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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 44 131 it is the complementary color RGB 59 211 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 44 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 44 131 shade: RGB 201 44 126, RGB 218 62 145, RGB 235 80 164, RGB 252 98 183 and RGB 255 116 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 44 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 44 131 shade: RGB 196 44 131, RGB 179 26 112, RGB 162 8 93, RGB 145 0 74 and RGB 128 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 44 131 shade: RGB 195 44 130, RGB 195 44 90, RGB 195 44 49 and RGB 195 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 44 131 shade: RGB 195 44 130, RGB 195 44 171, RGB 178 44 195, RGB 137 44 195 and RGB 97 44 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 44 131 shade matches the following richer shades: RGB 195 44 130, RGB 214 24 133 and RGB 234 5 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 44 131 shade: RGB 195 44 130, RGB 175 63 127, RGB 156 83 125, RGB 137 102 122 and RGB 117 121 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 44 131 shade: RGB 177 44 195, RGB 195 44 172, RGB 195 44 132, RGB 195 44 92 and RGB 195 44 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 44 131 shade: RGB 128 29 85, RGB 161 36 108, RGB 195 44 130, RGB 212 68 150 and RGB 220 101 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 44 131 shade: RGB 196 44 131, RGB 195 137 44 and RGB 44 192 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 44 131 shade: RGB 196 44 131, RGB 132 195 44 and RGB 44 132 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 44 131 shade: RGB 196 44 131, RGB 195 137 44, RGB 44 195 107 and RGB 44 102 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 44 131 shade: RGB 196 44 131, RGB 195 182 44, RGB 44 195 107 and RGB 44 56 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

Complementary color

CMYK 72 / 0 / 41 / 17

HEX #3BD37C

RGB 59 211 124

HSL 145.66, 0.63%, 0.53%

LAB 75.43, -58.53, 31.98

 

CMYK 0 / 78 / 37 / 21

HEX #C92C7E

RGB 201 44 126

HSL 328.66, 0.64%, 0.48%

LAB 46.61, 65.77, -8.07

 

CMYK 0 / 72 / 33 / 15

HEX #DA3E91

RGB 218 62 145

HSL 328.08, 0.68%, 0.55%

LAB 52.28, 66.6, -10.72

 

CMYK 0 / 66 / 30 / 8

HEX #EB50A4

RGB 235 80 164

HSL 327.48, 0.79%, 0.62%

LAB 58.11, 66.84, -12.84

 

CMYK 0 / 61 / 27 / 1

HEX #FC62B7

RGB 252 98 183

HSL 326.88, 0.96%, 0.69%

LAB 64.04, 66.7, -14.58

 

CMYK 0 / 55 / 21 / 0

HEX #FF74CA

RGB 255 116 202

HSL 322.88, 1%, 0.73%

LAB 68.03, 62.25, -19.22

 

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

CMYK 0 / 85 / 37 / 30

HEX #B31A70

RGB 179 26 112

HSL 326.27, 0.75%, 0.4%

LAB 40.4, 63.36, -9.16

 

CMYK 0 / 95 / 43 / 36

HEX #A2085D

RGB 162 8 93

HSL 326.88, 0.91%, 0.33%

LAB 35.29, 60.42, -5.08

 

CMYK 0 / 100 / 49 / 43

HEX #91004A

RGB 145 0 74

HSL 329.38, 1%, 0.28%

LAB 30.67, 55.86, 0.14

 

CMYK 0 / 100 / 57 / 50

HEX #800037

RGB 128 0 55

HSL 334.22, 1%, 0.25%

LAB 26.35, 50.26, 6.26

 

CMYK 0 / 77 / 33 / 24

HEX #C32C82

RGB 195 44 130

HSL 325.83, 0.63%, 0.47%

LAB 45.65, 64.69, -12.06

 

CMYK 0 / 77 / 54 / 24

HEX #C32C5A

RGB 195 44 90

HSL 341.72, 0.63%, 0.47%

LAB 44.44, 60.93, 10.85

 

CMYK 0 / 77 / 75 / 24

HEX #C32C31

RGB 195 44 49

HSL 358.01, 0.63%, 0.47%

LAB 43.69, 58.57, 34.95

 

CMYK 0 / 77 / 77 / 24

HEX #C32C2C

RGB 195 44 44

HSL 0, 0.63%, 0.47%

LAB 43.63, 58.38, 37.76

 

CMYK 0 / 77 / 33 / 24

HEX #C32C82

RGB 195 44 130

HSL 325.83, 0.63%, 0.47%

LAB 45.65, 64.69, -12.06

 

CMYK 0 / 77 / 12 / 24

HEX #C32CAB

RGB 195 44 171

HSL 309.54, 0.63%, 0.47%

LAB 47.42, 69.9, -33.96

 

CMYK 9 / 77 / 0 / 24

HEX #B22CC3

RGB 178 44 195

HSL 293.25, 0.63%, 0.47%

LAB 45.92, 70.16, -50.61

 

CMYK 30 / 77 / 0 / 24

HEX #892CC3

RGB 137 44 195

HSL 276.95, 0.63%, 0.47%

LAB 39.68, 62.59, -60.98

 

CMYK 50 / 77 / 0 / 24

HEX #612CC3

RGB 97 44 195

HSL 261.06, 0.63%, 0.47%

LAB 34.57, 56.28, -69.55

 

CMYK 0 / 77 / 33 / 24

HEX #C32C82

RGB 195 44 130

HSL 325.83, 0.63%, 0.47%

LAB 45.65, 64.69, -12.06

 

