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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 175 207 it is the complementary color RGB 61 80 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 175 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 175 207 shade: RGB 199 175 202, RGB 216 193 221, RGB 233 211 240, RGB 250 229 255 and RGB 255 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 175 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 177 157 188, RGB 160 139 169, RGB 143 121 150 and RGB 126 103 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 202 175 207, RGB 207 175 202, RGB 207 175 194 and RGB 207 175 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 185 175 207, RGB 177 175 207 and RGB 175 175 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 175 207 shade matches the following richer shades: RGB 194 175 207, RGB 196 164 217, RGB 198 154 227, RGB 200 144 238 and RGB 201 134 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 192 185 196, RGB 190 195 186, RGB 188 206 176 and RGB 186 216 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 175 207 shade: RGB 176 175 207, RGB 185 175 207, RGB 193 175 207, RGB 202 175 207 and RGB 207 175 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 175 207 shade: RGB 154 123 176, RGB 174 149 191, RGB 194 175 207, RGB 213 201 222 and RGB 233 226 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 207 175 182 and RGB 175 207 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 207 193 175 and RGB 175 207 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 207 175 182, RGB 188 207 175 and RGB 175 207 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 175 207 shade: RGB 194 175 207, RGB 207 177 175, RGB 188 207 175 and RGB 175 204 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

Complementary color

CMYK 24 / 0 / 40 / 69

HEX #3D5030

RGB 61 80 48

HSL 95.63, 0.25%, 0.25%

LAB 31.68, -14.16, 16.52

 

CMYK 1 / 13 / 0 / 21

HEX #C7AFCA

RGB 199 175 202

HSL 293.33, 0.2%, 0.74%

LAB 74.23, 13.46, -10.51

 

CMYK 2 / 13 / 0 / 13

HEX #D8C1DD

RGB 216 193 221

HSL 289.29, 0.29%, 0.81%

LAB 80.72, 13.08, -10.98

 

CMYK 3 / 12 / 0 / 6

HEX #E9D3F0

RGB 233 211 240

HSL 285.52, 0.49%, 0.88%

LAB 87.1, 12.73, -11.43

 

CMYK 2 / 10 / 0 / 0

HEX #FAE5FF

RGB 250 229 255

HSL 288.46, 1%, 0.95%

LAB 93.27, 11.67, -9.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 6 / 16 / 0 / 26

HEX #B19DBC

RGB 177 157 188

HSL 278.71, 0.19%, 0.68%

LAB 67.35, 13.14, -13.3

 

CMYK 5 / 18 / 0 / 34

HEX #A08BA9

RGB 160 139 169

HSL 282, 0.15%, 0.6%

LAB 60.61, 13.57, -12.89

 

CMYK 5 / 19 / 0 / 41

HEX #8F7996

RGB 143 121 150

HSL 285.52, 0.12%, 0.53%

LAB 53.72, 14.04, -12.48

 

CMYK 4 / 21 / 0 / 49

HEX #7E6783

RGB 126 103 131

HSL 289.29, 0.12%, 0.46%

LAB 46.68, 14.56, -12.06

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 2 / 15 / 0 / 19

HEX #CAAFCF

RGB 202 175 207

HSL 290.63, 0.25%, 0.75%

LAB 74.65, 15.44, -12.59

 

CMYK 0 / 15 / 2 / 19

HEX #CFAFCA

RGB 207 175 202

HSL 309.38, 0.25%, 0.75%

LAB 74.94, 16.21, -9.37

 

CMYK 0 / 15 / 6 / 19

HEX #CFAFC2

RGB 207 175 194

HSL 324.38, 0.25%, 0.75%

LAB 74.71, 14.77, -5.35

 

CMYK 0 / 15 / 11 / 19

HEX #CFAFB9

RGB 207 175 185

HSL 341.25, 0.25%, 0.75%

LAB 74.46, 13.21, -0.79

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 11 / 15 / 0 / 19

HEX #B9AFCF

RGB 185 175 207

HSL 258.75, 0.25%, 0.75%

LAB 73.21, 9.75, -14.9

 

CMYK 14 / 15 / 0 / 19

HEX #B1AFCF

RGB 177 175 207

HSL 243.75, 0.25%, 0.75%

LAB 72.57, 7.13, -15.93

 

CMYK 15 / 15 / 0 / 19

HEX #AFAFCF

RGB 175 175 207

HSL 240, 0.25%, 0.75%

LAB 72.41, 6.49, -16.17

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 10 / 24 / 0 / 15

HEX #C4A4D9

RGB 196 164 217

HSL 276.23, 0.41%, 0.75%

LAB 71.76, 21.47, -22.49

 

CMYK 13 / 32 / 0 / 11

HEX #C69AE3

RGB 198 154 227

HSL 276.16, 0.57%, 0.75%

LAB 69.94, 29.7, -30.75

 

CMYK 16 / 39 / 0 / 7

HEX #C890EE

RGB 200 144 238

HSL 275.74, 0.73%, 0.75%

LAB 68.31, 38.11, -39.3

 

