 88 shade: RGB 192 108 88, RGB 152 191 88 and RGB 88 110 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 108 88 shade: RGB 192 108 88, RGB 88 191 107 and RGB 107 88 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 108 88 shade: RGB 192 108 88, RGB 152 191 88, RGB 88 172 191 and RGB 128 88 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 108 88 shade: RGB 192 108 88, RGB 121 191 88, RGB 88 172 191 and RGB 159 88 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

Complementary color

CMYK 62 / 12 / 0 / 35

HEX #3F93A7

RGB 63 147 167

HSL 191.54, 0.45%, 0.45%

LAB 56.8, -19.09, -18.09

 

CMYK 0 / 45 / 58 / 23

HEX #C56C53

RGB 197 108 83

HSL 13.16, 0.5%, 0.55%

LAB 55.3, 32.92, 29.53

 

CMYK 0 / 41 / 52 / 16

HEX #D67E66

RGB 214 126 102

HSL 12.86, 0.58%, 0.62%

LAB 61.81, 31.64, 27.71

 

CMYK 0 / 38 / 48 / 9

HEX #E79079

RGB 231 144 121

HSL 12.55, 0.7%, 0.69%

LAB 68.25, 30.48, 26.08

 

CMYK 0 / 35 / 44 / 3

HEX #F8A28C

RGB 248 162 140

HSL 12.22, 0.89%, 0.76%

LAB 74.63, 29.43, 24.62

 

CMYK 0 / 29 / 38 / 0

HEX #FFB49F

RGB 255 180 159

HSL 13.13, 1%, 0.81%

LAB 79.84, 24.71, 21.62

 

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

CMYK 0 / 49 / 61 / 31

HEX #AF5A45

RGB 175 90 69

HSL 11.89, 0.43%, 0.48%

LAB 48.08, 32.69, 27.76

 

CMYK 0 / 54 / 68 / 38

HEX #9E4832

RGB 158 72 50

HSL 12.22, 0.52%, 0.41%

LAB 41.43, 34.14, 30.05

 

CMYK 0 / 62 / 78 / 45

HEX #8D361F

RGB 141 54 31

HSL 12.55, 0.64%, 0.34%

LAB 34.8, 35.64, 32.66

 

CMYK 0 / 71 / 90 / 51

HEX #7C240C

RGB 124 36 12

HSL 12.86, 0.82%, 0.27%

LAB 28.31, 36.99, 35.24

 

CMYK 0 / 43 / 54 / 25

HEX #BF6C58

RGB 191 108 88

HSL 11.65, 0.45%, 0.55%

LAB 54.56, 30.95, 25.58

 

CMYK 0 / 54 / 54 / 25

HEX #BF5858

RGB 191 88 88

HSL 0, 0.45%, 0.55%

LAB 50.41, 41.38, 20.11

 

CMYK 0 / 43 / 54 / 25

HEX #BF6C58

RGB 191 108 88

HSL 11.65, 0.45%, 0.55%

LAB 54.56, 30.95, 25.58

 

CMYK 0 / 29 / 54 / 25

HEX #BF8858

RGB 191 136 88

HSL 27.96, 0.45%, 0.55%

LAB 61.12, 15.59, 33.95

 

CMYK 0 / 14 / 54 / 25

HEX #BFA458

RGB 191 164 88

HSL 44.27, 0.45%, 0.55%

LAB 68.26, 0.3, 42.67

 

CMYK 0 / 0 / 54 / 25

HEX #BFBF58

RGB 191 191 88

HSL 60, 0.45%, 0.55%

LAB 75.48, -13.83, 51.11

 

CMYK 15 / 0 / 54 / 25

HEX #A3BF58

RGB 163 191 88

HSL 76.31, 0.45%, 0.55%

LAB 73.38, -25.21, 48.15

 

CMYK 0 / 43 / 54 / 25

HEX #BF6C58

RGB 191 108 88

HSL 11.65, 0.45%, 0.55%

LAB 54.56, 30.95, 25.58

 

CMYK 0 / 54 / 67 / 18

HEX #D26146

RGB 210 97 70

HSL 11.57, 0.61%, 0.55%

LAB 54.75, 42.71, 36.55

 

CMYK 0 / 63 / 78 / 10

HEX #E55533

RGB 229 85 51

HSL 11.46, 0.77%, 0.55%

LAB 55.48, 54.21, 48.24

 

CMYK 0 / 70 / 87 / 3

HEX #F74A20

RGB 247 74 32

HSL 11.72, 0.93%, 0.55%

LAB 56.86, 63.96, 59.22

 

CMYK 0 / 43 / 54 / 25

HEX #BF6C58

RGB 191 108 88

HSL 11.65, 0.45%, 0.55%

LAB 54.56, 30.95, 25.58

 

CMYK 0 / 31 / 38 / 32

HEX #AD776B

RGB 173 119 107

HSL 10.91, 0.29%, 0.55%

LAB 55.22, 19.61, 15.13

 

