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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 112 209 it is the complementary color RGB 61 143 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 112 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 112 209 shade: RGB 199 112 204, RGB 216 130 223, RGB 233 148 242, RGB 250 166 255 and RGB 255 184 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 112 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 112 209 shade: RGB 194 112 209, RGB 177 94 190, RGB 160 76 171, RGB 143 58 152 and RGB 126 40 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 112 209 shade: RGB 193 112 208, RGB 208 112 197, RGB 208 112 171, RGB 208 112 145 and RGB 208 112 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 112 209 shade: RGB 193 112 208, RGB 167 112 208, RGB 141 112 208, RGB 116 112 208 and RGB 112 112 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 112 209 shade matches the following richer shades: RGB 193 112 208, RGB 204 97 224, RGB 214 81 239 and RGB 225 66 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 112 209 shade: RGB 193 112 208, RGB 183 127 193, RGB 172 143 178, RGB 162 158 162 and RGB 151 173 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 112 209 shade: RGB 141 112 208, RGB 167 112 208, RGB 192 112 208, RGB 208 112 199 and RGB 208 112 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 112 209 shade: RGB 161 58 180, RGB 180 81 198, RGB 193 112 208, RGB 207 143 218 and RGB 220 174 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 112 209 shade: RGB 194 112 209, RGB 208 115 112 and RGB 112 208 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 112 209 shade: RGB 194 112 209, RGB 208 192 112 and RGB 112 208 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 112 209 shade: RGB 194 112 209, RGB 208 115 112, RGB 128 208 112 and RGB 112 205 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 112 209 shade: RGB 194 112 209, RGB 208 144 112, RGB 128 208 112 and RGB 112 176 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

Complementary color

CMYK 57 / 0 / 68 / 44

HEX #3D8F2E

RGB 61 143 46

HSL 110.72, 0.51%, 0.37%

LAB 52.77, -43.92, 42.62

 

CMYK 2 / 45 / 0 / 20

HEX #C770CC

RGB 199 112 204

HSL 296.74, 0.47%, 0.62%

LAB 59.97, 48.01, -33.37

 

CMYK 3 / 42 / 0 / 13

HEX #D882DF

RGB 216 130 223

HSL 295.48, 0.59%, 0.69%

LAB 66.44, 47.27, -33.81

 

CMYK 4 / 39 / 0 / 5

HEX #E994F2

RGB 233 148 242

HSL 294.26, 0.78%, 0.76%

LAB 72.84, 46.53, -34.18

 

CMYK 2 / 35 / 0 / 0

HEX #FAA6FF

RGB 250 166 255

HSL 296.63, 1%, 0.83%

LAB 78.94, 44.7, -31.65

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

CMYK 7 / 51 / 0 / 25

HEX #B15EBE

RGB 177 94 190

HSL 291.88, 0.42%, 0.56%

LAB 53.03, 48.23, -36.44

 

CMYK 6 / 56 / 0 / 33

HEX #A04CAB

RGB 160 76 171

HSL 293.05, 0.38%, 0.48%

LAB 46.42, 48.85, -35.91

 

CMYK 6 / 62 / 0 / 40

HEX #8F3A98

RGB 143 58 152

HSL 294.26, 0.45%, 0.41%

LAB 39.8, 49.28, -35.19

 

CMYK 5 / 70 / 0 / 48

HEX #7E2885

RGB 126 40 133

HSL 295.48, 0.54%, 0.34%

LAB 33.24, 49.27, -34.13

 

CMYK 7 / 46 / 0 / 18

HEX #C170D0

RGB 193 112 208

HSL 290.63, 0.51%, 0.63%

LAB 59.42, 47.02, -36.55

 

CMYK 0 / 46 / 5 / 18

HEX #D070C5

RGB 208 112 197

HSL 306.88, 0.51%, 0.63%

LAB 60.81, 49.42, -28.02

 

CMYK 0 / 46 / 18 / 18

HEX #D070AB

RGB 208 112 171

HSL 323.13, 0.51%, 0.63%

LAB 59.83, 45.18, -14.68

 

CMYK 0 / 46 / 30 / 18

HEX #D07091

RGB 208 112 145

HSL 339.38, 0.51%, 0.63%

LAB 59.01, 41.48, -0.9

 

CMYK 0 / 46 / 43 / 18

HEX #D07077

RGB 208 112 119

HSL 355.63, 0.51%, 0.63%

LAB 58.35, 38.38, 13.22

 

CMYK 7 / 46 / 0 / 18

HEX #C170D0

RGB 193 112 208

HSL 290.63, 0.51%, 0.63%

LAB 59.42, 47.02, -36.55

 

CMYK 20 / 46 / 0 / 18

HEX #A770D0

RGB 167 112 208

HSL 274.38, 0.51%, 0.63%

LAB 56.44, 39.57, -41.43

 

CMYK 32 / 46 / 0 / 18

HEX #8D70D0

RGB 141 112 208

HSL 258.13, 0.51%, 0.63%

LAB 53.82, 32.39, -45.75

 

CMYK 44 / 46 / 0 / 18

HEX #7470D0

RGB 116 112 208

HSL 242.5, 0.51%, 0.63%

LAB 51.67, 26, -49.29

 

CMYK 46 / 46 / 0 / 18

HEX #7070D0

RGB 112 112 208

HSL 240, 0.51%, 0.63%

LAB 51.37, 25.04, -49.8

 

CMYK 7 / 46 / 0 / 18

HEX #C170D0

RGB 193 112 208

HSL 290.63, 0.51%, 0.63%

LAB 59.42, 47.02, -36.55

 

CMYK 9 / 57 / 0 / 12

HEX #CC61E0

RGB 204 97 224

HSL 290.55, 0.67%, 0.63%

LAB 58.76, 60.5, -46.5

 

