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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 192 187 it is the complementary color RGB 59 63 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 192 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 192 187 shade: RGB 201 192 182, RGB 218 210 201, RGB 235 228 220 and RGB 252 246 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 192 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 192 187 shade: RGB 196 192 187, RGB 179 174 168, RGB 162 156 149, RGB 145 138 130 and RGB 128 120 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 192 187 shade: RGB 195 191 186, RGB 195 189 186, RGB 195 186 186 and RGB 195 186 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 192 187 shade: RGB 195 191 186, RGB 195 194 186, RGB 194 195 186, RGB 192 195 186 and RGB 190 195 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 192 187 shade matches the following richer shades: RGB 195 191 186, RGB 206 192 176, RGB 216 194 166, RGB 226 195 155 and RGB 236 196 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 192 187 shade: RGB 195 191 186, RGB 185 190 197, RGB 175 189 207, RGB 164 188 217 and RGB 154 187 228

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 192 187 shade: RGB 195 186 186, RGB 195 189 186, RGB 195 191 186, RGB 195 194 186 and RGB 194 195 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 192 187 shade: RGB 157 150 142, RGB 176 171 164, RGB 195 191 186, RGB 214 212 208 and RGB 234 232 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 192 187 shade: RGB 196 192 187, RGB 189 195 186 and RGB 188 186 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 192 187 shade: RGB 196 192 187, RGB 186 195 191 and RGB 191 186 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 192 187 shade: RGB 196 192 187, RGB 189 195 186, RGB 186 190 195 and RGB 193 186 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 192 187 shade: RGB 196 192 187, RGB 186 195 187, RGB 186 190 195 and RGB 195 186 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

Complementary color

CMYK 13 / 7 / 0 / 73

HEX #3B3F44

RGB 59 63 68

HSL 213.33, 0.07%, 0.25%

LAB 26.45, -0.46, -3.63

 

CMYK 0 / 4 / 9 / 21

HEX #C9C0B6

RGB 201 192 182

HSL 31.58, 0.15%, 0.75%

LAB 78.17, 1.42, 6.15

 

CMYK 0 / 4 / 8 / 15

HEX #DAD2C9

RGB 218 210 201

HSL 31.76, 0.19%, 0.82%

LAB 84.59, 1.2, 5.42

 

CMYK 0 / 3 / 6 / 8

HEX #EBE4DC

RGB 235 228 220

HSL 32, 0.27%, 0.89%

LAB 90.92, 1, 4.73

 

CMYK 0 / 2 / 5 / 1

HEX #FCF6EF

RGB 252 246 239

HSL 32.31, 0.68%, 0.96%

LAB 97.16, 0.81, 4.06

 

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

CMYK 0 / 3 / 6 / 30

HEX #B3AEA8

RGB 179 174 168

HSL 32.73, 0.07%, 0.68%

LAB 71.34, 0.7, 3.7

 

CMYK 0 / 4 / 8 / 36

HEX #A29C95

RGB 162 156 149

HSL 32.31, 0.07%, 0.61%

LAB 64.67, 0.91, 4.43

 

CMYK 0 / 5 / 10 / 43

HEX #918A82

RGB 145 138 130

HSL 32, 0.06%, 0.54%

LAB 57.85, 1.14, 5.21

 

CMYK 0 / 6 / 13 / 50

HEX #80786F

RGB 128 120 111

HSL 31.76, 0.07%, 0.47%

LAB 50.89, 1.4, 6.03

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 0 / 3 / 5 / 24

HEX #C3BDBA

RGB 195 189 186

HSL 20, 0.07%, 0.75%

LAB 77.01, 1.57, 2.25

 

CMYK 0 / 5 / 5 / 24

HEX #C3BABA

RGB 195 186 186

HSL 0, 0.07%, 0.75%

LAB 76.23, 3.17, 1.12

 

CMYK 0 / 5 / 5 / 24

HEX #C3BABA

RGB 195 186 186

HSL 0, 0.07%, 0.75%

LAB 76.23, 3.17, 1.12

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 0 / 1 / 5 / 24

HEX #C3C2BA

RGB 195 194 186

HSL 53.33, 0.07%, 0.75%

LAB 78.3, -1.09, 4.13

 

CMYK 1 / 0 / 5 / 24

HEX #C2C3BA

RGB 194 195 186

HSL 66.67, 0.07%, 0.75%

LAB 78.49, -1.97, 4.39

 

CMYK 2 / 0 / 5 / 24

HEX #C0C3BA

RGB 192 195 186

HSL 80, 0.07%, 0.75%

LAB 78.33, -2.67, 4.15

 

CMYK 3 / 0 / 5 / 24

HEX #BEC3BA

RGB 190 195 186

HSL 93.33, 0.07%, 0.75%

LAB 78.18, -3.38, 3.91

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 0 / 7 / 15 / 19

HEX #CEC0B0

RGB 206 192 176

HSL 32, 0.23%, 0.75%

LAB 78.44, 2.25, 9.83

 

CMYK 0 / 10 / 23 / 15

HEX #D8C2A6

RGB 216 194 166

HSL 33.6, 0.39%, 0.75%

LAB 79.58, 3.4, 16.92

 

