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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 40 151 it is the complementary color RGB 60 215 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 40 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 40 151 shade: RGB 200 40 146, RGB 217 58 165, RGB 234 76 184, RGB 251 94 203 and RGB 255 112 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 40 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 40 151 shade: RGB 195 40 151, RGB 178 22 132, RGB 161 4 113, RGB 144 0 94 and RGB 127 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 40 151 shade: RGB 194 39 150, RGB 194 39 109, RGB 194 39 67 and RGB 194 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 40 151 shade: RGB 194 39 150, RGB 194 39 192, RGB 155 39 194, RGB 113 39 194 and RGB 71 39 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 40 151 shade matches the following richer shades: RGB 194 39 150, RGB 213 20 158 and RGB 232 1 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 40 151 shade: RGB 194 39 150, RGB 175 58 142, RGB 156 77 134, RGB 137 96 126 and RGB 118 115 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 40 151 shade: RGB 156 39 194, RGB 194 39 192, RGB 194 39 150, RGB 194 39 109 and RGB 194 39 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 40 151 shade: RGB 126 25 97, RGB 160 32 124, RGB 194 39 150, RGB 215 60 171 and RGB 222 94 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 40 151 shade: RGB 195 40 151, RGB 194 114 39 and RGB 39 194 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 40 151 shade: RGB 195 40 151, RGB 150 194 39 and RGB 39 150 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 40 151 shade: RGB 195 40 151, RGB 194 114 39, RGB 39 194 83 and RGB 39 119 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 40 151 shade: RGB 195 40 151, RGB 194 161 39, RGB 39 194 83 and RGB 39 73 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

Complementary color

CMYK 72 / 0 / 52 / 16

HEX #3CD768

RGB 60 215 104

HSL 137.03, 0.66%, 0.54%

LAB 76.41, -63.03, 43.15

 

CMYK 0 / 80 / 27 / 22

HEX #C82892

RGB 200 40 146

HSL 320.25, 0.67%, 0.47%

LAB 46.81, 68.83, -19.93

 

CMYK 0 / 73 / 24 / 15

HEX #D93AA5

RGB 217 58 165

HSL 319.62, 0.68%, 0.54%

LAB 52.39, 70.03, -22.41

 

CMYK 0 / 68 / 21 / 8

HEX #EA4CB8

RGB 234 76 184

HSL 318.99, 0.79%, 0.61%

LAB 58.15, 70.56, -24.37

 

CMYK 0 / 63 / 19 / 2

HEX #FB5ECB

RGB 251 94 203

HSL 318.34, 0.95%, 0.68%

LAB 64.02, 70.64, -25.97

 

CMYK 0 / 56 / 13 / 0

HEX #FF70DE

RGB 255 112 222

HSL 313.85, 1%, 0.72%

LAB 68.11, 66.89, -30.26

 

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

CMYK 0 / 88 / 26 / 30

HEX #B21684

RGB 178 22 132

HSL 317.69, 0.78%, 0.39%

LAB 40.74, 66.14, -21.08

 

CMYK 0 / 98 / 30 / 37

HEX #A10471

RGB 161 4 113

HSL 318.34, 0.95%, 0.32%

LAB 35.71, 62.78, -17.26

 

CMYK 0 / 100 / 35 / 44

HEX #90005E

RGB 144 0 94

HSL 320.83, 1%, 0.28%

LAB 31.2, 57.56, -12.26

 

CMYK 0 / 100 / 41 / 50

HEX #7F004B

RGB 127 0 75

HSL 324.57, 1%, 0.25%

LAB 26.79, 51.77, -6.71

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 80 / 44 / 24

HEX #C2276D

RGB 194 39 109

HSL 332.9, 0.67%, 0.46%

LAB 44.27, 63.69, -1.23

 

CMYK 0 / 80 / 65 / 24

HEX #C22743

RGB 194 39 67

HSL 349.16, 0.67%, 0.46%

LAB 43.25, 60.58, 23.52

 

CMYK 0 / 80 / 80 / 24

HEX #C22727

RGB 194 39 39

HSL 0, 0.67%, 0.46%

LAB 42.86, 59.38, 39.7

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 80 / 1 / 24

HEX #C227C0

RGB 194 39 192

HSL 300.77, 0.67%, 0.46%

LAB 47.91, 74.11, -45.52

 

CMYK 20 / 80 / 0 / 24

HEX #9B27C2

RGB 155 39 194

HSL 284.9, 0.67%, 0.46%

LAB 41.71, 67.19, -56.98

 

CMYK 42 / 80 / 0 / 24

HEX #7127C2

RGB 113 39 194

HSL 268.65, 0.67%, 0.46%

LAB 35.71, 60.34, -67.02

 

CMYK 63 / 80 / 0 / 24

HEX #4727C2

RGB 71 39 194

HSL 252.39, 0.67%, 0.46%

LAB 31.08, 55.09, -74.8

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 91 / 26 / 16

HEX #D5149E

RGB 213 20 158

HSL 317.1, 0.83%, 0.46%

LAB 48.4, 76.85, -24.47

 

