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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 142 209 it is the complementary color RGB 62 113 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 142 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 142 209 shade: RGB 198 142 204, RGB 215 160 223, RGB 232 178 242, RGB 249 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 142 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 176 124 190, RGB 159 106 171, RGB 142 88 152 and RGB 125 70 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 209 142 207, RGB 209 142 189, RGB 209 142 171 and RGB 209 142 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 175 142 209, RGB 157 142 209 and RGB 142 142 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 142 209 shade matches the following richer shades: RGB 193 142 209, RGB 199 129 221, RGB 206 117 234 and RGB 213 104 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 186 155 196, RGB 179 168 183, RGB 173 181 170 and RGB 166 193 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 142 209 shade: RGB 157 142 209, RGB 174 142 209, RGB 192 142 209, RGB 209 142 208 and RGB 209 142 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 142 209 shade: RGB 161 84 185, RGB 177 113 197, RGB 193 142 209, RGB 209 172 221 and RGB 225 201 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 209 142 146 and RGB 142 209 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 209 192 142 and RGB 142 209 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 209 142 146, RGB 159 209 142 and RGB 142 209 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 142 209 shade: RGB 193 142 209, RGB 209 159 142, RGB 159 209 142 and RGB 142 192 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

Complementary color

CMYK 45 / 0 / 59 / 56

HEX #3E712E

RGB 62 113 46

HSL 105.67, 0.42%, 0.31%

LAB 42.81, -30.91, 31.45

 

CMYK 3 / 30 / 0 / 20

HEX #C68ECC

RGB 198 142 204

HSL 294.19, 0.38%, 0.68%

LAB 66.3, 31.64, -23.62

 

CMYK 4 / 28 / 0 / 13

HEX #D7A0DF

RGB 215 160 223

HSL 292.38, 0.5%, 0.75%

LAB 72.84, 30.98, -23.96

 

CMYK 4 / 26 / 0 / 5

HEX #E8B2F2

RGB 232 178 242

HSL 290.63, 0.71%, 0.82%

LAB 79.28, 30.36, -24.3

 

CMYK 2 / 23 / 0 / 0

HEX #F9C4FF

RGB 249 196 255

HSL 293.9, 1%, 0.88%

LAB 85.42, 28.65, -21.75

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 7 / 35 / 0 / 25

HEX #B07CBE

RGB 176 124 190

HSL 287.27, 0.34%, 0.62%

LAB 59.31, 31.74, -26.67

 

CMYK 7 / 38 / 0 / 33

HEX #9F6AAB

RGB 159 106 171

HSL 288.92, 0.28%, 0.54%

LAB 52.53, 32.49, -26.38

 

CMYK 7 / 42 / 0 / 40

HEX #8E5898

RGB 142 88 152

HSL 290.63, 0.27%, 0.47%

LAB 45.63, 33.29, -26.06

 

CMYK 6 / 47 / 0 / 48

HEX #7D4685

RGB 125 70 133

HSL 292.38, 0.31%, 0.4%

LAB 38.61, 34.1, -25.68

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 0 / 32 / 1 / 18

HEX #D18ECF

RGB 209 142 207

HSL 301.79, 0.42%, 0.69%

LAB 67.58, 35.77, -23.22

 

CMYK 0 / 32 / 10 / 18

HEX #D18EBD

RGB 209 142 189

HSL 317.91, 0.42%, 0.69%

LAB 66.96, 32.56, -14.12

 

CMYK 0 / 32 / 18 / 18

HEX #D18EAB

RGB 209 142 171

HSL 334.03, 0.42%, 0.69%

LAB 66.4, 29.61, -4.85

 

CMYK 0 / 32 / 27 / 18

HEX #D18E99

RGB 209 142 153

HSL 350.15, 0.42%, 0.69%

LAB 65.91, 26.94, 4.56

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 16 / 32 / 0 / 18

HEX #AF8ED1

RGB 175 142 209

HSL 269.55, 0.42%, 0.69%

LAB 64.21, 25.36, -29.81

 

CMYK 25 / 32 / 0 / 18

HEX #9D8ED1

RGB 157 142 209

HSL 253.43, 0.42%, 0.69%

LAB 62.61, 19.85, -32.42

 

CMYK 32 / 32 / 0 / 18

HEX #8E8ED1

RGB 142 142 209

HSL 240, 0.42%, 0.69%

LAB 61.39, 15.45, -34.4

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 10 / 42 / 0 / 13

HEX #C781DD

RGB 199 129 221

HSL 285.65, 0.58%, 0.69%

LAB 64.21, 42.38, -36.3

 

CMYK 12 / 50 / 0 / 8

HEX #CE75EA

RGB 206 117 234

HSL 285.64, 0.74%, 0.69%

LAB 63.16, 53.22, -45.11

 

