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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 178 52 it is the complementary color RGB 59 77 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 178 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 178 52 shade: RGB 201 178 47, RGB 218 196 66, RGB 235 214 85, RGB 252 232 104 and RGB 255 250 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 178 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 178 52 shade: RGB 196 178 52, RGB 179 160 33, RGB 162 142 14, RGB 145 124 0 and RGB 128 106 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 178 52 shade: RGB 197 179 52, RGB 197 140 52, RGB 197 101 52, RGB 197 62 52 and RGB 197 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 178 52 shade: RGB 197 179 52, RGB 176 197 52, RGB 137 197 52, RGB 98 197 52 and RGB 59 197 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 178 52 shade matches the following richer shades: RGB 197 179 52, RGB 217 194 32 and RGB 237 209 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 178 52 shade: RGB 197 179 52, RGB 177 164 72, RGB 156 148 92, RGB 136 133 113 and RGB 116 118 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 178 52 shade: RGB 197 100 52, RGB 197 139 52, RGB 197 178 52, RGB 178 197 52 and RGB 139 197 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 178 52 shade: RGB 132 120 35, RGB 164 149 43, RGB 197 179 52, RGB 209 193 82 and RGB 217 204 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 178 52 shade: RGB 196 178 52, RGB 52 197 62 and RGB 120 52 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 178 52 shade: RGB 196 178 52, RGB 52 197 178 and RGB 178 52 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 178 52 shade: RGB 196 178 52, RGB 52 197 62, RGB 52 71 197 and RGB 197 52 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 178 52 shade: RGB 196 178 52, RGB 52 197 105, RGB 52 71 197 and RGB 197 52 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

Complementary color

CMYK 71 / 62 / 0 / 20

HEX #3B4DCB

RGB 59 77 203

HSL 232.5, 0.58%, 0.51%

LAB 38.81, 35.36, -67.38

 

CMYK 0 / 11 / 77 / 21

HEX #C9B22F

RGB 201 178 47

HSL 51.04, 0.62%, 0.49%

LAB 72.54, -5.31, 65.09

 

CMYK 0 / 10 / 70 / 15

HEX #DAC442

RGB 218 196 66

HSL 51.32, 0.67%, 0.56%

LAB 78.91, -6.46, 64.88

 

CMYK 0 / 9 / 64 / 8

HEX #EBD655

RGB 235 214 85

HSL 51.6, 0.79%, 0.63%

LAB 85.21, -7.44, 64.21

 

CMYK 0 / 8 / 59 / 1

HEX #FCE868

RGB 252 232 104

HSL 51.89, 0.96%, 0.7%

LAB 91.42, -8.28, 63.3

 

CMYK 0 / 2 / 52 / 0

HEX #FFFA7B

RGB 255 250 123

HSL 57.73, 1%, 0.74%

LAB 96.44, -14.52, 60.67

 

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

CMYK 0 / 11 / 82 / 30

HEX #B3A021

RGB 179 160 33

HSL 52.19, 0.69%, 0.42%

LAB 65.62, -6.03, 62.54

 

CMYK 0 / 12 / 91 / 36

HEX #A28E0E

RGB 162 142 14

HSL 51.89, 0.84%, 0.35%

LAB 59.03, -4.53, 61.05

 

CMYK 0 / 14 / 100 / 43

HEX #917C00

RGB 145 124 0

HSL 51.31, 1%, 0.28%

LAB 52.33, -2.75, 57.74

 

CMYK 0 / 17 / 100 / 50

HEX #806A00

RGB 128 106 0

HSL 49.69, 1%, 0.25%

LAB 45.49, -0.65, 52.09

 

CMYK 0 / 9 / 74 / 23

HEX #C5B334

RGB 197 179 52

HSL 52.55, 0.58%, 0.49%

LAB 72.47, -7.36, 63.16

 

CMYK 0 / 29 / 74 / 23

HEX #C58C34

RGB 197 140 52

HSL 36.41, 0.58%, 0.49%

LAB 62.4, 13.57, 53.31

 

CMYK 0 / 49 / 74 / 23

HEX #C56534

RGB 197 101 52

HSL 20.28, 0.58%, 0.49%

LAB 53.41, 34.68, 44.02

 

CMYK 0 / 69 / 74 / 23

HEX #C53E34

RGB 197 62 52

HSL 4.14, 0.58%, 0.49%

LAB 46.4, 52.97, 36.36

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 9 / 74 / 23

HEX #C5B334

RGB 197 179 52

HSL 52.55, 0.58%, 0.49%

LAB 72.47, -7.36, 63.16

 

CMYK 11 / 0 / 74 / 23

HEX #B0C534

RGB 176 197 52

HSL 68.69, 0.58%, 0.49%

LAB 75.71, -25.36, 65.66

 

CMYK 30 / 0 / 74 / 23

HEX #89C534

RGB 137 197 52

HSL 84.83, 0.58%, 0.49%

LAB 73.22, -40.75, 62.4

 

CMYK 50 / 0 / 74 / 23

HEX #62C534

RGB 98 197 52

HSL 100.97, 0.58%, 0.49%

LAB 71.4, -53.74, 60

 

CMYK 70 / 0 / 74 / 23

HEX #3BC534

RGB 59 197 52

HSL 117.1, 0.58%, 0.49%

LAB 70.25, -62.98, 58.47

 

CMYK 0 / 9 / 74 / 23

HEX #C5B334

RGB 197 179 52

HSL 52.55, 0.58%, 0.49%

LAB 72.47, -7.36, 63.16

 

