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Color name
RGB 194 28 24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 28 24 it is the complementary color RGB 61 227 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 28 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 28 24 shade: RGB 199 28 19, RGB 216 46 38, RGB 233 64 57, RGB 250 82 76 and RGB 255 100 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 28 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 28 24 shade: RGB 194 28 24, RGB 177 10 5, RGB 160 0 0, RGB 143 0 0 and RGB 126 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 28 24 shade: RGB 195 28 24 and RGB 195 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 28 24 shade: RGB 195 28 24, RGB 195 74 24, RGB 195 120 24, RGB 195 166 24 and RGB 177 195 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 28 24 shade matches the following richer shades: RGB 195 28 24 and RGB 212 11 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 28 24 shade: RGB 195 28 24, RGB 177 45 41, RGB 159 61 59, RGB 141 78 77 and RGB 124 95 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 28 24 shade: RGB 195 24 112, RGB 195 24 66, RGB 195 26 24, RGB 195 72 24 and RGB 195 118 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 28 24 shade: RGB 121 17 15, RGB 158 22 19, RGB 195 28 24, RGB 227 37 32 and RGB 232 73 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 28 24 shade: RGB 194 28 24, RGB 158 195 24 and RGB 24 89 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 28 24 shade: RGB 194 28 24, RGB 24 195 26 and RGB 26 24 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 28 24 shade: RGB 194 28 24, RGB 158 195 24, RGB 24 192 195 and RGB 61 24 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 28 24 shade: RGB 194 28 24, RGB 106 195 24, RGB 24 192 195 and RGB 112 24 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

Complementary color

CMYK 74 / 2 / 0 / 9

HEX #3DE3E7

RGB 61 227 231

HSL 181.41, 0.78%, 0.57%

LAB 82.75, -39.41, -14.04

 

CMYK 0 / 86 / 90 / 22

HEX #C71C13

RGB 199 28 19

HSL 3, 0.83%, 0.43%

LAB 42.79, 62.99, 49.86

 

CMYK 0 / 79 / 82 / 15

HEX #D82E26

RGB 216 46 38

HSL 2.7, 0.7%, 0.5%

LAB 47.87, 63.78, 46.57

 

CMYK 0 / 73 / 76 / 9

HEX #E94039

RGB 233 64 57

HSL 2.39, 0.8%, 0.57%

LAB 53.26, 63.81, 43

 

CMYK 0 / 67 / 70 / 2

HEX #FA524C

RGB 250 82 76

HSL 2.07, 0.95%, 0.64%

LAB 58.86, 63.36, 39.69

 

CMYK 0 / 61 / 63 / 0

HEX #FF645F

RGB 255 100 95

HSL 1.88, 1%, 0.69%

LAB 62.68, 58.67, 33.93

 

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

CMYK 0 / 94 / 97 / 31

HEX #B10A05

RGB 177 10 5

HSL 1.74, 0.95%, 0.36%

LAB 37.07, 59.8, 49.21

 

CMYK 0 / 100 / 100 / 37

HEX #A00000

RGB 160 0 0

HSL 0, 1%, 0.31%

LAB 32.86, 56.54, 46.95

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 100 / 100 / 51

HEX #7E0000

RGB 126 0 0

HSL 0, 1%, 0.25%

LAB 25.06, 47.51, 37.45

 

CMYK 0 / 86 / 88 / 24

HEX #C31C18

RGB 195 28 24

HSL 1.4, 0.78%, 0.43%

LAB 42, 61.97, 46.7

 

CMYK 0 / 88 / 88 / 24

HEX #C31818

RGB 195 24 24

HSL 0, 0.78%, 0.43%

LAB 41.72, 62.76, 46.49

 

CMYK 0 / 86 / 88 / 24

HEX #C31C18

RGB 195 28 24

HSL 1.4, 0.78%, 0.43%

LAB 42, 61.97, 46.7

 

CMYK 0 / 62 / 88 / 24

HEX #C34A18

RGB 195 74 24

HSL 17.54, 0.78%, 0.43%

LAB 47.71, 46.26, 51.25

 

CMYK 0 / 38 / 88 / 24

HEX #C37818

RGB 195 120 24

HSL 33.68, 0.78%, 0.43%

LAB 57.17, 22.69, 58.8

 

CMYK 0 / 15 / 88 / 24

HEX #C3A618

RGB 195 166 24

HSL 49.82, 0.78%, 0.43%

LAB 68.71, -2.33, 68.02

 

CMYK 9 / 0 / 88 / 24

HEX #B1C318

RGB 177 195 24

HSL 66.32, 0.78%, 0.43%

LAB 75.1, -24.96, 72.54

 

CMYK 0 / 86 / 88 / 24

HEX #C31C18

RGB 195 28 24

HSL 1.4, 0.78%, 0.43%

LAB 42, 61.97, 46.7

 

CMYK 0 / 95 / 97 / 17

HEX #D40B06

RGB 212 11 6

HSL 1.46, 0.94%, 0.43%

LAB 44.59, 68.75, 56.69

 

CMYK 0 / 86 / 88 / 24

HEX #C31C18

RGB 195 28 24

HSL 1.4, 0.78%, 0.43%

LAB 42, 61.97, 46.7

 

