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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 167 220 it is the complementary color RGB 59 88 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 167 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 167 220 shade: RGB 201 167 215, RGB 218 185 234, RGB 235 203 253, RGB 252 221 255 and RGB 255 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 167 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 179 149 201, RGB 162 131 182, RGB 145 113 163 and RGB 128 95 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 210 167 220, RGB 220 167 215, RGB 220 167 201 and RGB 220 167 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 182 167 220, RGB 167 167 220 and RGB 167 167 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 167 220 shade matches the following richer shades: RGB 196 167 220, RGB 197 157 230, RGB 198 147 239 and RGB 199 137 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 195 177 210, RGB 194 187 200, RGB 193 197 190 and RGB 192 207 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 167 220 shade: RGB 167 167 220, RGB 181 167 220, RGB 195 167 220, RGB 209 167 220 and RGB 220 167 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 167 220 shade: RGB 156 108 196, RGB 176 137 208, RGB 196 167 220, RGB 216 196 231 and RGB 235 226 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 220 167 181 and RGB 167 220 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 220 195 167 and RGB 167 220 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 220 167 181, RGB 192 220 167 and RGB 167 220 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 167 220 shade: RGB 196 167 220, RGB 220 169 167, RGB 192 220 167 and RGB 167 218 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

Complementary color

CMYK 33 / 0 / 60 / 65

HEX #3B5823

RGB 59 88 35

HSL 92.83, 0.43%, 0.24%

LAB 34.05, -21.2, 26.94

 

CMYK 7 / 22 / 0 / 16

HEX #C9A7D7

RGB 201 167 215

HSL 282.5, 0.38%, 0.75%

LAB 72.87, 21.04, -19.66

 

CMYK 7 / 21 / 0 / 8

HEX #DAB9EA

RGB 218 185 234

HSL 280.41, 0.54%, 0.82%

LAB 79.35, 20.55, -20

 

CMYK 7 / 20 / 0 / 1

HEX #EBCBFD

RGB 235 203 253

HSL 278.4, 0.93%, 0.89%

LAB 85.74, 20.09, -20.34

 

CMYK 1 / 13 / 0 / 0

HEX #FCDDFF

RGB 252 221 255

HSL 294.71, 1%, 0.93%

LAB 91.52, 16.48, -12.56

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 11 / 26 / 0 / 21

HEX #B395C9

RGB 179 149 201

HSL 274.62, 0.33%, 0.69%

LAB 65.98, 20.97, -22.6

 

CMYK 11 / 28 / 0 / 29

HEX #A283B6

RGB 162 131 182

HSL 276.47, 0.26%, 0.61%

LAB 59.24, 21.54, -22.34

 

CMYK 11 / 31 / 0 / 36

HEX #9171A3

RGB 145 113 163

HSL 278.4, 0.21%, 0.54%

LAB 52.37, 22.18, -22.1

 

CMYK 11 / 34 / 0 / 44

HEX #805F90

RGB 128 95 144

HSL 280.41, 0.21%, 0.47%

LAB 45.34, 22.88, -21.86

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 5 / 24 / 0 / 14

HEX #D2A7DC

RGB 210 167 220

HSL 288.68, 0.43%, 0.76%

LAB 73.87, 24.97, -20.79

 

CMYK 0 / 24 / 2 / 14

HEX #DCA7D7

RGB 220 167 215

HSL 305.66, 0.43%, 0.76%

LAB 74.67, 27.33, -16.76

 

CMYK 0 / 24 / 9 / 14

HEX #DCA7C9

RGB 220 167 201

HSL 321.51, 0.43%, 0.76%

LAB 74.23, 24.86, -9.75

 

CMYK 0 / 24 / 15 / 14

HEX #DCA7BB

RGB 220 167 187

HSL 337.36, 0.43%, 0.76%

LAB 73.83, 22.53, -2.66

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 17 / 24 / 0 / 14

HEX #B6A7DC

RGB 182 167 220

HSL 256.98, 0.43%, 0.76%

LAB 71.38, 15.99, -24.81

 

CMYK 24 / 24 / 0 / 14

HEX #A7A7DC

RGB 167 167 220

HSL 240, 0.43%, 0.76%

LAB 70.19, 11.35, -26.74

 

CMYK 24 / 24 / 0 / 14

HEX #A7A7DC

RGB 167 167 220

HSL 240, 0.43%, 0.76%

LAB 70.19, 11.35, -26.74

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 14 / 32 / 0 / 10

HEX #C59DE6

RGB 197 157 230

HSL 272.88, 0.59%, 0.76%

LAB 70.66, 28.37, -31.29

 

CMYK 17 / 38 / 0 / 6

HEX #C693EF

RGB 198 147 239

HSL 273.26, 0.74%, 0.76%

LAB 68.83, 36.11, -39.06

 

