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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 214 200 it is the complementary color RGB 62 41 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 214 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 214 200 shade: RGB 198 214 195, RGB 215 232 214, RGB 232 250 233 and RGB 249 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 214 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 176 196 181, RGB 159 178 162, RGB 142 160 143 and RGB 125 142 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 193 214 195, RGB 198 214 193, RGB 203 214 193 and RGB 209 214 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 193 214 206, RGB 193 214 211, RGB 193 211 214 and RGB 193 205 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 214 200 shade matches the following richer shades: RGB 193 214 200, RGB 185 222 197, RGB 177 230 195, RGB 169 238 192 and RGB 160 247 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 202 205 203, RGB 210 197 206, RGB 218 189 208 and RGB 226 181 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 214 200 shade: RGB 197 214 193, RGB 193 214 195, RGB 193 214 200, RGB 193 214 206 and RGB 193 214 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 214 200 shade: RGB 144 181 156, RGB 169 197 178, RGB 193 214 200, RGB 218 230 222 and RGB 243 247 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 193 203 214 and RGB 214 193 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 200 193 214 and RGB 214 200 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 193 203 214, RGB 214 193 207 and RGB 214 204 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 214 200 shade: RGB 193 214 200, RGB 193 197 214, RGB 214 193 207 and RGB 214 210 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

Complementary color

CMYK 0 / 34 / 11 / 76

HEX #3E2937

RGB 62 41 55

HSL 320, 0.2%, 0.2%

LAB 19.58, 12.49, -5.08

 

CMYK 7 / 0 / 9 / 16

HEX #C6D6C3

RGB 198 214 195

HSL 110.53, 0.19%, 0.8%

LAB 83.99, -8.87, 7.54

 

CMYK 7 / 0 / 8 / 9

HEX #D7E8D6

RGB 215 232 214

HSL 116.67, 0.28%, 0.87%

LAB 90.33, -8.9, 6.82

 

CMYK 7 / 0 / 7 / 2

HEX #E8FAE9

RGB 232 250 233

HSL 123.33, 0.64%, 0.95%

LAB 96.58, -8.93, 6.12

 

CMYK 2 / 0 / 1 / 0

HEX #F9FFFC

RGB 249 255 252

HSL 150, 1%, 0.99%

LAB 99.49, -2.49, 0.73

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 0 / 8 / 23

HEX #B0C4B5

RGB 176 196 181

HSL 135, 0.14%, 0.73%

LAB 77.31, -9.67, 5.21

 

CMYK 11 / 0 / 9 / 30

HEX #9FB2A2

RGB 159 178 162

HSL 129.47, 0.11%, 0.66%

LAB 70.75, -9.68, 5.95

 

CMYK 11 / 0 / 11 / 37

HEX #8EA08F

RGB 142 160 143

HSL 123.33, 0.09%, 0.59%

LAB 64.06, -9.71, 6.72

 

CMYK 12 / 0 / 13 / 44

HEX #7D8E7C

RGB 125 142 124

HSL 116.67, 0.07%, 0.52%

LAB 57.23, -9.74, 7.54

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 0 / 9 / 16

HEX #C1D6C3

RGB 193 214 195

HSL 125.71, 0.2%, 0.8%

LAB 83.64, -10.58, 6.99

 

CMYK 7 / 0 / 10 / 16

HEX #C6D6C1

RGB 198 214 193

HSL 105.71, 0.2%, 0.8%

LAB 83.94, -9.22, 8.53

 

CMYK 5 / 0 / 10 / 16

HEX #CBD6C1

RGB 203 214 193

HSL 91.43, 0.2%, 0.8%

LAB 84.3, -7.49, 9.09

 

CMYK 2 / 0 / 10 / 16

HEX #D1D6C1

RGB 209 214 193

HSL 74.29, 0.2%, 0.8%

LAB 84.74, -5.39, 9.78

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 0 / 4 / 16

HEX #C1D6CE

RGB 193 214 206

HSL 157.14, 0.2%, 0.8%

LAB 83.91, -8.54, 1.54

 

CMYK 10 / 0 / 1 / 16

HEX #C1D6D3

RGB 193 214 211

HSL 171.43, 0.2%, 0.8%

LAB 84.04, -7.58, -0.93

 

CMYK 10 / 1 / 0 / 16

HEX #C1D3D6

RGB 193 211 214

HSL 188.57, 0.2%, 0.8%

LAB 83.33, -5.44, -3.56

 

CMYK 10 / 4 / 0 / 16

HEX #C1CDD6

RGB 193 205 214

HSL 205.71, 0.2%, 0.8%

LAB 81.76, -2.31, -5.87

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 23 / 0 / 15 / 10

HEX #B1E6C3

RGB 177 230 195

HSL 140.38, 0.51%, 0.8%

LAB 86.94, -23.84, 11.57

 

