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Color name
RGB 194 19 71

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 19 71 it is the complementary color RGB 61 236 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 19 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 19 71 shade: RGB 199 19 66, RGB 216 37 85, RGB 233 55 104, RGB 250 73 123 and RGB 255 91 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 19 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 177 1 52, RGB 160 0 33, RGB 143 0 14 and RGB 126 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 194 19 24 and RGB 194 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 194 19 118, RGB 194 19 166, RGB 176 19 194 and RGB 128 19 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 19 71 shade matches the following richer shades: RGB 194 19 71 and RGB 212 1 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 177 36 78, RGB 160 53 85, RGB 142 71 92 and RGB 125 88 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 19 71 shade: RGB 194 19 165, RGB 194 19 118, RGB 194 19 71, RGB 194 19 25 and RGB 194 60 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 19 71 shade: RGB 119 11 43, RGB 157 15 57, RGB 194 19 71, RGB 232 23 85 and RGB 235 60 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 194 177 19 and RGB 19 142 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 71 194 19 and RGB 19 71 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 194 177 19, RGB 19 194 142 and RGB 19 36 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 19 71 shade: RGB 194 19 71, RGB 159 194 19, RGB 19 194 142 and RGB 54 19 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

Complementary color

CMYK 74 / 0 / 22 / 7

HEX #3DECB8

RGB 61 236 184

HSL 162.17, 0.82%, 0.58%

LAB 84.2, -55.41, 12.85

 

CMYK 0 / 90 / 67 / 22

HEX #C71342

RGB 199 19 66

HSL 344.33, 0.83%, 0.43%

LAB 42.77, 66.07, 23.73

 

CMYK 0 / 83 / 61 / 15

HEX #D82555

RGB 216 37 85

HSL 343.91, 0.71%, 0.5%

LAB 47.72, 68.09, 19.09

 

CMYK 0 / 76 / 55 / 9

HEX #E93768

RGB 233 55 104

HSL 343.48, 0.8%, 0.56%

LAB 53.01, 69.16, 15.26

 

CMYK 0 / 71 / 51 / 2

HEX #FA497B

RGB 250 73 123

HSL 343.05, 0.95%, 0.63%

LAB 58.53, 69.56, 12.09

 

CMYK 0 / 64 / 44 / 0

HEX #FF5B8E

RGB 255 91 142

HSL 341.34, 1%, 0.68%

LAB 62.25, 65.98, 6.4

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 99 / 71 / 31

HEX #B10134

RGB 177 1 52

HSL 342.61, 0.99%, 0.35%

LAB 37.15, 62.05, 24.51

 

CMYK 0 / 100 / 79 / 37

HEX #A00021

RGB 160 0 33

HSL 347.63, 1%, 0.31%

LAB 33.1, 57.19, 30.82

 

CMYK 0 / 100 / 90 / 44

HEX #8F000E

RGB 143 0 14

HSL 354.13, 1%, 0.28%

LAB 29.09, 52.3, 36.59

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 90 / 88 / 24

HEX #C21318

RGB 194 19 24

HSL 358.29, 0.82%, 0.42%

LAB 41.22, 63.34, 46

 

CMYK 0 / 90 / 90 / 24

HEX #C21313

RGB 194 19 19

HSL 0, 0.82%, 0.42%

LAB 41.19, 63.26, 48.24

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 90 / 39 / 24

HEX #C21376

RGB 194 19 118

HSL 326.06, 0.82%, 0.42%

LAB 43.13, 68.68, -8.51

 

CMYK 0 / 90 / 14 / 24

HEX #C213A6

RGB 194 19 166

HSL 309.6, 0.82%, 0.42%

LAB 45.2, 74.2, -34.5

 

CMYK 9 / 90 / 0 / 24

HEX #B013C2

RGB 176 19 194

HSL 293.83, 0.82%, 0.42%

LAB 43.64, 75.13, -53.7

 

CMYK 34 / 90 / 0 / 24

HEX #8013C2

RGB 128 19 194

HSL 277.37, 0.82%, 0.42%

LAB 35.89, 68.04, -66.64

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 100 / 70 / 17

HEX #D40140

RGB 212 1 64

HSL 342.09, 0.99%, 0.42%

LAB 44.79, 71.03, 28.08

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 80 / 56 / 31

HEX #B1244E

RGB 177 36 78

HSL 342.13, 0.66%, 0.42%

LAB 39.85, 57.36, 11.49

 

