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Color name
RGB 196 94 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 94 143 it is the complementary color RGB 59 161 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 94 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 94 143 shade: RGB 201 94 138, RGB 218 112 157, RGB 235 130 176, RGB 252 148 195 and RGB 255 166 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 94 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 94 143 shade: RGB 196 94 143, RGB 179 76 124, RGB 162 58 105, RGB 145 40 86 and RGB 128 22 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 94 143 shade: RGB 195 94 143, RGB 195 94 116 and RGB 195 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 94 143 shade: RGB 195 94 143, RGB 195 94 170, RGB 193 94 195, RGB 166 94 195 and RGB 139 94 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 94 143 shade matches the following richer shades: RGB 195 94 143, RGB 213 77 142, RGB 231 59 141 and RGB 249 41 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 94 143 shade: RGB 195 94 143, RGB 178 112 144, RGB 160 130 144, RGB 142 148 145 and RGB 124 165 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 94 143 shade: RGB 194 94 195, RGB 195 94 170, RGB 195 94 143, RGB 195 94 116 and RGB 195 99 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 94 143 shade: RGB 151 56 102, RGB 182 67 122, RGB 195 94 143, RGB 206 125 164 and RGB 218 155 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 94 143 shade: RGB 196 94 143, RGB 195 167 94 and RGB 94 184 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 94 143 shade: RGB 196 94 143, RGB 143 195 94 and RGB 94 143 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 94 143 shade: RGB 196 94 143, RGB 195 167 94, RGB 94 195 147 and RGB 94 123 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 94 143 shade: RGB 196 94 143, RGB 194 195 94, RGB 94 195 147 and RGB 96 94 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

Complementary color

CMYK 63 / 0 / 30 / 37

HEX #3BA170

RGB 59 161 112

HSL 151.18, 0.46%, 0.43%

LAB 59.52, -41.2, 17.02

 

CMYK 0 / 53 / 31 / 21

HEX #C95E8A

RGB 201 94 138

HSL 335.33, 0.5%, 0.58%

LAB 54.3, 47.26, -3.85

 

CMYK 0 / 49 / 28 / 15

HEX #DA709D

RGB 218 112 157

HSL 334.53, 0.59%, 0.65%

LAB 60.72, 46.47, -5.16

 

CMYK 0 / 45 / 25 / 8

HEX #EB82B0

RGB 235 130 176

HSL 333.71, 0.72%, 0.72%

LAB 67.1, 45.66, -6.29

 

CMYK 0 / 41 / 23 / 1

HEX #FC94C3

RGB 252 148 195

HSL 332.88, 0.95%, 0.78%

LAB 73.43, 44.85, -7.27

 

CMYK 0 / 35 / 16 / 0

HEX #FFA6D6

RGB 255 166 214

HSL 327.64, 1%, 0.83%

LAB 78.1, 39.4, -10.69

 

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

CMYK 0 / 58 / 31 / 30

HEX #B34C7C

RGB 179 76 124

HSL 332.04, 0.4%, 0.5%

LAB 47.25, 46.95, -6.31

 

CMYK 0 / 64 / 35 / 36

HEX #A23A69

RGB 162 58 105

HSL 332.88, 0.47%, 0.43%

LAB 40.78, 47.42, -4.54

 

CMYK 0 / 72 / 41 / 43

HEX #912856

RGB 145 40 86

HSL 333.71, 0.57%, 0.36%

LAB 34.41, 47.48, -2.23

 

CMYK 0 / 83 / 48 / 50

HEX #801643

RGB 128 22 67

HSL 334.53, 0.71%, 0.29%

LAB 28.3, 46.69, 0.92

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 52 / 41 / 24

HEX #C35E74

RGB 195 94 116

HSL 346.93, 0.46%, 0.57%

LAB 52.81, 42.57, 6.89

 

CMYK 0 / 52 / 52 / 24

HEX #C35E5E

RGB 195 94 94

HSL 0, 0.46%, 0.57%

LAB 52.3, 40.36, 19.22

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 52 / 13 / 24

HEX #C35EAA

RGB 195 94 170

HSL 314.85, 0.46%, 0.57%

LAB 54.56, 49.96, -22.29

 

CMYK 1 / 52 / 0 / 24

HEX #C15EC3

RGB 193 94 195

HSL 298.81, 0.46%, 0.57%

LAB 55.36, 53.65, -35.5

 

CMYK 15 / 52 / 0 / 24

HEX #A65EC3

RGB 166 94 195

HSL 282.77, 0.46%, 0.57%

LAB 51.9, 46.17, -41.19

 

CMYK 29 / 52 / 0 / 24

HEX #8B5EC3

RGB 139 94 195

HSL 266.73, 0.46%, 0.57%

LAB 48.8, 38.89, -46.29

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 64 / 33 / 16

HEX #D54D8E

RGB 213 77 142

HSL 331.32, 0.62%, 0.57%

LAB 53.39, 59.2, -7.36

 

CMYK 0 / 74 / 39 / 9

HEX #E73B8D

RGB 231 59 141

HSL 331.4, 0.78%, 0.57%

LAB 54.07, 70.56, -5.43

 

