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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 217 51 it is the complementary color RGB 62 38 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 217 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 217 51 shade: RGB 198 217 46, RGB 215 235 65, RGB 232 253 84, RGB 249 255 103 and RGB 255 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 217 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 217 51 shade: RGB 193 217 51, RGB 176 199 32, RGB 159 181 13, RGB 142 163 0 and RGB 125 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 217 51 shade: RGB 193 217 52, RGB 217 197 52, RGB 217 152 52, RGB 217 107 52 and RGB 217 63 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 217 51 shade: RGB 193 217 52, RGB 149 217 52, RGB 104 217 52, RGB 60 217 52 and RGB 52 217 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 217 51 shade matches the following richer shades: RGB 193 217 52 and RGB 207 237 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 217 51 shade: RGB 193 217 52, RGB 180 198 71, RGB 166 179 91, RGB 152 159 110 and RGB 138 140 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 217 51 shade: RGB 217 151 52, RGB 217 195 52, RGB 195 217 52, RGB 151 217 52 and RGB 107 217 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 217 51 shade: RGB 139 158 29, RGB 170 193 35, RGB 193 217 52, RGB 204 224 87 and RGB 214 230 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 217 51 shade: RGB 193 217 51, RGB 52 217 107 and RGB 173 52 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 217 51 shade: RGB 193 217 51, RGB 52 195 217 and RGB 217 52 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 217 51 shade: RGB 193 217 51, RGB 52 217 107, RGB 74 52 217 and RGB 217 52 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 217 51 shade: RGB 193 217 51, RGB 52 217 157, RGB 74 52 217 and RGB 217 52 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

Complementary color

CMYK 70 / 81 / 0 / 20

HEX #3E26CC

RGB 62 38 204

HSL 248.67, 0.69%, 0.47%

LAB 31.28, 57.6, -80.35

 

CMYK 9 / 0 / 79 / 15

HEX #C6D92E

RGB 198 217 46

HSL 66.67, 0.69%, 0.52%

LAB 82.82, -26.15, 74.61

 

CMYK 9 / 0 / 72 / 8

HEX #D7EB41

RGB 215 235 65

HSL 67.06, 0.81%, 0.59%

LAB 89.04, -26.99, 75.04

 

CMYK 8 / 0 / 67 / 1

HEX #E8FD54

RGB 232 253 84

HSL 67.46, 0.98%, 0.66%

LAB 95.18, -27.68, 74.88

 

CMYK 2 / 0 / 60 / 0

HEX #F9FF67

RGB 249 255 103

HSL 62.37, 1%, 0.7%

LAB 97.08, -20.75, 69.88

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

CMYK 12 / 0 / 84 / 22

HEX #B0C720

RGB 176 199 32

HSL 68.26, 0.72%, 0.45%

LAB 76.18, -27.09, 71.75

 

CMYK 12 / 0 / 93 / 29

HEX #9FB50D

RGB 159 181 13

HSL 67.86, 0.87%, 0.38%

LAB 69.79, -25.99, 69.51

 

CMYK 13 / 0 / 100 / 36

HEX #8EA300

RGB 142 163 0

HSL 67.73, 1%, 0.32%

LAB 63.3, -24.67, 65.64

 

CMYK 14 / 0 / 100 / 43

HEX #7D9100

RGB 125 145 0

HSL 68.28, 1%, 0.28%

LAB 56.69, -23.14, 60.14

 

CMYK 11 / 0 / 76 / 15

HEX #C1D934

RGB 193 217 52

HSL 68.73, 0.68%, 0.53%

LAB 82.49, -27.96, 72.44

 

CMYK 0 / 9 / 76 / 15

HEX #D9C534

RGB 217 197 52

HSL 52.73, 0.68%, 0.53%

LAB 79, -8.03, 69.92

 

CMYK 0 / 30 / 76 / 15

HEX #D99834

RGB 217 152 52

HSL 36.36, 0.68%, 0.53%

LAB 67.62, 15.71, 59.21

 

CMYK 0 / 51 / 76 / 15

HEX #D96B34

RGB 217 107 52

HSL 20, 0.68%, 0.53%

LAB 57.57, 39.51, 49.27

 

CMYK 0 / 71 / 76 / 15

HEX #D93F34

RGB 217 63 52

HSL 4, 0.68%, 0.53%

LAB 50.16, 59.04, 41.53

 

CMYK 11 / 0 / 76 / 15

HEX #C1D934

RGB 193 217 52

HSL 68.73, 0.68%, 0.53%

LAB 82.49, -27.96, 72.44

 

CMYK 31 / 0 / 76 / 15

HEX #95D934

RGB 149 217 52

HSL 84.73, 0.68%, 0.53%

LAB 79.76, -44.99, 68.91

 

CMYK 52 / 0 / 76 / 15

HEX #68D934

RGB 104 217 52

HSL 101.09, 0.68%, 0.53%

LAB 77.77, -59.47, 66.31

 

CMYK 72 / 0 / 76 / 15

HEX #3CD934

RGB 60 217 52

HSL 117.09, 0.68%, 0.53%

LAB 76.58, -69.16, 64.75

 

CMYK 76 / 0 / 59 / 15

HEX #34D959

RGB 52 217 89

HSL 133.45, 0.68%, 0.53%

LAB 76.73, -66.86, 50.45

 

CMYK 11 / 0 / 76 / 15

HEX #C1D934

RGB 193 217 52

HSL 68.73, 0.68%, 0.53%

LAB 82.49, -27.96, 72.44

 

