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Color name
RGB 194 94 70

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 94 70 it is the complementary color RGB 61 161 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 94 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 94 70 shade: RGB 199 94 65, RGB 216 112 84, RGB 233 130 103, RGB 250 148 122 and RGB 255 166 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 94 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 94 70 shade: RGB 194 94 70, RGB 177 76 51, RGB 160 58 32, RGB 143 40 13 and RGB 126 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 94 70 shade: RGB 193 95 71 and RGB 193 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 94 70 shade: RGB 193 95 71, RGB 193 128 71, RGB 193 161 71, RGB 193 193 71 and RGB 160 193 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 94 70 shade matches the following richer shades: RGB 193 95 71, RGB 213 82 51, RGB 233 70 31 and RGB 253 58 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 94 70 shade: RGB 193 95 71, RGB 173 107 91, RGB 154 119 111, RGB 134 131 130 and RGB 114 143 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 94 70 shade: RGB 193 71 114, RGB 193 71 81, RGB 193 93 71, RGB 193 126 71 and RGB 193 159 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 94 70 shade: RGB 137 63 45, RGB 167 77 55, RGB 193 95 71, RGB 204 122 102 and RGB 214 148 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 94 70 shade: RGB 194 94 70, RGB 146 193 71 and RGB 71 97 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 94 70 shade: RGB 194 94 70, RGB 71 193 93 and RGB 93 71 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 94 70 shade: RGB 194 94 70, RGB 146 193 71, RGB 71 171 193 and RGB 118 71 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 94 70 shade: RGB 194 94 70, RGB 110 193 71, RGB 71 171 193 and RGB 155 71 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

Complementary color

CMYK 67 / 13 / 0 / 27

HEX #3DA1B9

RGB 61 161 185

HSL 191.61, 0.5%, 0.48%

LAB 61.64, -21.17, -20.9

 

CMYK 0 / 53 / 67 / 22

HEX #C75E41

RGB 199 94 65

HSL 12.99, 0.54%, 0.52%

LAB 52.43, 39.74, 36.14

 

CMYK 0 / 48 / 61 / 15

HEX #D87054

RGB 216 112 84

HSL 12.73, 0.63%, 0.59%

LAB 58.81, 38.33, 33.95

 

CMYK 0 / 44 / 56 / 9

HEX #E98267

RGB 233 130 103

HSL 12.46, 0.75%, 0.66%

LAB 65.17, 37, 32

 

CMYK 0 / 41 / 51 / 2

HEX #FA947A

RGB 250 148 122

HSL 12.19, 0.93%, 0.73%

LAB 71.49, 35.78, 30.25

 

CMYK 0 / 35 / 45 / 0

HEX #FFA68D

RGB 255 166 141

HSL 13.16, 1%, 0.78%

LAB 76.35, 30.11, 26.54

 

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

CMYK 0 / 57 / 71 / 31

HEX #B14C33

RGB 177 76 51

HSL 11.9, 0.55%, 0.45%

LAB 45.3, 39.56, 34.76

 

CMYK 0 / 64 / 80 / 37

HEX #A03A20

RGB 160 58 32

HSL 12.19, 0.67%, 0.38%

LAB 38.91, 40.97, 37.4

 

CMYK 0 / 72 / 91 / 44

HEX #8F280D

RGB 143 40 13

HSL 12.46, 0.83%, 0.31%

LAB 32.67, 42.15, 39.84

 

CMYK 0 / 83 / 100 / 51

HEX #7E1600

RGB 126 22 0

HSL 10.48, 1%, 0.25%

LAB 26.76, 42.66, 39.01

 

CMYK 0 / 51 / 63 / 24

HEX #C15F47

RGB 193 95 71

HSL 11.8, 0.5%, 0.52%

LAB 51.81, 37.29, 31.83

 

CMYK 0 / 63 / 63 / 24

HEX #C14747

RGB 193 71 71

HSL 0, 0.5%, 0.52%

LAB 47.36, 48.86, 26.29

 

CMYK 0 / 51 / 63 / 24

HEX #C15F47

RGB 193 95 71

HSL 11.8, 0.5%, 0.52%

LAB 51.81, 37.29, 31.83

 

CMYK 0 / 34 / 63 / 24

HEX #C18047

RGB 193 128 71

HSL 28.03, 0.5%, 0.52%

LAB 59.19, 19.53, 40.64

 

CMYK 0 / 17 / 63 / 24

HEX #C1A147

RGB 193 161 71

HSL 44.26, 0.5%, 0.52%

LAB 67.49, 1.48, 50.05

 

CMYK 0 / 0 / 63 / 24

HEX #C1C147

RGB 193 193 71

HSL 60, 0.5%, 0.52%

LAB 76.03, -15.23, 59.25

 

CMYK 17 / 0 / 63 / 24

HEX #A0C147

RGB 160 193 71

HSL 76.23, 0.5%, 0.52%

LAB 73.59, -28.79, 55.92

 

CMYK 0 / 51 / 63 / 24

HEX #C15F47

RGB 193 95 71

HSL 11.8, 0.5%, 0.52%

LAB 51.81, 37.29, 31.83

 

CMYK 0 / 62 / 76 / 16

HEX #D55233

RGB 213 82 51

HSL 11.48, 0.66%, 0.52%

LAB 52.31, 49.95, 44.13

 

CMYK 0 / 70 / 87 / 9

HEX #E9461F

RGB 233 70 31

HSL 11.58, 0.82%, 0.52%

LAB 53.82, 60.97, 56.15

 

