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Color name
RGB 193 123 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 123 83 it is the complementary color RGB 62 132 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 123 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 123 83 shade: RGB 198 123 78, RGB 215 141 97, RGB 232 159 116, RGB 249 177 135 and RGB 255 195 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 123 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 123 83 shade: RGB 193 123 83, RGB 176 105 64, RGB 159 87 45, RGB 142 69 26 and RGB 125 51 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 123 83 shade: RGB 192 122 82, RGB 192 92 82 and RGB 192 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 123 83 shade: RGB 192 122 82, RGB 192 152 82, RGB 192 182 82, RGB 173 192 82 and RGB 144 192 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 123 83 shade matches the following richer shades: RGB 192 122 82, RGB 211 117 63, RGB 230 112 44 and RGB 249 107 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 123 83 shade: RGB 192 122 82, RGB 173 127 101, RGB 154 133 120, RGB 135 138 139 and RGB 116 143 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 123 83 shade: RGB 192 82 102, RGB 192 91 82, RGB 192 121 82, RGB 192 150 82 and RGB 192 179 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 123 83 shade: RGB 141 84 51, RGB 172 102 62, RGB 192 122 82, RGB 203 145 112 and RGB 214 169 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 123 83 shade: RGB 193 123 83, RGB 132 192 82 and RGB 82 88 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 123 83 shade: RGB 193 123 83, RGB 82 192 121 and RGB 121 82 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 123 83 shade: RGB 193 123 83, RGB 132 192 82, RGB 82 154 192 and RGB 143 82 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 123 83 shade: RGB 193 123 83, RGB 99 192 82, RGB 82 154 192 and RGB 176 82 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

Complementary color

CMYK 64 / 23 / 0 / 33

HEX #3E84AC

RGB 62 132 172

HSL 201.82, 0.47%, 0.46%

LAB 52.4, -9.4, -27.72

 

CMYK 0 / 38 / 61 / 22

HEX #C67B4E

RGB 198 123 78

HSL 22.5, 0.51%, 0.54%

LAB 58.72, 24.86, 36.55

 

CMYK 0 / 34 / 55 / 16

HEX #D78D61

RGB 215 141 97

HSL 22.37, 0.6%, 0.61%

LAB 65.25, 23.57, 34.88

 

CMYK 0 / 31 / 50 / 9

HEX #E89F74

RGB 232 159 116

HSL 22.24, 0.72%, 0.68%

LAB 71.7, 22.44, 33.33

 

CMYK 0 / 29 / 46 / 2

HEX #F9B187

RGB 249 177 135

HSL 22.11, 0.9%, 0.75%

LAB 78.07, 21.43, 31.91

 

CMYK 0 / 24 / 40 / 0

HEX #FFC39A

RGB 255 195 154

HSL 24.36, 1%, 0.8%

LAB 83.24, 16.3, 28.89

 

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

CMYK 0 / 40 / 64 / 31

HEX #B06940

RGB 176 105 64

HSL 21.96, 0.47%, 0.47%

LAB 51.5, 24.56, 34.78

 

CMYK 0 / 45 / 72 / 38

HEX #9F572D

RGB 159 87 45

HSL 22.11, 0.56%, 0.4%

LAB 44.77, 26.15, 36.67

 

CMYK 0 / 51 / 82 / 44

HEX #8E451A

RGB 142 69 26

HSL 22.24, 0.69%, 0.33%

LAB 37.99, 27.97, 38.5

 

CMYK 0 / 59 / 94 / 51

HEX #7D3307

RGB 125 51 7

HSL 22.37, 0.89%, 0.26%

LAB 31.21, 29.98, 39.63

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 52 / 57 / 25

HEX #C05C52

RGB 192 92 82

HSL 5.45, 0.47%, 0.54%

LAB 51.23, 39.25, 24.75

 

CMYK 0 / 57 / 57 / 25

HEX #C05252

RGB 192 82 82

HSL 0, 0.47%, 0.54%

LAB 49.31, 44.2, 22.25

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 21 / 57 / 25

HEX #C09852

RGB 192 152 82

HSL 38.18, 0.47%, 0.54%

LAB 65.18, 6.73, 42.04

 

CMYK 0 / 5 / 57 / 25

HEX #C0B652

RGB 192 182 82

HSL 54.55, 0.47%, 0.54%

LAB 73.07, -9.26, 51.17

 

CMYK 10 / 0 / 57 / 25

HEX #ADC052

RGB 173 192 82

HSL 70.36, 0.47%, 0.54%

LAB 74.31, -22.21, 52.17

 

CMYK 25 / 0 / 57 / 25

HEX #90C052

RGB 144 192 82

HSL 86.18, 0.47%, 0.54%

LAB 72.39, -33.6, 49.46

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 45 / 70 / 17

HEX #D3753F

RGB 211 117 63

HSL 21.89, 0.63%, 0.54%

LAB 58.91, 32.47, 45.03

 

