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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 53 216 it is the complementary color RGB 58 202 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 53 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 53 216 shade: RGB 202 53 211, RGB 219 71 230, RGB 236 89 249, RGB 253 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 53 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 180 35 197, RGB 163 17 178, RGB 146 0 159 and RGB 129 0 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 216 53 191, RGB 216 53 147, RGB 216 53 103 and RGB 216 53 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 153 53 216, RGB 109 53 216, RGB 65 53 216 and RGB 53 53 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 53 216 shade matches the following richer shades: RGB 197 53 216 and RGB 212 34 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 182 73 197, RGB 167 92 177, RGB 153 111 158 and RGB 138 131 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 53 216 shade: RGB 110 53 216, RGB 154 53 216, RGB 197 53 216, RGB 216 53 192 and RGB 216 53 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 53 216 shade: RGB 142 30 157, RGB 174 36 192, RGB 197 53 216, RGB 207 88 223 and RGB 217 122 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 216 67 53 and RGB 53 216 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 216 197 53 and RGB 53 216 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 216 67 53, RGB 72 216 53 and RGB 53 203 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 53 216 shade: RGB 197 53 216, RGB 216 116 53, RGB 72 216 53 and RGB 53 154 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

Complementary color

CMYK 71 / 0 / 81 / 21

HEX #3ACA27

RGB 58 202 39

HSL 113.01, 0.68%, 0.47%

LAB 71.75, -65.61, 64.01

 

CMYK 4 / 75 / 0 / 17

HEX #CA35D3

RGB 202 53 211

HSL 296.58, 0.64%, 0.52%

LAB 51.62, 74.9, -50.5

 

CMYK 5 / 69 / 0 / 10

HEX #DB47E6

RGB 219 71 230

HSL 295.85, 0.76%, 0.59%

LAB 57.35, 75.7, -51.98

 

CMYK 5 / 64 / 0 / 2

HEX #EC59F9

RGB 236 89 249

HSL 295.13, 0.93%, 0.66%

LAB 63.19, 75.98, -53.12

 

CMYK 1 / 58 / 0 / 0

HEX #FD6BFF

RGB 253 107 255

HSL 299.19, 1%, 0.71%

LAB 68.47, 73.71, -47.91

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 9 / 82 / 0 / 23

HEX #B423C5

RGB 180 35 197

HSL 293.7, 0.7%, 0.45%

LAB 45.55, 73.25, -52.34

 

CMYK 8 / 90 / 0 / 30

HEX #A311B2

RGB 163 17 178

HSL 294.41, 0.83%, 0.38%

LAB 40.25, 70.66, -49.86

 

CMYK 8 / 100 / 0 / 38

HEX #92009F

RGB 146 0 159

HSL 295.09, 1%, 0.31%

LAB 35.23, 66.9, -46.7

 

CMYK 8 / 100 / 0 / 45

HEX #81008C

RGB 129 0 140

HSL 295.29, 1%, 0.27%

LAB 30.78, 61.05, -42.37

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 0 / 75 / 32 / 15

HEX #D83593

RGB 216 53 147

HSL 325.4, 0.68%, 0.53%

LAB 50.98, 69.19, -13.91

 

CMYK 0 / 75 / 52 / 15

HEX #D83567

RGB 216 53 103

HSL 341.6, 0.68%, 0.53%

LAB 49.65, 65.02, 10.72

 

CMYK 0 / 75 / 73 / 15

HEX #D8353B

RGB 216 53 59

HSL 357.79, 0.68%, 0.53%

LAB 48.84, 62.41, 36.07

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 29 / 75 / 0 / 15

HEX #9935D8

RGB 153 53 216

HSL 276.81, 0.68%, 0.53%

LAB 44.63, 66.57, -65

 

CMYK 50 / 75 / 0 / 15

HEX #6D35D8

RGB 109 53 216

HSL 260.61, 0.68%, 0.53%

LAB 39.17, 59.49, -74.14

 

CMYK 70 / 75 / 0 / 15

HEX #4135D8

RGB 65 53 216

HSL 244.42, 0.68%, 0.53%

LAB 35.26, 54.26, -80.71

 

CMYK 75 / 75 / 0 / 15

HEX #3535D8

RGB 53 53 216

HSL 240, 0.68%, 0.53%

LAB 34.52, 53.25, -81.95

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 10 / 86 / 0 / 7

HEX #D422EC

RGB 212 34 236

HSL 292.87, 0.84%, 0.53%

LAB 53.16, 85.31, -62.11

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 8 / 63 / 0 / 23

HEX #B649C5

RGB 182 73 197

HSL 292.74, 0.52%, 0.53%

LAB 50.38, 60.8, -44.6

 