CMYK 0 / 14 / 31 / 11

HEX #E2C39B

RGB 226 195 155

HSL 33.8, 0.55%, 0.75%

LAB 80.5, 5.21, 24.18

 

CMYK 0 / 17 / 39 / 7

HEX #ECC491

RGB 236 196 145

HSL 33.63, 0.71%, 0.75%

LAB 81.49, 7.38, 30.93

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 6 / 4 / 0 / 23

HEX #B9BEC5

RGB 185 190 197

HSL 215, 0.09%, 0.75%

LAB 76.78, -0.38, -4.13

 

CMYK 15 / 9 / 0 / 19

HEX #AFBDCF

RGB 175 189 207

HSL 213.75, 0.25%, 0.75%

LAB 76.08, -1.11, -10.68

 

CMYK 24 / 13 / 0 / 15

HEX #A4BCD9

RGB 164 188 217

HSL 212.83, 0.41%, 0.75%

LAB 75.37, -1.79, -17.24

 

CMYK 32 / 18 / 0 / 11

HEX #9ABBE4

RGB 154 187 228

HSL 213.24, 0.58%, 0.75%

LAB 74.83, -1.53, -24.08

 

CMYK 0 / 5 / 5 / 24

HEX #C3BABA

RGB 195 186 186

HSL 0, 0.07%, 0.75%

LAB 76.23, 3.17, 1.12

 

CMYK 0 / 3 / 5 / 24

HEX #C3BDBA

RGB 195 189 186

HSL 20, 0.07%, 0.75%

LAB 77.01, 1.57, 2.25

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 0 / 1 / 5 / 24

HEX #C3C2BA

RGB 195 194 186

HSL 53.33, 0.07%, 0.75%

LAB 78.3, -1.09, 4.13

 

CMYK 1 / 0 / 5 / 24

HEX #C2C3BA

RGB 194 195 186

HSL 66.67, 0.07%, 0.75%

LAB 78.49, -1.97, 4.39

 

CMYK 0 / 4 / 10 / 38

HEX #9D968E

RGB 157 150 142

HSL 32, 0.07%, 0.59%

LAB 62.45, 1.12, 5.12

 

CMYK 0 / 3 / 7 / 31

HEX #B0ABA4

RGB 176 171 164

HSL 35, 0.07%, 0.67%

LAB 70.2, 0.52, 4.22

 

CMYK 0 / 2 / 5 / 24

HEX #C3BFBA

RGB 195 191 186

HSL 33.33, 0.07%, 0.75%

LAB 77.52, 0.5, 3

 

CMYK 0 / 1 / 3 / 16

HEX #D6D4D0

RGB 214 212 208

HSL 40, 0.07%, 0.83%

LAB 84.96, -0.03, 2.21

 

CMYK 0 / 1 / 2 / 8

HEX #EAE8E6

RGB 234 232 230

HSL 30, 0.09%, 0.91%

LAB 92.1, 0.32, 1.2

 

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

CMYK 3 / 0 / 5 / 24

HEX #BDC3BA

RGB 189 195 186

HSL 100, 0.07%, 0.75%

LAB 78.11, -3.72, 3.79

 

CMYK 4 / 5 / 0 / 24

HEX #BCBAC3

RGB 188 186 195

HSL 253.33, 0.07%, 0.75%

LAB 75.92, 2.4, -4.3

 

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

CMYK 5 / 0 / 2 / 24

HEX #BAC3BF

RGB 186 195 191

HSL 153.33, 0.07%, 0.75%

LAB 78.01, -3.84, 0.92

 

CMYK 2 / 5 / 0 / 24

HEX #BFBAC3

RGB 191 186 195

HSL 273.33, 0.07%, 0.75%

LAB 76.15, 3.43, -3.92

 

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

CMYK 3 / 0 / 5 / 24

HEX #BDC3BA

RGB 189 195 186

HSL 100, 0.07%, 0.75%

LAB 78.11, -3.72, 3.79

 

CMYK 5 / 3 / 0 / 24

HEX #BABEC3

RGB 186 190 195

HSL 213.33, 0.07%, 0.75%

LAB 76.8, -0.43, -3.01

 

CMYK 1 / 5 / 0 / 24

HEX #C1BAC3

RGB 193 186 195

HSL 286.67, 0.07%, 0.75%

LAB 76.31, 4.12, -3.67

 

CMYK 0 / 2 / 5 / 23

HEX #C4C0BB

RGB 196 192 187

HSL 33.33, 0.07%, 0.75%

LAB 77.89, 0.5, 3

 

CMYK 5 / 0 / 4 / 24

HEX #BAC3BB

RGB 186 195 187

HSL 126.67, 0.07%, 0.75%

LAB 77.91, -4.59, 2.93

 

CMYK 5 / 3 / 0 / 24

HEX #BABEC3

RGB 186 190 195

HSL 213.33, 0.07%, 0.75%

LAB 76.8, -0.43, -3.01

 

CMYK 0 / 5 / 0 / 24

HEX #C3BAC3

RGB 195 186 195

HSL 300, 0.07%, 0.75%

LAB 76.47, 4.81, -3.41

 

Description

Color code: RGB 196 192 187 | qconv.com Color code: RGB 196 192 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 192 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 192 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 5 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 5% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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