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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 207 181 it is the complementary color RGB 58 48 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 207 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 207 181 shade: RGB 202 207 176, RGB 219 225 195, RGB 236 243 214, RGB 253 255 233 and RGB 255 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 207 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 207 181 shade: RGB 197 207 181, RGB 180 189 162, RGB 163 171 143, RGB 146 153 124 and RGB 129 135 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 207 181 shade: RGB 196 206 180, RGB 203 206 180, RGB 206 202 180, RGB 206 195 180 and RGB 206 188 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 207 181 shade: RGB 196 206 180, RGB 189 206 180, RGB 182 206 180, RGB 180 206 185 and RGB 180 206 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 207 181 shade matches the following richer shades: RGB 196 206 180, RGB 199 216 171, RGB 201 226 161, RGB 203 236 151 and RGB 205 246 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 207 181 shade: RGB 196 206 180, RGB 194 196 190, RGB 192 186 200, RGB 189 176 210 and RGB 187 167 220

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 207 181 shade: RGB 206 202 180, RGB 203 206 180, RGB 196 206 180, RGB 189 206 180 and RGB 183 206 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 207 181 shade: RGB 157 174 131, RGB 177 190 155, RGB 196 206 180, RGB 216 222 205 and RGB 236 239 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 207 181 shade: RGB 197 207 181, RGB 180 206 195 and RGB 206 180 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 207 181 shade: RGB 197 207 181, RGB 180 196 206 and RGB 206 180 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 207 181 shade: RGB 197 207 181, RGB 180 206 195, RGB 190 180 206 and RGB 206 180 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 207 181 shade: RGB 197 207 181, RGB 180 206 203, RGB 190 180 206 and RGB 206 180 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

Complementary color

CMYK 22 / 35 / 0 / 71

HEX #3A304A

RGB 58 48 74

HSL 263.08, 0.21%, 0.24%

LAB 21.97, 10.79, -14.43

 

CMYK 2 / 0 / 15 / 19

HEX #CACFB0

RGB 202 207 176

HSL 69.68, 0.24%, 0.75%

LAB 82.01, -7.05, 14.84

 

CMYK 3 / 0 / 13 / 12

HEX #DBE1C3

RGB 219 225 195

HSL 72, 0.33%, 0.82%

LAB 88.38, -7.16, 14

 

CMYK 3 / 0 / 12 / 5

HEX #ECF3D6

RGB 236 243 214

HSL 74.48, 0.55%, 0.9%

LAB 94.65, -7.26, 13.19

 

CMYK 1 / 0 / 9 / 0

HEX #FDFFE9

RGB 253 255 233

HSL 65.45, 1%, 0.96%

LAB 99.33, -4.37, 10.28

 

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

CMYK 5 / 0 / 14 / 26

HEX #B4BDA2

RGB 180 189 162

HSL 80, 0.17%, 0.69%

LAB 75.27, -7.96, 12.6

 

CMYK 5 / 0 / 16 / 33

HEX #A3AB8F

RGB 163 171 143

HSL 77.14, 0.14%, 0.62%

LAB 68.68, -7.88, 13.48

 

CMYK 5 / 0 / 19 / 40

HEX #92997C

RGB 146 153 124

HSL 74.48, 0.12%, 0.54%

LAB 61.95, -7.8, 14.42

 

CMYK 4 / 0 / 22 / 47

HEX #818769

RGB 129 135 105

HSL 72, 0.13%, 0.47%

LAB 55.09, -7.7, 15.43

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 1 / 0 / 13 / 19

HEX #CBCEB4

RGB 203 206 180

HSL 66.92, 0.21%, 0.76%

LAB 81.91, -5.53, 12.59

 

CMYK 0 / 2 / 13 / 19

HEX #CECAB4

RGB 206 202 180

HSL 50.77, 0.21%, 0.76%

LAB 81.1, -2.37, 11.48

 

CMYK 0 / 5 / 13 / 19

HEX #CEC3B4

RGB 206 195 180

HSL 34.62, 0.21%, 0.76%

LAB 79.3, 1.31, 8.91

 

CMYK 0 / 9 / 13 / 19

HEX #CEBCB4

RGB 206 188 180

HSL 18.46, 0.21%, 0.76%

LAB 77.51, 5.03, 6.34

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 8 / 0 / 13 / 19

HEX #BDCEB4

RGB 189 206 180

HSL 99.23, 0.21%, 0.76%

LAB 80.88, -10.51, 10.99

 

CMYK 12 / 0 / 13 / 19

HEX #B6CEB4

RGB 182 206 180

HSL 115.38, 0.21%, 0.76%

LAB 80.39, -12.94, 10.23

 

CMYK 13 / 0 / 10 / 19

HEX #B4CEB9

RGB 180 206 185

HSL 131.54, 0.21%, 0.76%

LAB 80.38, -12.73, 7.51

 

CMYK 13 / 0 / 7 / 19

HEX #B4CEC0

RGB 180 206 192

HSL 147.69, 0.21%, 0.76%

LAB 80.54, -11.42, 4.01

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 8 / 0 / 21 / 15

HEX #C7D8AB

RGB 199 216 171

HSL 82.67, 0.37%, 0.76%

LAB 84.07, -13.51, 20.32

 

CMYK 11 / 0 / 29 / 11

HEX #C9E2A1

RGB 201 226 161

HSL 83.08, 0.53%, 0.76%

LAB 86.69, -19.24, 29.12

 

