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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 117 212 it is the complementary color RGB 61 138 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 117 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 117 212 shade: RGB 199 117 207, RGB 216 135 226, RGB 233 153 245, RGB 250 171 255 and RGB 255 189 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 117 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 117 212 shade: RGB 194 117 212, RGB 177 99 193, RGB 160 81 174, RGB 143 63 155 and RGB 126 45 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 117 212 shade: RGB 194 119 212, RGB 212 119 204, RGB 212 119 179, RGB 212 119 154 and RGB 212 119 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 117 212 shade: RGB 194 119 212, RGB 169 119 212, RGB 144 119 212, RGB 119 119 212 and RGB 119 119 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 117 212 shade matches the following richer shades: RGB 194 119 212, RGB 203 104 226 and RGB 212 90 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 117 212 shade: RGB 194 119 212, RGB 185 133 197, RGB 176 148 183, RGB 167 162 168 and RGB 158 177 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 117 212 shade: RGB 144 119 212, RGB 168 119 212, RGB 193 119 212, RGB 212 119 205 and RGB 212 119 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 117 212 shade: RGB 164 59 189, RGB 180 87 202, RGB 194 119 212, RGB 208 150 222 and RGB 222 182 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 117 212 shade: RGB 194 117 212, RGB 212 119 119 and RGB 119 212 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 117 212 shade: RGB 194 117 212, RGB 212 193 119 and RGB 119 212 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 117 212 shade: RGB 194 117 212, RGB 212 119 119, RGB 137 212 119 and RGB 119 212 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 117 212 shade: RGB 194 117 212, RGB 212 147 119, RGB 137 212 119 and RGB 119 184 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

Complementary color

CMYK 56 / 0 / 69 / 46

HEX #3D8A2B

RGB 61 138 43

HSL 108.63, 0.52%, 0.35%

LAB 51.09, -42.23, 42.11

 

CMYK 4 / 43 / 0 / 19

HEX #C775CF

RGB 199 117 207

HSL 294.67, 0.48%, 0.64%

LAB 61.11, 45.98, -33.3

 

CMYK 4 / 40 / 0 / 11

HEX #D887E2

RGB 216 135 226

HSL 293.41, 0.61%, 0.71%

LAB 67.59, 45.23, -33.68

 

CMYK 5 / 38 / 0 / 4

HEX #E999F5

RGB 233 153 245

HSL 292.17, 0.82%, 0.78%

LAB 74, 44.49, -34.02

 

CMYK 2 / 33 / 0 / 0

HEX #FAABFF

RGB 250 171 255

HSL 296.43, 1%, 0.84%

LAB 79.99, 42.11, -30.03

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

CMYK 8 / 49 / 0 / 24

HEX #B163C1

RGB 177 99 193

HSL 289.79, 0.43%, 0.57%

LAB 54.16, 46.23, -36.39

 

CMYK 8 / 53 / 0 / 32

HEX #A051AE

RGB 160 81 174

HSL 290.97, 0.36%, 0.5%

LAB 47.51, 46.93, -35.96

 

CMYK 8 / 59 / 0 / 39

HEX #8F3F9B

RGB 143 63 155

HSL 292.17, 0.42%, 0.43%

LAB 40.83, 47.49, -35.37

 

CMYK 7 / 67 / 0 / 47

HEX #7E2D88

RGB 126 45 136

HSL 293.41, 0.5%, 0.35%

LAB 34.17, 47.73, -34.51

 

CMYK 8 / 44 / 0 / 17

HEX #C277D4

RGB 194 119 212

HSL 288.39, 0.52%, 0.65%

LAB 61.15, 44.42, -36.09

 

CMYK 0 / 44 / 4 / 17

HEX #D477CC

RGB 212 119 204

HSL 305.16, 0.52%, 0.65%

LAB 62.97, 48.29, -28.6

 

CMYK 0 / 44 / 16 / 17

HEX #D477B3

RGB 212 119 179

HSL 321.29, 0.52%, 0.65%

LAB 62.04, 44.13, -15.87

 

CMYK 0 / 44 / 27 / 17

HEX #D4779A

RGB 212 119 154

HSL 337.42, 0.52%, 0.65%

LAB 61.24, 40.45, -2.76

 

CMYK 0 / 44 / 39 / 17

HEX #D47781

RGB 212 119 129

HSL 353.55, 0.52%, 0.65%

LAB 60.58, 37.31, 10.67

 

CMYK 8 / 44 / 0 / 17

HEX #C277D4

RGB 194 119 212

HSL 288.39, 0.52%, 0.65%

LAB 61.15, 44.42, -36.09

 

CMYK 20 / 44 / 0 / 17

HEX #A977D4

RGB 169 119 212

HSL 272.26, 0.52%, 0.65%

LAB 58.4, 37.16, -40.6

 

CMYK 32 / 44 / 0 / 17

HEX #9077D4

RGB 144 119 212

HSL 256.13, 0.52%, 0.65%

LAB 55.96, 30.18, -44.6

 

CMYK 44 / 44 / 0 / 17

HEX #7777D4

RGB 119 119 212

HSL 240, 0.52%, 0.65%

LAB 53.89, 23.7, -48.02

 

CMYK 44 / 44 / 0 / 17

HEX #7777D4

RGB 119 119 212

HSL 240, 0.52%, 0.65%

LAB 53.89, 23.7, -48.02

 

CMYK 8 / 44 / 0 / 17

HEX #C277D4

RGB 194 119 212

HSL 288.39, 0.52%, 0.65%

LAB 61.15, 44.42, -36.09

 

