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Color name
RGB 192 67 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 67 80 it is the complementary color RGB 63 188 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 67 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 67 80 shade: RGB 197 67 75, RGB 214 85 94, RGB 231 103 113, RGB 248 121 132 and RGB 255 139 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 67 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 175 49 61, RGB 158 31 42, RGB 141 13 23 and RGB 124 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 67 80 shade: RGB 192 67 80 and RGB 192 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 192 67 114, RGB 192 67 147, RGB 192 67 181 and RGB 169 67 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 67 80 shade matches the following richer shades: RGB 192 67 80, RGB 212 47 64, RGB 232 27 48 and RGB 253 6 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 172 87 96, RGB 152 108 112, RGB 131 128 128 and RGB 111 148 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 67 80 shade: RGB 192 67 148, RGB 192 67 115, RGB 192 67 82, RGB 192 86 67 and RGB 192 119 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 67 80 shade: RGB 133 44 53, RGB 164 54 66, RGB 192 67 80, RGB 202 98 109 and RGB 213 129 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 182 192 67 and RGB 67 132 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 82 192 67 and RGB 67 82 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 182 192 67, RGB 67 192 177 and RGB 77 67 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 67 80 shade: RGB 192 67 80, RGB 144 192 67, RGB 67 192 177 and RGB 115 67 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

Complementary color

CMYK 66 / 0 / 7 / 26

HEX #3FBCAF

RGB 63 188 175

HSL 173.76, 0.5%, 0.49%

LAB 69.55, -36.98, -3.47

 

CMYK 0 / 66 / 62 / 23

HEX #C5434B

RGB 197 67 75

HSL 356.31, 0.53%, 0.52%

LAB 47.49, 52.19, 24.2

 

CMYK 0 / 60 / 56 / 16

HEX #D6555E

RGB 214 85 94

HSL 355.81, 0.61%, 0.59%

LAB 53.6, 51.42, 21.47

 

CMYK 0 / 55 / 51 / 9

HEX #E76771

RGB 231 103 113

HSL 355.31, 0.73%, 0.65%

LAB 59.78, 50.49, 19.18

 

CMYK 0 / 51 / 47 / 3

HEX #F87984

RGB 248 121 132

HSL 354.8, 0.9%, 0.72%

LAB 65.98, 49.5, 17.23

 

CMYK 0 / 45 / 41 / 0

HEX #FF8B97

RGB 255 139 151

HSL 353.79, 1%, 0.77%

LAB 70.84, 44.99, 13.48

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 72 / 65 / 31

HEX #AF313D

RGB 175 49 61

HSL 354.29, 0.56%, 0.44%

LAB 40.65, 51.32, 23.17

 

CMYK 0 / 80 / 73 / 38

HEX #9E1F2A

RGB 158 31 42

HSL 354.8, 0.67%, 0.37%

LAB 34.84, 51.14, 27.08

 

CMYK 0 / 91 / 84 / 45

HEX #8D0D17

RGB 141 13 23

HSL 355.31, 0.83%, 0.3%

LAB 29.44, 49.86, 31.76

 

CMYK 0 / 100 / 97 / 51

HEX #7C0004

RGB 124 0 4

HSL 358.06, 1%, 0.24%

LAB 24.62, 47.05, 35.23

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 65 / 41 / 25

HEX #C04372

RGB 192 67 114

HSL 337.44, 0.5%, 0.51%

LAB 47.54, 53.92, 0.44

 

CMYK 0 / 65 / 23 / 25

HEX #C04393

RGB 192 67 147

HSL 321.6, 0.5%, 0.51%

LAB 48.67, 57.9, -17.8

 

CMYK 0 / 65 / 6 / 25

HEX #C043B5

RGB 192 67 181

HSL 305.28, 0.5%, 0.51%

LAB 50.16, 62.95, -35.56

 

CMYK 12 / 65 / 0 / 25

HEX #A943C0

RGB 169 67 192

HSL 288.96, 0.5%, 0.51%

LAB 47.31, 59.35, -46.71

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 78 / 70 / 17

HEX #D42F40

RGB 212 47 64

HSL 353.82, 0.66%, 0.51%

LAB 47.5, 63.28, 31.38

 

CMYK 0 / 88 / 79 / 9

HEX #E81B30

RGB 232 27 48

HSL 353.85, 0.82%, 0.51%

LAB 49.68, 72.54, 44.11

 

CMYK 0 / 98 / 87 / 1

HEX #FD0620

RGB 253 6 32

HSL 353.68, 0.98%, 0.51%

LAB 53.08, 79.53, 56.8

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 49 / 44 / 33

HEX #AC5760

RGB 172 87 96

HSL 353.65, 0.34%, 0.51%

LAB 47.54, 35.59, 10.94

 