CMYK 0 / 11 / 85 / 15

HEX #D9C220

RGB 217 194 32

HSL 52.54, 0.74%, 0.49%

LAB 78.13, -7.11, 74.72

 

CMYK 0 / 12 / 95 / 7

HEX #EDD10C

RGB 237 209 12

HSL 52.53, 0.9%, 0.49%

LAB 83.77, -6.47, 83.06

 

CMYK 0 / 9 / 74 / 23

HEX #C5B334

RGB 197 179 52

HSL 52.55, 0.58%, 0.49%

LAB 72.47, -7.36, 63.16

 

CMYK 0 / 7 / 59 / 31

HEX #B1A448

RGB 177 164 72

HSL 52.57, 0.42%, 0.49%

LAB 66.8, -6.98, 48.4

 

CMYK 0 / 5 / 41 / 39

HEX #9C945C

RGB 156 148 92

HSL 52.5, 0.26%, 0.49%

LAB 60.8, -5.5, 30.65

 

CMYK 0 / 2 / 17 / 47

HEX #888571

RGB 136 133 113

HSL 52.17, 0.09%, 0.49%

LAB 55.28, -2.49, 11.2

 

CMYK 13 / 11 / 0 / 48

HEX #747685

RGB 116 118 133

HSL 232.94, 0.07%, 0.49%

LAB 49.93, 2.48, -8.45

 

CMYK 0 / 49 / 74 / 23

HEX #C56434

RGB 197 100 52

HSL 19.86, 0.58%, 0.49%

LAB 53.2, 35.21, 43.8

 

CMYK 0 / 29 / 74 / 23

HEX #C58B34

RGB 197 139 52

HSL 36, 0.58%, 0.49%

LAB 62.15, 14.12, 53.06

 

CMYK 0 / 10 / 74 / 23

HEX #C5B234

RGB 197 178 52

HSL 52.14, 0.58%, 0.49%

LAB 72.2, -6.84, 62.91

 

CMYK 10 / 0 / 74 / 23

HEX #B2C534

RGB 178 197 52

HSL 67.86, 0.58%, 0.49%

LAB 75.85, -24.54, 65.84

 

CMYK 29 / 0 / 74 / 23

HEX #8BC534

RGB 139 197 52

HSL 84, 0.58%, 0.49%

LAB 73.33, -40.01, 62.54

 

CMYK 0 / 9 / 73 / 48

HEX #847823

RGB 132 120 35

HSL 52.58, 0.58%, 0.33%

LAB 50.05, -5.57, 45.87

 

CMYK 0 / 9 / 74 / 36

HEX #A4952B

RGB 164 149 43

HSL 52.56, 0.58%, 0.41%

LAB 61.27, -6.46, 54.69

 

CMYK 0 / 9 / 74 / 23

HEX #C5B334

RGB 197 179 52

HSL 52.55, 0.58%, 0.49%

LAB 72.47, -7.36, 63.16

 

CMYK 0 / 8 / 61 / 18

HEX #D1C152

RGB 209 193 82

HSL 52.44, 0.58%, 0.57%

LAB 77.46, -7.78, 56.47

 

CMYK 0 / 6 / 47 / 15

HEX #D9CC72

RGB 217 204 114

HSL 52.43, 0.58%, 0.65%

LAB 81.38, -7.54, 46.19

 

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

CMYK 74 / 0 / 69 / 23

HEX #34C53E

RGB 52 197 62

HSL 124.14, 0.58%, 0.49%

LAB 70.18, -63.32, 54.6

 

CMYK 39 / 74 / 0 / 23

HEX #7834C5

RGB 120 52 197

HSL 268.14, 0.58%, 0.49%

LAB 38.69, 56.88, -63.86

 

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

CMYK 74 / 0 / 10 / 23

HEX #34C5B2

RGB 52 197 178

HSL 172.14, 0.58%, 0.49%

LAB 72.15, -41.72, -1.33

 

CMYK 10 / 74 / 0 / 23

HEX #B234C5

RGB 178 52 197

HSL 292.14, 0.58%, 0.49%

LAB 46.91, 67.99, -50.17

 

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

CMYK 74 / 0 / 69 / 23

HEX #34C53E

RGB 52 197 62

HSL 124.14, 0.58%, 0.49%

LAB 70.18, -63.32, 54.6

 

CMYK 74 / 64 / 0 / 23

HEX #3447C5

RGB 52 71 197

HSL 232.14, 0.58%, 0.49%

LAB 36.49, 36.19, -67.69

 

CMYK 0 / 74 / 5 / 23

HEX #C534BB

RGB 197 52 187

HSL 304.14, 0.58%, 0.49%

LAB 49.39, 70.35, -40.23

 

CMYK 0 / 9 / 73 / 23

HEX #C4B234

RGB 196 178 52

HSL 52.5, 0.58%, 0.49%

LAB 72.11, -7.28, 62.79

 

CMYK 74 / 0 / 47 / 23

HEX #34C569

RGB 52 197 105

HSL 141.93, 0.58%, 0.49%

LAB 70.65, -57.77, 35.43

 

CMYK 74 / 64 / 0 / 23

HEX #3447C5

RGB 52 71 197

HSL 232.14, 0.58%, 0.49%

LAB 36.49, 36.19, -67.69

 

CMYK 0 / 74 / 27 / 23

HEX #C53490

RGB 197 52 144

HSL 321.93, 0.58%, 0.49%

LAB 47.42, 64.37, -17.84

 

Description

Color code: RGB 196 178 52 | qconv.com Color code: RGB 196 178 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 178 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 178 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 73 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 73% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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