CMYK 19 / 46 / 0 / 3

HEX #C986F8

RGB 201 134 248

HSL 275.26, 0.89%, 0.75%

LAB 66.71, 45.93, -47.29

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 2 / 6 / 0 / 23

HEX #C0B9C4

RGB 192 185 196

HSL 278.18, 0.09%, 0.75%

LAB 76, 4.5, -4.68

 

CMYK 3 / 0 / 5 / 24

HEX #BEC3BA

RGB 190 195 186

HSL 93.33, 0.07%, 0.75%

LAB 78.18, -3.38, 3.91

 

CMYK 9 / 0 / 15 / 19

HEX #BCCEB0

RGB 188 206 176

HSL 96, 0.23%, 0.75%

LAB 80.72, -11.54, 12.88

 

CMYK 14 / 0 / 24 / 15

HEX #BAD8A5

RGB 186 216 165

HSL 95.29, 0.4%, 0.75%

LAB 83.06, -19.08, 21.92

 

CMYK 15 / 15 / 0 / 19

HEX #B0AFCF

RGB 176 175 207

HSL 241.88, 0.25%, 0.75%

LAB 72.49, 6.81, -16.05

 

CMYK 11 / 15 / 0 / 19

HEX #B9AFCF

RGB 185 175 207

HSL 258.75, 0.25%, 0.75%

LAB 73.21, 9.75, -14.9

 

CMYK 7 / 15 / 0 / 19

HEX #C1AFCF

RGB 193 175 207

HSL 273.75, 0.25%, 0.75%

LAB 73.87, 12.41, -13.84

 

CMYK 2 / 15 / 0 / 19

HEX #CAAFCF

RGB 202 175 207

HSL 290.63, 0.25%, 0.75%

LAB 74.65, 15.44, -12.59

 

CMYK 0 / 15 / 2 / 19

HEX #CFAFCB

RGB 207 175 203

HSL 307.5, 0.25%, 0.75%

LAB 74.97, 16.39, -9.87

 

CMYK 13 / 30 / 0 / 31

HEX #9A7BB0

RGB 154 123 176

HSL 275.09, 0.25%, 0.59%

LAB 56.26, 22.21, -23.56

 

CMYK 9 / 22 / 0 / 25

HEX #AE95BF

RGB 174 149 191

HSL 275.71, 0.25%, 0.67%

LAB 65.16, 17.22, -18.29

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 4 / 9 / 0 / 13

HEX #D5C9DE

RGB 213 201 222

HSL 274.29, 0.24%, 0.83%

LAB 82.48, 8, -8.91

 

CMYK 2 / 5 / 0 / 7

HEX #E9E2EE

RGB 233 226 238

HSL 275, 0.26%, 0.91%

LAB 90.73, 4.52, -5

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 0 / 15 / 12 / 19

HEX #CFAFB6

RGB 207 175 182

HSL 346.88, 0.25%, 0.75%

LAB 74.38, 12.71, 0.74

 

CMYK 15 / 0 / 13 / 19

HEX #AFCFB5

RGB 175 207 181

HSL 131.25, 0.25%, 0.75%

LAB 80.22, -15.66, 9.38

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 0 / 7 / 15 / 19

HEX #CFC1AF

RGB 207 193 175

HSL 33.75, 0.25%, 0.75%

LAB 78.75, 1.93, 10.83

 

CMYK 15 / 0 / 7 / 19

HEX #AFCFC1

RGB 175 207 193

HSL 153.75, 0.25%, 0.75%

LAB 80.51, -13.4, 3.39

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 0 / 15 / 12 / 19

HEX #CFAFB6

RGB 207 175 182

HSL 346.88, 0.25%, 0.75%

LAB 74.38, 12.71, 0.74

 

CMYK 9 / 0 / 15 / 19

HEX #BCCFAF

RGB 188 207 175

HSL 95.63, 0.25%, 0.75%

LAB 80.97, -12.22, 13.76

 

CMYK 15 / 0 / 3 / 19

HEX #AFCFC8

RGB 175 207 200

HSL 166.88, 0.25%, 0.75%

LAB 80.69, -12.01, -0.1

 

CMYK 6 / 15 / 0 / 19

HEX #C2AFCF

RGB 194 175 207

HSL 275.63, 0.25%, 0.75%

LAB 73.96, 12.75, -13.7

 

CMYK 0 / 14 / 15 / 19

HEX #CFB1AF

RGB 207 177 175

HSL 3.75, 0.25%, 0.75%

LAB 74.7, 10.49, 5.03

 

CMYK 9 / 0 / 15 / 19

HEX #BCCFAF

RGB 188 207 175

HSL 95.63, 0.25%, 0.75%

LAB 80.97, -12.22, 13.76

 

CMYK 15 / 1 / 0 / 19

HEX #AFCCCF

RGB 175 204 207

HSL 185.63, 0.25%, 0.75%

LAB 80.07, -9.03, -4.76

 

Description

Color code: RGB 194 175 207 | qconv.com Color code: RGB 194 175 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 175 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 175 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 15 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 15% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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