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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 4 163 it is the complementary color RGB 62 251 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 4 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 4 163 shade: RGB 198 4 158, RGB 215 22 177, RGB 232 40 196, RGB 249 58 215 and RGB 255 76 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 4 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 4 163 shade: RGB 193 4 163, RGB 176 0 144, RGB 159 0 125, RGB 142 0 106 and RGB 125 0 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 4 163 shade: RGB 194 3 164, RGB 194 3 113, RGB 194 3 61, RGB 194 3 10 and RGB 194 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 4 163 shade: RGB 194 3 164, RGB 173 3 194, RGB 122 3 194, RGB 70 3 194 and RGB 19 3 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 4 163 shade matches the following richer shades: RGB 194 3 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 4 163 shade: RGB 194 3 164, RGB 178 20 153, RGB 162 36 142, RGB 146 52 131 and RGB 130 68 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 4 163 shade: RGB 121 3 194, RGB 172 3 194, RGB 194 3 166, RGB 194 3 115 and RGB 194 3 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 4 163 shade: RGB 114 2 96, RGB 154 3 130, RGB 194 3 164, RGB 235 4 198 and RGB 250 30 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 4 163 shade: RGB 193 4 163, RGB 194 70 3 and RGB 3 194 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 4 163 shade: RGB 193 4 163, RGB 166 194 3 and RGB 3 166 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 4 163 shade: RGB 193 4 163, RGB 194 70 3, RGB 3 194 32 and RGB 3 128 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 4 163 shade: RGB 193 4 163, RGB 194 128 3, RGB 3 194 32 and RGB 3 70 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

Complementary color

CMYK 75 / 0 / 63 / 2

HEX #3EFB5C

RGB 62 251 92

HSL 129.52, 0.96%, 0.61%

LAB 87.38, -75.94, 61.31

 

CMYK 0 / 98 / 20 / 22

HEX #C6049E

RGB 198 4 158

HSL 312.37, 0.96%, 0.4%

LAB 45.03, 75.5, -29.94

 

CMYK 0 / 90 / 18 / 16

HEX #D716B1

RGB 215 22 177

HSL 311.81, 0.81%, 0.46%

LAB 49.73, 79.26, -33.63

 

CMYK 0 / 83 / 16 / 9

HEX #E828C4

RGB 232 40 196

HSL 311.25, 0.81%, 0.53%

LAB 54.72, 81.97, -36.65

 

CMYK 0 / 77 / 14 / 2

HEX #F93AD7

RGB 249 58 215

HSL 310.68, 0.94%, 0.6%

LAB 59.95, 83.76, -39.09

 

CMYK 0 / 70 / 8 / 0

HEX #FF4CEA

RGB 255 76 234

HSL 307.04, 1%, 0.65%

LAB 63.65, 82.43, -43.9

 

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

CMYK 0 / 100 / 18 / 31

HEX #B00090

RGB 176 0 144

HSL 310.91, 1%, 0.35%

LAB 39.99, 69.97, -29.66

 

CMYK 0 / 100 / 21 / 38

HEX #9F007D

RGB 159 0 125

HSL 312.83, 1%, 0.31%

LAB 35.7, 64.3, -24.86

 

CMYK 0 / 100 / 25 / 44

HEX #8E006A

RGB 142 0 106

HSL 315.21, 1%, 0.28%

LAB 31.33, 58.52, -19.88

 

CMYK 0 / 100 / 30 / 51

HEX #7D0057

RGB 125 0 87

HSL 318.24, 1%, 0.25%

LAB 26.87, 52.64, -14.65

 

CMYK 0 / 98 / 15 / 24

HEX #C203A4

RGB 194 3 164

HSL 309.42, 0.97%, 0.39%

LAB 44.54, 75.59, -34.35

 

CMYK 0 / 98 / 42 / 24

HEX #C20371

RGB 194 3 113

HSL 325.45, 0.97%, 0.39%

LAB 42.35, 69.97, -6.56

 

CMYK 0 / 98 / 69 / 24

HEX #C2033D

RGB 194 3 61

HSL 341.78, 0.97%, 0.39%

LAB 41.01, 66.4, 24.42

 

CMYK 0 / 98 / 95 / 24

HEX #C2030A

RGB 194 3 10

HSL 357.8, 0.97%, 0.39%

LAB 40.5, 65, 51.24

 

CMYK 0 / 98 / 98 / 24

HEX #C20303

RGB 194 3 3

HSL 0, 0.97%, 0.39%

LAB 40.48, 64.93, 53.64

 

CMYK 0 / 98 / 15 / 24

HEX #C203A4

RGB 194 3 164

HSL 309.42, 0.97%, 0.39%

LAB 44.54, 75.59, -34.35

 

CMYK 11 / 98 / 0 / 24

HEX #AD03C2

RGB 173 3 194

HSL 293.4, 0.97%, 0.39%

LAB 42.53, 76.42, -55.52

 

CMYK 37 / 98 / 0 / 24

HEX #7A03C2

RGB 122 3 194

HSL 277.38, 0.97%, 0.39%

LAB 34.19, 69.73, -69.47

 

CMYK 64 / 98 / 0 / 24

HEX #4603C2

RGB 70 3 194

HSL 261.05, 0.97%, 0.39%

LAB 27.47, 65.51, -80.79

 

CMYK 90 / 98 / 0 / 24

HEX #1303C2

RGB 19 3 194

HSL 245.03, 0.97%, 0.39%

LAB 23.99, 63.96, -86.67

 

