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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 196 93 it is the complementary color RGB 61 59 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 196 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 196 93 shade: RGB 199 196 88, RGB 216 214 107, RGB 233 232 126, RGB 250 250 145 and RGB 255 255 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 196 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 177 178 74, RGB 160 160 55, RGB 143 142 36 and RGB 126 124 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 196 171 93, RGB 196 143 93, RGB 196 115 93 and RGB 196 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 167 196 93, RGB 139 196 93, RGB 111 196 93 and RGB 93 196 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 196 93 shade matches the following richer shades: RGB 194 196 93, RGB 211 214 76, RGB 228 232 58 and RGB 246 250 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 177 179 111, RGB 160 161 129, RGB 143 143 147 and RGB 126 125 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 196 93 shade: RGB 196 143 93, RGB 196 171 93, RGB 195 196 93, RGB 167 196 93 and RGB 140 196 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 196 93 shade: RGB 151 153 55, RGB 181 183 66, RGB 194 196 93, RGB 206 207 124 and RGB 217 218 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 93 196 116 and RGB 157 93 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 93 195 196 and RGB 196 93 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 93 196 116, RGB 95 93 196 and RGB 196 93 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 196 93 shade: RGB 194 196 93, RGB 93 196 147, RGB 95 93 196 and RGB 196 93 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

Complementary color

CMYK 62 / 64 / 0 / 36

HEX #3D3BA2

RGB 61 59 162

HSL 241.17, 0.47%, 0.43%

LAB 31.18, 32.75, -55.6

 

CMYK 0 / 2 / 56 / 22

HEX #C7C458

RGB 199 196 88

HSL 58.38, 0.5%, 0.56%

LAB 77.48, -13.06, 53.56

 

CMYK 0 / 1 / 50 / 15

HEX #D8D66B

RGB 216 214 107

HSL 58.9, 0.58%, 0.63%

LAB 83.84, -13.63, 52.48

 

CMYK 0 / 0 / 46 / 9

HEX #E9E87E

RGB 233 232 126

HSL 59.44, 0.71%, 0.7%

LAB 90.11, -14.1, 51.35

 

CMYK 0 / 0 / 42 / 2

HEX #FAFA91

RGB 250 250 145

HSL 60, 0.91%, 0.77%

LAB 96.3, -14.51, 50.2

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 1 / 0 / 58 / 30

HEX #B1B24A

RGB 177 178 74

HSL 60.58, 0.41%, 0.49%

LAB 70.65, -14.13, 51.77

 

CMYK 0 / 0 / 66 / 37

HEX #A0A037

RGB 160 160 55

HSL 60, 0.49%, 0.42%

LAB 64.07, -13.41, 52.58

 

CMYK 0 / 1 / 75 / 44

HEX #8F8E24

RGB 143 142 36

HSL 59.44, 0.6%, 0.35%

LAB 57.38, -12.49, 52.89

 

CMYK 0 / 2 / 87 / 51

HEX #7E7C11

RGB 126 124 17

HSL 58.9, 0.76%, 0.28%

LAB 50.56, -11.32, 52.16

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 0 / 13 / 53 / 23

HEX #C4AB5D

RGB 196 171 93

HSL 45.44, 0.47%, 0.57%

LAB 70.63, -0.9, 43.11

 

CMYK 0 / 27 / 53 / 23

HEX #C48F5D

RGB 196 143 93

HSL 29.13, 0.47%, 0.57%

LAB 63.48, 14.28, 34.34

 

CMYK 0 / 41 / 53 / 23

HEX #C4735D

RGB 196 115 93

HSL 12.82, 0.47%, 0.57%

LAB 56.87, 29.61, 25.87

 

CMYK 0 / 53 / 53 / 23

HEX #C45D5D

RGB 196 93 93

HSL 0, 0.47%, 0.57%

LAB 52.24, 41.15, 19.74

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 15 / 0 / 53 / 23

HEX #A7C45D

RGB 167 196 93

HSL 76.89, 0.47%, 0.57%

LAB 75.13, -25.59, 47.91

 

CMYK 29 / 0 / 53 / 23

HEX #8BC45D

RGB 139 196 93

HSL 93.2, 0.47%, 0.57%

LAB 73.39, -36.15, 45.41

 

CMYK 43 / 0 / 53 / 23

HEX #6FC45D

RGB 111 196 93

HSL 109.51, 0.47%, 0.57%

LAB 71.99, -45.52, 43.41

 

CMYK 53 / 0 / 47 / 23

HEX #5DC467

RGB 93 196 103

HSL 125.83, 0.47%, 0.57%

LAB 71.41, -49.29, 37.62

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 1 / 0 / 64 / 16

HEX #D3D64C

RGB 211 214 76

HSL 61.3, 0.63%, 0.57%

LAB 83.16, -17.91, 65.11

 

CMYK 2 / 0 / 75 / 9

HEX #E4E83A

RGB 228 232 58

HSL 61.38, 0.79%, 0.57%

LAB 89.16, -20.56, 77.71

 

