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Color name
RGB 195 118 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 118 91 it is the complementary color RGB 60 137 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 118 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 118 91 shade: RGB 200 118 86, RGB 217 136 105, RGB 234 154 124, RGB 251 172 143 and RGB 255 190 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 118 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 118 91 shade: RGB 195 118 91, RGB 178 100 72, RGB 161 82 53, RGB 144 64 34 and RGB 127 46 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 118 91 shade: RGB 194 117 91 and RGB 194 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 118 91 shade: RGB 194 117 91, RGB 194 145 91, RGB 194 173 91, RGB 187 194 91 and RGB 159 194 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 118 91 shade matches the following richer shades: RGB 194 117 91, RGB 212 109 73, RGB 230 100 54 and RGB 248 91 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 118 91 shade: RGB 194 117 91, RGB 176 126 109, RGB 158 135 127, RGB 139 144 145 and RGB 121 152 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 118 91 shade: RGB 194 91 120, RGB 194 91 92, RGB 194 116 91, RGB 194 144 91 and RGB 194 172 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 118 91 shade: RGB 148 79 54, RGB 178 95 65, RGB 194 117 91, RGB 205 143 121 and RGB 216 168 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 118 91 shade: RGB 195 118 91, RGB 147 194 91 and RGB 91 106 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 118 91 shade: RGB 195 118 91, RGB 91 194 116 and RGB 116 91 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 118 91 shade: RGB 195 118 91, RGB 147 194 91, RGB 91 168 194 and RGB 137 91 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 118 91 shade: RGB 195 118 91, RGB 116 194 91, RGB 91 168 194 and RGB 168 91 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

Complementary color

CMYK 63 / 16 / 0 / 36

HEX #3C89A4

RGB 60 137 164

HSL 195.58, 0.46%, 0.44%

LAB 53.53, -15.18, -21.37

 

CMYK 0 / 41 / 57 / 22

HEX #C87656

RGB 200 118 86

HSL 16.84, 0.51%, 0.56%

LAB 57.95, 29.01, 31.29

 

CMYK 0 / 37 / 52 / 15

HEX #D98869

RGB 217 136 105

HSL 16.61, 0.6%, 0.63%

LAB 64.47, 27.76, 29.58

 

CMYK 0 / 34 / 47 / 8

HEX #EA9A7C

RGB 234 154 124

HSL 16.36, 0.72%, 0.7%

LAB 70.91, 26.64, 28.04

 

CMYK 0 / 31 / 43 / 2

HEX #FBAC8F

RGB 251 172 143

HSL 16.11, 0.93%, 0.77%

LAB 77.28, 25.64, 26.64

 

CMYK 0 / 25 / 36 / 0

HEX #FFBEA2

RGB 255 190 162

HSL 18.06, 1%, 0.82%

LAB 82.21, 19.81, 23.28

 

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

CMYK 0 / 44 / 60 / 30

HEX #B26448

RGB 178 100 72

HSL 15.85, 0.42%, 0.49%

LAB 50.74, 28.73, 29.47

 

CMYK 0 / 49 / 67 / 37

HEX #A15235

RGB 161 82 53

HSL 16.11, 0.5%, 0.42%

LAB 44.04, 30.21, 31.54

 

CMYK 0 / 56 / 76 / 44

HEX #904022

RGB 144 64 34

HSL 16.36, 0.62%, 0.35%

LAB 37.32, 31.84, 33.83

 

CMYK 0 / 64 / 88 / 50

HEX #7F2E0F

RGB 127 46 15

HSL 16.61, 0.79%, 0.28%

LAB 30.64, 33.54, 36.04

 

CMYK 0 / 40 / 53 / 24

HEX #C2755B

RGB 194 117 91

HSL 15.15, 0.46%, 0.56%

LAB 57.02, 27.55, 27.16

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5B

RGB 194 91 91

HSL 0, 0.46%, 0.56%

LAB 51.5, 41.24, 19.88

 

CMYK 0 / 40 / 53 / 24

HEX #C2755B

RGB 194 117 91

HSL 15.15, 0.46%, 0.56%

LAB 57.02, 27.55, 27.16

 

CMYK 0 / 25 / 53 / 24

HEX #C2915B

RGB 194 145 91

HSL 31.46, 0.46%, 0.56%

LAB 63.73, 12.16, 35.67

 

CMYK 0 / 11 / 53 / 24

HEX #C2AD5B

RGB 194 173 91

HSL 47.77, 0.46%, 0.56%

LAB 70.95, -2.98, 44.44

 

CMYK 4 / 0 / 53 / 24

HEX #BBC25B

RGB 187 194 91

HSL 64.08, 0.46%, 0.56%

LAB 76.01, -16.75, 50.24

 

CMYK 18 / 0 / 53 / 24

HEX #9FC25B

RGB 159 194 91

HSL 80.39, 0.46%, 0.56%

LAB 74, -27.94, 47.39

 

CMYK 0 / 40 / 53 / 24

HEX #C2755B

RGB 194 117 91

HSL 15.15, 0.46%, 0.56%

LAB 57.02, 27.55, 27.16

 

CMYK 0 / 49 / 66 / 17

HEX #D46D49

RGB 212 109 73

HSL 15.54, 0.62%, 0.56%

LAB 57.48, 37.6, 38.21

 

CMYK 0 / 57 / 77 / 10

HEX #E66436

RGB 230 100 54

HSL 15.68, 0.78%, 0.56%

LAB 58.23, 47.92, 49.61

 

