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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 39 39 it is the complementary color RGB 60 216 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 39 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 39 39 shade: RGB 200 39 34, RGB 217 57 53, RGB 234 75 72, RGB 251 93 91 and RGB 255 111 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 39 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 39 39 shade: RGB 195 39 39, RGB 178 21 20, RGB 161 3 1, RGB 144 0 0 and RGB 127 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 39 39 shade: RGB 195 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 39 39 shade: RGB 195 38 38, RGB 195 81 38, RGB 195 123 38, RGB 195 165 38 and RGB 183 195 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 39 39 shade matches the following richer shades: RGB 195 38 38, RGB 214 19 19 and RGB 233 0 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 39 39 shade: RGB 195 38 38, RGB 176 57 57, RGB 157 76 76, RGB 138 95 95 and RGB 119 114 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 39 39 shade: RGB 195 38 122, RGB 195 38 80, RGB 195 38 38, RGB 195 80 38 and RGB 195 122 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 39 39 shade: RGB 126 25 25, RGB 161 31 31, RGB 195 38 38, RGB 216 59 59 and RGB 223 93 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 39 39 shade: RGB 195 39 39, RGB 164 195 38 and RGB 38 101 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 39 39 shade: RGB 195 39 39, RGB 38 195 38 and RGB 38 38 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 39 39 shade: RGB 195 39 39, RGB 164 195 38, RGB 38 195 195 and RGB 70 38 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 39 39 shade: RGB 195 39 39, RGB 117 195 38, RGB 38 195 195 and RGB 117 38 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

Complementary color

CMYK 72 / 0 / 0 / 15

HEX #3CD8D8

RGB 60 216 216

HSL 180, 0.67%, 0.54%

LAB 79.06, -38.78, -11.58

 

CMYK 0 / 81 / 83 / 22

HEX #C82722

RGB 200 39 34

HSL 1.81, 0.71%, 0.46%

LAB 44.01, 60.98, 43.9

 

CMYK 0 / 74 / 76 / 15

HEX #D93935

RGB 217 57 53

HSL 1.46, 0.68%, 0.53%

LAB 49.42, 61.17, 40.18

 

CMYK 0 / 68 / 69 / 8

HEX #EA4B48

RGB 234 75 72

HSL 1.11, 0.79%, 0.6%

LAB 55.06, 60.79, 36.76

 

CMYK 0 / 63 / 64 / 2

HEX #FB5D5B

RGB 251 93 91

HSL 0.75, 0.95%, 0.67%

LAB 60.86, 60.07, 33.76

 

CMYK 0 / 56 / 57 / 0

HEX #FF6F6E

RGB 255 111 110

HSL 0.41, 1%, 0.72%

LAB 64.77, 54.79, 28.19

 

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

CMYK 0 / 88 / 89 / 30

HEX #B21514

RGB 178 21 20

HSL 0.38, 0.8%, 0.39%

LAB 37.94, 58.61, 43.87

 

CMYK 0 / 98 / 99 / 37

HEX #A10301

RGB 161 3 1

HSL 0.75, 0.99%, 0.32%

LAB 33.23, 56.4, 46.89

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 58 / 81 / 24

HEX #C35126

RGB 195 81 38

HSL 16.43, 0.67%, 0.46%

LAB 49.04, 43.39, 46.34

 

CMYK 0 / 37 / 81 / 24

HEX #C37B26

RGB 195 123 38

HSL 32.48, 0.67%, 0.46%

LAB 57.95, 21.45, 54.67

 

CMYK 0 / 15 / 81 / 24

HEX #C3A526

RGB 195 165 38

HSL 48.54, 0.67%, 0.46%

LAB 68.5, -1.42, 64.14

 

CMYK 6 / 0 / 81 / 24

HEX #B7C326

RGB 183 195 38

HSL 64.59, 0.67%, 0.46%

LAB 75.6, -22.03, 69.97

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 91 / 91 / 16

HEX #D61313

RGB 214 19 19

HSL 0, 0.84%, 0.46%

LAB 45.37, 68.49, 53.09

 

CMYK 0 / 100 / 100 / 9

HEX #E90000

RGB 233 0 0

HSL 0, 1%, 0.46%

LAB 48.67, 74.82, 62.79

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 68 / 68 / 31

HEX #B03939

RGB 176 57 57

HSL 0, 0.51%, 0.46%

LAB 41.93, 48.24, 27.24

 

