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Color name
RGB 193 163 71

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 163 71 it is the complementary color RGB 62 92 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 163 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 163 71 shade: RGB 198 163 66, RGB 215 181 85, RGB 232 199 104, RGB 249 217 123 and RGB 255 235 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 163 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 176 145 52, RGB 159 127 33, RGB 142 109 14 and RGB 125 91 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 193 130 71, RGB 193 97 71 and RGB 193 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 190 193 71, RGB 157 193 71, RGB 124 193 71 and RGB 91 193 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 163 71 shade matches the following richer shades: RGB 193 163 71, RGB 213 173 51, RGB 233 183 31 and RGB 253 193 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 173 153 91, RGB 154 143 111, RGB 134 133 130 and RGB 114 123 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 163 71 shade: RGB 193 97 71, RGB 193 130 71, RGB 193 163 71, RGB 191 193 71 and RGB 159 193 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 163 71 shade: RGB 137 114 45, RGB 167 140 55, RGB 193 163 71, RGB 204 179 102 and RGB 214 194 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 77 193 71 and RGB 114 71 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 71 193 163 and RGB 163 71 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 77 193 71, RGB 71 102 193 and RGB 187 71 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 163 71 shade: RGB 193 163 71, RGB 71 193 102, RGB 71 102 193 and RGB 193 71 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

Complementary color

CMYK 66 / 50 / 0 / 28

HEX #3E5CB8

RGB 62 92 184

HSL 225.25, 0.5%, 0.48%

LAB 41.44, 19.38, -52.05

 

CMYK 0 / 18 / 67 / 22

HEX #C6A342

RGB 198 163 66

HSL 44.09, 0.54%, 0.52%

LAB 68.46, 2.26, 53.51

 

CMYK 0 / 16 / 60 / 16

HEX #D7B555

RGB 215 181 85

HSL 44.31, 0.62%, 0.59%

LAB 74.92, 1.2, 52.43

 

CMYK 0 / 14 / 55 / 9

HEX #E8C768

RGB 232 199 104

HSL 44.53, 0.74%, 0.66%

LAB 81.29, 0.3, 51.24

 

CMYK 0 / 13 / 51 / 2

HEX #F9D97B

RGB 249 217 123

HSL 44.76, 0.91%, 0.73%

LAB 87.58, -0.47, 50.02

 

CMYK 0 / 8 / 44 / 0

HEX #FFEB8E

RGB 255 235 142

HSL 49.38, 1%, 0.78%

LAB 92.85, -5.45, 47.43

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 18 / 70 / 31

HEX #B09134

RGB 176 145 52

HSL 45, 0.54%, 0.45%

LAB 61.42, 1.54, 51.58

 

CMYK 0 / 20 / 79 / 38

HEX #9F7F21

RGB 159 127 33

HSL 44.76, 0.66%, 0.38%

LAB 54.72, 2.92, 52.05

 

CMYK 0 / 23 / 90 / 44

HEX #8E6D0E

RGB 142 109 14

HSL 44.53, 0.82%, 0.31%

LAB 47.9, 4.61, 51.41

 

CMYK 0 / 27 / 100 / 51

HEX #7D5B00

RGB 125 91 0

HSL 43.68, 1%, 0.25%

LAB 40.96, 6.67, 48.79

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 33 / 63 / 24

HEX #C18247

RGB 193 130 71

HSL 29.02, 0.5%, 0.52%

LAB 59.67, 18.43, 41.2

 

CMYK 0 / 50 / 63 / 24

HEX #C16147

RGB 193 97 71

HSL 12.79, 0.5%, 0.52%

LAB 52.22, 36.26, 32.34

 

CMYK 0 / 63 / 63 / 24

HEX #C14747

RGB 193 71 71

HSL 0, 0.5%, 0.52%

LAB 47.36, 48.86, 26.29

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 2 / 0 / 63 / 24

HEX #BEC147

RGB 190 193 71

HSL 61.48, 0.5%, 0.52%

LAB 75.79, -16.49, 58.92

 

CMYK 19 / 0 / 63 / 24

HEX #9DC147

RGB 157 193 71

HSL 77.7, 0.5%, 0.52%

LAB 73.39, -29.98, 55.65

 

CMYK 36 / 0 / 63 / 24

HEX #7CC147

RGB 124 193 71

HSL 93.93, 0.5%, 0.52%

LAB 71.47, -42.3, 53.01

 

CMYK 53 / 0 / 63 / 24

HEX #5BC147

RGB 91 193 71

HSL 110.16, 0.5%, 0.52%

LAB 70.05, -52.6, 51.03

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 19 / 76 / 16

HEX #D5AD33

RGB 213 173 51

HSL 45.19, 0.66%, 0.52%

LAB 72.41, 2.7, 64

 

