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Color name
RGB 195 203 222

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 203 222 it is the complementary color RGB 60 52 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 203 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 203 222 shade: RGB 200 203 217, RGB 217 221 236, RGB 234 239 255 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 203 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 178 185 203, RGB 161 167 184, RGB 144 149 165 and RGB 127 131 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 195 196 222, RGB 202 195 222, RGB 209 195 222 and RGB 216 195 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 195 196 222 and RGB 195 195 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 203 222 shade matches the following richer shades: RGB 195 203 222, RGB 188 200 229, RGB 180 197 237, RGB 173 194 244 and RGB 166 191 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 203 206 214, RGB 210 209 207, RGB 218 212 200 and RGB 225 215 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 203 222 shade: RGB 195 217 222, RGB 195 210 222, RGB 195 203 222, RGB 195 196 222 and RGB 202 195 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 203 222 shade: RGB 142 157 193, RGB 169 180 207, RGB 195 203 222, RGB 222 226 237 and RGB 249 249 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 219 195 222 and RGB 214 222 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 222 195 203 and RGB 203 222 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 219 195 222, RGB 222 214 195 and RGB 198 222 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 203 222 shade: RGB 195 203 222, RGB 222 195 217, RGB 222 214 195 and RGB 195 222 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

Complementary color

CMYK 0 / 13 / 45 / 76

HEX #3C3421

RGB 60 52 33

HSL 42.22, 0.29%, 0.18%

LAB 22.04, 0.23, 13.33

 

CMYK 8 / 6 / 0 / 15

HEX #C8CBD9

RGB 200 203 217

HSL 229.41, 0.18%, 0.82%

LAB 81.84, 1.65, -7.3

 

CMYK 8 / 6 / 0 / 7

HEX #D9DDEC

RGB 217 221 236

HSL 227.37, 0.33%, 0.89%

LAB 88.22, 1.48, -7.79

 

CMYK 8 / 6 / 0 / 0

HEX #EAEFFF

RGB 234 239 255

HSL 225.71, 1%, 0.96%

LAB 94.5, 1.32, -8.27

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 12 / 9 / 0 / 20

HEX #B2B9CB

RGB 178 185 203

HSL 223.2, 0.19%, 0.75%

LAB 75.12, 1.18, -9.91

 

CMYK 13 / 9 / 0 / 28

HEX #A1A7B8

RGB 161 167 184

HSL 224.35, 0.14%, 0.68%

LAB 68.52, 1.35, -9.46

 

CMYK 13 / 10 / 0 / 35

HEX #9095A5

RGB 144 149 165

HSL 225.71, 0.1%, 0.61%

LAB 61.78, 1.52, -9.01

 

CMYK 13 / 10 / 0 / 43

HEX #7F8392

RGB 127 131 146

HSL 227.37, 0.08%, 0.54%

LAB 54.89, 1.72, -8.55

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 12 / 12 / 0 / 13

HEX #C3C4DE

RGB 195 196 222

HSL 237.78, 0.29%, 0.82%

LAB 79.82, 4.74, -13.04

 

CMYK 9 / 12 / 0 / 13

HEX #CAC3DE

RGB 202 195 222

HSL 255.56, 0.29%, 0.82%

LAB 80.1, 7.56, -12.55

 

CMYK 6 / 12 / 0 / 13

HEX #D1C3DE

RGB 209 195 222

HSL 271.11, 0.29%, 0.82%

LAB 80.66, 9.87, -11.66

 

CMYK 3 / 12 / 0 / 13

HEX #D8C3DE

RGB 216 195 222

HSL 286.67, 0.29%, 0.82%

LAB 81.24, 12.2, -10.73

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 12 / 12 / 0 / 13

HEX #C3C4DE

RGB 195 196 222

HSL 237.78, 0.29%, 0.82%

LAB 79.82, 4.74, -13.04

 

CMYK 12 / 12 / 0 / 13

HEX #C3C3DE

RGB 195 195 222

HSL 240, 0.29%, 0.82%

LAB 79.56, 5.28, -13.42

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 18 / 13 / 0 / 10

HEX #BCC8E5

RGB 188 200 229

HSL 222.44, 0.44%, 0.82%

LAB 80.55, 1.85, -15.74

 

CMYK 24 / 17 / 0 / 7

HEX #B4C5ED

RGB 180 197 237

HSL 222.11, 0.61%, 0.82%

LAB 79.47, 2.79, -21.71

 