CMYK 0 / 100 / 28 / 9

HEX #E801A7

RGB 232 1 167

HSL 316.88, 0.99%, 0.46%

LAB 51.8, 83.28, -24.27

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 67 / 19 / 31

HEX #AF3A8E

RGB 175 58 142

HSL 316.92, 0.5%, 0.46%

LAB 44.37, 56.16, -21.64

 

CMYK 0 / 51 / 14 / 39

HEX #9C4D86

RGB 156 77 134

HSL 316.71, 0.34%, 0.46%

LAB 44.37, 40.44, -17.04

 

CMYK 0 / 30 / 8 / 46

HEX #89607E

RGB 137 96 126

HSL 316.1, 0.18%, 0.46%

LAB 45.89, 21.75, -10.12

 

CMYK 0 / 3 / 1 / 54

HEX #767375

RGB 118 115 117

HSL 320, 0.01%, 0.46%

LAB 48.76, 1.55, -0.7

 

CMYK 20 / 80 / 0 / 24

HEX #9C27C2

RGB 156 39 194

HSL 285.29, 0.67%, 0.46%

LAB 41.87, 67.36, -56.72

 

CMYK 0 / 80 / 1 / 24

HEX #C227C0

RGB 194 39 192

HSL 300.77, 0.67%, 0.46%

LAB 47.91, 74.11, -45.52

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 80 / 44 / 24

HEX #C2276D

RGB 194 39 109

HSL 332.9, 0.67%, 0.46%

LAB 44.27, 63.69, -1.23

 

CMYK 0 / 80 / 65 / 24

HEX #C22744

RGB 194 39 68

HSL 348.77, 0.67%, 0.46%

LAB 43.27, 60.64, 22.92

 

CMYK 0 / 80 / 23 / 51

HEX #7E1961

RGB 126 25 97

HSL 317.23, 0.67%, 0.3%

LAB 29.4, 48.79, -17.3

 

CMYK 0 / 80 / 23 / 37

HEX #A0207C

RGB 160 32 124

HSL 316.88, 0.67%, 0.38%

LAB 37.77, 58.77, -20.99

 

CMYK 0 / 80 / 23 / 24

HEX #C22796

RGB 194 39 150

HSL 317.03, 0.67%, 0.46%

LAB 45.8, 68.19, -23.98

 

CMYK 0 / 72 / 20 / 16

HEX #D73CAB

RGB 215 60 171

HSL 317.03, 0.66%, 0.54%

LAB 52.53, 69.66, -25.75

 

CMYK 0 / 58 / 16 / 13

HEX #DE5EBA

RGB 222 94 186

HSL 316.88, 0.66%, 0.62%

LAB 59.05, 60.32, -24.3

 

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

CMYK 0 / 41 / 80 / 24

HEX #C27227

RGB 194 114 39

HSL 29.03, 0.67%, 0.46%

LAB 55.74, 25.97, 52.18

 

CMYK 80 / 0 / 9 / 24

HEX #27C2B0

RGB 39 194 176

HSL 173.03, 0.67%, 0.46%

LAB 70.97, -42.33, -1.98

 

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

CMYK 23 / 0 / 80 / 24

HEX #96C227

RGB 150 194 39

HSL 77.03, 0.67%, 0.46%

LAB 73.03, -35.07, 66.55

 

CMYK 80 / 23 / 0 / 24

HEX #2796C2

RGB 39 150 194

HSL 197.03, 0.67%, 0.46%

LAB 58.17, -15.13, -31.36

 

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

CMYK 0 / 41 / 80 / 24

HEX #C27227

RGB 194 114 39

HSL 29.03, 0.67%, 0.46%

LAB 55.74, 25.97, 52.18

 

CMYK 80 / 0 / 57 / 24

HEX #27C253

RGB 39 194 83

HSL 137.03, 0.67%, 0.46%

LAB 69.21, -61.75, 44.34

 

CMYK 80 / 39 / 0 / 24

HEX #2777C2

RGB 39 119 194

HSL 209.03, 0.67%, 0.46%

LAB 48.91, 2.88, -45.92

 

CMYK 0 / 79 / 23 / 24

HEX #C32897

RGB 195 40 151

HSL 317.03, 0.66%, 0.46%

LAB 46.12, 68.29, -24.08

 

CMYK 0 / 17 / 80 / 24

HEX #C2A127

RGB 194 161 39

HSL 47.23, 0.67%, 0.46%

LAB 67.36, 0.31, 62.77

 

CMYK 80 / 0 / 57 / 24

HEX #27C253

RGB 39 194 83

HSL 137.03, 0.67%, 0.46%

LAB 69.21, -61.75, 44.34

 

CMYK 80 / 62 / 0 / 24

HEX #2749C2

RGB 39 73 194

HSL 226.84, 0.67%, 0.46%

LAB 36.16, 32.5, -66.51

 

Description

Color code: RGB 195 40 151 | qconv.com Color code: RGB 195 40 151 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 40 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 40 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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