CMYK 0 / 29 / 26 / 40

HEX #986C70

RGB 152 108 112

HSL 354.55, 0.18%, 0.51%

LAB 50.18, 18.14, 4.76

 

CMYK 0 / 2 / 2 / 49

HEX #838080

RGB 131 128 128

HSL 0, 0.01%, 0.51%

LAB 53.84, 1.13, 0.39

 

CMYK 25 / 0 / 3 / 42

HEX #6F9490

RGB 111 148 144

HSL 173.51, 0.15%, 0.51%

LAB 58.58, -13.62, -2.06

 

CMYK 0 / 65 / 23 / 25

HEX #C04394

RGB 192 67 148

HSL 321.12, 0.5%, 0.51%

LAB 48.71, 58.04, -18.33

 

CMYK 0 / 65 / 40 / 25

HEX #C04373

RGB 192 67 115

HSL 336.96, 0.5%, 0.51%

LAB 47.57, 54.02, -0.12

 

CMYK 0 / 65 / 57 / 25

HEX #C04352

RGB 192 67 82

HSL 352.8, 0.5%, 0.51%

LAB 46.75, 51.02, 18.85

 

CMYK 0 / 55 / 65 / 25

HEX #C05643

RGB 192 86 67

HSL 9.12, 0.5%, 0.51%

LAB 49.82, 41.2, 31.64

 

CMYK 0 / 38 / 65 / 25

HEX #C07743

RGB 192 119 67

HSL 24.96, 0.5%, 0.51%

LAB 56.89, 23.79, 40.02

 

CMYK 0 / 67 / 60 / 48

HEX #852C35

RGB 133 44 53

HSL 353.93, 0.5%, 0.35%

LAB 31.91, 38.74, 15.37

 

CMYK 0 / 67 / 60 / 36

HEX #A43642

RGB 164 54 66

HSL 353.45, 0.5%, 0.43%

LAB 39.45, 46.04, 18.11

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 0 / 51 / 46 / 21

HEX #CA626D

RGB 202 98 109

HSL 353.65, 0.5%, 0.59%

LAB 54.44, 42.32, 13.49

 

CMYK 0 / 39 / 35 / 16

HEX #D5818A

RGB 213 129 138

HSL 353.57, 0.5%, 0.67%

LAB 63.08, 33.46, 9.07

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 5 / 0 / 65 / 25

HEX #B6C043

RGB 182 192 67

HSL 64.8, 0.5%, 0.51%

LAB 74.86, -19.59, 59.39

 

CMYK 65 / 31 / 0 / 25

HEX #4384C0

RGB 67 132 192

HSL 208.8, 0.5%, 0.51%

LAB 53.49, -1.75, -37.47

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 57 / 0 / 65 / 25

HEX #52C043

RGB 82 192 67

HSL 112.8, 0.5%, 0.51%

LAB 69.4, -54.97, 51.93

 

CMYK 65 / 57 / 0 / 25

HEX #4352C0

RGB 67 82 192

HSL 232.8, 0.5%, 0.51%

LAB 39.64, 29.46, -59.62

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 5 / 0 / 65 / 25

HEX #B6C043

RGB 182 192 67

HSL 64.8, 0.5%, 0.51%

LAB 74.86, -19.59, 59.39

 

CMYK 65 / 0 / 8 / 25

HEX #43C0B1

RGB 67 192 177

HSL 172.8, 0.5%, 0.51%

LAB 70.92, -37.65, -2.55

 

CMYK 60 / 65 / 0 / 25

HEX #4D43C0

RGB 77 67 192

HSL 244.8, 0.5%, 0.51%

LAB 36.74, 40.34, -64.31

 

CMYK 0 / 65 / 58 / 25

HEX #C04350

RGB 192 67 80

HSL 353.76, 0.5%, 0.51%

LAB 46.71, 50.88, 20.01

 

CMYK 25 / 0 / 65 / 25

HEX #90C043

RGB 144 192 67

HSL 83.04, 0.5%, 0.51%

LAB 72.25, -34.88, 55.85

 

CMYK 65 / 0 / 8 / 25

HEX #43C0B1

RGB 67 192 177

HSL 172.8, 0.5%, 0.51%

LAB 70.92, -37.65, -2.55

 

CMYK 40 / 65 / 0 / 25

HEX #7343C0

RGB 115 67 192

HSL 263.04, 0.5%, 0.51%

LAB 40.35, 47.35, -58.27

 

Description

Color code: RGB 192 67 80 | qconv.com Color code: RGB 192 67 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 67 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 67 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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