CMYK 0 / 52 / 52 / 38

HEX #9D4C4C

RGB 157 76 76

HSL 0, 0.35%, 0.46%

LAB 42.55, 33.66, 15.87

 

CMYK 0 / 31 / 31 / 46

HEX #8A5F5F

RGB 138 95 95

HSL 0, 0.18%, 0.46%

LAB 44.82, 17.55, 7.06

 

CMYK 0 / 4 / 4 / 53

HEX #777272

RGB 119 114 114

HSL 0, 0.02%, 0.46%

LAB 48.48, 1.92, 0.68

 

CMYK 0 / 81 / 37 / 24

HEX #C3267A

RGB 195 38 122

HSL 327.9, 0.67%, 0.46%

LAB 44.79, 65.48, -8.46

 

CMYK 0 / 81 / 59 / 24

HEX #C32650

RGB 195 38 80

HSL 343.95, 0.67%, 0.46%

LAB 43.61, 61.92, 15.94

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 59 / 81 / 24

HEX #C35026

RGB 195 80 38

HSL 16.05, 0.67%, 0.46%

LAB 48.86, 43.86, 46.17

 

CMYK 0 / 37 / 81 / 24

HEX #C37A26

RGB 195 122 38

HSL 32.1, 0.67%, 0.46%

LAB 57.71, 22, 54.46

 

CMYK 0 / 80 / 80 / 51

HEX #7E1919

RGB 126 25 25

HSL 0, 0.67%, 0.3%

LAB 27.3, 42.33, 27.33

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 0 / 81 / 81 / 24

HEX #C32626

RGB 195 38 38

HSL 0, 0.67%, 0.46%

LAB 42.96, 59.92, 40.4

 

CMYK 0 / 73 / 73 / 15

HEX #D83B3B

RGB 216 59 59

HSL 0, 0.67%, 0.54%

LAB 49.55, 60.42, 36.89

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5D

RGB 223 93 93

HSL 0, 0.67%, 0.62%

LAB 56.39, 50.79, 26

 

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

CMYK 16 / 0 / 81 / 24

HEX #A4C326

RGB 164 195 38

HSL 71.85, 0.67%, 0.46%

LAB 74.23, -29.94, 68.24

 

CMYK 81 / 48 / 0 / 24

HEX #2665C3

RGB 38 101 195

HSL 215.92, 0.67%, 0.46%

LAB 43.74, 14.51, -54.78

 

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

CMYK 81 / 0 / 81 / 24

HEX #26C326

RGB 38 195 38

HSL 120, 0.67%, 0.46%

LAB 69.17, -66.46, 61.76

 

CMYK 81 / 81 / 0 / 24

HEX #2626C3

RGB 38 38 195

HSL 240, 0.67%, 0.46%

LAB 28.74, 53.31, -79.33

 

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

CMYK 16 / 0 / 81 / 24

HEX #A4C326

RGB 164 195 38

HSL 71.85, 0.67%, 0.46%

LAB 74.23, -29.94, 68.24

 

CMYK 81 / 0 / 0 / 24

HEX #26C3C3

RGB 38 195 195

HSL 180, 0.67%, 0.46%

LAB 71.81, -37.45, -11.11

 

CMYK 64 / 81 / 0 / 24

HEX #4626C3

RGB 70 38 195

HSL 252.23, 0.67%, 0.46%

LAB 30.95, 55.72, -75.61

 

CMYK 0 / 80 / 80 / 24

HEX #C32727

RGB 195 39 39

HSL 0, 0.67%, 0.46%

LAB 43.06, 59.67, 39.96

 

CMYK 40 / 0 / 81 / 24

HEX #75C326

RGB 117 195 38

HSL 89.81, 0.67%, 0.46%

LAB 71.52, -47.75, 64.79

 

CMYK 81 / 0 / 0 / 24

HEX #26C3C3

RGB 38 195 195

HSL 180, 0.67%, 0.46%

LAB 71.81, -37.45, -11.11

 

CMYK 40 / 81 / 0 / 24

HEX #7526C3

RGB 117 38 195

HSL 270.19, 0.67%, 0.46%

LAB 36.19, 61.52, -66.79

 

Description

Color code: RGB 195 39 39 | qconv.com Color code: RGB 195 39 39 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 39 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 39 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 80 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 80% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Point Of Design &...
Link: http://www.pointof.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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