CMYK 10 / 66 / 0 / 6

HEX #D651EF

RGB 214 81 239

HSL 290.51, 0.83%, 0.63%

LAB 58.43, 72.48, -55.34

 

CMYK 11 / 74 / 0 / 0

HEX #E142FE

RGB 225 66 254

HSL 290.74, 0.99%, 0.63%

LAB 59.03, 82.6, -62.62

 

CMYK 7 / 46 / 0 / 18

HEX #C170D0

RGB 193 112 208

HSL 290.63, 0.51%, 0.63%

LAB 59.42, 47.02, -36.55

 

CMYK 5 / 34 / 0 / 24

HEX #B77FC1

RGB 183 127 193

HSL 290.91, 0.35%, 0.63%

LAB 60.87, 32.92, -25.91

 

CMYK 3 / 20 / 0 / 30

HEX #AC8FB2

RGB 172 143 178

HSL 289.71, 0.19%, 0.63%

LAB 63.04, 17.27, -14.22

 

CMYK 0 / 2 / 0 / 36

HEX #A29EA2

RGB 162 158 162

HSL 300, 0.02%, 0.63%

LAB 65.55, 2.21, -1.57

 

CMYK 13 / 0 / 15 / 32

HEX #97AD93

RGB 151 173 147

HSL 110.77, 0.14%, 0.63%

LAB 68.44, -12.65, 10.82

 

CMYK 32 / 46 / 0 / 18

HEX #8D70D0

RGB 141 112 208

HSL 258.13, 0.51%, 0.63%

LAB 53.82, 32.39, -45.75

 

CMYK 20 / 46 / 0 / 18

HEX #A770D0

RGB 167 112 208

HSL 274.38, 0.51%, 0.63%

LAB 56.44, 39.57, -41.43

 

CMYK 8 / 46 / 0 / 18

HEX #C070D0

RGB 192 112 208

HSL 290, 0.51%, 0.63%

LAB 59.3, 46.73, -36.75

 

CMYK 0 / 46 / 4 / 18

HEX #D070C7

RGB 208 112 199

HSL 305.63, 0.51%, 0.63%

LAB 60.89, 49.77, -29.03

 

CMYK 0 / 46 / 17 / 18

HEX #D070AD

RGB 208 112 173

HSL 321.88, 0.51%, 0.63%

LAB 59.9, 45.49, -15.72

 

CMYK 11 / 68 / 0 / 29

HEX #A13AB4

RGB 161 58 180

HSL 290.66, 0.51%, 0.47%

LAB 44.09, 58.99, -44.91

 

CMYK 9 / 59 / 0 / 22

HEX #B451C6

RGB 180 81 198

HSL 290.77, 0.51%, 0.55%

LAB 51.46, 56.92, -43.49

 

CMYK 7 / 46 / 0 / 18

HEX #C170D0

RGB 193 112 208

HSL 290.63, 0.51%, 0.63%

LAB 59.42, 47.02, -36.55

 

CMYK 5 / 34 / 0 / 15

HEX #CF8FDA

RGB 207 143 218

HSL 291.2, 0.5%, 0.71%

LAB 68, 36.68, -28.7

 

CMYK 4 / 24 / 0 / 11

HEX #DCAEE4

RGB 220 174 228

HSL 291.11, 0.5%, 0.79%

LAB 76.73, 25.98, -20.71

 

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

CMYK 0 / 45 / 46 / 18

HEX #D07370

RGB 208 115 112

HSL 1.88, 0.51%, 0.63%

LAB 58.83, 36.08, 17.92

 

CMYK 46 / 0 / 26 / 18

HEX #70D09A

RGB 112 208 154

HSL 146.25, 0.51%, 0.63%

LAB 76.61, -40.57, 18.19

 

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

CMYK 0 / 8 / 46 / 18

HEX #D0C070

RGB 208 192 112

HSL 50, 0.51%, 0.63%

LAB 77.45, -5.21, 42.18

 

CMYK 46 / 0 / 8 / 18

HEX #70D0C0

RGB 112 208 192

HSL 170, 0.51%, 0.63%

LAB 77.5, -32.25, -0.86

 

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

CMYK 0 / 45 / 46 / 18

HEX #D07370

RGB 208 115 112

HSL 1.88, 0.51%, 0.63%

LAB 58.83, 36.08, 17.92

 

CMYK 38 / 0 / 46 / 18

HEX #80D070

RGB 128 208 112

HSL 110, 0.51%, 0.63%

LAB 76.6, -42.88, 39.97

 

CMYK 46 / 1 / 0 / 18

HEX #70CDD0

RGB 112 205 208

HSL 181.88, 0.51%, 0.63%

LAB 77.08, -26.82, -10.09

 

CMYK 7 / 46 / 0 / 18

HEX #C270D1

RGB 194 112 209

HSL 290.72, 0.51%, 0.63%

LAB 59.58, 47.51, -36.85

 

CMYK 0 / 31 / 46 / 18

HEX #D09070

RGB 208 144 112

HSL 20, 0.51%, 0.63%

LAB 65.38, 20.49, 26.73

 

CMYK 38 / 0 / 46 / 18

HEX #80D070

RGB 128 208 112

HSL 110, 0.51%, 0.63%

LAB 76.6, -42.88, 39.97

 

CMYK 46 / 15 / 0 / 18

HEX #70B0D0

RGB 112 176 208

HSL 200, 0.51%, 0.63%

LAB 68.79, -11.95, -22.6

 

Description

Color code: RGB 194 112 209 | qconv.com Color code: RGB 194 112 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 112 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 112 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 46 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 46% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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