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Color name
RGB 196 129 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 129 58 it is the complementary color RGB 59 126 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 129 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 129 58 shade: RGB 201 129 53, RGB 218 147 72, RGB 235 165 91, RGB 252 183 110 and RGB 255 201 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 129 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 179 111 39, RGB 162 93 20, RGB 145 75 1 and RGB 128 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 196 92 58 and RGB 196 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 196 166 58, RGB 188 196 58, RGB 151 196 58 and RGB 114 196 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 129 58 shade matches the following richer shades: RGB 196 129 58, RGB 216 130 38 and RGB 237 130 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 175 128 79, RGB 155 128 99, RGB 134 127 120 and RGB 113 127 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 129 58 shade: RGB 196 58 63, RGB 196 90 58, RGB 196 127 58, RGB 196 164 58 and RGB 191 196 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 129 58 shade: RGB 132 87 39, RGB 164 108 49, RGB 196 129 58, RGB 205 149 90 and RGB 215 170 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 99 196 58 and RGB 72 58 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 58 196 127 and RGB 127 58 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 99 196 58, RGB 58 127 196 and RGB 155 58 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 129 58 shade: RGB 196 129 58, RGB 58 196 58, RGB 58 127 196 and RGB 196 58 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

Complementary color

CMYK 70 / 36 / 0 / 23

HEX #3B7EC5

RGB 59 126 197

HSL 210.87, 0.54%, 0.5%

LAB 51.7, 2.27, -43.17

 

CMYK 0 / 36 / 74 / 21

HEX #C98135

RGB 201 129 53

HSL 30.81, 0.58%, 0.5%

LAB 60.23, 21.36, 50.82

 

CMYK 0 / 33 / 67 / 15

HEX #DA9348

RGB 218 147 72

HSL 30.82, 0.66%, 0.57%

LAB 66.7, 19.82, 49.47

 

CMYK 0 / 30 / 61 / 8

HEX #EBA55B

RGB 235 165 91

HSL 30.83, 0.78%, 0.64%

LAB 73.11, 18.48, 48.02

 

CMYK 0 / 27 / 56 / 1

HEX #FCB76E

RGB 252 183 110

HSL 30.85, 0.96%, 0.71%

LAB 79.44, 17.3, 46.58

 

CMYK 0 / 21 / 49 / 0

HEX #FFC981

RGB 255 201 129

HSL 34.29, 1%, 0.75%

LAB 84.29, 10.69, 43.12

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 38 / 78 / 30

HEX #B36F27

RGB 179 111 39

HSL 30.86, 0.64%, 0.43%

LAB 53.06, 21.16, 48.94

 

CMYK 0 / 43 / 88 / 36

HEX #A25D14

RGB 162 93 20

HSL 30.85, 0.78%, 0.36%

LAB 46.39, 23.12, 49.49

 

CMYK 0 / 48 / 99 / 43

HEX #914B01

RGB 145 75 1

HSL 30.83, 0.99%, 0.29%

LAB 39.67, 25.34, 48.97

 

CMYK 0 / 55 / 100 / 50

HEX #803900

RGB 128 57 0

HSL 26.72, 1%, 0.25%

LAB 32.95, 27.88, 43.88

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 53 / 70 / 23

HEX #C45C3A

RGB 196 92 58

HSL 14.78, 0.54%, 0.5%

LAB 51.49, 39.21, 38.75

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 15 / 70 / 23

HEX #C4A63A

RGB 196 166 58

HSL 46.96, 0.54%, 0.5%

LAB 68.98, -0.66, 57.4

 

CMYK 4 / 0 / 70 / 23

HEX #BCC43A

RGB 188 196 58

HSL 63.48, 0.54%, 0.5%

LAB 76.36, -19.57, 64.51

 

CMYK 23 / 0 / 70 / 23

HEX #97C43A

RGB 151 196 58

HSL 79.57, 0.54%, 0.5%

LAB 73.78, -34.63, 61.09

 

CMYK 42 / 0 / 70 / 23

HEX #72C43A

RGB 114 196 58

HSL 95.65, 0.54%, 0.5%

LAB 71.8, -47.98, 58.44

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 40 / 82 / 15

HEX #D88226

RGB 216 130 38

HSL 31.01, 0.7%, 0.5%

LAB 62.26, 26.62, 59.55

 

CMYK 0 / 45 / 93 / 7

HEX #ED8211

RGB 237 130 17

HSL 30.82, 0.87%, 0.5%

LAB 64.97, 34.85, 68.82

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 27 / 55 / 31

HEX #AF804F

RGB 175 128 79

HSL 30.63, 0.38%, 0.5%

LAB 57.19, 12.44, 33.52

 