CMYK 14 / 58 / 0 / 3

HEX #D568F7

RGB 213 104 247

HSL 285.73, 0.9%, 0.69%

LAB 62.31, 63.88, -53.61

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 5 / 21 / 0 / 23

HEX #BA9BC4

RGB 186 155 196

HSL 285.37, 0.26%, 0.69%

LAB 67.92, 18.91, -16.8

 

CMYK 2 / 8 / 0 / 28

HEX #B3A8B7

RGB 179 168 183

HSL 284, 0.09%, 0.69%

LAB 70.18, 6.75, -6.27

 

CMYK 4 / 0 / 6 / 29

HEX #ADB5AA

RGB 173 181 170

HSL 103.64, 0.07%, 0.69%

LAB 72.78, -4.85, 4.63

 

CMYK 14 / 0 / 19 / 24

HEX #A6C19D

RGB 166 193 157

HSL 105, 0.23%, 0.69%

LAB 75.25, -15.9, 15.13

 

CMYK 25 / 32 / 0 / 18

HEX #9D8ED1

RGB 157 142 209

HSL 253.43, 0.42%, 0.69%

LAB 62.61, 19.85, -32.42

 

CMYK 17 / 32 / 0 / 18

HEX #AE8ED1

RGB 174 142 209

HSL 268.66, 0.42%, 0.69%

LAB 64.12, 25.05, -29.96

 

CMYK 8 / 32 / 0 / 18

HEX #C08ED1

RGB 192 142 209

HSL 284.78, 0.42%, 0.69%

LAB 65.87, 30.71, -27.11

 

CMYK 0 / 32 / 0 / 18

HEX #D18ED0

RGB 209 142 208

HSL 300.9, 0.42%, 0.69%

LAB 67.62, 35.95, -23.72

 

CMYK 0 / 32 / 9 / 18

HEX #D18EBE

RGB 209 142 190

HSL 317.01, 0.42%, 0.69%

LAB 66.99, 32.74, -14.63

 

CMYK 13 / 55 / 0 / 27

HEX #A154B9

RGB 161 84 185

HSL 285.74, 0.42%, 0.53%

LAB 48.79, 47.91, -40.37

 

CMYK 10 / 43 / 0 / 23

HEX #B171C5

RGB 177 113 197

HSL 285.71, 0.42%, 0.61%

LAB 57.26, 39.56, -33.82

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 5 / 22 / 0 / 13

HEX #D1ACDD

RGB 209 172 221

HSL 285.31, 0.42%, 0.77%

LAB 75, 22.12, -19.63

 

CMYK 3 / 14 / 0 / 9

HEX #E1C9E9

RGB 225 201 233

HSL 285, 0.42%, 0.85%

LAB 83.79, 14.07, -12.73

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 0 / 32 / 30 / 18

HEX #D18E92

RGB 209 142 146

HSL 356.42, 0.42%, 0.69%

LAB 65.73, 25.98, 8.25

 

CMYK 32 / 0 / 21 / 18

HEX #8ED1A5

RGB 142 209 165

HSL 140.6, 0.42%, 0.69%

LAB 78.5, -30.32, 15.2

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 0 / 8 / 32 / 18

HEX #D1C08E

RGB 209 192 142

HSL 44.78, 0.42%, 0.69%

LAB 78, -1.46, 27.42

 

CMYK 32 / 0 / 8 / 18

HEX #8ED1C0

RGB 142 209 192

HSL 164.78, 0.42%, 0.69%

LAB 79.13, -24.82, 1.69

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 0 / 32 / 30 / 18

HEX #D18E92

RGB 209 142 146

HSL 356.42, 0.42%, 0.69%

LAB 65.73, 25.98, 8.25

 

CMYK 24 / 0 / 32 / 18

HEX #9FD18E

RGB 159 209 142

HSL 104.78, 0.42%, 0.69%

LAB 79, -28.69, 28.13

 

CMYK 32 / 0 / 2 / 18

HEX #8ED1CD

RGB 142 209 205

HSL 176.42, 0.42%, 0.69%

LAB 79.48, -21.91, -4.77

 

CMYK 8 / 32 / 0 / 18

HEX #C18ED1

RGB 193 142 209

HSL 285.67, 0.42%, 0.69%

LAB 65.97, 31.03, -26.95

 

CMYK 0 / 24 / 32 / 18

HEX #D19F8E

RGB 209 159 142

HSL 15.22, 0.42%, 0.69%

LAB 69.69, 16.2, 16.06

 

CMYK 24 / 0 / 32 / 18

HEX #9FD18E

RGB 159 209 142

HSL 104.78, 0.42%, 0.69%

LAB 79, -28.69, 28.13

 

CMYK 32 / 8 / 0 / 18

HEX #8EC0D1

RGB 142 192 209

HSL 195.22, 0.42%, 0.69%

LAB 74.86, -12.27, -13.8

 

Description

Color code: RGB 193 142 209 | qconv.com Color code: RGB 193 142 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 142 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 142 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 32 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 32% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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