CMYK 14 / 0 / 36 / 7

HEX #CBEC97

RGB 203 236 151

HSL 83.29, 0.69%, 0.76%

LAB 89.36, -24.7, 37.74

 

CMYK 17 / 0 / 43 / 4

HEX #CDF68D

RGB 205 246 141

HSL 83.43, 0.85%, 0.76%

LAB 92.05, -29.91, 46.12

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 1 / 0 / 3 / 23

HEX #C2C4BE

RGB 194 196 190

HSL 80, 0.05%, 0.76%

LAB 78.85, -1.78, 2.76

 

CMYK 4 / 7 / 0 / 22

HEX #C0BAC8

RGB 192 186 200

HSL 265.71, 0.11%, 0.76%

LAB 76.37, 4.73, -6.3

 

CMYK 10 / 16 / 0 / 18

HEX #BDB0D2

RGB 189 176 210

HSL 262.94, 0.27%, 0.76%

LAB 73.88, 11.14, -15.49

 

CMYK 15 / 24 / 0 / 14

HEX #BBA7DC

RGB 187 167 220

HSL 262.64, 0.43%, 0.76%

LAB 71.81, 17.56, -24.13

 

CMYK 0 / 2 / 13 / 19

HEX #CECAB4

RGB 206 202 180

HSL 50.77, 0.21%, 0.76%

LAB 81.1, -2.37, 11.48

 

CMYK 1 / 0 / 13 / 19

HEX #CBCEB4

RGB 203 206 180

HSL 66.92, 0.21%, 0.76%

LAB 81.91, -5.53, 12.59

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 8 / 0 / 13 / 19

HEX #BDCEB4

RGB 189 206 180

HSL 99.23, 0.21%, 0.76%

LAB 80.88, -10.51, 10.99

 

CMYK 11 / 0 / 13 / 19

HEX #B7CEB4

RGB 183 206 180

HSL 113.08, 0.21%, 0.76%

LAB 80.46, -12.6, 10.33

 

CMYK 10 / 0 / 25 / 32

HEX #9DAE83

RGB 157 174 131

HSL 83.72, 0.21%, 0.6%

LAB 68.81, -13.64, 20.15

 

CMYK 7 / 0 / 18 / 25

HEX #B1BE9B

RGB 177 190 155

HSL 82.29, 0.21%, 0.68%

LAB 75.16, -10.72, 16.19

 

CMYK 5 / 0 / 13 / 19

HEX #C4CEB4

RGB 196 206 180

HSL 83.08, 0.21%, 0.76%

LAB 81.39, -8.04, 11.77

 

CMYK 3 / 0 / 8 / 13

HEX #D8DECD

RGB 216 222 205

HSL 81.18, 0.2%, 0.84%

LAB 87.61, -5.03, 7.63

 

CMYK 1 / 0 / 4 / 6

HEX #ECEFE6

RGB 236 239 230

HSL 80, 0.22%, 0.92%

LAB 94, -2.58, 3.99

 

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

CMYK 13 / 0 / 5 / 19

HEX #B4CEC3

RGB 180 206 195

HSL 154.62, 0.21%, 0.76%

LAB 80.62, -10.84, 2.52

 

CMYK 0 / 13 / 0 / 19

HEX #CEB4CE

RGB 206 180 206

HSL 300, 0.21%, 0.76%

LAB 76.2, 13.89, -9.69

 

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

CMYK 13 / 5 / 0 / 19

HEX #B4C4CE

RGB 180 196 206

HSL 203.08, 0.21%, 0.76%

LAB 78.25, -3.43, -6.87

 

CMYK 0 / 13 / 5 / 19

HEX #CEB4C4

RGB 206 180 196

HSL 323.08, 0.21%, 0.76%

LAB 75.92, 12.07, -4.67

 

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

CMYK 13 / 0 / 5 / 19

HEX #B4CEC3

RGB 180 206 195

HSL 154.62, 0.21%, 0.76%

LAB 80.62, -10.84, 2.52

 

CMYK 8 / 13 / 0 / 19

HEX #BEB4CE

RGB 190 180 206

HSL 263.08, 0.21%, 0.76%

LAB 74.85, 8.48, -11.84

 

CMYK 0 / 13 / 7 / 19

HEX #CEB4BF

RGB 206 180 191

HSL 334.62, 0.21%, 0.76%

LAB 75.78, 11.18, -2.15

 

CMYK 5 / 0 / 13 / 19

HEX #C5CFB5

RGB 197 207 181

HSL 83.08, 0.21%, 0.76%

LAB 81.75, -8.03, 11.76

 

CMYK 13 / 0 / 1 / 19

HEX #B4CECB

RGB 180 206 203

HSL 173.08, 0.21%, 0.76%

LAB 80.83, -9.27, -1.46

 

CMYK 8 / 13 / 0 / 19

HEX #BEB4CE

RGB 190 180 206

HSL 263.08, 0.21%, 0.76%

LAB 74.85, 8.48, -11.84

 

CMYK 0 / 13 / 11 / 19

HEX #CEB4B7

RGB 206 180 183

HSL 353.08, 0.21%, 0.76%

LAB 75.57, 9.81, 1.9

 

Description

Color code: RGB 197 207 181 | qconv.com Color code: RGB 197 207 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 207 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 207 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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