CMYK 0 / 77 / 96 / 1

HEX #FD3A0B

RGB 253 58 11

HSL 11.65, 0.98%, 0.52%

LAB 56.02, 70.65, 65.72

 

CMYK 0 / 51 / 63 / 24

HEX #C15F47

RGB 193 95 71

HSL 11.8, 0.5%, 0.52%

LAB 51.81, 37.29, 31.83

 

CMYK 0 / 38 / 47 / 32

HEX #AD6B5B

RGB 173 107 91

HSL 11.71, 0.33%, 0.52%

LAB 52.01, 24.53, 20.05

 

CMYK 0 / 23 / 28 / 40

HEX #9A776F

RGB 154 119 111

HSL 11.16, 0.18%, 0.52%

LAB 53.18, 12.45, 9.65

 

CMYK 0 / 2 / 3 / 47

HEX #868382

RGB 134 131 130

HSL 15, 0.02%, 0.52%

LAB 54.98, 0.93, 0.93

 

CMYK 24 / 5 / 0 / 41

HEX #728F96

RGB 114 143 150

HSL 191.67, 0.15%, 0.52%

LAB 57.49, -8.52, -7.08

 

CMYK 0 / 63 / 41 / 24

HEX #C14772

RGB 193 71 114

HSL 338.85, 0.5%, 0.52%

LAB 48.33, 52.53, 1.62

 

CMYK 0 / 63 / 58 / 24

HEX #C14751

RGB 193 71 81

HSL 355.08, 0.5%, 0.52%

LAB 47.54, 49.55, 20.54

 

CMYK 0 / 52 / 63 / 24

HEX #C15D47

RGB 193 93 71

HSL 10.82, 0.5%, 0.52%

LAB 51.41, 38.32, 31.34

 

CMYK 0 / 35 / 63 / 24

HEX #C17E47

RGB 193 126 71

HSL 27.05, 0.5%, 0.52%

LAB 58.71, 20.63, 40.09

 

CMYK 0 / 18 / 63 / 24

HEX #C19F47

RGB 193 159 71

HSL 43.28, 0.5%, 0.52%

LAB 66.97, 2.56, 49.47

 

CMYK 0 / 54 / 67 / 46

HEX #893F2D

RGB 137 63 45

HSL 11.74, 0.51%, 0.36%

LAB 36.11, 30.14, 25.83

 

CMYK 0 / 54 / 67 / 35

HEX #A74D37

RGB 167 77 55

HSL 11.79, 0.5%, 0.44%

LAB 43.94, 35.41, 30.5

 

CMYK 0 / 51 / 63 / 24

HEX #C15F47

RGB 193 95 71

HSL 11.8, 0.5%, 0.52%

LAB 51.81, 37.29, 31.83

 

CMYK 0 / 40 / 50 / 20

HEX #CC7A66

RGB 204 122 102

HSL 11.76, 0.5%, 0.6%

LAB 59.63, 29.84, 24.61

 

CMYK 0 / 31 / 38 / 16

HEX #D69485

RGB 214 148 133

HSL 11.11, 0.5%, 0.68%

LAB 67.4, 23.01, 17.96

 

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

CMYK 24 / 0 / 63 / 24

HEX #92C147

RGB 146 193 71

HSL 83.11, 0.5%, 0.52%

LAB 72.7, -34.26, 54.7

 

CMYK 63 / 50 / 0 / 24

HEX #4761C1

RGB 71 97 193

HSL 227.21, 0.5%, 0.52%

LAB 43.86, 20.91, -53.36

 

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

CMYK 63 / 0 / 52 / 24

HEX #47C15D

RGB 71 193 93

HSL 130.82, 0.5%, 0.52%

LAB 69.66, -54.77, 40.25

 

CMYK 52 / 63 / 0 / 24

HEX #5D47C1

RGB 93 71 193

HSL 250.82, 0.5%, 0.52%

LAB 39.04, 41.07, -61.08

 

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

CMYK 24 / 0 / 63 / 24

HEX #92C147

RGB 146 193 71

HSL 83.11, 0.5%, 0.52%

LAB 72.7, -34.26, 54.7

 

CMYK 63 / 11 / 0 / 24

HEX #47ABC1

RGB 71 171 193

HSL 190.82, 0.5%, 0.52%

LAB 65.21, -22.24, -19.9

 

CMYK 39 / 63 / 0 / 24

HEX #7647C1

RGB 118 71 193

HSL 263.11, 0.5%, 0.52%

LAB 41.55, 46.1, -56.9

 

CMYK 0 / 52 / 64 / 24

HEX #C25E46

RGB 194 94 70

HSL 11.61, 0.5%, 0.52%

LAB 51.74, 38.13, 32.35

 

CMYK 43 / 0 / 63 / 24

HEX #6EC147

RGB 110 193 71

HSL 100.82, 0.5%, 0.52%

LAB 70.81, -46.97, 52.09

 

CMYK 63 / 11 / 0 / 24

HEX #47ABC1

RGB 71 171 193

HSL 190.82, 0.5%, 0.52%

LAB 65.21, -22.24, -19.9

 

CMYK 20 / 63 / 0 / 24

HEX #9B47C1

RGB 155 71 193

HSL 281.31, 0.5%, 0.52%

LAB 46.08, 54.47, -49.37

 

Description

Color code: RGB 194 94 70 | qconv.com Color code: RGB 194 94 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 94 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 94 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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