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Color name
RGB 196 59 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 59 88 it is the complementary color RGB 59 196 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 59 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 59 88 shade: RGB 201 59 83, RGB 218 77 102, RGB 235 95 121, RGB 252 113 140 and RGB 255 131 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 59 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 59 88 shade: RGB 196 59 88, RGB 179 41 69, RGB 162 23 50, RGB 145 5 31 and RGB 128 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 59 88 shade: RGB 196 58 87 and RGB 196 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 59 88 shade: RGB 196 58 87, RGB 196 58 124, RGB 196 58 162, RGB 193 58 196 and RGB 156 58 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 59 88 shade matches the following richer shades: RGB 196 58 87, RGB 216 38 75 and RGB 237 17 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 59 88 shade: RGB 196 58 87, RGB 175 79 99, RGB 155 99 111, RGB 134 120 123 and RGB 113 141 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 59 88 shade: RGB 196 58 161, RGB 196 58 125, RGB 196 58 88, RGB 196 65 58 and RGB 196 102 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 59 88 shade: RGB 132 39 59, RGB 164 49 73, RGB 196 58 87, RGB 205 90 114 and RGB 215 122 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 59 88 shade: RGB 196 59 88, RGB 196 194 58 and RGB 58 143 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 59 88 shade: RGB 196 59 88, RGB 88 196 58 and RGB 58 88 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 59 88 shade: RGB 196 59 88, RGB 196 194 58, RGB 58 196 166 and RGB 58 60 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 59 88 shade: RGB 196 59 88, RGB 157 196 58, RGB 58 196 166 and RGB 97 58 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

Complementary color

CMYK 70 / 0 / 15 / 23

HEX #3BC4A7

RGB 59 196 167

HSL 167.3, 0.54%, 0.5%

LAB 71.69, -43.24, 4.01

 

CMYK 0 / 71 / 59 / 21

HEX #C93B53

RGB 201 59 83

HSL 349.86, 0.57%, 0.51%

LAB 47.2, 57.15, 19.12

 

CMYK 0 / 65 / 53 / 15

HEX #DA4D66

RGB 218 77 102

HSL 349.36, 0.66%, 0.58%

LAB 53.14, 56.81, 16.22

 

CMYK 0 / 60 / 49 / 8

HEX #EB5F79

RGB 235 95 121

HSL 348.86, 0.78%, 0.65%

LAB 59.18, 56.18, 13.82

 

CMYK 0 / 55 / 44 / 1

HEX #FC718C

RGB 252 113 140

HSL 348.35, 0.96%, 0.72%

LAB 65.28, 55.39, 11.79

 

CMYK 0 / 49 / 38 / 0

HEX #FF839F

RGB 255 131 159

HSL 346.45, 1%, 0.76%

LAB 69.47, 49.81, 7.05

 

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

CMYK 0 / 77 / 61 / 30

HEX #B32945

RGB 179 41 69

HSL 347.83, 0.63%, 0.43%

LAB 40.57, 55.8, 18.22

 

CMYK 0 / 86 / 69 / 36

HEX #A21732

RGB 162 23 50

HSL 348.35, 0.75%, 0.36%

LAB 35.05, 54.77, 22.48

 

CMYK 0 / 97 / 79 / 43

HEX #91051F

RGB 145 5 31

HSL 348.86, 0.93%, 0.29%

LAB 29.98, 52.5, 27.7

 

CMYK 0 / 100 / 91 / 50

HEX #80000C

RGB 128 0 12

HSL 354.38, 1%, 0.25%

LAB 25.61, 48.27, 33.2

 

CMYK 0 / 70 / 56 / 23

HEX #C43A57

RGB 196 58 87

HSL 347.39, 0.54%, 0.5%

LAB 46.24, 56.27, 15.23

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 70 / 56 / 23

HEX #C43A57

RGB 196 58 87

HSL 347.39, 0.54%, 0.5%

LAB 46.24, 56.27, 15.23

 

CMYK 0 / 70 / 37 / 23

HEX #C43A7C

RGB 196 58 124

HSL 331.3, 0.54%, 0.5%

LAB 47.26, 59.7, -5.99

 

CMYK 0 / 70 / 17 / 23

HEX #C43AA2

RGB 196 58 162

HSL 314.78, 0.54%, 0.5%

LAB 48.72, 64.45, -26.59

 

CMYK 2 / 70 / 0 / 23

HEX #C13AC4

RGB 193 58 196

HSL 298.7, 0.54%, 0.5%

LAB 49.92, 68.96, -44.66

 

CMYK 20 / 70 / 0 / 23

HEX #9C3AC4

RGB 156 58 196

HSL 282.61, 0.54%, 0.5%

LAB 44.35, 61.04, -53.89

 

CMYK 0 / 70 / 56 / 23

HEX #C43A57

RGB 196 58 87

HSL 347.39, 0.54%, 0.5%

LAB 46.24, 56.27, 15.23

 

CMYK 0 / 82 / 65 / 15

HEX #D8264B

RGB 216 38 75

HSL 347.53, 0.7%, 0.5%

LAB 47.61, 67.29, 25.07

 

CMYK 0 / 93 / 73 / 7

HEX #ED1140

RGB 237 17 64

HSL 347.18, 0.87%, 0.5%

LAB 50.42, 75.63, 36.06

 

