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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 222 211 it is the complementary color RGB 60 33 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 222 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 222 211 shade: RGB 200 222 206, RGB 217 240 225, RGB 234 255 244 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 222 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 178 204 192, RGB 161 186 173, RGB 144 168 154 and RGB 127 150 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 195 222 204, RGB 195 222 197, RGB 201 222 195 and RGB 208 222 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 195 222 218, RGB 195 218 222, RGB 195 211 222 and RGB 195 204 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 222 211 shade matches the following richer shades: RGB 195 222 211, RGB 188 229 212, RGB 180 237 214, RGB 173 244 215 and RGB 166 252 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 203 214 210, RGB 210 207 208, RGB 218 200 207 and RGB 225 192 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 222 211 shade: RGB 195 222 197, RGB 195 222 204, RGB 195 222 211, RGB 195 222 218 and RGB 195 219 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 222 211 shade: RGB 142 193 172, RGB 169 207 192, RGB 195 222 211, RGB 222 237 231 and RGB 249 251 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 195 201 222 and RGB 222 200 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 211 195 222 and RGB 222 211 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 195 201 222, RGB 222 195 206 and RGB 222 216 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 222 211 shade: RGB 195 222 211, RGB 198 195 222, RGB 222 195 206 and RGB 220 222 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

Complementary color

CMYK 0 / 45 / 27 / 76

HEX #3C212C

RGB 60 33 44

HSL 335.56, 0.29%, 0.18%

LAB 16.65, 14.81, -1.75

 

CMYK 10 / 0 / 7 / 13

HEX #C8DECE

RGB 200 222 206

HSL 136.36, 0.25%, 0.83%

LAB 86.49, -10.3, 5.35

 

CMYK 10 / 0 / 6 / 6

HEX #D9F0E1

RGB 217 240 225

HSL 140.87, 0.43%, 0.9%

LAB 92.8, -10.3, 4.67

 

CMYK 8 / 0 / 4 / 0

HEX #EAFFF4

RGB 234 255 244

HSL 148.57, 1%, 0.96%

LAB 98.25, -8.82, 2.91

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 13 / 0 / 6 / 20

HEX #B2CCC0

RGB 178 204 192

HSL 152.31, 0.2%, 0.75%

LAB 79.87, -11.06, 3.02

 

CMYK 13 / 0 / 7 / 27

HEX #A1BAAD

RGB 161 186 173

HSL 148.8, 0.15%, 0.68%

LAB 73.36, -11.1, 3.71

 

CMYK 14 / 0 / 8 / 34

HEX #90A89A

RGB 144 168 154

HSL 145, 0.12%, 0.61%

LAB 66.72, -11.15, 4.43

 

CMYK 15 / 0 / 10 / 41

HEX #7F9687

RGB 127 150 135

HSL 140.87, 0.1%, 0.54%

LAB 59.96, -11.22, 5.19

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 12 / 0 / 8 / 13

HEX #C3DECC

RGB 195 222 204

HSL 140, 0.29%, 0.82%

LAB 86.11, -12.34, 5.81

 

CMYK 12 / 0 / 11 / 13

HEX #C3DEC5

RGB 195 222 197

HSL 124.44, 0.29%, 0.82%

LAB 85.94, -13.61, 9.26

 

CMYK 9 / 0 / 12 / 13

HEX #C9DEC3

RGB 201 222 195

HSL 106.67, 0.29%, 0.82%

LAB 86.31, -11.91, 10.88

 

CMYK 6 / 0 / 12 / 13

HEX #D0DEC3

RGB 208 222 195

HSL 91.11, 0.29%, 0.82%

LAB 86.8, -9.49, 11.65

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 12 / 0 / 2 / 13

HEX #C3DEDA

RGB 195 222 218

HSL 171.11, 0.29%, 0.82%

LAB 86.46, -9.68, -1.07

 

CMYK 12 / 2 / 0 / 13

HEX #C3DADE

RGB 195 218 222

HSL 188.89, 0.29%, 0.82%

LAB 85.51, -6.83, -4.57

 

CMYK 12 / 5 / 0 / 13

HEX #C3D3DE

RGB 195 211 222

HSL 204.44, 0.29%, 0.82%

LAB 83.69, -3.2, -7.27

 

CMYK 12 / 8 / 0 / 13

HEX #C3CCDE

RGB 195 204 222

HSL 220, 0.29%, 0.82%

LAB 81.87, 0.48, -9.97

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 18 / 0 / 7 / 10

HEX #BCE5D4

RGB 188 229 212

HSL 155.12, 0.44%, 0.82%

LAB 87.72, -16.62, 3.87

 

CMYK 24 / 0 / 10 / 7

HEX #B4EDD6

RGB 180 237 214

HSL 155.79, 0.61%, 0.82%

LAB 89.45, -22.67, 5.27

 

