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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 189 45 it is the complementary color RGB 61 66 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 189 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 189 45 shade: RGB 199 189 40, RGB 216 207 59, RGB 233 225 78, RGB 250 243 97 and RGB 255 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 189 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 177 171 26, RGB 160 153 7, RGB 143 135 0 and RGB 126 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 194 149 45, RGB 194 109 45, RGB 194 68 45 and RGB 194 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 159 194 45, RGB 118 194 45, RGB 78 194 45 and RGB 45 194 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 189 45 shade matches the following richer shades: RGB 194 189 45, RGB 213 207 26 and RGB 232 225 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 174 171 64, RGB 155 152 84, RGB 135 134 103 and RGB 116 116 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 189 45 shade: RGB 194 107 45, RGB 194 147 45, RGB 194 186 45, RGB 161 194 45 and RGB 122 194 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 189 45 shade: RGB 127 124 29, RGB 160 156 37, RGB 194 189 45, RGB 211 206 69 and RGB 219 215 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 45 194 67 and RGB 127 45 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 45 194 186 and RGB 186 45 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 45 194 67, RGB 45 52 194 and RGB 194 45 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 189 45 shade: RGB 194 189 45, RGB 45 194 112, RGB 45 52 194 and RGB 194 45 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

Complementary color

CMYK 71 / 69 / 0 / 18

HEX #3D42D2

RGB 61 66 210

HSL 237.99, 0.62%, 0.53%

LAB 37.01, 44.73, -74.38

 

CMYK 0 / 5 / 80 / 22

HEX #C7BD28

RGB 199 189 40

HSL 56.23, 0.67%, 0.47%

LAB 75.26, -12.11, 69.63

 

CMYK 0 / 4 / 73 / 15

HEX #D8CF3B

RGB 216 207 59

HSL 56.56, 0.67%, 0.54%

LAB 81.59, -13.22, 69.98

 

CMYK 0 / 3 / 67 / 9

HEX #E9E14E

RGB 233 225 78

HSL 56.9, 0.78%, 0.61%

LAB 87.84, -14.16, 69.69

 

CMYK 0 / 3 / 61 / 2

HEX #FAF361

RGB 250 243 97

HSL 57.25, 0.94%, 0.68%

LAB 94.01, -14.96, 69.04

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 3 / 85 / 31

HEX #B1AB1A

RGB 177 171 26

HSL 57.62, 0.74%, 0.4%

LAB 68.42, -12.89, 66.66

 

CMYK 0 / 4 / 96 / 37

HEX #A09907

RGB 160 153 7

HSL 57.25, 0.92%, 0.33%

LAB 61.89, -11.45, 64.24

 

CMYK 0 / 6 / 100 / 44

HEX #8F8700

RGB 143 135 0

HSL 56.64, 1%, 0.28%

LAB 55.24, -9.73, 59.74

 

CMYK 0 / 7 / 100 / 51

HEX #7E7500

RGB 126 117 0

HSL 55.71, 1%, 0.25%

LAB 48.46, -7.85, 54.12

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 23 / 77 / 24

HEX #C2952D

RGB 194 149 45

HSL 41.88, 0.62%, 0.47%

LAB 64.29, 7.02, 57.86

 

CMYK 0 / 44 / 77 / 24

HEX #C26D2D

RGB 194 109 45

HSL 25.77, 0.62%, 0.47%

LAB 54.65, 28.9, 48.53

 

CMYK 0 / 65 / 77 / 24

HEX #C2442D

RGB 194 68 45

HSL 9.26, 0.62%, 0.47%

LAB 46.7, 49.19, 40.4

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 18 / 0 / 77 / 24

HEX #9FC22D

RGB 159 194 45

HSL 74.09, 0.62%, 0.47%

LAB 73.64, -31.22, 65.55

 

CMYK 39 / 0 / 77 / 24

HEX #76C22D

RGB 118 194 45

HSL 90.6, 0.62%, 0.47%

LAB 71.3, -46.65, 62.52

 

CMYK 60 / 0 / 77 / 24

HEX #4EC22D

RGB 78 194 45

HSL 106.71, 0.62%, 0.47%

LAB 69.75, -58.45, 60.49

 

CMYK 77 / 0 / 73 / 24

HEX #2DC234

RGB 45 194 52

HSL 122.82, 0.62%, 0.47%

LAB 69.03, -64.28, 57.15

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 3 / 88 / 16

HEX #D5CF1A

RGB 213 207 26

HSL 58.07, 0.78%, 0.47%

LAB 81.21, -15.53, 78.26

 

CMYK 0 / 3 / 97 / 9

HEX #E8E106

RGB 232 225 6

HSL 58.14, 0.95%, 0.47%

LAB 87.49, -16.62, 86.13

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 2 / 63 / 32

HEX #AEAB40

RGB 174 171 64

HSL 58.36, 0.46%, 0.47%

LAB 68.38, -12.5, 53.65

 