CMYK 2 / 0 / 84 / 2

HEX #F6FA28

RGB 246 250 40

HSL 61.14, 0.95%, 0.57%

LAB 95.21, -22.35, 88.01

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 1 / 0 / 38 / 30

HEX #B1B36F

RGB 177 179 111

HSL 61.76, 0.31%, 0.57%

LAB 71.37, -11.14, 34.49

 

CMYK 1 / 0 / 20 / 37

HEX #A0A181

RGB 160 161 129

HSL 61.88, 0.15%, 0.57%

LAB 65.4, -5.91, 16.59

 

CMYK 3 / 3 / 0 / 42

HEX #8F8F93

RGB 143 143 147

HSL 240, 0.02%, 0.57%

LAB 59.52, 0.79, -2.12

 

CMYK 23 / 24 / 0 / 36

HEX #7E7DA4

RGB 126 125 164

HSL 241.54, 0.18%, 0.57%

LAB 53.8, 9.09, -20.64

 

CMYK 0 / 27 / 53 / 23

HEX #C48F5D

RGB 196 143 93

HSL 29.13, 0.47%, 0.57%

LAB 63.48, 14.28, 34.34

 

CMYK 0 / 13 / 53 / 23

HEX #C4AB5D

RGB 196 171 93

HSL 45.44, 0.47%, 0.57%

LAB 70.63, -0.9, 43.11

 

CMYK 1 / 0 / 53 / 23

HEX #C3C45D

RGB 195 196 93

HSL 60.58, 0.47%, 0.57%

LAB 77.2, -14.31, 50.86

 

CMYK 15 / 0 / 53 / 23

HEX #A7C45D

RGB 167 196 93

HSL 76.89, 0.47%, 0.57%

LAB 75.13, -25.59, 47.91

 

CMYK 29 / 0 / 53 / 23

HEX #8CC45D

RGB 140 196 93

HSL 92.62, 0.47%, 0.57%

LAB 73.45, -35.79, 45.5

 

CMYK 1 / 0 / 64 / 40

HEX #979937

RGB 151 153 55

HSL 61.22, 0.47%, 0.41%

LAB 61.34, -13.67, 49.49

 

CMYK 1 / 0 / 64 / 28

HEX #B5B742

RGB 181 183 66

HSL 61.03, 0.47%, 0.49%

LAB 72.28, -15.54, 57.09

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 0 / 0 / 40 / 19

HEX #CECF7C

RGB 206 207 124

HSL 60.72, 0.46%, 0.65%

LAB 81.4, -12.47, 41.08

 

CMYK 0 / 0 / 29 / 15

HEX #D9DA9A

RGB 217 218 154

HSL 60.94, 0.46%, 0.73%

LAB 85.62, -10.24, 31.48

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 53 / 0 / 41 / 23

HEX #5DC474

RGB 93 196 116

HSL 133.4, 0.47%, 0.57%

LAB 71.6, -47.27, 31.25

 

CMYK 20 / 53 / 0 / 23

HEX #9D5DC4

RGB 157 93 196

HSL 277.28, 0.47%, 0.57%

LAB 50.67, 44.47, -43.78

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 53 / 1 / 0 / 23

HEX #5DC3C4

RGB 93 195 196

HSL 180.58, 0.47%, 0.57%

LAB 73.12, -29.21, -9.57

 

CMYK 0 / 53 / 1 / 23

HEX #C45DC3

RGB 196 93 195

HSL 300.58, 0.47%, 0.57%

LAB 55.59, 54.96, -35.12

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 53 / 0 / 41 / 23

HEX #5DC474

RGB 93 196 116

HSL 133.4, 0.47%, 0.57%

LAB 71.6, -47.27, 31.25

 

CMYK 52 / 53 / 0 / 23

HEX #5F5DC4

RGB 95 93 196

HSL 241.17, 0.47%, 0.57%

LAB 44.59, 29.13, -53.85

 

CMYK 0 / 53 / 11 / 23

HEX #C45DAE

RGB 196 93 174

HSL 312.82, 0.47%, 0.57%

LAB 54.68, 51.39, -24.42

 

CMYK 1 / 0 / 53 / 23

HEX #C2C45D

RGB 194 196 93

HSL 61.17, 0.47%, 0.57%

LAB 77.12, -14.72, 50.74

 

CMYK 53 / 0 / 25 / 23

HEX #5DC493

RGB 93 196 147

HSL 151.46, 0.47%, 0.57%

LAB 72.17, -41.44, 15.64

 

CMYK 52 / 53 / 0 / 23

HEX #5F5DC4

RGB 95 93 196

HSL 241.17, 0.47%, 0.57%

LAB 44.59, 29.13, -53.85

 

CMYK 0 / 53 / 27 / 23

HEX #C45D8F

RGB 196 93 143

HSL 330.87, 0.47%, 0.57%

LAB 53.54, 46.76, -8

 

Description

Color code: RGB 194 196 93 | qconv.com Color code: RGB 194 196 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 196 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 196 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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