CMYK 29 / 20 / 0 / 4

HEX #ADC2F4

RGB 173 194 244

HSL 222.25, 0.76%, 0.82%

LAB 78.46, 4.01, -27.05

 

CMYK 34 / 24 / 0 / 1

HEX #A6BFFC

RGB 166 191 252

HSL 222.56, 0.93%, 0.82%

LAB 77.52, 5.66, -32.83

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 5 / 4 / 0 / 16

HEX #CBCED6

RGB 203 206 214

HSL 223.64, 0.12%, 0.82%

LAB 82.75, 0.48, -4.33

 

CMYK 0 / 0 / 1 / 18

HEX #D2D1CF

RGB 210 209 207

HSL 40, 0.03%, 0.82%

LAB 83.87, -0.01, 1.1

 

CMYK 0 / 3 / 8 / 15

HEX #DAD4C8

RGB 218 212 200

HSL 40, 0.2%, 0.82%

LAB 85.08, -0.01, 6.65

 

CMYK 0 / 4 / 15 / 12

HEX #E1D7C0

RGB 225 215 192

HSL 41.82, 0.35%, 0.82%

LAB 86.21, -0.36, 12.58

 

CMYK 12 / 2 / 0 / 13

HEX #C3D9DE

RGB 195 217 222

HSL 191.11, 0.29%, 0.82%

LAB 85.25, -6.32, -4.96

 

CMYK 12 / 5 / 0 / 13

HEX #C3D2DE

RGB 195 210 222

HSL 206.67, 0.29%, 0.82%

LAB 83.43, -2.67, -7.66

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 12 / 12 / 0 / 13

HEX #C3C4DE

RGB 195 196 222

HSL 237.78, 0.29%, 0.82%

LAB 79.82, 4.74, -13.04

 

CMYK 9 / 12 / 0 / 13

HEX #CAC3DE

RGB 202 195 222

HSL 255.56, 0.29%, 0.82%

LAB 80.1, 7.56, -12.55

 

CMYK 26 / 19 / 0 / 24

HEX #8E9DC1

RGB 142 157 193

HSL 222.35, 0.29%, 0.66%

LAB 64.74, 2.85, -20.3

 

CMYK 18 / 13 / 0 / 19

HEX #A9B4CF

RGB 169 180 207

HSL 222.63, 0.28%, 0.74%

LAB 73.27, 1.83, -14.92

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 6 / 5 / 0 / 7

HEX #DEE2ED

RGB 222 226 237

HSL 224, 0.29%, 0.9%

LAB 89.88, 0.71, -5.82

 

CMYK 1 / 1 / 0 / 2

HEX #F9F9FB

RGB 249 249 251

HSL 240, 0.2%, 0.98%

LAB 97.98, 0.36, -0.97

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 1 / 12 / 0 / 13

HEX #DBC3DE

RGB 219 195 222

HSL 293.33, 0.29%, 0.82%

LAB 81.49, 13.21, -10.33

 

CMYK 4 / 0 / 12 / 13

HEX #D6DEC3

RGB 214 222 195

HSL 77.78, 0.29%, 0.82%

LAB 87.23, -7.4, 12.32

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 0 / 12 / 9 / 13

HEX #DEC3CB

RGB 222 195 203

HSL 342.22, 0.29%, 0.82%

LAB 81.22, 10.86, -0.5

 

CMYK 9 / 0 / 12 / 13

HEX #CBDEC3

RGB 203 222 195

HSL 102.22, 0.29%, 0.82%

LAB 86.44, -11.23, 11.1

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 1 / 12 / 0 / 13

HEX #DBC3DE

RGB 219 195 222

HSL 293.33, 0.29%, 0.82%

LAB 81.49, 13.21, -10.33

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 11 / 0 / 12 / 13

HEX #C6DEC3

RGB 198 222 195

HSL 113.33, 0.29%, 0.82%

LAB 86.1, -12.94, 10.56

 

CMYK 12 / 9 / 0 / 13

HEX #C3CBDE

RGB 195 203 222

HSL 222.22, 0.29%, 0.82%

LAB 81.61, 1.01, -10.35

 

CMYK 0 / 12 / 2 / 13

HEX #DEC3D9

RGB 222 195 217

HSL 311.11, 0.29%, 0.82%

LAB 81.6, 13.31, -7.45

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 12 / 0 / 9 / 13

HEX #C3DEC9

RGB 195 222 201

HSL 133.33, 0.29%, 0.82%

LAB 86.04, -12.89, 7.29

 

Description

Color code: RGB 195 203 222 | qconv.com Color code: RGB 195 203 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 203 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 203 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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