CMYK 29 / 0 / 19 / 7

HEX #A9EEC0

RGB 169 238 192

HSL 140, 0.67%, 0.8%

LAB 88.63, -30.72, 15.47

 

CMYK 35 / 0 / 23 / 3

HEX #A0F7BD

RGB 160 247 189

HSL 140, 0.84%, 0.8%

LAB 90.63, -38.1, 19.75

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 1 / 0 / 1 / 20

HEX #CACDCB

RGB 202 205 203

HSL 140, 0.03%, 0.8%

LAB 82.13, -1.39, 0.62

 

CMYK 0 / 6 / 2 / 18

HEX #D2C5CE

RGB 210 197 206

HSL 318.46, 0.13%, 0.8%

LAB 80.79, 6.14, -2.87

 

CMYK 0 / 13 / 5 / 15

HEX #DABDD0

RGB 218 189 208

HSL 320.69, 0.28%, 0.8%

LAB 79.53, 13.53, -5.72

 

CMYK 0 / 20 / 7 / 11

HEX #E2B5D3

RGB 226 181 211

HSL 320, 0.44%, 0.8%

LAB 78.41, 21.11, -8.91

 

CMYK 8 / 0 / 10 / 16

HEX #C5D6C1

RGB 197 214 193

HSL 108.57, 0.2%, 0.8%

LAB 83.87, -9.57, 8.42

 

CMYK 10 / 0 / 9 / 16

HEX #C1D6C3

RGB 193 214 195

HSL 125.71, 0.2%, 0.8%

LAB 83.64, -10.58, 6.99

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 0 / 4 / 16

HEX #C1D6CE

RGB 193 214 206

HSL 157.14, 0.2%, 0.8%

LAB 83.91, -8.54, 1.54

 

CMYK 10 / 0 / 1 / 16

HEX #C1D6D3

RGB 193 214 211

HSL 171.43, 0.2%, 0.8%

LAB 84.04, -7.58, -0.93

 

CMYK 20 / 0 / 14 / 29

HEX #90B59C

RGB 144 181 156

HSL 139.46, 0.2%, 0.64%

LAB 70.44, -17.56, 8.66

 

CMYK 14 / 0 / 10 / 23

HEX #A9C5B2

RGB 169 197 178

HSL 139.29, 0.19%, 0.72%

LAB 77.03, -13.14, 6.37

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 5 / 0 / 3 / 10

HEX #DAE6DE

RGB 218 230 222

HSL 140, 0.19%, 0.88%

LAB 90.22, -5.45, 2.5

 

CMYK 2 / 0 / 1 / 3

HEX #F3F7F4

RGB 243 247 244

HSL 135, 0.2%, 0.96%

LAB 96.86, -1.85, 0.97

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 5 / 0 / 16

HEX #C1CBD6

RGB 193 203 214

HSL 211.43, 0.2%, 0.8%

LAB 81.24, -1.25, -6.64

 

CMYK 0 / 10 / 9 / 16

HEX #D6C1C3

RGB 214 193 195

HSL 354.29, 0.2%, 0.8%

LAB 79.83, 7.74, 1.68

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 7 / 10 / 0 / 16

HEX #C8C1D6

RGB 200 193 214

HSL 260, 0.2%, 0.8%

LAB 79.2, 6.38, -9.61

 

CMYK 0 / 7 / 10 / 16

HEX #D6C8C1

RGB 214 200 193

HSL 20, 0.2%, 0.8%

LAB 81.54, 3.69, 5.24

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 5 / 0 / 16

HEX #C1CBD6

RGB 193 203 214

HSL 211.43, 0.2%, 0.8%

LAB 81.24, -1.25, -6.64

 

CMYK 0 / 10 / 3 / 16

HEX #D6C1CF

RGB 214 193 207

HSL 320, 0.2%, 0.8%

LAB 80.15, 9.83, -4.31

 

CMYK 0 / 5 / 10 / 16

HEX #D6CCC1

RGB 214 204 193

HSL 31.43, 0.2%, 0.8%

LAB 82.56, 1.59, 6.7

 

CMYK 10 / 0 / 7 / 16

HEX #C1D6C8

RGB 193 214 200

HSL 140, 0.2%, 0.8%

LAB 83.76, -9.67, 4.51

 

CMYK 10 / 8 / 0 / 16

HEX #C1C5D6

RGB 193 197 214

HSL 228.57, 0.2%, 0.8%

LAB 79.68, 1.93, -8.95

 

CMYK 0 / 10 / 3 / 16

HEX #D6C1CF

RGB 214 193 207

HSL 320, 0.2%, 0.8%

LAB 80.15, 9.83, -4.31

 

CMYK 0 / 2 / 10 / 16

HEX #D6D2C1

RGB 214 210 193

HSL 48.57, 0.2%, 0.8%

LAB 84.09, -1.55, 8.9

 

Description

Color code: RGB 193 214 200 | qconv.com Color code: RGB 193 214 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 214 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 214 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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