CMYK 0 / 84 / 43 / 2

HEX #F9298D

RGB 249 41 141

HSL 331.15, 0.95%, 0.57%

LAB 55.73, 79.54, -2.6

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 37 / 19 / 30

HEX #B27090

RGB 178 112 144

HSL 330.91, 0.3%, 0.57%

LAB 55.14, 30.69, -6.46

 

CMYK 0 / 19 / 10 / 37

HEX #A08290

RGB 160 130 144

HSL 332, 0.14%, 0.57%

LAB 57.51, 13.89, -3.17

 

CMYK 4 / 0 / 2 / 42

HEX #8E9491

RGB 142 148 145

HSL 150, 0.03%, 0.57%

LAB 60.76, -2.76, 0.82

 

CMYK 25 / 0 / 12 / 35

HEX #7CA592

RGB 124 165 146

HSL 152.2, 0.19%, 0.57%

LAB 64.38, -17.96, 5.34

 

CMYK 1 / 52 / 0 / 24

HEX #C25EC3

RGB 194 94 195

HSL 299.41, 0.46%, 0.57%

LAB 55.5, 53.92, -35.28

 

CMYK 0 / 52 / 13 / 24

HEX #C35EAA

RGB 195 94 170

HSL 314.85, 0.46%, 0.57%

LAB 54.56, 49.96, -22.29

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 52 / 41 / 24

HEX #C35E74

RGB 195 94 116

HSL 346.93, 0.46%, 0.57%

LAB 52.81, 42.57, 6.89

 

CMYK 0 / 49 / 52 / 24

HEX #C3635E

RGB 195 99 94

HSL 2.97, 0.46%, 0.57%

LAB 53.31, 37.8, 20.57

 

CMYK 0 / 63 / 32 / 41

HEX #973866

RGB 151 56 102

HSL 330.95, 0.46%, 0.41%

LAB 38.49, 44.46, -6.26

 

CMYK 0 / 63 / 33 / 29

HEX #B6437A

RGB 182 67 122

HSL 331.3, 0.46%, 0.49%

LAB 46.13, 51.75, -6.7

 

CMYK 0 / 52 / 27 / 24

HEX #C35E8F

RGB 195 94 143

HSL 330.89, 0.46%, 0.57%

LAB 53.59, 45.93, -7.95

 

CMYK 0 / 39 / 20 / 19

HEX #CE7DA4

RGB 206 125 164

HSL 331.11, 0.45%, 0.65%

LAB 62.06, 36.64, -7.36

 

CMYK 0 / 29 / 15 / 15

HEX #DA9BB9

RGB 218 155 185

HSL 331.43, 0.46%, 0.73%

LAB 70.77, 27.98, -6.1

 

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

CMYK 0 / 14 / 52 / 24

HEX #C3A75E

RGB 195 167 94

HSL 43.37, 0.46%, 0.57%

LAB 69.5, 0.9, 41.23

 

CMYK 52 / 6 / 0 / 24

HEX #5EB8C3

RGB 94 184 195

HSL 186.53, 0.46%, 0.57%

LAB 69.9, -23.83, -13.84

 

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

CMYK 27 / 0 / 52 / 24

HEX #8FC35E

RGB 143 195 94

HSL 90.89, 0.46%, 0.57%

LAB 73.34, -34.13, 44.93

 

CMYK 52 / 27 / 0 / 24

HEX #5E8FC3

RGB 94 143 195

HSL 210.89, 0.46%, 0.57%

LAB 58, -1.69, -32.04

 

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

CMYK 0 / 14 / 52 / 24

HEX #C3A75E

RGB 195 167 94

HSL 43.37, 0.46%, 0.57%

LAB 69.5, 0.9, 41.23

 

CMYK 52 / 0 / 25 / 24

HEX #5EC393

RGB 94 195 147

HSL 151.49, 0.46%, 0.57%

LAB 71.9, -40.76, 15.27

 

CMYK 52 / 37 / 0 / 24

HEX #5E7BC3

RGB 94 123 195

HSL 222.77, 0.46%, 0.57%

LAB 52.38, 10.13, -40.85

 

CMYK 0 / 52 / 27 / 23

HEX #C45E8F

RGB 196 94 143

HSL 331.18, 0.46%, 0.57%

LAB 53.73, 46.26, -7.72

 

CMYK 1 / 0 / 52 / 24

HEX #C2C35E

RGB 194 195 94

HSL 60.59, 0.46%, 0.57%

LAB 76.87, -14.13, 49.97

 

CMYK 52 / 0 / 25 / 24

HEX #5EC393

RGB 94 195 147

HSL 151.49, 0.46%, 0.57%

LAB 71.9, -40.76, 15.27

 

CMYK 51 / 52 / 0 / 24

HEX #605EC3

RGB 96 94 195

HSL 241.19, 0.46%, 0.57%

LAB 44.85, 28.42, -52.84

 

Description

Color code: RGB 196 94 143 | qconv.com Color code: RGB 196 94 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 94 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 94 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 27 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 27% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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