CMYK 0 / 21 / 87 / 9

HEX #E9B71F

RGB 233 183 31

HSL 45.15, 0.82%, 0.52%

LAB 76.85, 5.5, 74.55

 

CMYK 0 / 24 / 96 / 1

HEX #FDC10B

RGB 253 193 11

HSL 45.12, 0.98%, 0.52%

LAB 81.32, 8.58, 82.08

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 12 / 47 / 32

HEX #AD995B

RGB 173 153 91

HSL 45.37, 0.33%, 0.52%

LAB 63.69, -1.13, 35.15

 

CMYK 0 / 7 / 28 / 40

HEX #9A8F6F

RGB 154 143 111

HSL 44.65, 0.18%, 0.52%

LAB 59.58, -1.14, 18.54

 

CMYK 0 / 1 / 3 / 47

HEX #868582

RGB 134 133 130

HSL 45, 0.02%, 0.52%

LAB 55.54, -0.21, 1.74

 

CMYK 24 / 18 / 0 / 41

HEX #727B96

RGB 114 123 150

HSL 225, 0.15%, 0.52%

LAB 51.78, 2.9, -15.67

 

CMYK 0 / 50 / 63 / 24

HEX #C16147

RGB 193 97 71

HSL 12.79, 0.5%, 0.52%

LAB 52.22, 36.26, 32.34

 

CMYK 0 / 33 / 63 / 24

HEX #C18247

RGB 193 130 71

HSL 29.02, 0.5%, 0.52%

LAB 59.67, 18.43, 41.2

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 1 / 0 / 63 / 24

HEX #BFC147

RGB 191 193 71

HSL 60.98, 0.5%, 0.52%

LAB 75.87, -16.07, 59.03

 

CMYK 18 / 0 / 63 / 24

HEX #9FC147

RGB 159 193 71

HSL 76.72, 0.5%, 0.52%

LAB 73.52, -29.19, 55.83

 

CMYK 0 / 17 / 67 / 46

HEX #89722D

RGB 137 114 45

HSL 45, 0.51%, 0.36%

LAB 48.94, 0.75, 40.42

 

CMYK 0 / 16 / 67 / 35

HEX #A78C37

RGB 167 140 55

HSL 45.54, 0.5%, 0.44%

LAB 59.2, 0.44, 47.66

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 0 / 12 / 50 / 20

HEX #CCB366

RGB 204 179 102

HSL 45.29, 0.5%, 0.6%

LAB 73.57, -0.99, 42.34

 

CMYK 0 / 9 / 38 / 16

HEX #D6C285

RGB 214 194 133

HSL 45.19, 0.5%, 0.68%

LAB 78.79, -1.62, 33.26

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 60 / 0 / 63 / 24

HEX #4DC147

RGB 77 193 71

HSL 117.05, 0.5%, 0.52%

LAB 69.59, -56.15, 50.4

 

CMYK 41 / 63 / 0 / 24

HEX #7247C1

RGB 114 71 193

HSL 261.15, 0.5%, 0.52%

LAB 41.11, 45.25, -57.63

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 63 / 0 / 16 / 24

HEX #47C1A3

RGB 71 193 163

HSL 165.25, 0.5%, 0.52%

LAB 70.96, -41.02, 5.16

 

CMYK 16 / 63 / 0 / 24

HEX #A347C1

RGB 163 71 193

HSL 285.25, 0.5%, 0.52%

LAB 47.16, 56.37, -47.58

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 60 / 0 / 63 / 24

HEX #4DC147

RGB 77 193 71

HSL 117.05, 0.5%, 0.52%

LAB 69.59, -56.15, 50.4

 

CMYK 63 / 47 / 0 / 24

HEX #4766C1

RGB 71 102 193

HSL 224.75, 0.5%, 0.52%

LAB 45.21, 17.74, -51.19

 

CMYK 3 / 63 / 0 / 24

HEX #BB47C1

RGB 187 71 193

HSL 297.05, 0.5%, 0.52%

LAB 50.6, 62.13, -41.91

 

CMYK 0 / 16 / 63 / 24

HEX #C1A347

RGB 193 163 71

HSL 45.25, 0.5%, 0.52%

LAB 68.01, 0.41, 50.63

 

CMYK 63 / 0 / 47 / 24

HEX #47C166

RGB 71 193 102

HSL 135.25, 0.5%, 0.52%

LAB 69.78, -53.42, 35.93

 

CMYK 63 / 47 / 0 / 24

HEX #4766C1

RGB 71 102 193

HSL 224.75, 0.5%, 0.52%

LAB 45.21, 17.74, -51.19

 

CMYK 0 / 63 / 16 / 24

HEX #C147A3

RGB 193 71 163

HSL 314.75, 0.5%, 0.52%

LAB 50.08, 58.8, -25.11

 

Description

Color code: RGB 193 163 71 | qconv.com Color code: RGB 193 163 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 163 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 163 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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