CMYK 10 / 54 / 0 / 11

HEX #CB68E2

RGB 203 104 226

HSL 288.69, 0.68%, 0.65%

LAB 59.97, 57.3, -45.72

 

CMYK 12 / 63 / 0 / 5

HEX #D45AF1

RGB 212 90 241

HSL 288.48, 0.84%, 0.65%

LAB 59.58, 68.72, -54.63

 

CMYK 8 / 44 / 0 / 17

HEX #C277D4

RGB 194 119 212

HSL 288.39, 0.52%, 0.65%

LAB 61.15, 44.42, -36.09

 

CMYK 6 / 32 / 0 / 23

HEX #B985C5

RGB 185 133 197

HSL 288.75, 0.36%, 0.65%

LAB 62.61, 31.03, -25.47

 

CMYK 4 / 19 / 0 / 28

HEX #B094B7

RGB 176 148 183

HSL 288, 0.2%, 0.65%

LAB 64.83, 16.83, -14.3

 

CMYK 1 / 4 / 0 / 34

HEX #A7A2A8

RGB 167 162 168

HSL 290, 0.03%, 0.65%

LAB 67.19, 2.94, -2.47

 

CMYK 11 / 0 / 13 / 31

HEX #9EB19A

RGB 158 177 154

HSL 109.57, 0.13%, 0.65%

LAB 70.21, -10.98, 9.56

 

CMYK 32 / 44 / 0 / 17

HEX #9077D4

RGB 144 119 212

HSL 256.13, 0.52%, 0.65%

LAB 55.96, 30.18, -44.6

 

CMYK 21 / 44 / 0 / 17

HEX #A877D4

RGB 168 119 212

HSL 271.61, 0.52%, 0.65%

LAB 58.29, 36.88, -40.77

 

CMYK 9 / 44 / 0 / 17

HEX #C177D4

RGB 193 119 212

HSL 287.74, 0.52%, 0.65%

LAB 61.03, 44.13, -36.28

 

CMYK 0 / 44 / 3 / 17

HEX #D477CD

RGB 212 119 205

HSL 304.52, 0.52%, 0.65%

LAB 63.01, 48.47, -29.1

 

CMYK 0 / 44 / 15 / 17

HEX #D477B5

RGB 212 119 181

HSL 320, 0.52%, 0.65%

LAB 62.11, 44.44, -16.9

 

CMYK 13 / 69 / 0 / 26

HEX #A43BBD

RGB 164 59 189

HSL 288.46, 0.52%, 0.49%

LAB 45.21, 60.97, -48.36

 

CMYK 11 / 57 / 0 / 21

HEX #B457CA

RGB 180 87 202

HSL 288.52, 0.52%, 0.57%

LAB 52.71, 54.86, -43.8

 

CMYK 8 / 44 / 0 / 17

HEX #C277D4

RGB 194 119 212

HSL 288.39, 0.52%, 0.65%

LAB 61.15, 44.42, -36.09

 

CMYK 6 / 32 / 0 / 13

HEX #D096DE

RGB 208 150 222

HSL 288.33, 0.52%, 0.73%

LAB 69.82, 33.98, -28.1

 

CMYK 4 / 21 / 0 / 9

HEX #DEB6E7

RGB 222 182 231

HSL 288.98, 0.51%, 0.81%

LAB 78.9, 22.89, -19.03

 

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

CMYK 0 / 44 / 44 / 17

HEX #D47777

RGB 212 119 119

HSL 0, 0.52%, 0.65%

LAB 60.36, 36.21, 16.09

 

CMYK 44 / 0 / 26 / 17

HEX #77D49C

RGB 119 212 156

HSL 143.87, 0.52%, 0.65%

LAB 78.12, -40.09, 19.26

 

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

CMYK 0 / 9 / 44 / 17

HEX #D4C177

RGB 212 193 119

HSL 47.74, 0.52%, 0.65%

LAB 78.15, -3.41, 39.6

 

CMYK 44 / 0 / 9 / 17

HEX #77D4C1

RGB 119 212 193

HSL 167.74, 0.52%, 0.65%

LAB 78.96, -32.21, 0.77

 

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

CMYK 0 / 44 / 44 / 17

HEX #D47777

RGB 212 119 119

HSL 0, 0.52%, 0.65%

LAB 60.36, 36.21, 16.09

 

CMYK 35 / 0 / 44 / 17

HEX #89D477

RGB 137 212 119

HSL 108.39, 0.52%, 0.65%

LAB 78.31, -40.8, 38.74

 

CMYK 44 / 0 / 0 / 17

HEX #77D4D4

RGB 119 212 212

HSL 180, 0.52%, 0.65%

LAB 79.48, -27.6, -8.64

 

CMYK 8 / 45 / 0 / 17

HEX #C275D4

RGB 194 117 212

HSL 288.63, 0.52%, 0.65%

LAB 60.73, 45.48, -36.74

 

CMYK 0 / 31 / 44 / 17

HEX #D49377

RGB 212 147 119

HSL 18.06, 0.52%, 0.65%

LAB 66.67, 21.19, 24.67

 

CMYK 35 / 0 / 44 / 17

HEX #89D477

RGB 137 212 119

HSL 108.39, 0.52%, 0.65%

LAB 78.31, -40.8, 38.74

 

CMYK 44 / 13 / 0 / 17

HEX #77B8D4

RGB 119 184 212

HSL 198.06, 0.52%, 0.65%

LAB 71.53, -13.4, -20.59

 

Description

Color code: RGB 194 117 212 | qconv.com Color code: RGB 194 117 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 117 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 117 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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