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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 142 61 it is the complementary color RGB 58 113 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 142 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 142 61 shade: RGB 202 142 56, RGB 219 160 75, RGB 236 178 94, RGB 253 196 113 and RGB 255 214 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 142 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 142 61 shade: RGB 197 142 61, RGB 180 124 42, RGB 163 106 23, RGB 146 88 4 and RGB 129 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 142 61 shade: RGB 197 142 62, RGB 197 106 62, RGB 197 70 62 and RGB 197 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 142 61 shade: RGB 197 142 62, RGB 197 179 62, RGB 179 197 62, RGB 142 197 62 and RGB 106 197 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 142 61 shade matches the following richer shades: RGB 197 142 62, RGB 217 146 42 and RGB 237 150 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 142 61 shade: RGB 197 142 62, RGB 177 139 82, RGB 157 135 103, RGB 136 131 123 and RGB 116 127 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 142 61 shade: RGB 197 69 62, RGB 197 105 62, RGB 197 141 62, RGB 197 177 62 and RGB 181 197 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 142 61 shade: RGB 136 97 40, RGB 168 120 50, RGB 197 142 62, RGB 207 161 94 and RGB 216 179 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 142 61 shade: RGB 197 142 61, RGB 91 197 62 and RGB 87 62 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 142 61 shade: RGB 197 142 61, RGB 62 197 141 and RGB 141 62 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 142 61 shade: RGB 197 142 61, RGB 91 197 62, RGB 62 118 197 and RGB 168 62 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 142 61 shade: RGB 197 142 61, RGB 62 197 73, RGB 62 118 197 and RGB 197 62 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

Complementary color

CMYK 70 / 42 / 0 / 24

HEX #3A71C2

RGB 58 113 194

HSL 215.74, 0.54%, 0.49%

LAB 47.76, 9.02, -47.72

 

CMYK 0 / 30 / 72 / 21

HEX #CA8E38

RGB 202 142 56

HSL 35.34, 0.58%, 0.51%

LAB 63.5, 14.84, 52.87

 

CMYK 0 / 27 / 66 / 14

HEX #DBA04B

RGB 219 160 75

HSL 35.42, 0.67%, 0.58%

LAB 69.97, 13.43, 51.69

 

CMYK 0 / 25 / 60 / 7

HEX #ECB25E

RGB 236 178 94

HSL 35.49, 0.79%, 0.65%

LAB 76.36, 12.21, 50.37

 

CMYK 0 / 23 / 55 / 1

HEX #FDC471

RGB 253 196 113

HSL 35.57, 0.97%, 0.72%

LAB 82.68, 11.15, 49.03

 

CMYK 0 / 16 / 48 / 0

HEX #FFD684

RGB 255 214 132

HSL 40, 1%, 0.76%

LAB 87.49, 4.25, 45.64

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

CMYK 0 / 31 / 77 / 29

HEX #B47C2A

RGB 180 124 42

HSL 35.65, 0.62%, 0.44%

LAB 56.37, 14.48, 50.92

 

CMYK 0 / 35 / 86 / 36

HEX #A36A17

RGB 163 106 23

HSL 35.57, 0.75%, 0.36%

LAB 49.69, 16.3, 51.28

 

CMYK 0 / 40 / 97 / 43

HEX #925804

RGB 146 88 4

HSL 35.49, 0.95%, 0.29%

LAB 42.91, 18.45, 50.31

 

CMYK 0 / 46 / 100 / 49

HEX #814600

RGB 129 70 0

HSL 32.56, 1%, 0.25%

LAB 36.08, 20.98, 45.86

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3E

RGB 197 142 62

HSL 35.56, 0.54%, 0.51%

LAB 62.98, 12.99, 49.44

 

CMYK 0 / 46 / 69 / 23

HEX #C56A3E

RGB 197 106 62

HSL 19.56, 0.54%, 0.51%

LAB 54.58, 32.57, 40.17

 

CMYK 0 / 64 / 69 / 23

HEX #C5463E

RGB 197 70 62

HSL 3.56, 0.54%, 0.51%

LAB 47.75, 50.15, 32.21

 

CMYK 0 / 69 / 69 / 23

HEX #C53E3E

RGB 197 62 62

HSL 0, 0.54%, 0.51%

LAB 46.53, 53.45, 30.74

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3E

RGB 197 142 62

HSL 35.56, 0.54%, 0.51%

LAB 62.98, 12.99, 49.44

 

CMYK 0 / 9 / 69 / 23

HEX #C5B33E

RGB 197 179 62

HSL 52, 0.54%, 0.51%

LAB 72.53, -6.87, 59.41

 

CMYK 9 / 0 / 69 / 23

HEX #B3C53E

RGB 179 197 62

HSL 68, 0.54%, 0.51%

LAB 75.99, -23.6, 62.43

 

CMYK 28 / 0 / 69 / 23

HEX #8EC53E

RGB 142 197 62

HSL 84.44, 0.54%, 0.51%

LAB 73.57, -38.26, 59.19

 

CMYK 46 / 0 / 69 / 23

HEX #6AC53E

RGB 106 197 62

HSL 100.44, 0.54%, 0.51%

LAB 71.79, -50.61, 56.79

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3E

RGB 197 142 62

HSL 35.56, 0.54%, 0.51%

LAB 62.98, 12.99, 49.44

 