CMYK 0 / 17 / 36 / 39

HEX #9B8063

RGB 155 128 99

HSL 31.07, 0.22%, 0.5%

LAB 55.39, 6.06, 19.64

 

CMYK 0 / 5 / 10 / 47

HEX #867F78

RGB 134 127 120

HSL 30, 0.06%, 0.5%

LAB 53.6, 1.35, 4.74

 

CMYK 20 / 10 / 0 / 45

HEX #717F8D

RGB 113 127 141

HSL 210, 0.11%, 0.5%

LAB 52.52, -1.94, -9.29

 

CMYK 0 / 70 / 68 / 23

HEX #C43A3F

RGB 196 58 63

HSL 357.83, 0.54%, 0.5%

LAB 45.8, 54.73, 29.22

 

CMYK 0 / 54 / 70 / 23

HEX #C45A3A

RGB 196 90 58

HSL 13.91, 0.54%, 0.5%

LAB 51.1, 40.22, 38.31

 

CMYK 0 / 35 / 70 / 23

HEX #C47F3A

RGB 196 127 58

HSL 30, 0.54%, 0.5%

LAB 59.18, 20.57, 47.21

 

CMYK 0 / 16 / 70 / 23

HEX #C4A43A

RGB 196 164 58

HSL 46.09, 0.54%, 0.5%

LAB 68.45, 0.41, 56.87

 

CMYK 3 / 0 / 70 / 23

HEX #BFC43A

RGB 191 196 58

HSL 62.17, 0.54%, 0.5%

LAB 76.6, -18.31, 64.82

 

CMYK 0 / 34 / 70 / 48

HEX #845727

RGB 132 87 39

HSL 30.97, 0.54%, 0.34%

LAB 41.01, 13.8, 34.64

 

CMYK 0 / 34 / 70 / 36

HEX #A46C31

RGB 164 108 49

HSL 30.78, 0.54%, 0.42%

LAB 50.5, 16.72, 41.07

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 0 / 27 / 56 / 20

HEX #CD955A

RGB 205 149 90

HSL 30.78, 0.53%, 0.58%

LAB 65.91, 14.52, 39.15

 

CMYK 0 / 21 / 43 / 16

HEX #D7AA7A

RGB 215 170 122

HSL 30.97, 0.54%, 0.66%

LAB 72.63, 10.29, 30.99

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 49 / 0 / 70 / 23

HEX #63C43A

RGB 99 196 58

HSL 102.17, 0.54%, 0.5%

LAB 71.17, -52.63, 57.59

 

CMYK 63 / 70 / 0 / 23

HEX #483AC4

RGB 72 58 196

HSL 246.09, 0.54%, 0.5%

LAB 34.78, 46.11, -69.87

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 70 / 0 / 35 / 23

HEX #3AC47F

RGB 58 196 127

HSL 150, 0.54%, 0.5%

LAB 70.81, -52.48, 24.28

 

CMYK 35 / 70 / 0 / 23

HEX #7F3AC4

RGB 127 58 196

HSL 270, 0.54%, 0.5%

LAB 40.45, 55.21, -60.38

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 49 / 0 / 70 / 23

HEX #63C43A

RGB 99 196 58

HSL 102.17, 0.54%, 0.5%

LAB 71.17, -52.63, 57.59

 

CMYK 70 / 35 / 0 / 23

HEX #3A7FC4

RGB 58 127 196

HSL 210, 0.54%, 0.5%

LAB 51.91, 1.16, -42.27

 

CMYK 21 / 70 / 0 / 23

HEX #9B3AC4

RGB 155 58 196

HSL 282.17, 0.54%, 0.5%

LAB 44.2, 60.83, -54.12

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 70 / 0 / 70 / 23

HEX #3AC43A

RGB 58 196 58

HSL 120, 0.54%, 0.5%

LAB 69.95, -62.35, 55.95

 

CMYK 70 / 35 / 0 / 23

HEX #3A7FC4

RGB 58 127 196

HSL 210, 0.54%, 0.5%

LAB 51.91, 1.16, -42.27

 

CMYK 0 / 70 / 0 / 23

HEX #C43AC4

RGB 196 58 196

HSL 300, 0.54%, 0.5%

LAB 50.39, 69.61, -43.88

 

Description

Color code: RGB 196 129 58 | qconv.com Color code: RGB 196 129 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 129 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 129 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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