CMYK 0 / 98 / 15 / 24

HEX #C203A4

RGB 194 3 164

HSL 309.42, 0.97%, 0.39%

LAB 44.54, 75.59, -34.35

 

CMYK 0 / 98 / 15 / 24

HEX #C203A4

RGB 194 3 164

HSL 309.42, 0.97%, 0.39%

LAB 44.54, 75.59, -34.35

 

CMYK 0 / 89 / 14 / 30

HEX #B21499

RGB 178 20 153

HSL 309.49, 0.8%, 0.39%

LAB 41.63, 69.18, -32.51

 

CMYK 0 / 78 / 12 / 36

HEX #A2248E

RGB 162 36 142

HSL 309.52, 0.64%, 0.39%

LAB 39.4, 60.62, -29.53

 

CMYK 0 / 64 / 10 / 43

HEX #923483

RGB 146 52 131

HSL 309.57, 0.47%, 0.39%

LAB 38.21, 49.04, -24.84

 

CMYK 0 / 48 / 8 / 49

HEX #824478

RGB 130 68 120

HSL 309.68, 0.31%, 0.39%

LAB 38.26, 34.27, -18.15

 

CMYK 38 / 98 / 0 / 24

HEX #7903C2

RGB 121 3 194

HSL 277.07, 0.97%, 0.39%

LAB 34.04, 69.62, -69.72

 

CMYK 11 / 98 / 0 / 24

HEX #AC03C2

RGB 172 3 194

HSL 293.09, 0.97%, 0.39%

LAB 42.35, 76.27, -55.8

 

CMYK 0 / 98 / 14 / 24

HEX #C203A6

RGB 194 3 166

HSL 308.8, 0.97%, 0.39%

LAB 44.64, 75.85, -35.38

 

CMYK 0 / 98 / 41 / 24

HEX #C20373

RGB 194 3 115

HSL 324.82, 0.97%, 0.39%

LAB 42.42, 70.15, -7.7

 

CMYK 0 / 98 / 67 / 24

HEX #C20340

RGB 194 3 64

HSL 340.84, 0.97%, 0.39%

LAB 41.06, 66.54, 22.6

 

CMYK 0 / 98 / 16 / 55

HEX #720260

RGB 114 2 96

HSL 309.64, 0.97%, 0.23%

LAB 25.15, 51.12, -23.45

 

CMYK 0 / 98 / 16 / 40

HEX #9A0382

RGB 154 3 130

HSL 309.54, 0.96%, 0.31%

LAB 35.1, 63.6, -29

 

CMYK 0 / 98 / 15 / 24

HEX #C203A4

RGB 194 3 164

HSL 309.42, 0.97%, 0.39%

LAB 44.54, 75.59, -34.35

 

CMYK 0 / 98 / 16 / 8

HEX #EB04C6

RGB 235 4 198

HSL 309.61, 0.97%, 0.47%

LAB 53.84, 87.2, -39.15

 

CMYK 0 / 88 / 14 / 2

HEX #FA1ED7

RGB 250 30 215

HSL 309.55, 0.96%, 0.55%

LAB 58.19, 89.57, -41.86

 

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

CMYK 0 / 64 / 98 / 24

HEX #C24603

RGB 194 70 3

HSL 21.05, 0.97%, 0.39%

LAB 46.79, 47.39, 56.76

 

CMYK 98 / 0 / 24 / 24

HEX #03C293

RGB 3 194 147

HSL 165.24, 0.97%, 0.39%

LAB 69.97, -51.95, 12.32

 

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

CMYK 14 / 0 / 98 / 24

HEX #A6C203

RGB 166 194 3

HSL 68.8, 0.97%, 0.39%

LAB 74, -29.41, 74.09

 

CMYK 98 / 14 / 0 / 24

HEX #03A6C2

RGB 3 166 194

HSL 188.8, 0.97%, 0.39%

LAB 62.67, -25.65, -24.44

 

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

CMYK 0 / 64 / 98 / 24

HEX #C24603

RGB 194 70 3

HSL 21.05, 0.97%, 0.39%

LAB 46.79, 47.39, 56.76

 

CMYK 98 / 0 / 84 / 24

HEX #03C220

RGB 3 194 32

HSL 129.11, 0.97%, 0.39%

LAB 68.54, -69.04, 62.67

 

CMYK 98 / 34 / 0 / 24

HEX #0380C2

RGB 3 128 194

HSL 200.73, 0.97%, 0.39%

LAB 51.1, -4.8, -42.48

 

CMYK 0 / 98 / 16 / 24

HEX #C104A3

RGB 193 4 163

HSL 309.52, 0.96%, 0.39%

LAB 44.33, 75.19, -34.09

 

CMYK 0 / 34 / 98 / 24

HEX #C28003

RGB 194 128 3

HSL 39.27, 0.97%, 0.39%

LAB 58.89, 17.55, 64.34

 

CMYK 98 / 0 / 84 / 24

HEX #03C220

RGB 3 194 32

HSL 129.11, 0.97%, 0.39%

LAB 68.54, -69.04, 62.67

 

CMYK 98 / 64 / 0 / 24

HEX #0346C2

RGB 3 70 194

HSL 218.95, 0.97%, 0.39%

LAB 34.59, 32.53, -69.12

 

Description

Color code: RGB 193 4 163 | qconv.com Color code: RGB 193 4 163 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 4 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 4 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 16 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 16% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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