CMYK 13 / 0 / 86 / 7

HEX #CFED21

RGB 207 237 33

HSL 68.82, 0.85%, 0.53%

LAB 88.9, -32.25, 83.02

 

CMYK 11 / 0 / 76 / 15

HEX #C1D934

RGB 193 217 52

HSL 68.73, 0.68%, 0.53%

LAB 82.49, -27.96, 72.44

 

CMYK 9 / 0 / 64 / 22

HEX #B4C647

RGB 180 198 71

HSL 68.5, 0.53%, 0.53%

LAB 76.4, -23.12, 59.34

 

CMYK 7 / 0 / 49 / 30

HEX #A6B35B

RGB 166 179 91

HSL 68.86, 0.37%, 0.53%

LAB 70.25, -17.75, 43.05

 

CMYK 4 / 0 / 31 / 38

HEX #989F6E

RGB 152 159 110

HSL 68.57, 0.2%, 0.53%

LAB 63.83, -10.78, 24.8

 

CMYK 1 / 0 / 7 / 45

HEX #8A8C82

RGB 138 140 130

HSL 72, 0.04%, 0.53%

LAB 57.82, -2.65, 5.08

 

CMYK 0 / 30 / 76 / 15

HEX #D99734

RGB 217 151 52

HSL 36, 0.68%, 0.53%

LAB 67.38, 16.25, 58.98

 

CMYK 0 / 10 / 76 / 15

HEX #D9C334

RGB 217 195 52

HSL 52, 0.68%, 0.53%

LAB 78.48, -7, 69.44

 

CMYK 10 / 0 / 76 / 15

HEX #C3D934

RGB 195 217 52

HSL 68, 0.68%, 0.53%

LAB 82.63, -27.14, 72.63

 

CMYK 30 / 0 / 76 / 15

HEX #97D934

RGB 151 217 52

HSL 84, 0.68%, 0.53%

LAB 79.87, -44.26, 69.05

 

CMYK 51 / 0 / 76 / 15

HEX #6BD934

RGB 107 217 52

HSL 100, 0.68%, 0.53%

LAB 77.87, -58.63, 66.45

 

CMYK 12 / 0 / 82 / 38

HEX #8B9E1D

RGB 139 158 29

HSL 68.84, 0.69%, 0.37%

LAB 61.68, -22.82, 58.93

 

CMYK 12 / 0 / 82 / 24

HEX #AAC123

RGB 170 193 35

HSL 68.73, 0.69%, 0.45%

LAB 74.07, -26.62, 69.05

 

CMYK 11 / 0 / 76 / 15

HEX #C1D934

RGB 193 217 52

HSL 68.73, 0.68%, 0.53%

LAB 82.49, -27.96, 72.44

 

CMYK 9 / 0 / 61 / 12

HEX #CCE057

RGB 204 224 87

HSL 68.76, 0.69%, 0.61%

LAB 85.42, -24.9, 62.89

 

CMYK 7 / 0 / 47 / 10

HEX #D6E67A

RGB 214 230 122

HSL 68.89, 0.68%, 0.69%

LAB 88.11, -20.93, 50.48

 

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

CMYK 76 / 0 / 51 / 15

HEX #34D96B

RGB 52 217 107

HSL 140, 0.68%, 0.53%

LAB 76.93, -64.41, 42.31

 

CMYK 20 / 76 / 0 / 15

HEX #AD34D9

RGB 173 52 217

HSL 284, 0.68%, 0.53%

LAB 47.43, 70.72, -60.89

 

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

CMYK 76 / 10 / 0 / 15

HEX #34C3D9

RGB 52 195 217

HSL 188, 0.68%, 0.53%

LAB 72.74, -29.47, -21.66

 

CMYK 0 / 76 / 10 / 15

HEX #D934C3

RGB 217 52 195

HSL 308, 0.68%, 0.53%

LAB 53.11, 75.84, -38.78

 

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

CMYK 76 / 0 / 51 / 15

HEX #34D96B

RGB 52 217 107

HSL 140, 0.68%, 0.53%

LAB 76.93, -64.41, 42.31

 

CMYK 66 / 76 / 0 / 15

HEX #4A34D9

RGB 74 52 217

HSL 248, 0.68%, 0.53%

LAB 35.83, 55.94, -80.32

 

CMYK 0 / 76 / 25 / 15

HEX #D934A2

RGB 217 52 162

HSL 320, 0.68%, 0.53%

LAB 51.63, 71.48, -21.81

 

CMYK 11 / 0 / 76 / 15

HEX #C1D933

RGB 193 217 51

HSL 68.67, 0.69%, 0.53%

LAB 82.49, -28, 72.74

 

CMYK 76 / 0 / 28 / 15

HEX #34D99D

RGB 52 217 157

HSL 158.18, 0.68%, 0.53%

LAB 77.75, -55.13, 17.94

 

CMYK 66 / 76 / 0 / 15

HEX #4A34D9

RGB 74 52 217

HSL 248, 0.68%, 0.53%

LAB 35.83, 55.94, -80.32

 

CMYK 0 / 76 / 48 / 15

HEX #D93471

RGB 217 52 113

HSL 337.82, 0.68%, 0.53%

LAB 49.98, 66.41, 5.13

 

Description

Color code: RGB 193 217 51 | qconv.com Color code: RGB 193 217 51 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 217 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 217 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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