CMYK 0 / 89 / 38 / 16

HEX #D61885

RGB 214 24 133

HSL 325.58, 0.8%, 0.47%

LAB 47.81, 73.86, -10.3

 

CMYK 0 / 98 / 42 / 8

HEX #EA0588

RGB 234 5 136

HSL 325.68, 0.96%, 0.47%

LAB 51.13, 80.38, -6.74

 

CMYK 0 / 77 / 33 / 24

HEX #C32C82

RGB 195 44 130

HSL 325.83, 0.63%, 0.47%

LAB 45.65, 64.69, -12.06

 

CMYK 0 / 64 / 27 / 31

HEX #AF3F7F

RGB 175 63 127

HSL 325.71, 0.47%, 0.47%

LAB 44.52, 52.01, -12.28

 

CMYK 0 / 47 / 20 / 39

HEX #9C537D

RGB 156 83 125

HSL 325.48, 0.31%, 0.47%

LAB 45.27, 35.79, -10.22

 

CMYK 0 / 26 / 11 / 46

HEX #89667A

RGB 137 102 122

HSL 325.71, 0.15%, 0.47%

LAB 47.27, 17.47, -5.66

 

CMYK 3 / 0 / 2 / 53

HEX #757977

RGB 117 121 119

HSL 150, 0.02%, 0.47%

LAB 50.44, -1.91, 0.56

 

CMYK 9 / 77 / 0 / 24

HEX #B12CC3

RGB 177 44 195

HSL 292.85, 0.63%, 0.47%

LAB 45.76, 69.96, -50.87

 

CMYK 0 / 77 / 12 / 24

HEX #C32CAC

RGB 195 44 172

HSL 309.14, 0.63%, 0.47%

LAB 47.47, 70.04, -34.48

 

CMYK 0 / 77 / 32 / 24

HEX #C32C84

RGB 195 44 132

HSL 325.03, 0.63%, 0.47%

LAB 45.73, 64.91, -13.17

 

CMYK 0 / 77 / 53 / 24

HEX #C32C5C

RGB 195 44 92

HSL 340.93, 0.63%, 0.47%

LAB 44.48, 61.09, 9.67

 

CMYK 0 / 77 / 74 / 24

HEX #C32C33

RGB 195 44 51

HSL 357.22, 0.63%, 0.47%

LAB 43.72, 58.65, 33.81

 

CMYK 0 / 77 / 34 / 50

HEX #801D55

RGB 128 29 85

HSL 326.06, 0.63%, 0.31%

LAB 29.72, 46.44, -8.92

 

CMYK 0 / 78 / 33 / 37

HEX #A1246C

RGB 161 36 108

HSL 325.44, 0.63%, 0.39%

LAB 37.7, 55.85, -11.05

 

CMYK 0 / 77 / 33 / 24

HEX #C32C82

RGB 195 44 130

HSL 325.83, 0.63%, 0.47%

LAB 45.65, 64.69, -12.06

 

CMYK 0 / 68 / 29 / 17

HEX #D44496

RGB 212 68 150

HSL 325.83, 0.63%, 0.55%

LAB 52.21, 63.42, -13.89

 

CMYK 0 / 54 / 23 / 14

HEX #DC65A9

RGB 220 101 169

HSL 325.71, 0.63%, 0.63%

LAB 59.33, 54.1, -14.12

 

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

CMYK 0 / 30 / 77 / 24

HEX #C3892C

RGB 195 137 44

HSL 36.95, 0.63%, 0.47%

LAB 61.37, 13.99, 55.52

 

CMYK 77 / 2 / 0 / 24

HEX #2CC0C3

RGB 44 192 195

HSL 181.19, 0.63%, 0.47%

LAB 70.99, -35.52, -12.33

 

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

CMYK 32 / 0 / 77 / 24

HEX #84C32C

RGB 132 195 44

HSL 85.03, 0.63%, 0.47%

LAB 72.31, -42.16, 64.03

 

CMYK 77 / 32 / 0 / 24

HEX #2C84C3

RGB 44 132 195

HSL 205.03, 0.63%, 0.47%

LAB 52.93, -4.02, -40.12

 

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

CMYK 0 / 30 / 77 / 24

HEX #C3892C

RGB 195 137 44

HSL 36.95, 0.63%, 0.47%

LAB 61.37, 13.99, 55.52

 

CMYK 77 / 0 / 45 / 24

HEX #2CC36B

RGB 44 195 107

HSL 145.03, 0.63%, 0.47%

LAB 69.91, -57.81, 33.45

 

CMYK 77 / 48 / 0 / 24

HEX #2C66C3

RGB 44 102 195

HSL 216.95, 0.63%, 0.47%

LAB 44.2, 14.5, -54.03

 

CMYK 0 / 78 / 33 / 23

HEX #C42C83

RGB 196 44 131

HSL 325.66, 0.63%, 0.47%

LAB 45.87, 65.05, -12.33

 

CMYK 0 / 7 / 77 / 24

HEX #C3B62C

RGB 195 182 44

HSL 54.83, 0.63%, 0.47%

LAB 73.05, -10.12, 66.34

 

CMYK 77 / 0 / 45 / 24

HEX #2CC36B

RGB 44 195 107

HSL 145.03, 0.63%, 0.47%

LAB 69.91, -57.81, 33.45

 

CMYK 77 / 71 / 0 / 24

HEX #2C38C3

RGB 44 56 195

HSL 235.23, 0.63%, 0.47%

LAB 32.49, 43.92, -73.12

 

Description

Color code: RGB 196 44 131 | qconv.com Color code: RGB 196 44 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 44 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 44 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 33 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 33% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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