CMYK 29 / 0 / 12 / 4

HEX #ADF4D7

RGB 173 244 215

HSL 155.49, 0.76%, 0.82%

LAB 91, -27.94, 6.94

 

CMYK 34 / 0 / 14 / 1

HEX #A6FCD9

RGB 166 252 217

HSL 155.58, 0.93%, 0.82%

LAB 92.9, -33.3, 8.58

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 5 / 0 / 2 / 16

HEX #CBD6D2

RGB 203 214 210

HSL 158.18, 0.12%, 0.82%

LAB 84.71, -4.45, 0.68

 

CMYK 0 / 1 / 1 / 18

HEX #D2CFD0

RGB 210 207 208

HSL 340, 0.03%, 0.82%

LAB 83.38, 1.21, -0.14

 

CMYK 0 / 8 / 5 / 15

HEX #DAC8CF

RGB 218 200 207

HSL 336.67, 0.2%, 0.82%

LAB 82.23, 7.49, -1.21

 

CMYK 0 / 15 / 8 / 12

HEX #E1C0CE

RGB 225 192 206

HSL 334.55, 0.35%, 0.82%

LAB 80.83, 14.02, -2.66

 

CMYK 12 / 0 / 11 / 13

HEX #C3DEC5

RGB 195 222 197

HSL 124.44, 0.29%, 0.82%

LAB 85.94, -13.61, 9.26

 

CMYK 12 / 0 / 8 / 13

HEX #C3DECC

RGB 195 222 204

HSL 140, 0.29%, 0.82%

LAB 86.11, -12.34, 5.81

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 12 / 0 / 2 / 13

HEX #C3DEDA

RGB 195 222 218

HSL 171.11, 0.29%, 0.82%

LAB 86.46, -9.68, -1.07

 

CMYK 12 / 1 / 0 / 13

HEX #C3DBDE

RGB 195 219 222

HSL 186.67, 0.29%, 0.82%

LAB 85.78, -7.35, -4.19

 

CMYK 26 / 0 / 11 / 24

HEX #8EC1AC

RGB 142 193 172

HSL 155.29, 0.29%, 0.66%

LAB 74.11, -21.11, 5.19

 

CMYK 18 / 0 / 7 / 19

HEX #A9CFC0

RGB 169 207 192

HSL 156.32, 0.28%, 0.74%

LAB 80.1, -15.55, 3.29

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 6 / 0 / 3 / 7

HEX #DEEDE7

RGB 222 237 231

HSL 156, 0.29%, 0.9%

LAB 92.52, -6.05, 1.18

 

CMYK 1 / 0 / 0 / 2

HEX #F9FBFA

RGB 249 251 250

HSL 150, 0.2%, 0.98%

LAB 98.45, -0.83, 0.24

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 12 / 9 / 0 / 13

HEX #C3C9DE

RGB 195 201 222

HSL 226.67, 0.29%, 0.82%

LAB 81.1, 2.07, -11.12

 

CMYK 0 / 10 / 12 / 13

HEX #DEC8C3

RGB 222 200 195

HSL 11.11, 0.29%, 0.82%

LAB 82.26, 6.88, 5.29

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 5 / 12 / 0 / 13

HEX #D3C3DE

RGB 211 195 222

HSL 275.56, 0.29%, 0.82%

LAB 80.82, 10.53, -11.4

 

CMYK 0 / 5 / 12 / 13

HEX #DED3C3

RGB 222 211 195

HSL 35.56, 0.29%, 0.82%

LAB 85.03, 1.11, 9.27

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 12 / 9 / 0 / 13

HEX #C3C9DE

RGB 195 201 222

HSL 226.67, 0.29%, 0.82%

LAB 81.1, 2.07, -11.12

 

CMYK 0 / 12 / 7 / 13

HEX #DEC3CE

RGB 222 195 206

HSL 335.56, 0.29%, 0.82%

LAB 81.3, 11.37, -2

 

CMYK 0 / 3 / 12 / 13

HEX #DED8C3

RGB 222 216 195

HSL 46.67, 0.29%, 0.82%

LAB 86.3, -1.48, 11.08

 

CMYK 12 / 0 / 5 / 13

HEX #C3DED3

RGB 195 222 211

HSL 155.56, 0.29%, 0.82%

LAB 86.28, -11.03, 2.36

 

CMYK 11 / 12 / 0 / 13

HEX #C6C3DE

RGB 198 195 222

HSL 246.67, 0.29%, 0.82%

LAB 79.79, 6.25, -13.05

 

CMYK 0 / 12 / 7 / 13

HEX #DEC3CE

RGB 222 195 206

HSL 335.56, 0.29%, 0.82%

LAB 81.3, 11.37, -2

 

CMYK 1 / 0 / 12 / 13

HEX #DCDEC3

RGB 220 222 195

HSL 64.44, 0.29%, 0.82%

LAB 87.68, -5.28, 13.02

 

Description

Color code: RGB 195 222 211 | qconv.com Color code: RGB 195 222 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 222 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 222 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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