CMYK 0 / 63 / 85 / 3

HEX #F85B24

RGB 248 91 36

HSL 15.57, 0.94%, 0.56%

LAB 59.49, 57.75, 59.83

 

CMYK 0 / 40 / 53 / 24

HEX #C2755B

RGB 194 117 91

HSL 15.15, 0.46%, 0.56%

LAB 57.02, 27.55, 27.16

 

CMYK 0 / 28 / 38 / 31

HEX #B07E6D

RGB 176 126 109

HSL 15.22, 0.3%, 0.56%

LAB 57.32, 17.14, 16.94

 

CMYK 0 / 15 / 20 / 38

HEX #9E877F

RGB 158 135 127

HSL 15.48, 0.14%, 0.56%

LAB 58.16, 7.38, 7.52

 

CMYK 4 / 1 / 0 / 43

HEX #8B9091

RGB 139 144 145

HSL 190, 0.03%, 0.56%

LAB 59.42, -1.61, -1.17

 

CMYK 26 / 7 / 0 / 36

HEX #7998A3

RGB 121 152 163

HSL 195.71, 0.19%, 0.56%

LAB 60.93, -8.16, -9.31

 

CMYK 0 / 53 / 38 / 24

HEX #C25B78

RGB 194 91 120

HSL 343.11, 0.46%, 0.56%

LAB 52.18, 44.18, 3.6

 

CMYK 0 / 53 / 53 / 24

HEX #C25B5C

RGB 194 91 92

HSL 359.42, 0.46%, 0.56%

LAB 51.52, 41.33, 19.32

 

CMYK 0 / 40 / 53 / 24

HEX #C2745B

RGB 194 116 91

HSL 14.56, 0.46%, 0.56%

LAB 56.8, 28.09, 26.86

 

CMYK 0 / 26 / 53 / 24

HEX #C2905B

RGB 194 144 91

HSL 30.87, 0.46%, 0.56%

LAB 63.48, 12.71, 35.36

 

CMYK 0 / 11 / 53 / 24

HEX #C2AC5B

RGB 194 172 91

HSL 47.18, 0.46%, 0.56%

LAB 70.68, -2.45, 44.13

 

CMYK 0 / 47 / 64 / 42

HEX #944F36

RGB 148 79 54

HSL 15.96, 0.47%, 0.4%

LAB 41.46, 26.52, 27.4

 

CMYK 0 / 47 / 63 / 30

HEX #B25F41

RGB 178 95 65

HSL 15.93, 0.47%, 0.48%

LAB 49.53, 30.93, 31.93

 

CMYK 0 / 40 / 53 / 24

HEX #C2755B

RGB 194 117 91

HSL 15.15, 0.46%, 0.56%

LAB 57.02, 27.55, 27.16

 

CMYK 0 / 30 / 41 / 20

HEX #CD8F79

RGB 205 143 121

HSL 15.71, 0.46%, 0.64%

LAB 64.97, 20.8, 21.13

 

CMYK 0 / 22 / 30 / 15

HEX #D8A897

RGB 216 168 151

HSL 15.69, 0.45%, 0.72%

LAB 72.79, 15.22, 15.54

 

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

CMYK 24 / 0 / 53 / 24

HEX #93C25B

RGB 147 194 91

HSL 87.38, 0.46%, 0.56%

LAB 73.25, -32.51, 46.31

 

CMYK 53 / 45 / 0 / 24

HEX #5B6AC2

RGB 91 106 194

HSL 231.26, 0.46%, 0.56%

LAB 47.53, 19.57, -47.99

 

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

CMYK 53 / 0 / 40 / 24

HEX #5BC274

RGB 91 194 116

HSL 134.56, 0.46%, 0.56%

LAB 70.92, -46.95, 30.35

 

CMYK 40 / 53 / 0 / 24

HEX #745BC2

RGB 116 91 194

HSL 254.56, 0.46%, 0.56%

LAB 45.76, 34.54, -50.71

 

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

CMYK 24 / 0 / 53 / 24

HEX #93C25B

RGB 147 194 91

HSL 87.38, 0.46%, 0.56%

LAB 73.25, -32.51, 46.31

 

CMYK 53 / 13 / 0 / 24

HEX #5BA8C2

RGB 91 168 194

HSL 195.15, 0.46%, 0.56%

LAB 65.06, -16.49, -20.62

 

CMYK 29 / 53 / 0 / 24

HEX #895BC2

RGB 137 91 194

HSL 266.8, 0.46%, 0.56%

LAB 47.87, 39.81, -47.21

 

CMYK 0 / 39 / 53 / 24

HEX #C3765B

RGB 195 118 91

HSL 15.58, 0.46%, 0.56%

LAB 57.38, 27.41, 27.64

 

CMYK 40 / 0 / 53 / 24

HEX #74C25B

RGB 116 194 91

HSL 105.44, 0.46%, 0.56%

LAB 71.59, -43.34, 43.94

 

CMYK 53 / 13 / 0 / 24

HEX #5BA8C2

RGB 91 168 194

HSL 195.15, 0.46%, 0.56%

LAB 65.06, -16.49, -20.62

 

CMYK 13 / 53 / 0 / 24

HEX #A85BC2

RGB 168 91 194

HSL 284.85, 0.46%, 0.56%

LAB 51.5, 48.07, -41.23

 

Description

Color code: RGB 195 118 91 | qconv.com Color code: RGB 195 118 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 118 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 118 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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