CMYK 0 / 51 / 81 / 10

HEX #E6702C

RGB 230 112 44

HSL 21.94, 0.79%, 0.54%

LAB 60.42, 41.77, 56.28

 

CMYK 0 / 57 / 90 / 2

HEX #F96B19

RGB 249 107 25

HSL 21.96, 0.95%, 0.54%

LAB 62.28, 50.86, 65.78

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 27 / 42 / 32

HEX #AD7F65

RGB 173 127 101

HSL 21.67, 0.31%, 0.54%

LAB 57.08, 14.39, 21.11

 

CMYK 0 / 14 / 22 / 40

HEX #9A8578

RGB 154 133 120

HSL 22.94, 0.14%, 0.54%

LAB 57.08, 5.82, 9.94

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 27 / 9 / 0 / 38

HEX #748F9E

RGB 116 143 158

HSL 201.43, 0.18%, 0.54%

LAB 57.87, -5.95, -11.07

 

CMYK 0 / 57 / 47 / 25

HEX #C05266

RGB 192 82 102

HSL 349.09, 0.47%, 0.54%

LAB 49.74, 45.95, 10.85

 

CMYK 0 / 53 / 57 / 25

HEX #C05B52

RGB 192 91 82

HSL 4.91, 0.47%, 0.54%

LAB 51.03, 39.75, 24.49

 

CMYK 0 / 37 / 57 / 25

HEX #C07952

RGB 192 121 82

HSL 21.27, 0.47%, 0.54%

LAB 57.55, 23.78, 32.78

 

CMYK 0 / 22 / 57 / 25

HEX #C09652

RGB 192 150 82

HSL 37.09, 0.47%, 0.54%

LAB 64.67, 7.82, 41.43

 

CMYK 0 / 7 / 57 / 25

HEX #C0B352

RGB 192 179 82

HSL 52.91, 0.47%, 0.54%

LAB 72.27, -7.7, 50.26

 

CMYK 0 / 40 / 64 / 45

HEX #8D5433

RGB 141 84 51

HSL 22, 0.47%, 0.38%

LAB 41.6, 20.44, 29.06

 

CMYK 0 / 41 / 64 / 33

HEX #AC663E

RGB 172 102 62

HSL 21.82, 0.47%, 0.46%

LAB 50.24, 24.4, 34.25

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 29 / 45 / 20

HEX #CB9170

RGB 203 145 112

HSL 21.76, 0.47%, 0.62%

LAB 65.06, 17.92, 26.2

 

CMYK 0 / 21 / 33 / 16

HEX #D6A98F

RGB 214 169 143

HSL 21.97, 0.46%, 0.7%

LAB 72.66, 12.87, 19.71

 

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

CMYK 31 / 0 / 57 / 25

HEX #84C052

RGB 132 192 82

HSL 92.73, 0.47%, 0.54%

LAB 71.7, -38.01, 48.49

 

CMYK 57 / 54 / 0 / 25

HEX #5258C0

RGB 82 88 192

HSL 236.73, 0.47%, 0.54%

LAB 42.12, 28.31, -55.55

 

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

CMYK 57 / 0 / 37 / 25

HEX #52C079

RGB 82 192 121

HSL 141.27, 0.47%, 0.54%

LAB 70.09, -47.41, 26.58

 

CMYK 37 / 57 / 0 / 25

HEX #7952C0

RGB 121 82 192

HSL 261.27, 0.47%, 0.54%

LAB 44.1, 40.41, -52.19

 

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

CMYK 31 / 0 / 57 / 25

HEX #84C052

RGB 132 192 82

HSL 92.73, 0.47%, 0.54%

LAB 71.7, -38.01, 48.49

 

CMYK 57 / 20 / 0 / 25

HEX #529AC0

RGB 82 154 192

HSL 200.73, 0.47%, 0.54%

LAB 60.53, -11.43, -26.48

 

CMYK 26 / 57 / 0 / 25

HEX #8F52C0

RGB 143 82 192

HSL 273.27, 0.47%, 0.54%

LAB 46.55, 45.79, -48.12

 

CMYK 0 / 36 / 57 / 24

HEX #C17B53

RGB 193 123 83

HSL 21.82, 0.47%, 0.54%

LAB 58.16, 23.18, 33.01

 

CMYK 48 / 0 / 57 / 25

HEX #63C052

RGB 99 192 82

HSL 110.73, 0.47%, 0.54%

LAB 70.15, -48.77, 46.3

 

CMYK 57 / 20 / 0 / 25

HEX #529AC0

RGB 82 154 192

HSL 200.73, 0.47%, 0.54%

LAB 60.53, -11.43, -26.48

 

CMYK 8 / 57 / 0 / 25

HEX #B052C0

RGB 176 82 192

HSL 291.27, 0.47%, 0.54%

LAB 50.77, 54.27, -41.16

 

Description

Color code: RGB 193 123 83 | qconv.com Color code: RGB 193 123 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 123 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 123 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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