CMYK 0 / 2 / 46 / 39

HEX #9B9854

RGB 155 152 84

HSL 57.46, 0.3%, 0.47%

LAB 61.71, -8.95, 36

 

CMYK 0 / 1 / 24 / 47

HEX #878667

RGB 135 134 103

HSL 58.13, 0.13%, 0.47%

LAB 55.26, -5.04, 16.88

 

CMYK 6 / 6 / 0 / 52

HEX #74747B

RGB 116 116 123

HSL 240, 0.03%, 0.47%

LAB 49.05, 1.46, -3.85

 

CMYK 0 / 45 / 77 / 24

HEX #C26B2D

RGB 194 107 45

HSL 24.97, 0.62%, 0.47%

LAB 54.21, 29.98, 48.08

 

CMYK 0 / 24 / 77 / 24

HEX #C2932D

RGB 194 147 45

HSL 41.07, 0.62%, 0.47%

LAB 63.78, 8.11, 57.37

 

CMYK 0 / 4 / 77 / 24

HEX #C2BA2D

RGB 194 186 45

HSL 56.78, 0.62%, 0.47%

LAB 74.05, -12.56, 66.9

 

CMYK 17 / 0 / 77 / 24

HEX #A1C22D

RGB 161 194 45

HSL 73.29, 0.62%, 0.47%

LAB 73.77, -30.41, 65.72

 

CMYK 37 / 0 / 77 / 24

HEX #7AC22D

RGB 122 194 45

HSL 88.99, 0.62%, 0.47%

LAB 71.49, -45.27, 62.77

 

CMYK 0 / 2 / 77 / 50

HEX #7F7C1D

RGB 127 124 29

HSL 58.16, 0.63%, 0.31%

LAB 50.71, -10.41, 48.64

 

CMYK 0 / 2 / 77 / 37

HEX #A09C25

RGB 160 156 37

HSL 58.05, 0.62%, 0.39%

LAB 62.83, -12.24, 58.15

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 0 / 2 / 67 / 17

HEX #D3CE45

RGB 211 206 69

HSL 57.89, 0.62%, 0.55%

LAB 80.97, -14.33, 65.6

 

CMYK 0 / 2 / 53 / 14

HEX #DBD766

RGB 219 215 102

HSL 57.95, 0.62%, 0.63%

LAB 84.29, -13.33, 55.38

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 77 / 0 / 65 / 24

HEX #2DC243

RGB 45 194 67

HSL 128.86, 0.62%, 0.47%

LAB 69.15, -62.89, 51.41

 

CMYK 35 / 77 / 0 / 24

HEX #7F2DC2

RGB 127 45 194

HSL 273.02, 0.62%, 0.47%

LAB 38.35, 60.28, -62.63

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 77 / 0 / 4 / 24

HEX #2DC2BA

RGB 45 194 186

HSL 176.78, 0.62%, 0.47%

LAB 71.34, -38.95, -6.89

 

CMYK 4 / 77 / 0 / 24

HEX #BA2DC2

RGB 186 45 194

HSL 296.78, 0.62%, 0.47%

LAB 47.25, 71.27, -47.82

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 77 / 0 / 65 / 24

HEX #2DC243

RGB 45 194 67

HSL 128.86, 0.62%, 0.47%

LAB 69.15, -62.89, 51.41

 

CMYK 77 / 73 / 0 / 24

HEX #2D34C2

RGB 45 52 194

HSL 237.18, 0.62%, 0.47%

LAB 31.6, 46, -74

 

CMYK 0 / 77 / 12 / 24

HEX #C22DAB

RGB 194 45 171

HSL 309.26, 0.62%, 0.47%

LAB 47.35, 69.4, -34.09

 

CMYK 0 / 3 / 77 / 24

HEX #C2BD2D

RGB 194 189 45

HSL 57.99, 0.62%, 0.47%

LAB 74.86, -14.09, 67.63

 

CMYK 77 / 0 / 42 / 24

HEX #2DC270

RGB 45 194 112

HSL 146.98, 0.62%, 0.47%

LAB 69.69, -56.44, 30.59

 

CMYK 77 / 73 / 0 / 24

HEX #2D34C2

RGB 45 52 194

HSL 237.18, 0.62%, 0.47%

LAB 31.6, 46, -74

 

CMYK 0 / 77 / 35 / 24

HEX #C22D7F

RGB 194 45 127

HSL 326.98, 0.62%, 0.47%

LAB 45.47, 63.81, -10.53

 

Description

Color code: RGB 194 189 45 | qconv.com Color code: RGB 194 189 45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 189 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 189 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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