CMYK 0 / 15 / 19 / 40

HEX #9A837D

RGB 154 131 125

HSL 12.41, 0.13%, 0.55%

LAB 56.67, 7.75, 6.49

 

CMYK 6 / 1 / 0 / 44

HEX #888E90

RGB 136 142 144

HSL 195, 0.03%, 0.55%

LAB 58.6, -1.77, -1.83

 

CMYK 28 / 5 / 0 / 36

HEX #759AA2

RGB 117 154 162

HSL 190.67, 0.19%, 0.55%

LAB 61.22, -10.74, -8.33

 

CMYK 0 / 54 / 35 / 25

HEX #BF587C

RGB 191 88 124

HSL 339.03, 0.45%, 0.55%

LAB 51.28, 45.11, -0.15

 

CMYK 0 / 54 / 49 / 25

HEX #BF5861

RGB 191 88 97

HSL 354.76, 0.45%, 0.55%

LAB 50.59, 42.19, 15.01

 

CMYK 0 / 44 / 54 / 25

HEX #BF6B58

RGB 191 107 88

HSL 11.07, 0.45%, 0.55%

LAB 54.34, 31.49, 25.3

 

CMYK 0 / 29 / 54 / 25

HEX #BF8758

RGB 191 135 88

HSL 27.38, 0.45%, 0.55%

LAB 60.88, 16.14, 33.64

 

CMYK 0 / 15 / 54 / 25

HEX #BFA258

RGB 191 162 88

HSL 43.11, 0.45%, 0.55%

LAB 67.74, 1.37, 42.04

 

CMYK 0 / 50 / 62 / 44

HEX #8F4736

RGB 143 71 54

HSL 11.46, 0.45%, 0.39%

LAB 38.92, 28.88, 24.1

 

CMYK 0 / 50 / 62 / 32

HEX #AD5641

RGB 173 86 65

HSL 11.67, 0.45%, 0.47%

LAB 46.87, 33.73, 28.51

 

CMYK 0 / 43 / 54 / 25

HEX #BF6C58

RGB 191 108 88

HSL 11.65, 0.45%, 0.55%

LAB 54.56, 30.95, 25.58

 

CMYK 0 / 34 / 42 / 20

HEX #CB8676

RGB 203 134 118

HSL 11.29, 0.45%, 0.63%

LAB 62.55, 24.58, 19.49

 

CMYK 0 / 25 / 31 / 16

HEX #D6A194

RGB 214 161 148

HSL 11.82, 0.45%, 0.71%

LAB 70.82, 17.84, 14.41

 

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

CMYK 20 / 0 / 54 / 25

HEX #98BF58

RGB 152 191 88

HSL 82.72, 0.45%, 0.55%

LAB 72.66, -29.51, 47.11

 

CMYK 54 / 42 / 0 / 25

HEX #586EBF

RGB 88 110 191

HSL 227.18, 0.45%, 0.55%

LAB 48.25, 15.46, -45.13

 

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

CMYK 54 / 0 / 44 / 25

HEX #58BF6B

RGB 88 191 107

HSL 131.07, 0.45%, 0.55%

LAB 69.75, -47.95, 33.46

 

CMYK 44 / 54 / 0 / 25

HEX #6B58BF

RGB 107 88 191

HSL 251.07, 0.45%, 0.55%

LAB 44.04, 33.33, -51.77

 

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

CMYK 20 / 0 / 54 / 25

HEX #98BF58

RGB 152 191 88

HSL 82.72, 0.45%, 0.55%

LAB 72.66, -29.51, 47.11

 

CMYK 54 / 10 / 0 / 25

HEX #58ACBF

RGB 88 172 191

HSL 191.07, 0.45%, 0.55%

LAB 66.01, -20.1, -17.52

 

CMYK 33 / 54 / 0 / 25

HEX #8058BF

RGB 128 88 191

HSL 263.3, 0.45%, 0.55%

LAB 46.08, 38.44, -48.38

 

CMYK 0 / 44 / 54 / 25

HEX #C06C58

RGB 192 108 88

HSL 11.54, 0.45%, 0.55%

LAB 54.7, 31.35, 25.79

 

CMYK 37 / 0 / 54 / 25

HEX #79BF58

RGB 121 191 88

HSL 100.78, 0.45%, 0.55%

LAB 70.89, -40.75, 44.59

 

CMYK 54 / 10 / 0 / 25

HEX #58ACBF

RGB 88 172 191

HSL 191.07, 0.45%, 0.55%

LAB 66.01, -20.1, -17.52

 

CMYK 17 / 54 / 0 / 25

HEX #9F58BF

RGB 159 88 191

HSL 281.36, 0.45%, 0.55%

LAB 49.63, 46.57, -42.52

 

Description

Color code: RGB 192 108 88 | qconv.com Color code: RGB 192 108 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 108 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 108 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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