CMYK 0 / 67 / 47 / 37

HEX #A03555

RGB 160 53 85

HSL 342.06, 0.5%, 0.42%

LAB 39.03, 46.77, 5.44

 

CMYK 0 / 50 / 35 / 44

HEX #8E475C

RGB 142 71 92

HSL 342.25, 0.33%, 0.42%

LAB 39.63, 32.44, 1.53

 

CMYK 0 / 30 / 21 / 51

HEX #7D5863

RGB 125 88 99

HSL 342.16, 0.17%, 0.42%

LAB 41.6, 17.05, -0.23

 

CMYK 0 / 90 / 15 / 24

HEX #C213A5

RGB 194 19 165

HSL 309.94, 0.82%, 0.42%

LAB 45.15, 74.07, -33.98

 

CMYK 0 / 90 / 39 / 24

HEX #C21376

RGB 194 19 118

HSL 326.06, 0.82%, 0.42%

LAB 43.13, 68.68, -8.51

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 90 / 87 / 24

HEX #C21319

RGB 194 19 25

HSL 357.94, 0.82%, 0.42%

LAB 41.22, 63.36, 45.52

 

CMYK 0 / 69 / 90 / 24

HEX #C23C13

RGB 194 60 19

HSL 14.06, 0.82%, 0.42%

LAB 45.29, 51.78, 51.2

 

CMYK 0 / 91 / 64 / 53

HEX #770B2B

RGB 119 11 43

HSL 342.22, 0.83%, 0.25%

LAB 24.75, 44.95, 12

 

CMYK 0 / 90 / 64 / 38

HEX #9D0F39

RGB 157 15 57

HSL 342.25, 0.83%, 0.34%

LAB 33.57, 55.4, 15.83

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 90 / 63 / 9

HEX #E81755

RGB 232 23 85

HSL 342.2, 0.82%, 0.5%

LAB 50.01, 74.64, 22.69

 

CMYK 0 / 74 / 52 / 8

HEX #EB3C70

RGB 235 60 112

HSL 342.17, 0.81%, 0.58%

LAB 54.09, 68.78, 12.02

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 9 / 90 / 24

HEX #C2B113

RGB 194 177 19

HSL 54.17, 0.82%, 0.42%

LAB 71.53, -8.65, 71.17

 

CMYK 90 / 27 / 0 / 24

HEX #138EC2

RGB 19 142 194

HSL 197.83, 0.82%, 0.42%

LAB 55.46, -12.23, -35.6

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 63 / 0 / 90 / 24

HEX #47C213

RGB 71 194 19

HSL 102.17, 0.82%, 0.42%

LAB 69.45, -61.28, 66.56

 

CMYK 90 / 63 / 0 / 24

HEX #1347C2

RGB 19 71 194

HSL 222.17, 0.82%, 0.42%

LAB 35.08, 32.44, -68.3

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 0 / 9 / 90 / 24

HEX #C2B113

RGB 194 177 19

HSL 54.17, 0.82%, 0.42%

LAB 71.53, -8.65, 71.17

 

CMYK 90 / 0 / 27 / 24

HEX #13C28E

RGB 19 194 142

HSL 162.17, 0.82%, 0.42%

LAB 69.95, -52.5, 15

 

CMYK 90 / 81 / 0 / 24

HEX #1324C2

RGB 19 36 194

HSL 234.17, 0.82%, 0.42%

LAB 27.56, 53.19, -80.73

 

CMYK 0 / 90 / 63 / 24

HEX #C21347

RGB 194 19 71

HSL 342.17, 0.82%, 0.42%

LAB 41.83, 65.08, 19.18

 

CMYK 18 / 0 / 90 / 24

HEX #9FC213

RGB 159 194 19

HSL 72, 0.82%, 0.42%

LAB 73.55, -32.06, 71.62

 

CMYK 90 / 0 / 27 / 24

HEX #13C28E

RGB 19 194 142

HSL 162.17, 0.82%, 0.42%

LAB 69.95, -52.5, 15

 

CMYK 72 / 90 / 0 / 24

HEX #3613C2

RGB 54 19 194

HSL 252, 0.82%, 0.42%

LAB 27.14, 61.27, -81.37

 

Description

Color code: RGB 194 19 71 | qconv.com Color code: RGB 194 19 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 19 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 19 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 63% 24% C M Y K

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Provide designers and agencies with accurate color values.

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