CMYK 0 / 70 / 56 / 23

HEX #C43A57

RGB 196 58 87

HSL 347.39, 0.54%, 0.5%

LAB 46.24, 56.27, 15.23

 

CMYK 0 / 55 / 43 / 31

HEX #AF4F63

RGB 175 79 99

HSL 347.5, 0.38%, 0.5%

LAB 46.45, 41.14, 7.66

 

CMYK 0 / 36 / 28 / 39

HEX #9B636F

RGB 155 99 111

HSL 347.14, 0.22%, 0.5%

LAB 48.31, 24.34, 2.7

 

CMYK 0 / 10 / 8 / 47

HEX #86787B

RGB 134 120 123

HSL 347.14, 0.06%, 0.5%

LAB 51.76, 5.94, 0.32

 

CMYK 20 / 0 / 4 / 45

HEX #718D87

RGB 113 141 135

HSL 167.14, 0.11%, 0.5%

LAB 56.4, -11.19, -0.08

 

CMYK 0 / 70 / 18 / 23

HEX #C43AA1

RGB 196 58 161

HSL 315.22, 0.54%, 0.5%

LAB 48.68, 64.31, -26.07

 

CMYK 0 / 70 / 36 / 23

HEX #C43A7D

RGB 196 58 125

HSL 330.87, 0.54%, 0.5%

LAB 47.29, 59.81, -6.55

 

CMYK 0 / 70 / 55 / 23

HEX #C43A58

RGB 196 58 88

HSL 346.96, 0.54%, 0.5%

LAB 46.27, 56.35, 14.65

 

CMYK 0 / 67 / 70 / 23

HEX #C4413A

RGB 196 65 58

HSL 3.04, 0.54%, 0.5%

LAB 46.74, 51.71, 33.28

 

CMYK 0 / 48 / 70 / 23

HEX #C4663A

RGB 196 102 58

HSL 19.13, 0.54%, 0.5%

LAB 53.54, 34.06, 41.05

 

CMYK 0 / 70 / 55 / 48

HEX #84273B

RGB 132 39 59

HSL 347.1, 0.54%, 0.34%

LAB 31.05, 41.09, 10.25

 

CMYK 0 / 70 / 55 / 36

HEX #A43149

RGB 164 49 73

HSL 347.48, 0.54%, 0.42%

LAB 38.85, 48.64, 12.89

 

CMYK 0 / 70 / 56 / 23

HEX #C43A57

RGB 196 58 87

HSL 347.39, 0.54%, 0.5%

LAB 46.24, 56.27, 15.23

 

CMYK 0 / 56 / 44 / 20

HEX #CD5A72

RGB 205 90 114

HSL 347.48, 0.53%, 0.58%

LAB 53.5, 47.8, 9.27

 

CMYK 0 / 43 / 34 / 16

HEX #D77A8D

RGB 215 122 141

HSL 347.74, 0.54%, 0.66%

LAB 61.9, 38.25, 5.71

 

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

CMYK 0 / 1 / 70 / 23

HEX #C4C23A

RGB 196 194 58

HSL 59.13, 0.54%, 0.5%

LAB 76.45, -15.19, 64.81

 

CMYK 70 / 27 / 0 / 23

HEX #3A8FC4

RGB 58 143 196

HSL 203.04, 0.54%, 0.5%

LAB 56.61, -8.2, -34.88

 

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

CMYK 55 / 0 / 70 / 23

HEX #58C43A

RGB 88 196 58

HSL 106.96, 0.54%, 0.5%

LAB 70.77, -55.7, 57.06

 

CMYK 70 / 55 / 0 / 23

HEX #3A58C4

RGB 58 88 196

HSL 226.96, 0.54%, 0.5%

LAB 41, 25.7, -59.75

 

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

CMYK 0 / 1 / 70 / 23

HEX #C4C23A

RGB 196 194 58

HSL 59.13, 0.54%, 0.5%

LAB 76.45, -15.19, 64.81

 

CMYK 70 / 0 / 15 / 23

HEX #3AC4A6

RGB 58 196 166

HSL 166.96, 0.54%, 0.5%

LAB 71.64, -43.64, 4.48

 

CMYK 70 / 69 / 0 / 23

HEX #3A3CC4

RGB 58 60 196

HSL 239.13, 0.54%, 0.5%

LAB 34.22, 43.26, -70.82

 

CMYK 0 / 70 / 55 / 23

HEX #C43B58

RGB 196 59 88

HSL 347.3, 0.54%, 0.5%

LAB 46.4, 55.97, 14.83

 

CMYK 20 / 0 / 70 / 23

HEX #9DC43A

RGB 157 196 58

HSL 76.96, 0.54%, 0.5%

LAB 74.16, -32.27, 61.59

 

CMYK 70 / 0 / 15 / 23

HEX #3AC4A6

RGB 58 196 166

HSL 166.96, 0.54%, 0.5%

LAB 71.64, -43.64, 4.48

 

CMYK 51 / 70 / 0 / 23

HEX #613AC4

RGB 97 58 196

HSL 256.96, 0.54%, 0.5%

LAB 37.03, 49.83, -66.1

 

Description

Color code: RGB 196 59 88 | qconv.com Color code: RGB 196 59 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 59 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 59 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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