CMYK 20 / 45 / 0 / 2

HEX #C789F9

RGB 199 137 249

HSL 273.21, 0.9%, 0.76%

LAB 67.18, 44, -47.11

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 7 / 16 / 0 / 18

HEX #C3B1D2

RGB 195 177 210

HSL 272.73, 0.27%, 0.76%

LAB 74.64, 12.58, -14.31

 

CMYK 3 / 7 / 0 / 22

HEX #C2BBC8

RGB 194 187 200

HSL 272.31, 0.11%, 0.76%

LAB 76.79, 4.87, -5.67

 

CMYK 2 / 0 / 4 / 23

HEX #C1C5BE

RGB 193 197 190

HSL 94.29, 0.06%, 0.76%

LAB 79.03, -2.66, 3.02

 

CMYK 7 / 0 / 13 / 19

HEX #C0CFB4

RGB 192 207 180

HSL 93.33, 0.22%, 0.76%

LAB 81.36, -9.97, 11.7

 

CMYK 24 / 24 / 0 / 14

HEX #A7A7DC

RGB 167 167 220

HSL 240, 0.43%, 0.76%

LAB 70.19, 11.35, -26.74

 

CMYK 18 / 24 / 0 / 14

HEX #B5A7DC

RGB 181 167 220

HSL 255.85, 0.43%, 0.76%

LAB 71.3, 15.67, -24.94

 

CMYK 11 / 24 / 0 / 14

HEX #C3A7DC

RGB 195 167 220

HSL 271.7, 0.43%, 0.76%

LAB 72.5, 20.12, -23.01

 

CMYK 5 / 24 / 0 / 14

HEX #D1A7DC

RGB 209 167 220

HSL 287.55, 0.43%, 0.76%

LAB 73.78, 24.65, -20.94

 

CMYK 0 / 24 / 2 / 14

HEX #DCA7D8

RGB 220 167 216

HSL 304.53, 0.43%, 0.76%

LAB 74.71, 27.52, -17.25

 

CMYK 20 / 45 / 0 / 23

HEX #9C6CC4

RGB 156 108 196

HSL 272.73, 0.43%, 0.6%

LAB 53.79, 35.92, -38.85

 

CMYK 15 / 34 / 0 / 18

HEX #B089D0

RGB 176 137 208

HSL 272.96, 0.43%, 0.68%

LAB 63.07, 28.27, -31

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 6 / 15 / 0 / 9

HEX #D8C4E7

RGB 216 196 231

HSL 274.29, 0.42%, 0.84%

LAB 81.76, 13.39, -14.78

 

CMYK 3 / 7 / 0 / 5

HEX #EBE2F3

RGB 235 226 243

HSL 271.76, 0.41%, 0.92%

LAB 91.02, 6.1, -7.17

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 0 / 24 / 18 / 14

HEX #DCA7B5

RGB 220 167 181

HSL 344.15, 0.43%, 0.76%

LAB 73.67, 21.58, 0.39

 

CMYK 24 / 0 / 21 / 14

HEX #A7DCAE

RGB 167 220 174

HSL 127.92, 0.43%, 0.76%

LAB 83.16, -26.02, 17.17

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 0 / 11 / 24 / 14

HEX #DCC3A7

RGB 220 195 167

HSL 31.7, 0.43%, 0.76%

LAB 80.2, 4.53, 17.31

 

CMYK 24 / 0 / 11 / 14

HEX #A7DCC3

RGB 167 220 195

HSL 151.7, 0.43%, 0.76%

LAB 83.62, -22.1, 6.75

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 0 / 24 / 18 / 14

HEX #DCA7B5

RGB 220 167 181

HSL 344.15, 0.43%, 0.76%

LAB 73.67, 21.58, 0.39

 

CMYK 13 / 0 / 24 / 14

HEX #C0DCA7

RGB 192 220 167

HSL 91.7, 0.43%, 0.76%

LAB 84.58, -18.63, 23.04

 

CMYK 24 / 0 / 6 / 14

HEX #A7DCCE

RGB 167 220 206

HSL 164.15, 0.43%, 0.76%

LAB 83.89, -19.88, 1.32

 

CMYK 11 / 24 / 0 / 14

HEX #C4A7DC

RGB 196 167 220

HSL 272.83, 0.43%, 0.76%

LAB 72.59, 20.44, -22.86

 

CMYK 0 / 23 / 24 / 14

HEX #DCA9A7

RGB 220 169 167

HSL 2.26, 0.43%, 0.76%

LAB 73.79, 18.41, 8.26

 

CMYK 13 / 0 / 24 / 14

HEX #C0DCA7

RGB 192 220 167

HSL 91.7, 0.43%, 0.76%

LAB 84.58, -18.63, 23.04

 

CMYK 24 / 1 / 0 / 14

HEX #A7DADC

RGB 167 218 220

HSL 182.26, 0.43%, 0.76%

LAB 83.72, -15.89, -6.36

 

Description

Color code: RGB 196 167 220 | qconv.com Color code: RGB 196 167 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 167 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 167 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 24 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 24% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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