CMYK 0 / 33 / 81 / 15

HEX #D9922A

RGB 217 146 42

HSL 35.66, 0.7%, 0.51%

LAB 66.12, 18.58, 61.59

 

CMYK 0 / 37 / 91 / 7

HEX #ED9616

RGB 237 150 22

HSL 35.72, 0.86%, 0.51%

LAB 69.38, 24.48, 70.96

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3E

RGB 197 142 62

HSL 35.56, 0.54%, 0.51%

LAB 62.98, 12.99, 49.44

 

CMYK 0 / 21 / 54 / 31

HEX #B18B52

RGB 177 139 82

HSL 36, 0.38%, 0.51%

LAB 60.27, 7.43, 35.75

 

CMYK 0 / 14 / 34 / 38

HEX #9D8767

RGB 157 135 103

HSL 35.56, 0.22%, 0.51%

LAB 57.54, 3.47, 20.31

 

CMYK 0 / 4 / 10 / 47

HEX #88837B

RGB 136 131 123

HSL 36.92, 0.05%, 0.51%

LAB 54.97, 0.38, 4.98

 

CMYK 19 / 11 / 0 / 44

HEX #747F8F

RGB 116 127 143

HSL 215.56, 0.11%, 0.51%

LAB 52.81, -0.46, -10

 

CMYK 0 / 65 / 69 / 23

HEX #C5453E

RGB 197 69 62

HSL 3.11, 0.54%, 0.51%

LAB 47.59, 50.57, 32.02

 

CMYK 0 / 47 / 69 / 23

HEX #C5693E

RGB 197 105 62

HSL 19.11, 0.54%, 0.51%

LAB 54.37, 33.1, 39.92

 

CMYK 0 / 28 / 69 / 23

HEX #C58D3E

RGB 197 141 62

HSL 35.11, 0.54%, 0.51%

LAB 62.73, 13.54, 49.17

 

CMYK 0 / 10 / 69 / 23

HEX #C5B13E

RGB 197 177 62

HSL 51.11, 0.54%, 0.51%

LAB 72, -5.82, 58.87

 

CMYK 8 / 0 / 69 / 23

HEX #B5C53E

RGB 181 197 62

HSL 67.11, 0.54%, 0.51%

LAB 76.13, -22.77, 62.63

 

CMYK 0 / 29 / 71 / 47

HEX #886128

RGB 136 97 40

HSL 35.63, 0.55%, 0.35%

LAB 44.14, 9.83, 37.67

 

CMYK 0 / 29 / 70 / 34

HEX #A87832

RGB 168 120 50

HSL 35.59, 0.54%, 0.43%

LAB 54.01, 11.77, 44.5

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3E

RGB 197 142 62

HSL 35.56, 0.54%, 0.51%

LAB 62.98, 12.99, 49.44

 

CMYK 0 / 22 / 55 / 19

HEX #CFA15E

RGB 207 161 94

HSL 35.58, 0.54%, 0.59%

LAB 69.16, 9.18, 41.08

 

CMYK 0 / 17 / 42 / 15

HEX #D8B37E

RGB 216 179 126

HSL 35.33, 0.54%, 0.67%

LAB 75.04, 6.31, 32.05

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

CMYK 54 / 0 / 69 / 23

HEX #5BC53E

RGB 91 197 62

HSL 107.11, 0.54%, 0.51%

LAB 71.22, -54.94, 56.01

 

CMYK 56 / 69 / 0 / 23

HEX #573EC5

RGB 87 62 197

HSL 251.11, 0.54%, 0.51%

LAB 36.93, 46.36, -66.88

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

CMYK 69 / 0 / 28 / 23

HEX #3EC58D

RGB 62 197 141

HSL 155.11, 0.54%, 0.51%

LAB 71.47, -49.33, 17.75

 

CMYK 28 / 69 / 0 / 23

HEX #8D3EC5

RGB 141 62 197

HSL 275.11, 0.54%, 0.51%

LAB 42.97, 56.41, -56.79

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

CMYK 54 / 0 / 69 / 23

HEX #5BC53E

RGB 91 197 62

HSL 107.11, 0.54%, 0.51%

LAB 71.22, -54.94, 56.01

 

CMYK 69 / 40 / 0 / 23

HEX #3E76C5

RGB 62 118 197

HSL 215.11, 0.54%, 0.51%

LAB 49.51, 7.62, -46.64

 

CMYK 15 / 69 / 0 / 23

HEX #A83EC5

RGB 168 62 197

HSL 287.11, 0.54%, 0.51%

LAB 46.71, 62.18, -50.57

 

CMYK 0 / 28 / 69 / 23

HEX #C58E3D

RGB 197 142 61

HSL 35.74, 0.54%, 0.51%

LAB 62.97, 12.94, 49.89

 

CMYK 69 / 0 / 63 / 23

HEX #3EC549

RGB 62 197 73

HSL 124.89, 0.54%, 0.51%

LAB 70.48, -60.49, 50.42

 

CMYK 69 / 40 / 0 / 23

HEX #3E76C5

RGB 62 118 197

HSL 215.11, 0.54%, 0.51%

LAB 49.51, 7.62, -46.64

 

CMYK 0 / 69 / 6 / 23

HEX #C53EBA

RGB 197 62 186

HSL 304.89, 0.54%, 0.51%

LAB 50.52, 66.84, -37.86

 

Description

Color code: RGB 197 142 61 | qconv.com Color code: RGB 197 142 61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 142 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 142 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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