CMYK 6 / 48 / 0 / 31

HEX #A75CB1

RGB 167 92 177

HSL 292.94, 0.35%, 0.53%

LAB 50.74, 43.83, -32.58

 

CMYK 3 / 30 / 0 / 38

HEX #996F9E

RGB 153 111 158

HSL 293.62, 0.2%, 0.53%

LAB 52.52, 24.98, -18.88

 

CMYK 1 / 6 / 0 / 45

HEX #8A838B

RGB 138 131 139

HSL 292.5, 0.03%, 0.53%

LAB 55.58, 4.19, -3.36

 

CMYK 49 / 75 / 0 / 15

HEX #6E35D8

RGB 110 53 216

HSL 260.98, 0.68%, 0.53%

LAB 39.27, 59.63, -73.96

 

CMYK 29 / 75 / 0 / 15

HEX #9A35D8

RGB 154 53 216

HSL 277.18, 0.68%, 0.53%

LAB 44.76, 66.74, -64.77

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 75 / 11 / 15

HEX #D835C0

RGB 216 53 192

HSL 308.83, 0.68%, 0.53%

LAB 52.9, 74.92, -37.4

 

CMYK 0 / 75 / 31 / 15

HEX #D83594

RGB 216 53 148

HSL 325.03, 0.68%, 0.53%

LAB 51.02, 69.3, -14.45

 

CMYK 10 / 81 / 0 / 38

HEX #8E1E9D

RGB 142 30 157

HSL 292.91, 0.68%, 0.37%

LAB 36.2, 60.55, -43.96

 

CMYK 9 / 81 / 0 / 25

HEX #AE24C0

RGB 174 36 192

HSL 293.08, 0.68%, 0.45%

LAB 44.33, 71.07, -51.44

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 7 / 61 / 0 / 13

HEX #CF58DF

RGB 207 88 223

HSL 292.89, 0.68%, 0.61%

LAB 57.63, 65.1, -47.7

 

CMYK 5 / 47 / 0 / 10

HEX #D97AE5

RGB 217 122 229

HSL 293.27, 0.67%, 0.69%

LAB 65.22, 52.77, -39.02

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 69 / 75 / 15

HEX #D84335

RGB 216 67 53

HSL 5.15, 0.68%, 0.53%

LAB 50.54, 57.27, 41.33

 

CMYK 75 / 0 / 39 / 15

HEX #35D884

RGB 53 216 132

HSL 149.08, 0.68%, 0.53%

LAB 77, -59.72, 29.94

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 9 / 75 / 15

HEX #D8C535

RGB 216 197 53

HSL 53.01, 0.68%, 0.53%

LAB 78.92, -8.41, 69.49

 

CMYK 75 / 0 / 9 / 15

HEX #35D8C5

RGB 53 216 197

HSL 173.01, 0.68%, 0.53%

LAB 78.4, -44.81, -2.4

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 69 / 75 / 15

HEX #D84335

RGB 216 67 53

HSL 5.15, 0.68%, 0.53%

LAB 50.54, 57.27, 41.33

 

CMYK 67 / 0 / 75 / 15

HEX #48D835

RGB 72 216 53

HSL 113.01, 0.68%, 0.53%

LAB 76.53, -66.63, 64.46

 

CMYK 75 / 6 / 0 / 15

HEX #35CBD8

RGB 53 203 216

HSL 184.79, 0.68%, 0.53%

LAB 75.09, -33.52, -17.55

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 46 / 75 / 15

HEX #D87435

RGB 216 116 53

HSL 23.19, 0.68%, 0.53%

LAB 59.29, 34.54, 50.5

 

CMYK 67 / 0 / 75 / 15

HEX #48D835

RGB 72 216 53

HSL 113.01, 0.68%, 0.53%

LAB 76.53, -66.63, 64.46

 

CMYK 75 / 29 / 0 / 15

HEX #359AD8

RGB 53 154 216

HSL 202.82, 0.68%, 0.53%

LAB 60.63, -8.16, -39.83

 

Description

Color code: RGB 197 53 216 | qconv.com Color code: RGB 197 53 216 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 53 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 53 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 75 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 75% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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