CMYK 0 / 75 / 77 / 31

HEX #B12D29

RGB 177 45 41

HSL 1.76, 0.62%, 0.43%

LAB 40.22, 52.42, 34.77

 

CMYK 0 / 62 / 63 / 38

HEX #9F3D3B

RGB 159 61 59

HSL 1.2, 0.46%, 0.43%

LAB 39.62, 40.61, 22.5

 

CMYK 0 / 45 / 45 / 45

HEX #8D4E4D

RGB 141 78 77

HSL 0.94, 0.29%, 0.43%

LAB 40.65, 26.31, 12.28

 

CMYK 0 / 23 / 23 / 51

HEX #7C5F5F

RGB 124 95 95

HSL 0, 0.13%, 0.43%

LAB 43.21, 11.78, 4.54

 

CMYK 0 / 88 / 43 / 24

HEX #C31870

RGB 195 24 112

HSL 329.12, 0.78%, 0.43%

LAB 43.4, 67.54, -4.35

 

CMYK 0 / 88 / 66 / 24

HEX #C31842

RGB 195 24 66

HSL 345.26, 0.78%, 0.43%

LAB 42.23, 64.23, 22.87

 

CMYK 0 / 87 / 88 / 24

HEX #C31A18

RGB 195 26 24

HSL 0.7, 0.78%, 0.43%

LAB 41.86, 62.38, 46.59

 

CMYK 0 / 63 / 88 / 24

HEX #C34818

RGB 195 72 24

HSL 16.84, 0.78%, 0.43%

LAB 47.37, 47.16, 50.98

 

CMYK 0 / 39 / 88 / 24

HEX #C37618

RGB 195 118 24

HSL 32.98, 0.78%, 0.43%

LAB 56.71, 23.79, 58.43

 

CMYK 0 / 86 / 88 / 53

HEX #79110F

RGB 121 17 15

HSL 1.13, 0.78%, 0.27%

LAB 25.26, 42.83, 30.83

 

CMYK 0 / 86 / 88 / 38

HEX #9E1613

RGB 158 22 19

HSL 1.29, 0.79%, 0.35%

LAB 33.75, 52.75, 39.21

 

CMYK 0 / 86 / 88 / 24

HEX #C31C18

RGB 195 28 24

HSL 1.4, 0.78%, 0.43%

LAB 42, 61.97, 46.7

 

CMYK 0 / 84 / 86 / 11

HEX #E32520

RGB 227 37 32

HSL 1.54, 0.78%, 0.51%

LAB 49.2, 68.96, 51.5

 

CMYK 0 / 69 / 70 / 9

HEX #E84945

RGB 232 73 69

HSL 1.47, 0.78%, 0.59%

LAB 54.4, 60.77, 37.58

 

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

CMYK 19 / 0 / 88 / 24

HEX #9EC318

RGB 158 195 24

HSL 72.98, 0.78%, 0.43%

LAB 73.78, -32.82, 70.91

 

CMYK 88 / 54 / 0 / 24

HEX #1859C3

RGB 24 89 195

HSL 217.19, 0.78%, 0.43%

LAB 40.05, 21.21, -60.77

 

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

CMYK 88 / 0 / 87 / 24

HEX #18C31A

RGB 24 195 26

HSL 120.7, 0.78%, 0.43%

LAB 68.97, -68.46, 64.49

 

CMYK 87 / 88 / 0 / 24

HEX #1A18C3

RGB 26 24 195

HSL 240.7, 0.78%, 0.43%

LAB 26.2, 58.82, -83.58

 

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

CMYK 19 / 0 / 88 / 24

HEX #9EC318

RGB 158 195 24

HSL 72.98, 0.78%, 0.43%

LAB 73.78, -32.82, 70.91

 

CMYK 88 / 2 / 0 / 24

HEX #18C0C3

RGB 24 192 195

HSL 181.05, 0.78%, 0.43%

LAB 70.76, -37.05, -12.71

 

CMYK 69 / 88 / 0 / 24

HEX #3D18C3

RGB 61 24 195

HSL 252.98, 0.78%, 0.43%

LAB 28.34, 60.41, -79.95

 

CMYK 0 / 86 / 88 / 24

HEX #C21C18

RGB 194 28 24

HSL 1.41, 0.78%, 0.43%

LAB 41.79, 61.7, 46.45

 

CMYK 46 / 0 / 88 / 24

HEX #6AC318

RGB 106 195 24

HSL 91.23, 0.78%, 0.43%

LAB 70.98, -51.92, 67.44

 

CMYK 88 / 2 / 0 / 24

HEX #18C0C3

RGB 24 192 195

HSL 181.05, 0.78%, 0.43%

LAB 70.76, -37.05, -12.71

 

CMYK 43 / 88 / 0 / 24

HEX #7018C3

RGB 112 24 195

HSL 270.88, 0.78%, 0.43%

LAB 34.06, 65.15, -70.31

 

Description

Color code: RGB 194 28 24 | qconv.com Color code: RGB 194 28 24 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 28 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 28 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 88 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 88% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Adózóna.hu
Link: http://adozona.hu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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